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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BE27E it is the complementary color #B41D81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BE27E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BE27E shade: #50E279, #61F48C, #72FF9F, #83FFB2 and #94FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BE27E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BE27E shade: #4BE27E, #3AD06B, #29BE58, #18AC45 and #079A32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BE27E shade: #4BE27E, #4BE255, #6AE24B, #92E24B and #BBE24B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BE27E shade: #4BE27E, #4BE2A7, #4BE2CF, #4BCCE2 and #4BA3E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BE27E shade matches the following richer shades: #4BE27E and #3AF379

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BE27E shade: #4BE27E, #5CD184, #6DC089, #7EAF8E and #8F9E94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BE27E shade: #69E24B, #4BE255, #4BE27D, #4BE2A6 and #4BE2CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BE27E shade: #1FBC54, #28DC65, #4BE27E, #6FE897 and #92EDB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BE27E shade: #4BE27E, #4B91E2 and #E24B55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BE27E shade: #4BE27E, #7D4BE2 and #E27D4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BE27E shade: #4BE27E, #4B91E2, #E24BB0 and #E29B4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BE27E shade: #4BE27E, #4B64E2, #E24BB0 and #E2C94B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 44 / 11

HEX #4BE27E

RGB 75 226 126

HSL 140.26, 0.72%, 0.59%

LAB 80.4, -61.06, 37.48

 

Complementary color

CMYK 0 / 84 / 28 / 29

HEX #B41D81

RGB 180 29 129

HSL 320.26, 0.72%, 0.41%

LAB 41.48, 64.83, -18.07

 

CMYK 65 / 0 / 46 / 11

HEX #50E279

RGB 80 226 121

HSL 136.85, 0.72%, 0.6%

LAB 80.45, -60.94, 40.03

 

CMYK 60 / 0 / 43 / 4

HEX #61F48C

RGB 97 244 140

HSL 137.55, 0.87%, 0.67%

LAB 86.57, -61.24, 38.63

 

CMYK 55 / 0 / 38 / 0

HEX #72FF9F

RGB 114 255 159

HSL 139.15, 1%, 0.72%

LAB 90.6, -58.67, 34.59

 

CMYK 49 / 0 / 30 / 0

HEX #83FFB2

RGB 131 255 178

HSL 142.74, 1%, 0.76%

LAB 91.49, -51.36, 26.36

 

CMYK 42 / 0 / 23 / 0

HEX #94FFC5

RGB 148 255 197

HSL 147.48, 1%, 0.79%

LAB 92.51, -43.48, 18.2

 

CMYK 67 / 0 / 44 / 11

HEX #4BE27E

RGB 75 226 126

HSL 140.26, 0.72%, 0.59%

LAB 80.4, -61.06, 37.48

 

CMYK 72 / 0 / 49 / 18

HEX #3AD06B

RGB 58 208 107

HSL 139.6, 0.61%, 0.52%

LAB 74.24, -60.45, 38.98

 

CMYK 78 / 0 / 54 / 25

HEX #29BE58

RGB 41 190 88

HSL 138.93, 0.65%, 0.45%

LAB 68.02, -59.47, 40.54

 

CMYK 86 / 0 / 60 / 33

HEX #18AC45

RGB 24 172 69

HSL 138.24, 0.76%, 0.38%

LAB 61.77, -57.95, 42.1

 

CMYK 95 / 0 / 68 / 40

HEX #079A32

RGB 7 154 50

HSL 137.55, 0.91%, 0.32%

LAB 55.47, -55.7, 43.53

 

CMYK 67 / 0 / 44 / 11

HEX #4BE27E

RGB 75 226 126

HSL 140.26, 0.72%, 0.59%

LAB 80.4, -61.06, 37.48

 

CMYK 67 / 0 / 62 / 11

HEX #4BE255

RGB 75 226 85

HSL 123.97, 0.72%, 0.59%

LAB 79.92, -66.58, 55.95

 

CMYK 53 / 0 / 67 / 11

HEX #6AE24B

RGB 106 226 75

HSL 107.68, 0.72%, 0.59%

LAB 80.72, -60.54, 61.15

 

CMYK 35 / 0 / 67 / 11

HEX #92E24B

RGB 146 226 75

HSL 91.79, 0.72%, 0.59%

LAB 82.39, -48.38, 63.42

 

CMYK 17 / 0 / 67 / 11

HEX #BBE24B

RGB 187 226 75

HSL 75.5, 0.72%, 0.59%

LAB 84.72, -33.34, 66.58

 

CMYK 67 / 0 / 44 / 11

HEX #4BE27E

RGB 75 226 126

HSL 140.26, 0.72%, 0.59%

LAB 80.4, -61.06, 37.48

 

CMYK 67 / 0 / 26 / 11

HEX #4BE2A7

RGB 75 226 167

HSL 156.56, 0.72%, 0.59%

LAB 81.11, -53.27, 17.44

 

CMYK 67 / 0 / 8 / 11

HEX #4BE2CF

RGB 75 226 207

HSL 172.45, 0.72%, 0.59%

LAB 82.05, -43.74, -2.32

 

CMYK 67 / 10 / 0 / 11

HEX #4BCCE2

RGB 75 204 226

HSL 188.74, 0.72%, 0.59%

LAB 76.18, -28.25, -21.26

 

CMYK 67 / 28 / 0 / 11

HEX #4BA3E2

RGB 75 163 226

HSL 205.03, 0.72%, 0.59%

LAB 64.31, -6.76, -39.56

 

CMYK 67 / 0 / 44 / 11

HEX #4BE27E

RGB 75 226 126

HSL 140.26, 0.72%, 0.59%

LAB 80.4, -61.06, 37.48

 

CMYK 76 / 0 / 50 / 5

HEX #3AF379

RGB 58 243 121

HSL 140.43, 0.89%, 0.59%

LAB 85.19, -70.27, 45.88

 

CMYK 67 / 0 / 44 / 11

HEX #4BE27E

RGB 75 226 126

HSL 140.26, 0.72%, 0.59%

LAB 80.4, -61.06, 37.48

 

CMYK 56 / 0 / 37 / 18

HEX #5CD184

RGB 92 209 132

HSL 140.51, 0.56%, 0.59%

LAB 75.79, -50.06, 28.49

 

CMYK 43 / 0 / 29 / 25

HEX #6DC089

RGB 109 192 137

HSL 140.24, 0.4%, 0.59%

LAB 71.39, -37.49, 20.02

 

CMYK 28 / 0 / 19 / 31

HEX #7EAF8E

RGB 126 175 142

HSL 139.59, 0.23%, 0.59%

LAB 67.31, -23.21, 11.76

 

CMYK 9 / 0 / 6 / 38

HEX #8F9E94

RGB 143 158 148

HSL 140, 0.07%, 0.59%

LAB 63.7, -7.31, 3.4

 

CMYK 54 / 0 / 67 / 11

HEX #69E24B

RGB 105 226 75

HSL 108.08, 0.72%, 0.59%

LAB 80.69, -60.8, 61.1

 

CMYK 67 / 0 / 62 / 11

HEX #4BE255

RGB 75 226 85

HSL 123.97, 0.72%, 0.59%

LAB 79.92, -66.58, 55.95

 

CMYK 67 / 0 / 45 / 11

HEX #4BE27D

RGB 75 226 125

HSL 139.87, 0.72%, 0.59%

LAB 80.39, -61.22, 37.96

 

CMYK 67 / 0 / 27 / 11

HEX #4BE2A6

RGB 75 226 166

HSL 156.16, 0.72%, 0.59%

LAB 81.09, -53.49, 17.94

 

CMYK 67 / 0 / 9 / 11

HEX #4BE2CE

RGB 75 226 206

HSL 172.05, 0.72%, 0.59%

LAB 82.03, -44, -1.83

 

CMYK 84 / 0 / 55 / 26

HEX #1FBC54

RGB 31 188 84

HSL 140.25, 0.72%, 0.43%

LAB 67.2, -60.49, 41.44

 

CMYK 82 / 0 / 54 / 14

HEX #28DC65

RGB 40 220 101

HSL 140.33, 0.72%, 0.51%

LAB 77.62, -67.66, 45.98

 

CMYK 67 / 0 / 44 / 11

HEX #4BE27E

RGB 75 226 126

HSL 140.26, 0.72%, 0.59%

LAB 80.4, -61.06, 37.48

 

CMYK 52 / 0 / 35 / 9

HEX #6FE897

RGB 111 232 151

HSL 139.83, 0.72%, 0.67%

LAB 83.61, -51.59, 29.3

 

CMYK 38 / 0 / 25 / 7

HEX #92EDB1

RGB 146 237 177

HSL 140.44, 0.72%, 0.75%

LAB 86.93, -39.82, 20.69

 

CMYK 67 / 0 / 44 / 11

HEX #4BE27E

RGB 75 226 126

HSL 140.26, 0.72%, 0.59%

LAB 80.4, -61.06, 37.48

 

CMYK 67 / 36 / 0 / 11

HEX #4B91E2

RGB 75 145 226

HSL 212.19, 0.72%, 0.59%

LAB 59.19, 3.57, -47.61

 

CMYK 0 / 67 / 62 / 11

HEX #E24B55

RGB 226 75 85

HSL 356.03, 0.72%, 0.59%

LAB 53.87, 58.96, 27.49

 

CMYK 67 / 0 / 44 / 11

HEX #4BE27E

RGB 75 226 126

HSL 140.26, 0.72%, 0.59%

LAB 80.4, -61.06, 37.48

 

CMYK 45 / 67 / 0 / 11

HEX #7D4BE2

RGB 125 75 226

HSL 259.87, 0.72%, 0.59%

LAB 45.47, 54.1, -69.47

 

CMYK 0 / 45 / 67 / 11

HEX #E27D4B

RGB 226 125 75

HSL 19.87, 0.72%, 0.59%

LAB 62.8, 34.95, 43.85

 

CMYK 67 / 0 / 44 / 11

HEX #4BE27E

RGB 75 226 126

HSL 140.26, 0.72%, 0.59%

LAB 80.4, -61.06, 37.48

 

CMYK 67 / 36 / 0 / 11

HEX #4B91E2

RGB 75 145 226

HSL 212.19, 0.72%, 0.59%

LAB 59.19, 3.57, -47.61

 

CMYK 0 / 67 / 22 / 11

HEX #E24BB0

RGB 226 75 176

HSL 319.87, 0.72%, 0.59%

LAB 56.42, 67.82, -22.52

 

CMYK 0 / 31 / 67 / 11

HEX #E29B4B

RGB 226 155 75

HSL 31.79, 0.72%, 0.59%

LAB 69.55, 19.06, 51.45

 

CMYK 67 / 0 / 44 / 11

HEX #4BE27E

RGB 75 226 126

HSL 140.26, 0.72%, 0.59%

LAB 80.4, -61.06, 37.48

 

CMYK 67 / 56 / 0 / 11

HEX #4B64E2

RGB 75 100 226

HSL 230.07, 0.72%, 0.59%

LAB 47.11, 31.15, -66.99

 

CMYK 0 / 67 / 22 / 11

HEX #E24BB0

RGB 226 75 176

HSL 319.87, 0.72%, 0.59%

LAB 56.42, 67.82, -22.52

 

CMYK 0 / 11 / 67 / 11

HEX #E2C94B

RGB 226 201 75

HSL 50.07, 0.72%, 0.59%

LAB 80.99, -5.17, 63.66

 

Description

Color code: HEX #4BE27E | qconv.com Color code: HEX #4BE27E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 226 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 226 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 44 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 44% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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