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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BE04D it is the complementary color #B41FB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BE04D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BE04D shade: #50E048, #61F25B, #72FF6E, #83FF81 and #94FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BE04D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BE04D shade: #4BE04D, #3ACE3A, #29BC27, #18AA14 and #079801

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BE04D shade: #4CE14E, #72E14C, #9AE14C, #C2E14C and #E1D74C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BE04D shade: #4CE14E, #4CE176, #4CE19E, #4CE1C6 and #4CD3E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BE04D shade matches the following richer shades: #4CE14E and #3BF23E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BE04D shade: #4CE14E, #5DD05F, #6EBF6F, #7FAE80 and #909D90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BE04D shade: #9BE14C, #74E14C, #4CE14C, #4CE174 and #4CE19B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BE04D shade: #20BB22, #29DB2B, #4CE14E, #6FE771 and #93ED94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BE04D shade: #4BE04D, #4CC3E1 and #E14C88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BE04D shade: #4BE04D, #4C4CE1 and #E14C4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BE04D shade: #4BE04D, #4CC3E1, #E14CE1 and #E16A4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BE04D shade: #4BE04D, #4C96E1, #E14CE1 and #E1964C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 66 / 12

HEX #4BE04D

RGB 75 224 77

HSL 120.81, 0.71%, 0.59%

LAB 79.24, -66.72, 58.5

 

Complementary color

CMYK 0 / 83 / 1 / 29

HEX #B41FB2

RGB 180 31 178

HSL 300.81, 0.71%, 0.41%

LAB 44.09, 71.1, -43.55

 

CMYK 64 / 0 / 68 / 12

HEX #50E048

RGB 80 224 72

HSL 116.84, 0.71%, 0.58%

LAB 79.32, -66.19, 60.59

 

CMYK 60 / 0 / 62 / 5

HEX #61F25B

RGB 97 242 91

HSL 117.62, 0.85%, 0.65%

LAB 85.4, -66.91, 59.72

 

CMYK 55 / 0 / 57 / 0

HEX #72FF6E

RGB 114 255 110

HSL 118.34, 1%, 0.72%

LAB 89.96, -65.56, 56.94

 

CMYK 49 / 0 / 49 / 0

HEX #83FF81

RGB 131 255 129

HSL 119.05, 1%, 0.75%

LAB 90.75, -58.98, 49.4

 

CMYK 42 / 0 / 42 / 0

HEX #94FF94

RGB 148 255 148

HSL 120, 1%, 0.79%

LAB 91.66, -51.7, 41.63

 

CMYK 67 / 0 / 66 / 12

HEX #4BE04D

RGB 75 224 77

HSL 120.81, 0.71%, 0.59%

LAB 79.24, -66.72, 58.5

 

CMYK 72 / 0 / 72 / 19

HEX #3ACE3A

RGB 58 206 58

HSL 120, 0.6%, 0.52%

LAB 73.12, -65.58, 59.23

 

CMYK 78 / 0 / 79 / 26

HEX #29BC27

RGB 41 188 39

HSL 119.19, 0.66%, 0.45%

LAB 66.96, -63.9, 59.39

 

CMYK 86 / 0 / 88 / 33

HEX #18AA14

RGB 24 170 20

HSL 118.4, 0.79%, 0.37%

LAB 60.78, -61.47, 58.56

 

CMYK 95 / 0 / 99 / 40

HEX #079801

RGB 7 152 1

HSL 117.62, 0.99%, 0.3%

LAB 54.56, -58.12, 56.43

 

CMYK 66 / 0 / 65 / 12

HEX #4CE14E

RGB 76 225 78

HSL 120.81, 0.71%, 0.59%

LAB 79.58, -66.76, 58.47

 

CMYK 49 / 0 / 66 / 12

HEX #72E14C

RGB 114 225 76

HSL 104.7, 0.71%, 0.59%

LAB 80.71, -57.9, 60.83

 

CMYK 32 / 0 / 66 / 12

HEX #9AE14C

RGB 154 225 76

HSL 88.59, 0.71%, 0.59%

LAB 82.51, -45.12, 63.28

 

CMYK 14 / 0 / 66 / 12

HEX #C2E14C

RGB 194 225 76

HSL 72.48, 0.71%, 0.59%

LAB 84.92, -30.07, 66.54

 

CMYK 0 / 4 / 66 / 12

HEX #E1D74C

RGB 225 215 76

HSL 55.97, 0.71%, 0.59%

LAB 84.55, -12.61, 66.9

 

CMYK 66 / 0 / 65 / 12

HEX #4CE14E

RGB 76 225 78

HSL 120.81, 0.71%, 0.59%

LAB 79.58, -66.76, 58.47

 

CMYK 66 / 0 / 48 / 12

HEX #4CE176

RGB 76 225 118

HSL 136.91, 0.71%, 0.59%

LAB 80.01, -61.78, 40.92

 

CMYK 66 / 0 / 30 / 12

HEX #4CE19E

RGB 76 225 158

HSL 153.02, 0.71%, 0.59%

LAB 80.66, -54.61, 21.51

 

CMYK 66 / 0 / 12 / 12

HEX #4CE1C6

RGB 76 225 198

HSL 169.13, 0.71%, 0.59%

LAB 81.55, -45.45, 1.71

 

CMYK 66 / 6 / 0 / 12

HEX #4CD3E1

RGB 76 211 225

HSL 185.64, 0.71%, 0.59%

LAB 78.21, -31.78, -17.65

 

CMYK 66 / 0 / 65 / 12

HEX #4CE14E

RGB 76 225 78

HSL 120.81, 0.71%, 0.59%

LAB 79.58, -66.76, 58.47

 

CMYK 76 / 0 / 74 / 5

HEX #3BF23E

RGB 59 242 62

HSL 120.98, 0.88%, 0.59%

LAB 84.37, -76.22, 69.2

 

CMYK 66 / 0 / 65 / 12

HEX #4CE14E

RGB 76 225 78

HSL 120.81, 0.71%, 0.59%

LAB 79.58, -66.76, 58.47

 

CMYK 55 / 0 / 54 / 18

HEX #5DD05F

RGB 93 208 95

HSL 121.04, 0.55%, 0.59%

LAB 74.99, -55.08, 45.9

 

CMYK 42 / 0 / 42 / 25

HEX #6EBF6F

RGB 110 191 111

HSL 120.74, 0.39%, 0.59%

LAB 70.68, -41.21, 32.77

 

CMYK 27 / 0 / 26 / 32

HEX #7FAE80

RGB 127 174 128

HSL 121.28, 0.22%, 0.59%

LAB 66.78, -24.98, 18.69

 

CMYK 8 / 0 / 8 / 38

HEX #909D90

RGB 144 157 144

HSL 120, 0.06%, 0.59%

LAB 63.39, -7.17, 5.21

 

CMYK 31 / 0 / 66 / 12

HEX #9BE14C

RGB 155 225 76

HSL 88.19, 0.71%, 0.59%

LAB 82.56, -44.76, 63.36

 

CMYK 48 / 0 / 66 / 12

HEX #74E14C

RGB 116 225 76

HSL 103.89, 0.71%, 0.59%

LAB 80.79, -57.33, 60.94

 

CMYK 66 / 0 / 66 / 12

HEX #4CE14C

RGB 76 225 76

HSL 120, 0.71%, 0.59%

LAB 79.56, -66.95, 59.26

 

CMYK 66 / 0 / 48 / 12

HEX #4CE174

RGB 76 225 116

HSL 136.11, 0.71%, 0.59%

LAB 79.98, -62.08, 41.86

 

CMYK 66 / 0 / 31 / 12

HEX #4CE19B

RGB 76 225 155

HSL 151.81, 0.71%, 0.59%

LAB 80.6, -55.22, 22.99

 

CMYK 83 / 0 / 82 / 27

HEX #20BB22

RGB 32 187 34

HSL 120.77, 0.71%, 0.43%

LAB 66.49, -65, 60.35

 

CMYK 81 / 0 / 80 / 14

HEX #29DB2B

RGB 41 219 43

HSL 120.67, 0.71%, 0.51%

LAB 76.87, -72.89, 67.58

 

CMYK 66 / 0 / 65 / 12

HEX #4CE14E

RGB 76 225 78

HSL 120.81, 0.71%, 0.59%

LAB 79.58, -66.76, 58.47

 

CMYK 52 / 0 / 51 / 9

HEX #6FE771

RGB 111 231 113

HSL 121, 0.71%, 0.67%

LAB 82.77, -57.01, 46.96

 

CMYK 38 / 0 / 38 / 7

HEX #93ED94

RGB 147 237 148

HSL 120.67, 0.71%, 0.75%

LAB 86.46, -44.4, 34.85

 

CMYK 67 / 0 / 66 / 12

HEX #4BE04D

RGB 75 224 77

HSL 120.81, 0.71%, 0.59%

LAB 79.24, -66.72, 58.5

 

CMYK 66 / 13 / 0 / 12

HEX #4CC3E1

RGB 76 195 225

HSL 192.08, 0.71%, 0.59%

LAB 73.55, -23.93, -24.72

 

CMYK 0 / 66 / 40 / 12

HEX #E14C88

RGB 225 76 136

HSL 335.84, 0.71%, 0.59%

LAB 55.02, 62.46, -1.17

 

CMYK 67 / 0 / 66 / 12

HEX #4BE04D

RGB 75 224 77

HSL 120.81, 0.71%, 0.59%

LAB 79.24, -66.72, 58.5

 

CMYK 66 / 66 / 0 / 12

HEX #4C4CE1

RGB 76 76 225

HSL 240, 0.71%, 0.59%

LAB 41.44, 45.56, -75.66

 

CMYK 0 / 66 / 66 / 12

HEX #E14C4C

RGB 225 76 76

HSL 0, 0.71%, 0.59%

LAB 53.71, 57.72, 32.47

 

CMYK 67 / 0 / 66 / 12

HEX #4BE04D

RGB 75 224 77

HSL 120.81, 0.71%, 0.59%

LAB 79.24, -66.72, 58.5

 

CMYK 66 / 13 / 0 / 12

HEX #4CC3E1

RGB 76 195 225

HSL 192.08, 0.71%, 0.59%

LAB 73.55, -23.93, -24.72

 

CMYK 0 / 66 / 0 / 12

HEX #E14CE1

RGB 225 76 225

HSL 300, 0.71%, 0.59%

LAB 58.61, 74.41, -47.1

 

CMYK 0 / 53 / 66 / 12

HEX #E16A4C

RGB 225 106 76

HSL 12.08, 0.71%, 0.59%

LAB 58.82, 44.24, 38.65

 

CMYK 67 / 0 / 66 / 12

HEX #4BE04D

RGB 75 224 77

HSL 120.81, 0.71%, 0.59%

LAB 79.24, -66.72, 58.5

 

CMYK 66 / 33 / 0 / 12

HEX #4C96E1

RGB 76 150 225

HSL 210.2, 0.71%, 0.59%

LAB 60.59, 0.47, -44.84

 

CMYK 0 / 66 / 0 / 12

HEX #E14CE1

RGB 225 76 225

HSL 300, 0.71%, 0.59%

LAB 58.61, 74.41, -47.1

 

CMYK 0 / 33 / 66 / 12

HEX #E1964C

RGB 225 150 76

HSL 29.8, 0.71%, 0.59%

LAB 68.27, 21.37, 49.52

 

Description

Color code: HEX #4BE04D | qconv.com Color code: HEX #4BE04D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 224 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 224 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 66 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 66% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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