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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BDD99 it is the complementary color #B42266. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BDD99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BDD99 shade: #50DD94, #61EFA7, #72FFBA, #83FFCD and #94FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BDD99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BDD99 shade: #4BDD99, #3ACB86, #29B973, #18A760 and #07954D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BDD99 shade: #4BDD99, #4BDD72, #4CDD4B, #73DD4B and #9ADD4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BDD99 shade: #4BDD99, #4BDDC0, #4BD2DD, #4BABDD and #4B83DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BDD99 shade matches the following richer shades: #4BDD99 and #3AEE9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BDD99 shade: #4BDD99, #5CCB98, #6EBA97, #7FA995 and #909794

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BDD99 shade: #4BDD4B, #4BDD72, #4BDD99, #4BDDC0 and #4BD3DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BDD99 shade: #22B370, #29D685, #4BDD99, #6EE3AD and #90EAC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BDD99 shade: #4BDD99, #4B72DD and #DD5E4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BDD99 shade: #4BDD99, #994BDD and #DD994B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BDD99 shade: #4BDD99, #4B72DD, #DD4B8F and #DDB64B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BDD99 shade: #4BDD99, #504BDD, #DD4B8F and #D8DD4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 31 / 13

HEX #4BDD99

RGB 75 221 153

HSL 152.05, 0.68%, 0.58%

LAB 79.33, -54.23, 22.29

 

Complementary color

CMYK 0 / 81 / 43 / 29

HEX #B42266

RGB 180 34 102

HSL 332.05, 0.68%, 0.42%

LAB 40.91, 60.74, -2.1

 

CMYK 64 / 0 / 33 / 13

HEX #50DD94

RGB 80 221 148

HSL 148.94, 0.67%, 0.59%

LAB 79.36, -54.34, 24.95

 

CMYK 59 / 0 / 30 / 6

HEX #61EFA7

RGB 97 239 167

HSL 149.58, 0.82%, 0.66%

LAB 85.54, -54.5, 23.65

 

CMYK 55 / 0 / 27 / 0

HEX #72FFBA

RGB 114 255 186

HSL 150.64, 1%, 0.72%

LAB 91.07, -53.73, 21.63

 

CMYK 49 / 0 / 20 / 0

HEX #83FFCD

RGB 131 255 205

HSL 155.81, 1%, 0.76%

LAB 92.02, -46.1, 13.31

 

CMYK 42 / 0 / 12 / 0

HEX #94FFE0

RGB 148 255 224

HSL 162.62, 1%, 0.79%

LAB 93.1, -37.97, 5.16

 

CMYK 66 / 0 / 31 / 13

HEX #4BDD99

RGB 75 221 153

HSL 152.05, 0.68%, 0.58%

LAB 79.33, -54.23, 22.29

 

CMYK 71 / 0 / 34 / 20

HEX #3ACB86

RGB 58 203 134

HSL 151.45, 0.58%, 0.51%

LAB 73.11, -53.78, 23.7

 

CMYK 78 / 0 / 38 / 27

HEX #29B973

RGB 41 185 115

HSL 150.83, 0.64%, 0.44%

LAB 66.83, -53.05, 25.24

 

CMYK 86 / 0 / 43 / 35

HEX #18A760

RGB 24 167 96

HSL 150.21, 0.75%, 0.37%

LAB 60.49, -51.89, 26.92

 

CMYK 95 / 0 / 48 / 42

HEX #07954D

RGB 7 149 77

HSL 149.58, 0.91%, 0.31%

LAB 54.11, -50.14, 28.75

 

CMYK 66 / 0 / 31 / 13

HEX #4BDD99

RGB 75 221 153

HSL 152.05, 0.68%, 0.58%

LAB 79.33, -54.23, 22.29

 

CMYK 66 / 0 / 48 / 13

HEX #4BDD72

RGB 75 221 114

HSL 136.03, 0.68%, 0.58%

LAB 78.71, -61.13, 41.23

 

CMYK 66 / 0 / 66 / 13

HEX #4CDD4B

RGB 76 221 75

HSL 119.59, 0.68%, 0.58%

LAB 78.32, -65.72, 58.31

 

CMYK 48 / 0 / 66 / 13

HEX #73DD4B

RGB 115 221 75

HSL 103.56, 0.68%, 0.58%

LAB 79.54, -56.18, 59.98

 

CMYK 30 / 0 / 66 / 13

HEX #9ADD4B

RGB 154 221 75

HSL 87.53, 0.68%, 0.58%

LAB 81.34, -43.47, 62.44

 

CMYK 66 / 0 / 31 / 13

HEX #4BDD99

RGB 75 221 153

HSL 152.05, 0.68%, 0.58%

LAB 79.33, -54.23, 22.29

 

CMYK 66 / 0 / 13 / 13

HEX #4BDDC0

RGB 75 221 192

HSL 168.08, 0.68%, 0.58%

LAB 80.19, -45.38, 2.92

 

CMYK 66 / 5 / 0 / 13

HEX #4BD2DD

RGB 75 210 221

HSL 184.52, 0.68%, 0.58%

LAB 77.76, -32.6, -16.17

 

CMYK 66 / 23 / 0 / 13

HEX #4BABDD

RGB 75 171 221

HSL 200.55, 0.68%, 0.58%

LAB 66.4, -12.8, -33.55

 

CMYK 66 / 41 / 0 / 13

HEX #4B83DD

RGB 75 131 221

HSL 216.99, 0.68%, 0.58%

LAB 55.02, 10.21, -51.45

 

CMYK 66 / 0 / 31 / 13

HEX #4BDD99

RGB 75 221 153

HSL 152.05, 0.68%, 0.58%

LAB 79.33, -54.23, 22.29

 

CMYK 76 / 0 / 35 / 7

HEX #3AEE9A

RGB 58 238 154

HSL 152, 0.84%, 0.58%

LAB 84.16, -62.91, 28.29

 

CMYK 66 / 0 / 31 / 13

HEX #4BDD99

RGB 75 221 153

HSL 152.05, 0.68%, 0.58%

LAB 79.33, -54.23, 22.29

 

CMYK 55 / 0 / 25 / 20

HEX #5CCB98

RGB 92 203 152

HSL 152.43, 0.52%, 0.58%

LAB 74.35, -43.66, 16

 

CMYK 41 / 0 / 19 / 27

HEX #6EBA97

RGB 110 186 151

HSL 152.37, 0.36%, 0.58%

LAB 69.94, -31.62, 10.43

 

CMYK 25 / 0 / 12 / 34

HEX #7FA995

RGB 127 169 149

HSL 151.43, 0.2%, 0.58%

LAB 65.79, -18.43, 5.73

 

CMYK 5 / 0 / 2 / 41

HEX #909794

RGB 144 151 148

HSL 154.29, 0.03%, 0.58%

LAB 61.83, -3.11, 0.69

 

CMYK 66 / 0 / 66 / 13

HEX #4BDD4B

RGB 75 221 75

HSL 120, 0.68%, 0.58%

LAB 78.3, -65.91, 58.28

 

CMYK 66 / 0 / 48 / 13

HEX #4BDD72

RGB 75 221 114

HSL 136.03, 0.68%, 0.58%

LAB 78.71, -61.13, 41.23

 

CMYK 66 / 0 / 31 / 13

HEX #4BDD99

RGB 75 221 153

HSL 152.05, 0.68%, 0.58%

LAB 79.33, -54.23, 22.29

 

CMYK 66 / 0 / 13 / 13

HEX #4BDDC0

RGB 75 221 192

HSL 168.08, 0.68%, 0.58%

LAB 80.19, -45.38, 2.92

 

CMYK 66 / 5 / 0 / 13

HEX #4BD3DD

RGB 75 211 221

HSL 184.11, 0.68%, 0.58%

LAB 78.05, -33.08, -15.73

 

CMYK 81 / 0 / 37 / 30

HEX #22B370

RGB 34 179 112

HSL 152.28, 0.68%, 0.42%

LAB 64.76, -52.2, 24.05

 

CMYK 81 / 0 / 38 / 16

HEX #29D685

RGB 41 214 133

HSL 151.91, 0.68%, 0.5%

LAB 76.23, -60.17, 28.36

 

CMYK 66 / 0 / 31 / 13

HEX #4BDD99

RGB 75 221 153

HSL 152.05, 0.68%, 0.58%

LAB 79.33, -54.23, 22.29

 

CMYK 52 / 0 / 24 / 11

HEX #6EE3AD

RGB 110 227 173

HSL 152.31, 0.68%, 0.66%

LAB 82.52, -45.53, 16.42

 

CMYK 38 / 0 / 18 / 8

HEX #90EAC0

RGB 144 234 192

HSL 152, 0.68%, 0.74%

LAB 86.3, -36.13, 12

 

CMYK 66 / 0 / 31 / 13

HEX #4BDD99

RGB 75 221 153

HSL 152.05, 0.68%, 0.58%

LAB 79.33, -54.23, 22.29

 

CMYK 66 / 48 / 0 / 13

HEX #4B72DD

RGB 75 114 221

HSL 223.97, 0.68%, 0.58%

LAB 50.39, 20.67, -58.85

 

CMYK 0 / 57 / 66 / 13

HEX #DD5E4B

RGB 221 94 75

HSL 7.81, 0.68%, 0.58%

LAB 55.97, 48.47, 35.64

 

CMYK 66 / 0 / 31 / 13

HEX #4BDD99

RGB 75 221 153

HSL 152.05, 0.68%, 0.58%

LAB 79.33, -54.23, 22.29

 

CMYK 31 / 66 / 0 / 13

HEX #994BDD

RGB 153 75 221

HSL 272.05, 0.68%, 0.58%

LAB 48.29, 58.34, -61.91

 

CMYK 0 / 31 / 66 / 13

HEX #DD994B

RGB 221 153 75

HSL 32.05, 0.68%, 0.58%

LAB 68.51, 18.03, 50.13

 

CMYK 66 / 0 / 31 / 13

HEX #4BDD99

RGB 75 221 153

HSL 152.05, 0.68%, 0.58%

LAB 79.33, -54.23, 22.29

 

CMYK 66 / 48 / 0 / 13

HEX #4B72DD

RGB 75 114 221

HSL 223.97, 0.68%, 0.58%

LAB 50.39, 20.67, -58.85

 

CMYK 0 / 66 / 35 / 13

HEX #DD4B8F

RGB 221 75 143

HSL 332.05, 0.68%, 0.58%

LAB 54.44, 62.44, -6.26

 

CMYK 0 / 18 / 66 / 13

HEX #DDB64B

RGB 221 182 75

HSL 43.97, 0.68%, 0.58%

LAB 75.66, 2.58, 57.91

 

CMYK 66 / 0 / 31 / 13

HEX #4BDD99

RGB 75 221 153

HSL 152.05, 0.68%, 0.58%

LAB 79.33, -54.23, 22.29

 

CMYK 64 / 66 / 0 / 13

HEX #504BDD

RGB 80 75 221

HSL 242.05, 0.68%, 0.58%

LAB 41.15, 45.38, -73.85

 

CMYK 0 / 66 / 35 / 13

HEX #DD4B8F

RGB 221 75 143

HSL 332.05, 0.68%, 0.58%

LAB 54.44, 62.44, -6.26

 

CMYK 2 / 0 / 66 / 13

HEX #D8DD4B

RGB 216 221 75

HSL 62.05, 0.68%, 0.58%

LAB 85.41, -19.35, 67.94

 

Description

Color code: HEX #4BDD99 | qconv.com Color code: HEX #4BDD99 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 221 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 221 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 31 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 31% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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