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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BDA97 it is the complementary color #B42568. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BDA97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BDA97 shade: #50DA92, #61ECA5, #72FEB8, #83FFCB and #94FFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BDA97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BDA97 shade: #4BDA97, #3AC884, #29B671, #18A45E and #07924B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BDA97 shade: #49DA96, #49DA6F, #4ADA49, #71DA49 and #98DA49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BDA97 shade: #49DA96, #49DABD, #49CFDA, #49A8DA and #4981DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BDA97 shade matches the following richer shades: #49DA96, #37EB97 and #25FD98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BDA97 shade: #49DA96, #5BC895, #6CB694, #7EA493 and #909391

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BDA97 shade: #4BDA49, #49DA6D, #49DA94, #49DABA and #49D2DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BDA97 shade: #23AD6C, #2ACF82, #49DA96, #6BE1AA and #8DE8BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BDA97 shade: #4BDA97, #4972DA and #DA5A49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BDA97 shade: #4BDA97, #9449DA and #DA9449

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BDA97 shade: #4BDA97, #4972DA, #DA498F and #DAB149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BDA97 shade: #4BDA97, #4B49DA, #DA498F and #D7DA49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 31 / 15

HEX #4BDA97

RGB 75 218 151

HSL 151.89, 0.66%, 0.57%

LAB 78.39, -53.45, 22.04

 

Complementary color

CMYK 0 / 79 / 42 / 29

HEX #B42568

RGB 180 37 104

HSL 331.89, 0.66%, 0.43%

LAB 41.26, 60.12, -2.85

 

CMYK 63 / 0 / 33 / 15

HEX #50DA92

RGB 80 218 146

HSL 148.7, 0.65%, 0.58%

LAB 78.42, -53.54, 24.71

 

CMYK 59 / 0 / 30 / 7

HEX #61ECA5

RGB 97 236 165

HSL 149.35, 0.79%, 0.65%

LAB 84.61, -53.69, 23.41

 

CMYK 55 / 0 / 28 / 0

HEX #72FEB8

RGB 114 254 184

HSL 150, 0.99%, 0.72%

LAB 90.74, -53.72, 22.2

 

CMYK 49 / 0 / 20 / 0

HEX #83FFCB

RGB 131 255 203

HSL 154.84, 1%, 0.76%

LAB 91.98, -46.51, 14.28

 

CMYK 42 / 0 / 13 / 0

HEX #94FFDE

RGB 148 255 222

HSL 161.5, 1%, 0.79%

LAB 93.05, -38.4, 6.12

 

CMYK 66 / 0 / 31 / 15

HEX #4BDA97

RGB 75 218 151

HSL 151.89, 0.66%, 0.57%

LAB 78.39, -53.45, 22.04

 

CMYK 71 / 0 / 34 / 22

HEX #3AC884

RGB 58 200 132

HSL 151.27, 0.56%, 0.51%

LAB 72.14, -53.03, 23.44

 

CMYK 77 / 0 / 38 / 29

HEX #29B671

RGB 41 182 113

HSL 150.64, 0.63%, 0.44%

LAB 65.84, -52.31, 24.98

 

CMYK 85 / 0 / 43 / 36

HEX #18A45E

RGB 24 164 94

HSL 150, 0.74%, 0.37%

LAB 59.48, -51.18, 26.66

 

CMYK 95 / 0 / 49 / 43

HEX #07924B

RGB 7 146 75

HSL 149.35, 0.91%, 0.3%

LAB 53.07, -49.44, 28.5

 

CMYK 67 / 0 / 31 / 15

HEX #49DA96

RGB 73 218 150

HSL 151.86, 0.66%, 0.57%

LAB 78.32, -53.99, 22.47

 

CMYK 67 / 0 / 49 / 15

HEX #49DA6F

RGB 73 218 111

HSL 135.72, 0.66%, 0.57%

LAB 77.7, -60.87, 41.43

 

CMYK 66 / 0 / 67 / 15

HEX #4ADA49

RGB 74 218 73

HSL 119.59, 0.66%, 0.57%

LAB 77.33, -65.29, 58.03

 

CMYK 48 / 0 / 67 / 15

HEX #71DA49

RGB 113 218 73

HSL 103.45, 0.66%, 0.57%

LAB 78.54, -55.78, 59.69

 

CMYK 30 / 0 / 67 / 15

HEX #98DA49

RGB 152 218 73

HSL 87.31, 0.66%, 0.57%

LAB 80.35, -43.04, 62.15

 

CMYK 67 / 0 / 31 / 15

HEX #49DA96

RGB 73 218 150

HSL 151.86, 0.66%, 0.57%

LAB 78.32, -53.99, 22.47

 

CMYK 67 / 0 / 13 / 15

HEX #49DABD

RGB 73 218 189

HSL 168, 0.66%, 0.57%

LAB 79.18, -45.14, 3.04

 

CMYK 67 / 5 / 0 / 15

HEX #49CFDA

RGB 73 207 218

HSL 184.55, 0.66%, 0.57%

LAB 76.74, -32.33, -16.1

 

CMYK 67 / 23 / 0 / 15

HEX #49A8DA

RGB 73 168 218

HSL 200.69, 0.66%, 0.57%

LAB 65.34, -12.46, -33.54

 

CMYK 67 / 41 / 0 / 15

HEX #4981DA

RGB 73 129 218

HSL 216.83, 0.66%, 0.57%

LAB 54.22, 10.06, -51.04

 

CMYK 67 / 0 / 31 / 15

HEX #49DA96

RGB 73 218 150

HSL 151.86, 0.66%, 0.57%

LAB 78.32, -53.99, 22.47

 

CMYK 77 / 0 / 36 / 8

HEX #37EB97

RGB 55 235 151

HSL 152, 0.82%, 0.57%

LAB 83.16, -62.76, 28.45

 

CMYK 85 / 0 / 40 / 1

HEX #25FD98

RGB 37 253 152

HSL 151.94, 0.98%, 0.57%

LAB 88.41, -70.53, 34.9

 

CMYK 67 / 0 / 31 / 15

HEX #49DA96

RGB 73 218 150

HSL 151.86, 0.66%, 0.57%

LAB 78.32, -53.99, 22.47

 

CMYK 55 / 0 / 26 / 22

HEX #5BC895

RGB 91 200 149

HSL 151.93, 0.5%, 0.57%

LAB 73.35, -43.22, 16.2

 

CMYK 41 / 0 / 19 / 29

HEX #6CB694

RGB 108 182 148

HSL 152.43, 0.34%, 0.57%

LAB 68.59, -30.92, 10.15

 

CMYK 23 / 0 / 10 / 36

HEX #7EA493

RGB 126 164 147

HSL 153.16, 0.17%, 0.57%

LAB 64.24, -16.57, 4.59

 

CMYK 2 / 0 / 1 / 42

HEX #909391

RGB 144 147 145

HSL 140, 0.01%, 0.57%

LAB 60.64, -1.48, 0.67

 

CMYK 66 / 0 / 67 / 15

HEX #4BDA49

RGB 75 218 73

HSL 119.17, 0.66%, 0.57%

LAB 77.35, -65.1, 58.06

 

CMYK 67 / 0 / 50 / 15

HEX #49DA6D

RGB 73 218 109

HSL 134.9, 0.66%, 0.57%

LAB 77.68, -61.17, 42.36

 

CMYK 67 / 0 / 32 / 15

HEX #49DA94

RGB 73 218 148

HSL 151.03, 0.66%, 0.57%

LAB 78.28, -54.4, 23.46

 

CMYK 67 / 0 / 15 / 15

HEX #49DABA

RGB 73 218 186

HSL 166.76, 0.66%, 0.57%

LAB 79.1, -45.89, 4.54

 

CMYK 67 / 4 / 0 / 15

HEX #49D2DA

RGB 73 210 218

HSL 183.31, 0.66%, 0.57%

LAB 77.62, -33.75, -14.78

 

CMYK 80 / 0 / 38 / 32

HEX #23AD6C

RGB 35 173 108

HSL 151.74, 0.66%, 0.41%

LAB 62.78, -50.63, 23.55

 

CMYK 80 / 0 / 37 / 19

HEX #2ACF82

RGB 42 207 130

HSL 152, 0.66%, 0.49%

LAB 74.02, -58.12, 26.97

 

CMYK 67 / 0 / 31 / 15

HEX #49DA96

RGB 73 218 150

HSL 151.86, 0.66%, 0.57%

LAB 78.32, -53.99, 22.47

 

CMYK 52 / 0 / 24 / 12

HEX #6BE1AA

RGB 107 225 170

HSL 152.03, 0.66%, 0.65%

LAB 81.77, -45.98, 16.92

 

CMYK 39 / 0 / 19 / 9

HEX #8DE8BD

RGB 141 232 189

HSL 151.65, 0.66%, 0.73%

LAB 85.53, -36.64, 12.46

 

CMYK 66 / 0 / 31 / 15

HEX #4BDA97

RGB 75 218 151

HSL 151.89, 0.66%, 0.57%

LAB 78.39, -53.45, 22.04

 

CMYK 67 / 48 / 0 / 15

HEX #4972DA

RGB 73 114 218

HSL 223.03, 0.66%, 0.57%

LAB 50.11, 19.3, -57.61

 

CMYK 0 / 59 / 67 / 15

HEX #DA5A49

RGB 218 90 73

HSL 7.03, 0.66%, 0.57%

LAB 54.76, 49.14, 35.19

 

CMYK 66 / 0 / 31 / 15

HEX #4BDA97

RGB 75 218 151

HSL 151.89, 0.66%, 0.57%

LAB 78.39, -53.45, 22.04

 

CMYK 32 / 67 / 0 / 15

HEX #9449DA

RGB 148 73 218

HSL 271.03, 0.66%, 0.57%

LAB 47.14, 57.56, -62.1

 

CMYK 0 / 32 / 67 / 15

HEX #DA9449

RGB 218 148 73

HSL 31.03, 0.66%, 0.57%

LAB 66.95, 19.34, 49.26

 

CMYK 66 / 0 / 31 / 15

HEX #4BDA97

RGB 75 218 151

HSL 151.89, 0.66%, 0.57%

LAB 78.39, -53.45, 22.04

 

CMYK 67 / 48 / 0 / 15

HEX #4972DA

RGB 73 114 218

HSL 223.03, 0.66%, 0.57%

LAB 50.11, 19.3, -57.61

 

CMYK 0 / 67 / 34 / 15

HEX #DA498F

RGB 218 73 143

HSL 331.03, 0.66%, 0.57%

LAB 53.66, 62.36, -7.47

 

CMYK 0 / 19 / 67 / 15

HEX #DAB149

RGB 218 177 73

HSL 43.03, 0.66%, 0.57%

LAB 74.08, 3.82, 57.02

 

CMYK 66 / 0 / 31 / 15

HEX #4BDA97

RGB 75 218 151

HSL 151.89, 0.66%, 0.57%

LAB 78.39, -53.45, 22.04

 

CMYK 66 / 67 / 0 / 15

HEX #4B49DA

RGB 75 73 218

HSL 240.83, 0.66%, 0.57%

LAB 40.12, 44.91, -73.84

 

CMYK 0 / 67 / 34 / 15

HEX #DA498F

RGB 218 73 143

HSL 331.03, 0.66%, 0.57%

LAB 53.66, 62.36, -7.47

 

CMYK 1 / 0 / 67 / 15

HEX #D7DA49

RGB 215 218 73

HSL 61.24, 0.66%, 0.57%

LAB 84.52, -18.4, 67.77

 

Description

Color code: HEX #4BDA97 | qconv.com Color code: HEX #4BDA97 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 218 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 218 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 31 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 31% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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