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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BD782 it is the complementary color #B4287D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BD782. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BD782 shade: #50D77D, #61E990, #72FBA3, #83FFB6 and #94FFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BD782. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BD782 shade: #4BD782, #3AC56F, #29B35C, #18A149 and #078F36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BD782 shade: #4BD882, #4BD85C, #60D84B, #86D84B and #ABD84B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BD782 shade: #4BD882, #4BD8A8, #4BD8CE, #4BBBD8 and #4B95D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BD782 shade matches the following richer shades: #4BD882, #39E97F and #28FB7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BD782 shade: #4BD882, #5DC686, #6FB48A, #80A28E and #929192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BD782 shade: #60D84B, #4BD85C, #4BD881, #4BD8A6 and #4BD8CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BD782 shade: #25AB5A, #2DCD6C, #4BD882, #6DDF9A and #8FE6B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BD782 shade: #4BD782, #4B86D8 and #D84B4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BD782 shade: #4BD782, #814BD8 and #D8814B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BD782 shade: #4BD782, #4B86D8, #D84BA2 and #D89D4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BD782 shade: #4BD782, #4B5CD8, #D84BA2 and #D8C74B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 40 / 16

HEX #4BD782

RGB 75 215 130

HSL 143.57, 0.64%, 0.57%

LAB 77.11, -56.29, 31.18

 

Complementary color

CMYK 0 / 78 / 31 / 29

HEX #B4287D

RGB 180 40 125

HSL 323.57, 0.64%, 0.43%

LAB 42.31, 61.51, -14.33

 

CMYK 63 / 0 / 42 / 16

HEX #50D77D

RGB 80 215 125

HSL 140, 0.63%, 0.58%

LAB 77.15, -56.2, 33.81

 

CMYK 58 / 0 / 38 / 9

HEX #61E990

RGB 97 233 144

HSL 140.74, 0.76%, 0.65%

LAB 83.35, -56.38, 32.43

 

CMYK 55 / 0 / 35 / 2

HEX #72FBA3

RGB 114 251 163

HSL 141.46, 0.94%, 0.72%

LAB 89.49, -56.41, 31.13

 

CMYK 49 / 0 / 29 / 0

HEX #83FFB6

RGB 131 255 182

HSL 144.68, 1%, 0.76%

LAB 91.56, -50.62, 24.43

 

CMYK 42 / 0 / 21 / 0

HEX #94FFC9

RGB 148 255 201

HSL 149.72, 1%, 0.79%

LAB 92.59, -42.71, 16.26

 

CMYK 65 / 0 / 40 / 16

HEX #4BD782

RGB 75 215 130

HSL 143.57, 0.64%, 0.57%

LAB 77.11, -56.29, 31.18

 

CMYK 71 / 0 / 44 / 23

HEX #3AC56F

RGB 58 197 111

HSL 142.88, 0.55%, 0.5%

LAB 70.86, -55.83, 32.67

 

CMYK 77 / 0 / 49 / 30

HEX #29B35C

RGB 41 179 92

HSL 142.17, 0.63%, 0.43%

LAB 64.55, -55.02, 34.25

 

CMYK 85 / 0 / 55 / 37

HEX #18A149

RGB 24 161 73

HSL 141.46, 0.74%, 0.36%

LAB 58.19, -53.72, 35.92

 

CMYK 95 / 0 / 62 / 44

HEX #078F36

RGB 7 143 54

HSL 140.74, 0.91%, 0.29%

LAB 51.79, -51.7, 37.59

 

CMYK 65 / 0 / 40 / 15

HEX #4BD882

RGB 75 216 130

HSL 143.4, 0.64%, 0.57%

LAB 77.41, -56.67, 31.58

 

CMYK 65 / 0 / 57 / 15

HEX #4BD85C

RGB 75 216 92

HSL 127.23, 0.64%, 0.57%

LAB 76.91, -62.36, 49.43

 

CMYK 56 / 0 / 65 / 15

HEX #60D84B

RGB 96 216 75

HSL 111.06, 0.64%, 0.57%

LAB 77.34, -59.47, 57.42

 

CMYK 38 / 0 / 65 / 15

HEX #86D84B

RGB 134 216 75

HSL 94.89, 0.64%, 0.57%

LAB 78.86, -48.27, 59.5

 

CMYK 21 / 0 / 65 / 15

HEX #ABD84B

RGB 171 216 75

HSL 79.15, 0.64%, 0.57%

LAB 80.89, -34.94, 62.27

 

CMYK 65 / 0 / 40 / 15

HEX #4BD882

RGB 75 216 130

HSL 143.4, 0.64%, 0.57%

LAB 77.41, -56.67, 31.58

 

CMYK 65 / 0 / 22 / 15

HEX #4BD8A8

RGB 75 216 168

HSL 159.57, 0.64%, 0.57%

LAB 78.13, -48.98, 12.73

 

CMYK 65 / 0 / 5 / 15

HEX #4BD8CE

RGB 75 216 206

HSL 175.74, 0.64%, 0.57%

LAB 79.08, -39.55, -6.17

 

CMYK 65 / 13 / 0 / 15

HEX #4BBBD8

RGB 75 187 216

HSL 192.34, 0.64%, 0.57%

LAB 70.87, -22.77, -23.93

 

CMYK 65 / 31 / 0 / 15

HEX #4B95D8

RGB 75 149 216

HSL 208.51, 0.64%, 0.57%

LAB 59.84, -2.15, -41.02

 

CMYK 65 / 0 / 40 / 15

HEX #4BD882

RGB 75 216 130

HSL 143.4, 0.64%, 0.57%

LAB 77.41, -56.67, 31.58

 

CMYK 76 / 0 / 45 / 9

HEX #39E97F

RGB 57 233 127

HSL 143.86, 0.8%, 0.57%

LAB 82.21, -66.1, 39.23

 

CMYK 84 / 0 / 51 / 2

HEX #28FB7B

RGB 40 251 123

HSL 143.6, 0.96%, 0.57%

LAB 87.42, -74.42, 47.65

 

CMYK 65 / 0 / 40 / 15

HEX #4BD882

RGB 75 216 130

HSL 143.4, 0.64%, 0.57%

LAB 77.41, -56.67, 31.58

 

CMYK 53 / 0 / 32 / 22

HEX #5DC686

RGB 93 198 134

HSL 143.43, 0.48%, 0.57%

LAB 72.52, -44.9, 23.06

 

CMYK 38 / 0 / 23 / 29

HEX #6FB48A

RGB 111 180 138

HSL 143.48, 0.32%, 0.57%

LAB 67.92, -31.15, 14.68

 

CMYK 21 / 0 / 12 / 36

HEX #80A28E

RGB 128 162 142

HSL 144.71, 0.15%, 0.57%

LAB 63.66, -15.87, 6.57

 

CMYK 0 / 1 / 0 / 43

HEX #929192

RGB 146 145 146

HSL 300, 0%, 0.57%

LAB 60.28, 0.56, -0.41

 

CMYK 56 / 0 / 65 / 15

HEX #60D84B

RGB 96 216 75

HSL 111.06, 0.64%, 0.57%

LAB 77.34, -59.47, 57.42

 

CMYK 65 / 0 / 57 / 15

HEX #4BD85C

RGB 75 216 92

HSL 127.23, 0.64%, 0.57%

LAB 76.91, -62.36, 49.43

 

CMYK 65 / 0 / 40 / 15

HEX #4BD881

RGB 75 216 129

HSL 142.98, 0.64%, 0.57%

LAB 77.4, -56.85, 32.07

 

CMYK 65 / 0 / 23 / 15

HEX #4BD8A6

RGB 75 216 166

HSL 158.72, 0.64%, 0.57%

LAB 78.09, -49.43, 13.72

 

CMYK 65 / 0 / 6 / 15

HEX #4BD8CC

RGB 75 216 204

HSL 174.89, 0.64%, 0.57%

LAB 79.02, -40.09, -5.19

 

CMYK 78 / 0 / 47 / 33

HEX #25AB5A

RGB 37 171 90

HSL 143.73, 0.64%, 0.41%

LAB 61.88, -53.01, 31.88

 

CMYK 78 / 0 / 47 / 20

HEX #2DCD6C

RGB 45 205 108

HSL 143.63, 0.64%, 0.49%

LAB 73.09, -61.03, 37

 

CMYK 65 / 0 / 40 / 15

HEX #4BD882

RGB 75 216 130

HSL 143.4, 0.64%, 0.57%

LAB 77.41, -56.67, 31.58

 

CMYK 51 / 0 / 31 / 13

HEX #6DDF9A

RGB 109 223 154

HSL 143.68, 0.64%, 0.65%

LAB 80.94, -47.8, 24.13

 

CMYK 38 / 0 / 23 / 10

HEX #8FE6B1

RGB 143 230 177

HSL 143.45, 0.64%, 0.73%

LAB 84.8, -37.51, 17.7

 

CMYK 65 / 0 / 40 / 16

HEX #4BD782

RGB 75 215 130

HSL 143.57, 0.64%, 0.57%

LAB 77.11, -56.29, 31.18

 

CMYK 65 / 38 / 0 / 15

HEX #4B86D8

RGB 75 134 216

HSL 214.89, 0.64%, 0.57%

LAB 55.59, 6.68, -47.73

 

CMYK 0 / 65 / 64 / 15

HEX #D84B4E

RGB 216 75 78

HSL 358.72, 0.64%, 0.57%

LAB 52.04, 55.31, 28.9

 

CMYK 65 / 0 / 40 / 16

HEX #4BD782

RGB 75 215 130

HSL 143.57, 0.64%, 0.57%

LAB 77.11, -56.29, 31.18

 

CMYK 40 / 65 / 0 / 15

HEX #814BD8

RGB 129 75 216

HSL 262.98, 0.64%, 0.57%

LAB 45.16, 52.25, -64.26

 

CMYK 0 / 40 / 65 / 15

HEX #D8814B

RGB 216 129 75

HSL 22.98, 0.64%, 0.57%

LAB 62.34, 28.83, 42.99

 

CMYK 65 / 0 / 40 / 16

HEX #4BD782

RGB 75 215 130

HSL 143.57, 0.64%, 0.57%

LAB 77.11, -56.29, 31.18

 

CMYK 65 / 38 / 0 / 15

HEX #4B86D8

RGB 75 134 216

HSL 214.89, 0.64%, 0.57%

LAB 55.59, 6.68, -47.73

 

CMYK 0 / 65 / 25 / 15

HEX #D84BA2

RGB 216 75 162

HSL 322.98, 0.64%, 0.57%

LAB 54.28, 63.32, -17.77

 

CMYK 0 / 27 / 65 / 15

HEX #D89D4B

RGB 216 157 75

HSL 34.89, 0.64%, 0.57%

LAB 68.91, 13.77, 50.42

 

CMYK 65 / 0 / 40 / 16

HEX #4BD782

RGB 75 215 130

HSL 143.57, 0.64%, 0.57%

LAB 77.11, -56.29, 31.18

 

CMYK 65 / 57 / 0 / 15

HEX #4B5CD8

RGB 75 92 216

HSL 232.77, 0.64%, 0.57%

LAB 44.39, 32.69, -65.73

 

CMYK 0 / 65 / 25 / 15

HEX #D84BA2

RGB 216 75 162

HSL 322.98, 0.64%, 0.57%

LAB 54.28, 63.32, -17.77

 

CMYK 0 / 8 / 65 / 15

HEX #D8C74B

RGB 216 199 75

HSL 52.77, 0.64%, 0.57%

LAB 79.59, -8.35, 61.93

 

Description

Color code: HEX #4BD782 | qconv.com Color code: HEX #4BD782 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 215 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 215 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 40 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 40% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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