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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BD090 it is the complementary color #B42F6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BD090. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BD090 shade: #50D08B, #61E29E, #72F4B1, #83FFC4 and #94FFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BD090. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BD090 shade: #4BD090, #3ABE7D, #29AC6A, #189A57 and #078844

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BD090 shade: #49D08F, #49D06A, #4BD049, #70D049 and #94D049

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BD090 shade: #49D08F, #49D0B3, #49C8D0, #49A4D0 and #497FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BD090 shade matches the following richer shades: #49D08F, #36E38F and #23F590

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BD090 shade: #49D08F, #5BBD8E, #6EAB8D, #80988D and #93868C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BD090 shade: #4BD049, #49D06A, #49D08F, #49D0B3 and #49C9D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BD090 shade: #299D65, #31BE7A, #49D08F, #69D8A3 and #8AE1B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BD090 shade: #4BD090, #496FD0 and #D05849

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BD090 shade: #4BD090, #8F49D0 and #D08F49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BD090 shade: #4BD090, #496FD0, #D0498A and #D0AA49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BD090 shade: #4BD090, #4B49D0, #D0498A and #CED049

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 31 / 18

HEX #4BD090

RGB 75 208 144

HSL 151.13, 0.59%, 0.55%

LAB 75.22, -50.89, 21.36

 

Complementary color

CMYK 0 / 74 / 38 / 29

HEX #B42F6F

RGB 180 47 111

HSL 331.13, 0.59%, 0.45%

LAB 42.59, 57.72, -5.24

 

CMYK 62 / 0 / 33 / 18

HEX #50D08B

RGB 80 208 139

HSL 147.66, 0.58%, 0.56%

LAB 75.25, -50.93, 24.06

 

CMYK 57 / 0 / 30 / 11

HEX #61E29E

RGB 97 226 158

HSL 148.37, 0.69%, 0.63%

LAB 81.51, -51.01, 22.77

 

CMYK 53 / 0 / 27 / 4

HEX #72F4B1

RGB 114 244 177

HSL 149.08, 0.86%, 0.7%

LAB 87.7, -50.98, 21.58

 

CMYK 49 / 0 / 23 / 0

HEX #83FFC4

RGB 131 255 196

HSL 151.45, 1%, 0.76%

LAB 91.83, -47.93, 17.67

 

CMYK 42 / 0 / 16 / 0

HEX #94FFD7

RGB 148 255 215

HSL 157.57, 1%, 0.79%

LAB 92.89, -39.88, 9.5

 

CMYK 64 / 0 / 31 / 18

HEX #4BD090

RGB 75 208 144

HSL 151.13, 0.59%, 0.55%

LAB 75.22, -50.89, 21.36

 

CMYK 69 / 0 / 34 / 25

HEX #3ABE7D

RGB 58 190 125

HSL 150.45, 0.53%, 0.49%

LAB 68.9, -50.54, 22.76

 

CMYK 76 / 0 / 38 / 33

HEX #29AC6A

RGB 41 172 106

HSL 149.77, 0.62%, 0.42%

LAB 62.52, -49.9, 24.29

 

CMYK 84 / 0 / 44 / 40

HEX #189A57

RGB 24 154 87

HSL 149.08, 0.73%, 0.35%

LAB 56.08, -48.84, 25.98

 

CMYK 95 / 0 / 50 / 47

HEX #078844

RGB 7 136 68

HSL 148.37, 0.9%, 0.28%

LAB 49.58, -47.15, 27.82

 

CMYK 65 / 0 / 31 / 18

HEX #49D08F

RGB 73 208 143

HSL 151.11, 0.59%, 0.55%

LAB 75.15, -51.45, 21.79

 

CMYK 65 / 0 / 49 / 18

HEX #49D06A

RGB 73 208 106

HSL 134.67, 0.59%, 0.55%

LAB 74.55, -57.99, 39.94

 

CMYK 64 / 0 / 65 / 18

HEX #4BD049

RGB 75 208 73

HSL 119.11, 0.59%, 0.55%

LAB 74.25, -61.69, 54.68

 

CMYK 46 / 0 / 65 / 18

HEX #70D049

RGB 112 208 73

HSL 102.67, 0.59%, 0.55%

LAB 75.47, -52.2, 56.38

 

CMYK 29 / 0 / 65 / 18

HEX #94D049

RGB 148 208 73

HSL 86.67, 0.59%, 0.55%

LAB 77.21, -40.12, 58.76

 

CMYK 65 / 0 / 31 / 18

HEX #49D08F

RGB 73 208 143

HSL 151.11, 0.59%, 0.55%

LAB 75.15, -51.45, 21.79

 

CMYK 65 / 0 / 14 / 18

HEX #49D0B3

RGB 73 208 179

HSL 167.11, 0.59%, 0.55%

LAB 75.94, -43.3, 3.7

 

CMYK 65 / 4 / 0 / 18

HEX #49C8D0

RGB 73 200 208

HSL 183.56, 0.59%, 0.55%

LAB 74.37, -31.86, -14.28

 

CMYK 65 / 21 / 0 / 18

HEX #49A4D0

RGB 73 164 208

HSL 199.56, 0.59%, 0.55%

LAB 63.77, -13.51, -30.44

 

CMYK 65 / 39 / 0 / 18

HEX #497FD0

RGB 73 127 208

HSL 216, 0.59%, 0.55%

LAB 53.11, 7.8, -47.15

 

CMYK 65 / 0 / 31 / 18

HEX #49D08F

RGB 73 208 143

HSL 151.11, 0.59%, 0.55%

LAB 75.15, -51.45, 21.79

 

CMYK 76 / 0 / 37 / 11

HEX #36E38F

RGB 54 227 143

HSL 150.87, 0.76%, 0.55%

LAB 80.57, -61.51, 29.07

 

CMYK 86 / 0 / 41 / 4

HEX #23F590

RGB 35 245 144

HSL 151.14, 0.91%, 0.55%

LAB 85.84, -69.42, 35.5

 

CMYK 65 / 0 / 31 / 18

HEX #49D08F

RGB 73 208 143

HSL 151.11, 0.59%, 0.55%

LAB 75.15, -51.45, 21.79

 

CMYK 52 / 0 / 25 / 26

HEX #5BBD8E

RGB 91 189 142

HSL 151.22, 0.43%, 0.55%

LAB 69.88, -39.88, 15.12

 

CMYK 36 / 0 / 18 / 33

HEX #6EAB8D

RGB 110 171 141

HSL 150.49, 0.27%, 0.55%

LAB 65.25, -26.47, 9.27

 

CMYK 16 / 0 / 7 / 40

HEX #80988D

RGB 128 152 141

HSL 152.5, 0.1%, 0.55%

LAB 60.75, -10.74, 2.95

 

CMYK 0 / 9 / 5 / 42

HEX #93868C

RGB 147 134 140

HSL 332.31, 0.06%, 0.55%

LAB 57.22, 6, -1.45

 

CMYK 64 / 0 / 65 / 18

HEX #4BD049

RGB 75 208 73

HSL 119.11, 0.59%, 0.55%

LAB 74.25, -61.69, 54.68

 

CMYK 65 / 0 / 49 / 18

HEX #49D06A

RGB 73 208 106

HSL 134.67, 0.59%, 0.55%

LAB 74.55, -57.99, 39.94

 

CMYK 65 / 0 / 31 / 18

HEX #49D08F

RGB 73 208 143

HSL 151.11, 0.59%, 0.55%

LAB 75.15, -51.45, 21.79

 

CMYK 65 / 0 / 14 / 18

HEX #49D0B3

RGB 73 208 179

HSL 167.11, 0.59%, 0.55%

LAB 75.94, -43.3, 3.7

 

CMYK 65 / 3 / 0 / 18

HEX #49C9D0

RGB 73 201 208

HSL 183.11, 0.59%, 0.55%

LAB 74.66, -32.34, -13.83

 

CMYK 74 / 0 / 36 / 38

HEX #299D65

RGB 41 157 101

HSL 151.03, 0.59%, 0.39%

LAB 57.58, -45.06, 20.39

 

CMYK 74 / 0 / 36 / 25

HEX #31BE7A

RGB 49 190 122

HSL 151.06, 0.59%, 0.47%

LAB 68.67, -52.5, 24.01

 

CMYK 65 / 0 / 31 / 18

HEX #49D08F

RGB 73 208 143

HSL 151.11, 0.59%, 0.55%

LAB 75.15, -51.45, 21.79

 

CMYK 51 / 0 / 25 / 15

HEX #69D8A3

RGB 105 216 163

HSL 151.35, 0.59%, 0.63%

LAB 78.9, -44, 16.58

 

CMYK 39 / 0 / 19 / 12

HEX #8AE1B7

RGB 138 225 183

HSL 151.03, 0.59%, 0.71%

LAB 83.27, -35.46, 12.38

 

CMYK 64 / 0 / 31 / 18

HEX #4BD090

RGB 75 208 144

HSL 151.13, 0.59%, 0.55%

LAB 75.22, -50.89, 21.36

 

CMYK 65 / 47 / 0 / 18

HEX #496FD0

RGB 73 111 208

HSL 223.11, 0.59%, 0.55%

LAB 48.68, 17.67, -54.22

 

CMYK 0 / 58 / 65 / 18

HEX #D05849

RGB 208 88 73

HSL 6.67, 0.59%, 0.55%

LAB 52.81, 46.49, 32.45

 

CMYK 64 / 0 / 31 / 18

HEX #4BD090

RGB 75 208 144

HSL 151.13, 0.59%, 0.55%

LAB 75.22, -50.89, 21.36

 

CMYK 31 / 65 / 0 / 18

HEX #8F49D0

RGB 143 73 208

HSL 271.11, 0.59%, 0.55%

LAB 45.85, 54.17, -58.48

 

CMYK 0 / 31 / 65 / 18

HEX #D08F49

RGB 208 143 73

HSL 31.11, 0.59%, 0.55%

LAB 64.59, 17.82, 46.3

 

CMYK 64 / 0 / 31 / 18

HEX #4BD090

RGB 75 208 144

HSL 151.13, 0.59%, 0.55%

LAB 75.22, -50.89, 21.36

 

CMYK 65 / 47 / 0 / 18

HEX #496FD0

RGB 73 111 208

HSL 223.11, 0.59%, 0.55%

LAB 48.68, 17.67, -54.22

 

CMYK 0 / 65 / 34 / 18

HEX #D0498A

RGB 208 73 138

HSL 331.11, 0.59%, 0.55%

LAB 51.85, 58.91, -7.37

 

CMYK 0 / 18 / 65 / 18

HEX #D0AA49

RGB 208 170 73

HSL 43.11, 0.59%, 0.55%

LAB 71.31, 3.26, 53.74

 

CMYK 64 / 0 / 31 / 18

HEX #4BD090

RGB 75 208 144

HSL 151.13, 0.59%, 0.55%

LAB 75.22, -50.89, 21.36

 

CMYK 64 / 65 / 0 / 18

HEX #4B49D0

RGB 75 73 208

HSL 240.89, 0.59%, 0.55%

LAB 39.27, 41.65, -69.48

 

CMYK 0 / 65 / 34 / 18

HEX #D0498A

RGB 208 73 138

HSL 331.11, 0.59%, 0.55%

LAB 51.85, 58.91, -7.37

 

CMYK 1 / 0 / 65 / 18

HEX #CED049

RGB 206 208 73

HSL 60.89, 0.59%, 0.55%

LAB 81.13, -17.19, 64.08

 

Description

Color code: HEX #4BD090 | qconv.com Color code: HEX #4BD090 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 208 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 208 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 31 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 31% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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