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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BCD48 it is the complementary color #B432B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BCD48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BCD48 shade: #50CD43, #61DF56, #72F169, #83FF7C and #94FF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BCD48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BCD48 shade: #4BCD48, #3ABB35, #29A922, #18970F and #078500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BCD48 shade: #4ACD47, #6ECD47, #92CD47, #B6CD47 and #CDBF47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BCD48 shade: #4ACD47, #47CD68, #47CD8C, #47CDB0 and #47C5CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BCD48 shade matches the following richer shades: #4ACD47, #38E034 and #26F321

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BCD48 shade: #4ACD47, #5CBA5A, #6EA76D, #809480 and #928193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BCD48 shade: #93CD47, #6FCD47, #4BCD47, #47CD66 and #47CD8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BCD48 shade: #2C9729, #35B832, #4ACD47, #6AD567 and #8ADE88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BCD48 shade: #4BCD48, #47B6CD and #CD4781

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BCD48 shade: #4BCD48, #474BCD and #CD474B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BCD48 shade: #4BCD48, #47B6CD, #C847CD and #CD5D47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BCD48 shade: #4BCD48, #478ECD, #C847CD and #CD8547

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 65 / 20

HEX #4BCD48

RGB 75 205 72

HSL 118.65, 0.57%, 0.54%

LAB 73.3, -60.75, 54.06

 

Complementary color

CMYK 2 / 73 / 0 / 28

HEX #B432B7

RGB 180 50 183

HSL 298.65, 0.57%, 0.46%

LAB 46.18, 66.68, -43.15

 

CMYK 61 / 0 / 67 / 20

HEX #50CD43

RGB 80 205 67

HSL 114.35, 0.58%, 0.53%

LAB 73.4, -60.13, 56.24

 

CMYK 57 / 0 / 61 / 13

HEX #61DF56

RGB 97 223 86

HSL 115.18, 0.68%, 0.61%

LAB 79.61, -60.69, 55.34

 

CMYK 53 / 0 / 56 / 5

HEX #72F169

RGB 114 241 105

HSL 116.03, 0.83%, 0.68%

LAB 85.76, -61, 54.24

 

CMYK 49 / 0 / 51 / 0

HEX #83FF7C

RGB 131 255 124

HSL 116.79, 1%, 0.74%

LAB 90.69, -59.61, 51.65

 

CMYK 42 / 0 / 44 / 0

HEX #94FF8F

RGB 148 255 143

HSL 117.32, 1%, 0.78%

LAB 91.59, -52.41, 43.96

 

CMYK 63 / 0 / 65 / 20

HEX #4BCD48

RGB 75 205 72

HSL 118.65, 0.57%, 0.54%

LAB 73.3, -60.75, 54.06

 

CMYK 69 / 0 / 72 / 27

HEX #3ABB35

RGB 58 187 53

HSL 117.76, 0.56%, 0.47%

LAB 67.05, -59.8, 54.83

 

CMYK 76 / 0 / 80 / 34

HEX #29A922

RGB 41 169 34

HSL 116.89, 0.67%, 0.4%

LAB 60.75, -58.28, 55

 

CMYK 84 / 0 / 90 / 41

HEX #18970F

RGB 24 151 15

HSL 116.03, 0.82%, 0.33%

LAB 54.41, -55.98, 54.03

 

CMYK 95 / 0 / 100 / 48

HEX #078500

RGB 7 133 0

HSL 116.84, 1%, 0.26%

LAB 48.03, -52.63, 51.37

 

CMYK 64 / 0 / 65 / 20

HEX #4ACD47

RGB 74 205 71

HSL 118.66, 0.57%, 0.54%

LAB 73.27, -61.07, 54.43

 

CMYK 46 / 0 / 65 / 20

HEX #6ECD47

RGB 110 205 71

HSL 102.54, 0.57%, 0.54%

LAB 74.47, -51.79, 56.08

 

CMYK 29 / 0 / 65 / 20

HEX #92CD47

RGB 146 205 71

HSL 86.42, 0.57%, 0.54%

LAB 76.21, -39.68, 58.47

 

CMYK 11 / 0 / 65 / 20

HEX #B6CD47

RGB 182 205 71

HSL 70.3, 0.57%, 0.54%

LAB 78.5, -25.7, 61.58

 

CMYK 0 / 7 / 65 / 20

HEX #CDBF47

RGB 205 191 71

HSL 53.73, 0.57%, 0.54%

LAB 76.49, -9.14, 60.05

 

CMYK 64 / 0 / 65 / 20

HEX #4ACD47

RGB 74 205 71

HSL 118.66, 0.57%, 0.54%

LAB 73.27, -61.07, 54.43

 

CMYK 65 / 0 / 49 / 20

HEX #47CD68

RGB 71 205 104

HSL 134.78, 0.57%, 0.54%

LAB 73.55, -57.58, 39.66

 

CMYK 65 / 0 / 32 / 20

HEX #47CD8C

RGB 71 205 140

HSL 150.9, 0.57%, 0.54%

LAB 74.12, -51.22, 21.96

 

CMYK 65 / 0 / 14 / 20

HEX #47CDB0

RGB 71 205 176

HSL 167.01, 0.57%, 0.54%

LAB 74.91, -43.06, 3.83

 

CMYK 65 / 4 / 0 / 20

HEX #47C5CD

RGB 71 197 205

HSL 183.58, 0.57%, 0.54%

LAB 73.34, -31.59, -14.2

 

CMYK 64 / 0 / 65 / 20

HEX #4ACD47

RGB 74 205 71

HSL 118.66, 0.57%, 0.54%

LAB 73.27, -61.07, 54.43

 

CMYK 75 / 0 / 77 / 12

HEX #38E034

RGB 56 224 52

HSL 118.6, 0.74%, 0.54%

LAB 78.69, -71.92, 66.78

 

CMYK 84 / 0 / 86 / 5

HEX #26F321

RGB 38 243 33

HSL 118.57, 0.9%, 0.54%

LAB 84.29, -80.42, 76.58

 

CMYK 64 / 0 / 65 / 20

HEX #4ACD47

RGB 74 205 71

HSL 118.66, 0.57%, 0.54%

LAB 73.27, -61.07, 54.43

 

CMYK 51 / 0 / 52 / 27

HEX #5CBA5A

RGB 92 186 90

HSL 118.75, 0.41%, 0.54%

LAB 68.12, -47.35, 39.98

 

CMYK 34 / 0 / 35 / 35

HEX #6EA76D

RGB 110 167 109

HSL 118.97, 0.25%, 0.54%

LAB 63.39, -30.58, 24.25

 

CMYK 14 / 0 / 14 / 42

HEX #809480

RGB 128 148 128

HSL 120, 0.09%, 0.54%

LAB 59.28, -11.15, 8.2

 

CMYK 1 / 12 / 0 / 42

HEX #928193

RGB 146 129 147

HSL 296.67, 0.08%, 0.54%

LAB 56.01, 9.86, -7.29

 

CMYK 28 / 0 / 65 / 20

HEX #93CD47

RGB 147 205 71

HSL 85.97, 0.57%, 0.54%

LAB 76.27, -39.31, 58.55

 

CMYK 46 / 0 / 65 / 20

HEX #6FCD47

RGB 111 205 71

HSL 102.09, 0.57%, 0.54%

LAB 74.51, -51.49, 56.14

 

CMYK 63 / 0 / 65 / 20

HEX #4BCD47

RGB 75 205 71

HSL 118.21, 0.57%, 0.54%

LAB 73.29, -60.85, 54.47

 

CMYK 65 / 0 / 50 / 20

HEX #47CD66

RGB 71 205 102

HSL 133.88, 0.57%, 0.54%

LAB 73.52, -57.88, 40.6

 

CMYK 65 / 0 / 33 / 20

HEX #47CD8A

RGB 71 205 138

HSL 150, 0.57%, 0.54%

LAB 74.09, -51.63, 22.97

 

CMYK 71 / 0 / 73 / 41

HEX #2C9729

RGB 44 151 41

HSL 118.36, 0.57%, 0.38%

LAB 54.9, -51.28, 46.79

 

CMYK 71 / 0 / 73 / 28

HEX #35B832

RGB 53 184 50

HSL 118.66, 0.57%, 0.46%

LAB 65.96, -59.97, 54.79

 

CMYK 64 / 0 / 65 / 20

HEX #4ACD47

RGB 74 205 71

HSL 118.66, 0.57%, 0.54%

LAB 73.27, -61.07, 54.43

 

CMYK 50 / 0 / 52 / 16

HEX #6AD567

RGB 106 213 103

HSL 118.36, 0.57%, 0.62%

LAB 77.06, -52.61, 44.71

 

CMYK 38 / 0 / 39 / 13

HEX #8ADE88

RGB 138 222 136

HSL 118.6, 0.57%, 0.7%

LAB 81.52, -42.43, 34.35

 

CMYK 63 / 0 / 65 / 20

HEX #4BCD48

RGB 75 205 72

HSL 118.65, 0.57%, 0.54%

LAB 73.3, -60.75, 54.06

 

CMYK 65 / 11 / 0 / 20

HEX #47B6CD

RGB 71 182 205

HSL 190.3, 0.57%, 0.54%

LAB 68.9, -24.2, -20.92

 

CMYK 0 / 65 / 37 / 20

HEX #CD4781

RGB 205 71 129

HSL 334.03, 0.57%, 0.54%

LAB 50.77, 57.82, -3.64

 

CMYK 63 / 0 / 65 / 20

HEX #4BCD48

RGB 75 205 72

HSL 118.65, 0.57%, 0.54%

LAB 73.3, -60.75, 54.06

 

CMYK 65 / 63 / 0 / 20

HEX #474BCD

RGB 71 75 205

HSL 238.21, 0.57%, 0.54%

LAB 39.21, 38.89, -67.86

 

CMYK 0 / 65 / 63 / 20

HEX #CD474B

RGB 205 71 75

HSL 358.21, 0.57%, 0.54%

LAB 49.49, 53.17, 27.04

 

CMYK 63 / 0 / 65 / 20

HEX #4BCD48

RGB 75 205 72

HSL 118.65, 0.57%, 0.54%

LAB 73.3, -60.75, 54.06

 

CMYK 65 / 11 / 0 / 20

HEX #47B6CD

RGB 71 182 205

HSL 190.3, 0.57%, 0.54%

LAB 68.9, -24.2, -20.92

 

CMYK 2 / 65 / 0 / 20

HEX #C847CD

RGB 200 71 205

HSL 297.76, 0.57%, 0.54%

LAB 53.16, 67.28, -44.63

 

CMYK 0 / 55 / 65 / 20

HEX #CD5D47

RGB 205 93 71

HSL 9.85, 0.57%, 0.54%

LAB 53.24, 42.86, 33.99

 

CMYK 63 / 0 / 65 / 20

HEX #4BCD48

RGB 75 205 72

HSL 118.65, 0.57%, 0.54%

LAB 73.3, -60.75, 54.06

 

CMYK 65 / 31 / 0 / 20

HEX #478ECD

RGB 71 142 205

HSL 208.21, 0.57%, 0.54%

LAB 57.17, -2.49, -39.06

 

CMYK 2 / 65 / 0 / 20

HEX #C847CD

RGB 200 71 205

HSL 297.76, 0.57%, 0.54%

LAB 53.16, 67.28, -44.63

 

CMYK 0 / 35 / 65 / 20

HEX #CD8547

RGB 205 133 71

HSL 27.76, 0.57%, 0.54%

LAB 61.83, 21.87, 44.07

 

Description

Color code: HEX #4BCD48 | qconv.com Color code: HEX #4BCD48 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 205 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 205 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 65 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 65% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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