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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BC455 it is the complementary color #B43BAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BC455. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BC455 shade: #50C450, #61D663, #72E876, #83FA89 and #94FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BC455. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BC455 shade: #4BC455, #3AB242, #29A02F, #188E1C and #077C09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BC455 shade: #4AC454, #61C44A, #82C44A, #A3C44A and #C4C44A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BC455 shade: #4AC454, #4AC475, #4AC496, #4AC4B7 and #4AB1C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BC455 shade matches the following richer shades: #4AC454, #37D844, #23EB34 and #10FE24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BC455 shade: #4AC454, #5DB164, #719D75, #848A85 and #987795

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BC455 shade: #83C44A, #62C44A, #4AC452, #4AC473 and #4AC493

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BC455 shade: #2E8E36, #38AD42, #4AC454, #69CE72 and #88D88F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BC455 shade: #4BC455, #4AA4C4 and #C44A73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BC455 shade: #4BC455, #524AC4 and #C4524A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BC455 shade: #4BC455, #4AA4C4, #C44ABC and #C46B4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BC455 shade: #4BC455, #4A7FC4, #C44ABC and #C48F4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 57 / 23

HEX #4BC455

RGB 75 196 85

HSL 124.96, 0.51%, 0.53%

LAB 70.62, -56.09, 45.25

 

Complementary color

CMYK 0 / 67 / 6 / 29

HEX #B43BAA

RGB 180 59 170

HSL 304.96, 0.51%, 0.47%

LAB 46.62, 61.34, -34.8

 

CMYK 59 / 0 / 59 / 23

HEX #50C450

RGB 80 196 80

HSL 120, 0.5%, 0.54%

LAB 70.71, -55.55, 47.69

 

CMYK 55 / 0 / 54 / 16

HEX #61D663

RGB 97 214 99

HSL 121.03, 0.59%, 0.61%

LAB 77, -55.85, 46.46

 

CMYK 51 / 0 / 49 / 9

HEX #72E876

RGB 114 232 118

HSL 122.03, 0.72%, 0.68%

LAB 83.23, -55.96, 45.18

 

CMYK 48 / 0 / 45 / 2

HEX #83FA89

RGB 131 250 137

HSL 123.03, 0.92%, 0.75%

LAB 89.39, -55.94, 43.92

 

CMYK 42 / 0 / 39 / 0

HEX #94FF9C

RGB 148 255 156

HSL 124.49, 1%, 0.79%

LAB 91.78, -50.53, 37.87

 

CMYK 62 / 0 / 57 / 23

HEX #4BC455

RGB 75 196 85

HSL 124.96, 0.51%, 0.53%

LAB 70.62, -56.09, 45.25

 

CMYK 67 / 0 / 63 / 30

HEX #3AB242

RGB 58 178 66

HSL 124, 0.51%, 0.46%

LAB 64.27, -55.45, 46.49

 

CMYK 74 / 0 / 71 / 37

HEX #29A02F

RGB 41 160 47

HSL 123.03, 0.59%, 0.39%

LAB 57.86, -54.33, 47.48

 

CMYK 83 / 0 / 80 / 44

HEX #188E1C

RGB 24 142 28

HSL 122.03, 0.71%, 0.33%

LAB 51.41, -52.49, 47.87

 

CMYK 94 / 0 / 93 / 51

HEX #077C09

RGB 7 124 9

HSL 121.03, 0.89%, 0.26%

LAB 44.91, -49.59, 46.95

 

CMYK 62 / 0 / 57 / 23

HEX #4AC454

RGB 74 196 84

HSL 124.92, 0.51%, 0.53%

LAB 70.58, -56.43, 45.66

 

CMYK 51 / 0 / 62 / 23

HEX #61C44A

RGB 97 196 74

HSL 108.69, 0.51%, 0.53%

LAB 71.22, -51.79, 51.11

 

CMYK 34 / 0 / 62 / 23

HEX #82C44A

RGB 130 196 74

HSL 92.46, 0.51%, 0.53%

LAB 72.71, -41.24, 53.17

 

CMYK 17 / 0 / 62 / 23

HEX #A3C44A

RGB 163 196 74

HSL 76.23, 0.51%, 0.53%

LAB 74.67, -28.8, 55.88

 

CMYK 0 / 0 / 62 / 23

HEX #C4C44A

RGB 196 196 74

HSL 60, 0.51%, 0.53%

LAB 77.11, -15.29, 59.21

 

CMYK 62 / 0 / 57 / 23

HEX #4AC454

RGB 74 196 84

HSL 124.92, 0.51%, 0.53%

LAB 70.58, -56.43, 45.66

 

CMYK 62 / 0 / 40 / 23

HEX #4AC475

RGB 74 196 117

HSL 141.15, 0.51%, 0.53%

LAB 71.02, -51.46, 29.87

 

CMYK 62 / 0 / 23 / 23

HEX #4AC496

RGB 74 196 150

HSL 157.38, 0.51%, 0.53%

LAB 71.65, -44.83, 13.21

 

CMYK 62 / 0 / 7 / 23

HEX #4AC4B7

RGB 74 196 183

HSL 173.61, 0.51%, 0.53%

LAB 72.46, -36.73, -3.53

 

CMYK 62 / 10 / 0 / 23

HEX #4AB1C4

RGB 74 177 196

HSL 189.34, 0.51%, 0.53%

LAB 67.19, -23.88, -18.55

 

CMYK 62 / 0 / 57 / 23

HEX #4AC454

RGB 74 196 84

HSL 124.92, 0.51%, 0.53%

LAB 70.58, -56.43, 45.66

 

CMYK 75 / 0 / 69 / 15

HEX #37D844

RGB 55 216 68

HSL 124.84, 0.67%, 0.53%

LAB 76.28, -68.36, 58.75

 

CMYK 85 / 0 / 78 / 8

HEX #23EB34

RGB 35 235 52

HSL 125.1, 0.83%, 0.53%

LAB 81.85, -77.52, 69.72

 

CMYK 94 / 0 / 86 / 0

HEX #10FE24

RGB 16 254 36

HSL 125.04, 0.99%, 0.53%

LAB 87.54, -84.63, 78.79

 

CMYK 62 / 0 / 57 / 23

HEX #4AC454

RGB 74 196 84

HSL 124.92, 0.51%, 0.53%

LAB 70.58, -56.43, 45.66

 

CMYK 47 / 0 / 44 / 31

HEX #5DB164

RGB 93 177 100

HSL 125, 0.35%, 0.53%

LAB 65.51, -41.86, 31.66

 

CMYK 28 / 0 / 25 / 38

HEX #719D75

RGB 113 157 117

HSL 125.45, 0.18%, 0.53%

LAB 60.7, -23.25, 16.24

 

CMYK 4 / 0 / 4 / 46

HEX #848A85

RGB 132 138 133

HSL 130, 0.02%, 0.53%

LAB 56.86, -3.19, 1.9

 

CMYK 0 / 22 / 2 / 40

HEX #987795

RGB 152 119 149

HSL 305.45, 0.14%, 0.53%

LAB 54.07, 18.21, -11.29

 

CMYK 33 / 0 / 62 / 23

HEX #83C44A

RGB 131 196 74

HSL 91.97, 0.51%, 0.53%

LAB 72.76, -40.89, 53.24

 

CMYK 50 / 0 / 62 / 23

HEX #62C44A

RGB 98 196 74

HSL 108.2, 0.51%, 0.53%

LAB 71.26, -51.5, 51.16

 

CMYK 62 / 0 / 58 / 23

HEX #4AC452

RGB 74 196 82

HSL 123.93, 0.51%, 0.53%

LAB 70.56, -56.68, 46.56

 

CMYK 62 / 0 / 41 / 23

HEX #4AC473

RGB 74 196 115

HSL 140.16, 0.51%, 0.53%

LAB 70.99, -51.81, 30.86

 

CMYK 62 / 0 / 25 / 23

HEX #4AC493

RGB 74 196 147

HSL 155.9, 0.51%, 0.53%

LAB 71.58, -45.5, 14.73

 

CMYK 68 / 0 / 62 / 44

HEX #2E8E36

RGB 46 142 54

HSL 125, 0.51%, 0.37%

LAB 52.05, -46.29, 38.05

 

CMYK 68 / 0 / 62 / 32

HEX #38AD42

RGB 56 173 66

HSL 125.13, 0.51%, 0.45%

LAB 62.61, -54.07, 44.59

 

CMYK 62 / 0 / 57 / 23

HEX #4AC454

RGB 74 196 84

HSL 124.92, 0.51%, 0.53%

LAB 70.58, -56.43, 45.66

 

CMYK 49 / 0 / 45 / 19

HEX #69CE72

RGB 105 206 114

HSL 125.35, 0.51%, 0.61%

LAB 75.05, -48.53, 36.81

 

CMYK 37 / 0 / 34 / 15

HEX #88D88F

RGB 136 216 143

HSL 125.25, 0.51%, 0.69%

LAB 79.8, -39.28, 28.47

 

CMYK 62 / 0 / 57 / 23

HEX #4BC455

RGB 75 196 85

HSL 124.96, 0.51%, 0.53%

LAB 70.62, -56.09, 45.25

 

CMYK 62 / 16 / 0 / 23

HEX #4AA4C4

RGB 74 164 196

HSL 195.74, 0.51%, 0.53%

LAB 63.34, -17.13, -24.43

 

CMYK 0 / 62 / 41 / 23

HEX #C44A73

RGB 196 74 115

HSL 339.84, 0.51%, 0.53%

LAB 49.34, 52.27, 2.53

 

CMYK 62 / 0 / 57 / 23

HEX #4BC455

RGB 75 196 85

HSL 124.96, 0.51%, 0.53%

LAB 70.62, -56.09, 45.25

 

CMYK 58 / 62 / 0 / 23

HEX #524AC4

RGB 82 74 196

HSL 243.93, 0.51%, 0.53%

LAB 39.03, 38.25, -62.89

 

CMYK 0 / 58 / 62 / 23

HEX #C4524A

RGB 196 82 74

HSL 3.93, 0.51%, 0.53%

LAB 49.82, 45.07, 27.73

 

CMYK 62 / 0 / 57 / 23

HEX #4BC455

RGB 75 196 85

HSL 124.96, 0.51%, 0.53%

LAB 70.62, -56.09, 45.25

 

CMYK 62 / 16 / 0 / 23

HEX #4AA4C4

RGB 74 164 196

HSL 195.74, 0.51%, 0.53%

LAB 63.34, -17.13, -24.43

 

CMYK 0 / 62 / 4 / 23

HEX #C44ABC

RGB 196 74 188

HSL 303.93, 0.51%, 0.53%

LAB 52.13, 62.26, -36.5

 

CMYK 0 / 45 / 62 / 23

HEX #C46B4A

RGB 196 107 74

HSL 16.23, 0.51%, 0.53%

LAB 54.81, 32.39, 33.92

 

CMYK 62 / 0 / 57 / 23

HEX #4BC455

RGB 75 196 85

HSL 124.96, 0.51%, 0.53%

LAB 70.62, -56.09, 45.25

 

CMYK 62 / 35 / 0 / 23

HEX #4A7FC4

RGB 74 127 196

HSL 213.93, 0.51%, 0.53%

LAB 52.53, 3.86, -41.25

 

CMYK 0 / 62 / 4 / 23

HEX #C44ABC

RGB 196 74 188

HSL 303.93, 0.51%, 0.53%

LAB 52.13, 62.26, -36.5

 

CMYK 0 / 27 / 62 / 23

HEX #C48F4A

RGB 196 143 74

HSL 33.93, 0.51%, 0.53%

LAB 63.24, 12.77, 43.9

 

Description

Color code: HEX #4BC455 | qconv.com Color code: HEX #4BC455 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 196 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 196 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 57 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 57% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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