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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BAFD5 it is the complementary color #B4502A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BAFD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BAFD5 shade: #50AFD0, #61C1E3, #72D3F6, #83E5FF and #94F7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BAFD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BAFD5 shade: #4BAFD5, #3A9DC2, #298BAF, #18799C and #076789

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BAFD5 shade: #49AED4, #4989D4, #4963D4, #5549D4 and #7A49D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BAFD5 shade: #49AED4, #4989D4, #4963D4 and #4949D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BAFD5 shade matches the following richer shades: #49AED4, #37B6E7 and #25BEF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BAFD5 shade: #49AED4, #5BA6C2, #6E9EB0, #80969E and #928D8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BAFD5 shade: #49D4AF, #49D4D4, #49AFD4, #498AD4 and #4965D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BAFD5 shade: #2782A4, #2E9CC6, #49AED4, #6BBDDC and #8CCCE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BAFD5 shade: #4BAFD5, #8A49D4 and #D4C249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BAFD5 shade: #4BAFD5, #D449AF and #AFD449

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BAFD5 shade: #4BAFD5, #8A49D4, #D46E49 and #93D449

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BAFD5 shade: #4BAFD5, #B449D4, #D46E49 and #6AD449

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 18 / 0 / 16

HEX #4BAFD5

RGB 75 175 213

HSL 196.52, 0.62%, 0.56%

LAB 67.25, -17.48, -27.84

 

Complementary color

CMYK 0 / 56 / 77 / 29

HEX #B4502A

RGB 180 80 42

HSL 16.52, 0.62%, 0.44%

LAB 46.46, 38.3, 40.99

 

CMYK 62 / 16 / 0 / 18

HEX #50AFD0

RGB 80 175 208

HSL 195.47, 0.58%, 0.56%

LAB 67.22, -18.17, -25.11

 

CMYK 57 / 15 / 0 / 11

HEX #61C1E3

RGB 97 193 227

HSL 195.69, 0.7%, 0.64%

LAB 73.69, -18.7, -25.53

 

CMYK 54 / 14 / 0 / 4

HEX #72D3F6

RGB 114 211 246

HSL 195.91, 0.88%, 0.71%

LAB 80.08, -19.11, -25.92

 

CMYK 49 / 10 / 0 / 0

HEX #83E5FF

RGB 131 229 255

HSL 192.58, 1%, 0.76%

LAB 86.05, -22.13, -21.54

 

CMYK 42 / 3 / 0 / 0

HEX #94F7FF

RGB 148 247 255

HSL 184.49, 1%, 0.79%

LAB 91.7, -27.08, -12.97

 

CMYK 65 / 18 / 0 / 16

HEX #4BAFD5

RGB 75 175 213

HSL 196.52, 0.62%, 0.56%

LAB 67.25, -17.48, -27.84

 

CMYK 70 / 19 / 0 / 24

HEX #3A9DC2

RGB 58 157 194

HSL 196.32, 0.54%, 0.49%

LAB 60.7, -16.61, -27.4

 

CMYK 77 / 21 / 0 / 31

HEX #298BAF

RGB 41 139 175

HSL 196.12, 0.62%, 0.42%

LAB 54.06, -15.47, -26.92

 

CMYK 85 / 22 / 0 / 39

HEX #18799C

RGB 24 121 156

HSL 195.91, 0.73%, 0.35%

LAB 47.33, -13.93, -26.37

 

CMYK 95 / 25 / 0 / 46

HEX #076789

RGB 7 103 137

HSL 195.69, 0.9%, 0.28%

LAB 40.49, -11.85, -25.71

 

CMYK 66 / 18 / 0 / 17

HEX #49AED4

RGB 73 174 212

HSL 196.4, 0.62%, 0.56%

LAB 66.86, -17.59, -27.89

 

CMYK 66 / 35 / 0 / 17

HEX #4989D4

RGB 73 137 212

HSL 212.37, 0.62%, 0.56%

LAB 56.15, 3.17, -44.6

 

CMYK 66 / 53 / 0 / 17

HEX #4963D4

RGB 73 99 212

HSL 228.78, 0.62%, 0.56%

LAB 45.76, 26.61, -61.22

 

CMYK 60 / 66 / 0 / 17

HEX #5549D4

RGB 85 73 212

HSL 245.18, 0.62%, 0.56%

LAB 40.33, 44.41, -70.02

 

CMYK 42 / 66 / 0 / 17

HEX #7A49D4

RGB 122 73 212

HSL 261.15, 0.62%, 0.56%

LAB 43.74, 50.87, -64.32

 

CMYK 66 / 18 / 0 / 17

HEX #49AED4

RGB 73 174 212

HSL 196.4, 0.62%, 0.56%

LAB 66.86, -17.59, -27.89

 

CMYK 66 / 35 / 0 / 17

HEX #4989D4

RGB 73 137 212

HSL 212.37, 0.62%, 0.56%

LAB 56.15, 3.17, -44.6

 

CMYK 66 / 53 / 0 / 17

HEX #4963D4

RGB 73 99 212

HSL 228.78, 0.62%, 0.56%

LAB 45.76, 26.61, -61.22

 

CMYK 66 / 66 / 0 / 17

HEX #4949D4

RGB 73 73 212

HSL 240, 0.62%, 0.56%

LAB 39.47, 42.69, -71.46

 

CMYK 66 / 18 / 0 / 17

HEX #49AED4

RGB 73 174 212

HSL 196.4, 0.62%, 0.56%

LAB 66.86, -17.59, -27.89

 

CMYK 76 / 21 / 0 / 9

HEX #37B6E7

RGB 55 182 231

HSL 196.7, 0.79%, 0.56%

LAB 69.5, -18.07, -34.26

 

CMYK 85 / 24 / 0 / 2

HEX #25BEF9

RGB 37 190 249

HSL 196.7, 0.95%, 0.56%

LAB 72.27, -17.78, -39.73

 

CMYK 66 / 18 / 0 / 17

HEX #49AED4

RGB 73 174 212

HSL 196.4, 0.62%, 0.56%

LAB 66.86, -17.59, -27.89

 

CMYK 53 / 14 / 0 / 24

HEX #5BA6C2

RGB 91 166 194

HSL 196.31, 0.46%, 0.56%

LAB 64.48, -15.43, -21.51

 

CMYK 38 / 10 / 0 / 31

HEX #6E9EB0

RGB 110 158 176

HSL 196.36, 0.29%, 0.56%

LAB 62.43, -11.43, -14.46

 

CMYK 19 / 5 / 0 / 38

HEX #80969E

RGB 128 150 158

HSL 196, 0.13%, 0.56%

LAB 60.67, -5.97, -6.81

 

CMYK 0 / 3 / 4 / 43

HEX #928D8C

RGB 146 141 140

HSL 10, 0.03%, 0.56%

LAB 59.02, 1.66, 1.18

 

CMYK 66 / 0 / 17 / 17

HEX #49D4AF

RGB 73 212 175

HSL 164.03, 0.62%, 0.56%

LAB 77.04, -46, 7.44

 

CMYK 66 / 0 / 0 / 17

HEX #49D4D4

RGB 73 212 212

HSL 180, 0.62%, 0.56%

LAB 78.03, -36.38, -10.95

 

CMYK 66 / 17 / 0 / 17

HEX #49AFD4

RGB 73 175 212

HSL 195.97, 0.62%, 0.56%

LAB 67.15, -18.12, -27.44

 

CMYK 66 / 35 / 0 / 17

HEX #498AD4

RGB 73 138 212

HSL 211.94, 0.62%, 0.56%

LAB 56.43, 2.58, -44.15

 

CMYK 66 / 52 / 0 / 17

HEX #4965D4

RGB 73 101 212

HSL 227.91, 0.62%, 0.56%

LAB 46.28, 25.36, -60.38

 

CMYK 76 / 21 / 0 / 36

HEX #2782A4

RGB 39 130 164

HSL 196.32, 0.62%, 0.4%

LAB 50.78, -14.54, -25.66

 

CMYK 77 / 21 / 0 / 22

HEX #2E9CC6

RGB 46 156 198

HSL 196.58, 0.62%, 0.48%

LAB 60.28, -16.28, -30.32

 

CMYK 66 / 18 / 0 / 17

HEX #49AED4

RGB 73 174 212

HSL 196.4, 0.62%, 0.56%

LAB 66.86, -17.59, -27.89

 

CMYK 51 / 14 / 0 / 14

HEX #6BBDDC

RGB 107 189 220

HSL 196.46, 0.62%, 0.64%

LAB 72.69, -16.6, -23.23

 

CMYK 39 / 11 / 0 / 11

HEX #8CCCE4

RGB 140 204 228

HSL 196.36, 0.62%, 0.72%

LAB 78.67, -14.34, -18.32

 

CMYK 65 / 18 / 0 / 16

HEX #4BAFD5

RGB 75 175 213

HSL 196.52, 0.62%, 0.56%

LAB 67.25, -17.48, -27.84

 

CMYK 35 / 66 / 0 / 17

HEX #8A49D4

RGB 138 73 212

HSL 268.06, 0.62%, 0.56%

LAB 45.53, 54.07, -61.33

 

CMYK 0 / 8 / 66 / 17

HEX #D4C249

RGB 212 194 73

HSL 52.23, 0.62%, 0.56%

LAB 77.91, -7.6, 60.89

 

CMYK 65 / 18 / 0 / 16

HEX #4BAFD5

RGB 75 175 213

HSL 196.52, 0.62%, 0.56%

LAB 67.25, -17.48, -27.84

 

CMYK 0 / 66 / 17 / 17

HEX #D449AF

RGB 212 73 175

HSL 315.97, 0.62%, 0.56%

LAB 53.88, 64.79, -26.05

 

CMYK 17 / 0 / 66 / 17

HEX #AFD449

RGB 175 212 73

HSL 75.97, 0.62%, 0.56%

LAB 80, -31.68, 62.21

 

CMYK 65 / 18 / 0 / 16

HEX #4BAFD5

RGB 75 175 213

HSL 196.52, 0.62%, 0.56%

LAB 67.25, -17.48, -27.84

 

CMYK 35 / 66 / 0 / 17

HEX #8A49D4

RGB 138 73 212

HSL 268.06, 0.62%, 0.56%

LAB 45.53, 54.07, -61.33

 

CMYK 0 / 48 / 66 / 17

HEX #D46E49

RGB 212 110 73

HSL 15.97, 0.62%, 0.56%

LAB 57.68, 37.09, 38.45

 

CMYK 31 / 0 / 66 / 17

HEX #93D449

RGB 147 212 73

HSL 88.06, 0.62%, 0.56%

LAB 78.33, -42.23, 59.93

 

CMYK 65 / 18 / 0 / 16

HEX #4BAFD5

RGB 75 175 213

HSL 196.52, 0.62%, 0.56%

LAB 67.25, -17.48, -27.84

 

CMYK 15 / 66 / 0 / 17

HEX #B449D4

RGB 180 73 212

HSL 286.19, 0.62%, 0.56%

LAB 50.95, 63.18, -52.33

 

CMYK 0 / 48 / 66 / 17

HEX #D46E49

RGB 212 110 73

HSL 15.97, 0.62%, 0.56%

LAB 57.68, 37.09, 38.45

 

CMYK 50 / 0 / 66 / 17

HEX #6AD449

RGB 106 212 73

HSL 105.76, 0.62%, 0.56%

LAB 76.46, -55.49, 57.37

 

Description

Color code: HEX #4BAFD5 | qconv.com Color code: HEX #4BAFD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 175 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 175 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 18 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 18% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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