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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BAC2E it is the complementary color #B453D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BAC2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BAC2E shade: #50AC29, #61BE3C, #72D04F, #83E262 and #94F475

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BAC2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BAC2E shade: #4BAC2E, #3A9A1B, #298808, #187600 and #076400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BAC2E shade: #4BAD2E, #6EAD2E, #90AD2E, #ADA82E and #AD862E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BAC2E shade: #4BAD2E, #2EAD33, #2EAD55, #2EAD78 and #2EAD9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BAC2E shade matches the following richer shades: #4BAD2E, #42BF1C and #38D10B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BAC2E shade: #4BAD2E, #559C40, #5E8A52, #687863 and #726675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BAC2E shade: #90AD2E, #6EAD2E, #4CAD2E, #2EAD32 and #2EAD54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BAC2E shade: #2F6C1D, #3D8D25, #4BAD2E, #5BCB3A and #76D35B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BAC2E shade: #4BAC2E, #2EADA9 and #AD2E7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BAC2E shade: #4BAC2E, #2E4CAD and #AD2E4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BAC2E shade: #4BAC2E, #2EADA9, #902EAD and #AD2E32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BAC2E shade: #4BAC2E, #2E8BAD, #902EAD and #AD502E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 73 / 33

HEX #4BAC2E

RGB 75 172 46

HSL 106.19, 0.58%, 0.43%

LAB 62.67, -51.2, 53.12

 

Complementary color

CMYK 14 / 60 / 0 / 18

HEX #B453D1

RGB 180 83 209

HSL 286.19, 0.58%, 0.57%

LAB 52.39, 58.14, -48.31

 

CMYK 53 / 0 / 76 / 33

HEX #50AC29

RGB 80 172 41

HSL 102.14, 0.62%, 0.42%

LAB 62.82, -50.18, 55.09

 

CMYK 49 / 0 / 68 / 25

HEX #61BE3C

RGB 97 190 60

HSL 102.92, 0.52%, 0.49%

LAB 69.25, -50.74, 54.8

 

CMYK 45 / 0 / 62 / 18

HEX #72D04F

RGB 114 208 79

HSL 103.72, 0.58%, 0.56%

LAB 75.61, -51.04, 54.03

 

CMYK 42 / 0 / 57 / 11

HEX #83E262

RGB 131 226 98

HSL 104.53, 0.69%, 0.64%

LAB 81.89, -51.16, 53.02

 

CMYK 39 / 0 / 52 / 4

HEX #94F475

RGB 148 244 117

HSL 105.35, 0.85%, 0.71%

LAB 88.1, -51.18, 51.91

 

CMYK 56 / 0 / 73 / 33

HEX #4BAC2E

RGB 75 172 46

HSL 106.19, 0.58%, 0.43%

LAB 62.67, -51.2, 53.12

 

CMYK 62 / 0 / 82 / 40

HEX #3A9A1B

RGB 58 154 27

HSL 105.35, 0.7%, 0.35%

LAB 56.18, -50.24, 52.94

 

CMYK 70 / 0 / 94 / 47

HEX #298808

RGB 41 136 8

HSL 104.53, 0.89%, 0.28%

LAB 49.61, -48.66, 51.35

 

CMYK 80 / 0 / 100 / 54

HEX #187600

RGB 24 118 0

HSL 107.8, 1%, 0.23%

LAB 42.99, -46.14, 47.42

 

CMYK 93 / 0 / 100 / 61

HEX #076400

RGB 7 100 0

HSL 115.8, 1%, 0.2%

LAB 36.29, -42.58, 41.96

 

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

CMYK 36 / 0 / 73 / 32

HEX #6EAD2E

RGB 110 173 46

HSL 89.76, 0.58%, 0.43%

LAB 64.48, -40.53, 55.42

 

CMYK 17 / 0 / 73 / 32

HEX #90AD2E

RGB 144 173 46

HSL 73.7, 0.58%, 0.43%

LAB 66.53, -27.3, 58.12

 

CMYK 0 / 3 / 73 / 32

HEX #ADA82E

RGB 173 168 46

HSL 57.64, 0.58%, 0.43%

LAB 67.34, -12.38, 59.68

 

CMYK 0 / 23 / 73 / 32

HEX #AD862E

RGB 173 134 46

HSL 41.57, 0.58%, 0.43%

LAB 58.16, 5.96, 50.74

 

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

CMYK 73 / 0 / 71 / 32

HEX #2EAD33

RGB 46 173 51

HSL 122.36, 0.58%, 0.43%

LAB 62.26, -57.46, 50.54

 

CMYK 73 / 0 / 51 / 32

HEX #2EAD55

RGB 46 173 85

HSL 138.43, 0.58%, 0.43%

LAB 62.61, -53.26, 35.4

 

CMYK 73 / 0 / 31 / 32

HEX #2EAD78

RGB 46 173 120

HSL 154.96, 0.58%, 0.43%

LAB 63.2, -46.67, 17.63

 

CMYK 73 / 0 / 11 / 32

HEX #2EAD9A

RGB 46 173 154

HSL 171.02, 0.58%, 0.43%

LAB 64, -38.28, -0.04

 

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

CMYK 65 / 0 / 85 / 25

HEX #42BF1C

RGB 66 191 28

HSL 106.01, 0.74%, 0.43%

LAB 68.39, -61.06, 63.81

 

CMYK 73 / 0 / 95 / 18

HEX #38D10B

RGB 56 209 11

HSL 106.36, 0.9%, 0.43%

LAB 73.85, -69.1, 71.16

 

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

CMYK 46 / 0 / 59 / 39

HEX #559C40

RGB 85 156 64

HSL 106.3, 0.42%, 0.43%

LAB 58.11, -40.18, 40.62

 

CMYK 32 / 0 / 41 / 46

HEX #5E8A52

RGB 94 138 82

HSL 107.14, 0.25%, 0.43%

LAB 53.13, -26.42, 25.3

 

CMYK 13 / 0 / 18 / 53

HEX #687863

RGB 104 120 99

HSL 105.71, 0.1%, 0.43%

LAB 48.61, -10.23, 9.58

 

CMYK 3 / 13 / 0 / 54

HEX #726675

RGB 114 102 117

HSL 288, 0.07%, 0.43%

LAB 44.75, 7.75, -6.66

 

CMYK 17 / 0 / 73 / 32

HEX #90AD2E

RGB 144 173 46

HSL 73.7, 0.58%, 0.43%

LAB 66.53, -27.3, 58.12

 

CMYK 36 / 0 / 73 / 32

HEX #6EAD2E

RGB 110 173 46

HSL 89.76, 0.58%, 0.43%

LAB 64.48, -40.53, 55.42

 

CMYK 56 / 0 / 73 / 32

HEX #4CAD2E

RGB 76 173 46

HSL 105.83, 0.58%, 0.43%

LAB 63.03, -51.31, 53.49

 

CMYK 73 / 0 / 71 / 32

HEX #2EAD32

RGB 46 173 50

HSL 121.89, 0.58%, 0.43%

LAB 62.25, -57.55, 50.92

 

CMYK 73 / 0 / 51 / 32

HEX #2EAD54

RGB 46 173 84

HSL 137.95, 0.58%, 0.43%

LAB 62.6, -53.42, 35.88

 

CMYK 56 / 0 / 73 / 58

HEX #2F6C1D

RGB 47 108 29

HSL 106.33, 0.58%, 0.27%

LAB 40.28, -35.44, 36.55

 

CMYK 57 / 0 / 74 / 45

HEX #3D8D25

RGB 61 141 37

HSL 106.15, 0.58%, 0.35%

LAB 52.03, -43.94, 45.57

 

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

CMYK 55 / 0 / 71 / 20

HEX #5BCB3A

RGB 91 203 58

HSL 106.34, 0.58%, 0.51%

LAB 73.05, -57.47, 59.43

 

CMYK 44 / 0 / 57 / 17

HEX #76D35B

RGB 118 211 91

HSL 106.5, 0.58%, 0.59%

LAB 76.8, -49.8, 50.11

 

CMYK 56 / 0 / 73 / 33

HEX #4BAC2E

RGB 75 172 46

HSL 106.19, 0.58%, 0.43%

LAB 62.67, -51.2, 53.12

 

CMYK 73 / 0 / 2 / 32

HEX #2EADA9

RGB 46 173 169

HSL 178.11, 0.58%, 0.43%

LAB 64.43, -34.06, -7.77

 

CMYK 0 / 73 / 27 / 32

HEX #AD2E7F

RGB 173 46 127

HSL 321.73, 0.58%, 0.43%

LAB 41.8, 58.05, -16.46

 

CMYK 56 / 0 / 73 / 33

HEX #4BAC2E

RGB 75 172 46

HSL 106.19, 0.58%, 0.43%

LAB 62.67, -51.2, 53.12

 

CMYK 73 / 56 / 0 / 32

HEX #2E4CAD

RGB 46 76 173

HSL 225.83, 0.58%, 0.43%

LAB 35.53, 23.4, -55.15

 

CMYK 0 / 73 / 56 / 32

HEX #AD2E4C

RGB 173 46 76

HSL 345.83, 0.58%, 0.43%

LAB 40.18, 52.82, 13.09

 

CMYK 56 / 0 / 73 / 33

HEX #4BAC2E

RGB 75 172 46

HSL 106.19, 0.58%, 0.43%

LAB 62.67, -51.2, 53.12

 

CMYK 73 / 0 / 2 / 32

HEX #2EADA9

RGB 46 173 169

HSL 178.11, 0.58%, 0.43%

LAB 64.43, -34.06, -7.77

 

CMYK 17 / 73 / 0 / 32

HEX #902EAD

RGB 144 46 173

HSL 286.3, 0.58%, 0.43%

LAB 39.41, 58.66, -48.39

 

CMYK 0 / 73 / 71 / 32

HEX #AD2E32

RGB 173 46 50

HSL 358.11, 0.58%, 0.43%

LAB 39.7, 51.19, 28.65

 

CMYK 56 / 0 / 73 / 33

HEX #4BAC2E

RGB 75 172 46

HSL 106.19, 0.58%, 0.43%

LAB 62.67, -51.2, 53.12

 

CMYK 73 / 20 / 0 / 32

HEX #2E8BAD

RGB 46 139 173

HSL 196.06, 0.58%, 0.43%

LAB 54.09, -15.52, -25.71

 

CMYK 17 / 73 / 0 / 32

HEX #902EAD

RGB 144 46 173

HSL 286.3, 0.58%, 0.43%

LAB 39.41, 58.66, -48.39

 

CMYK 0 / 54 / 73 / 32

HEX #AD502E

RGB 173 80 46

HSL 16.06, 0.58%, 0.43%

LAB 45.39, 35.73, 37.41

 

Description

Color code: HEX #4BAC2E | qconv.com Color code: HEX #4BAC2E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 172 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 172 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 73 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 73% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

66% - ほんっとにはじめてのHTML5
Link: http://honttoni.blog74.fc2.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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