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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BAA47 it is the complementary color #B455B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BAA47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BAA47 shade: #50AA42, #61BC55, #72CE68, #83E07B and #94F28E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BAA47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BAA47 shade: #4BAA47, #3A9834, #298621, #18740E and #076200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BAA47 shade: #4BA947, #65A947, #80A947, #9AA947 and #A99D47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BAA47 shade: #4BA947, #47A95D, #47A978, #47A992 and #47A5A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BAA47 shade matches the following richer shades: #4BA947, #39BC33, #27D020 and #15E30D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BAA47 shade: #4BA947, #5D965A, #6E826D, #806F81 and #925B94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BAA47 shade: #80A947, #66A947, #4CA947, #47A95C and #47A976

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BAA47 shade: #316F2E, #3E8C3B, #4BA947, #61BB5E and #7EC87B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BAA47 shade: #4BAA47, #479AA9 and #A94773

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BAA47 shade: #4BAA47, #474CA9 and #A9474C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BAA47 shade: #4BAA47, #479AA9, #A447A9 and #A95547

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BAA47 shade: #4BAA47, #477DA9, #A447A9 and #A97347

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 58 / 33

HEX #4BAA47

RGB 75 170 71

HSL 117.58, 0.41%, 0.47%

LAB 62.25, -47.99, 42.01

 

Complementary color

CMYK 2 / 54 / 0 / 28

HEX #B455B8

RGB 180 85 184

HSL 297.58, 0.41%, 0.53%

LAB 51.45, 52.4, -35.41

 

CMYK 53 / 0 / 61 / 33

HEX #50AA42

RGB 80 170 66

HSL 111.92, 0.44%, 0.46%

LAB 62.38, -47.21, 44.53

 

CMYK 48 / 0 / 55 / 26

HEX #61BC55

RGB 97 188 85

HSL 113.01, 0.43%, 0.54%

LAB 68.87, -47.38, 43.36

 

CMYK 45 / 0 / 50 / 19

HEX #72CE68

RGB 114 206 104

HSL 114.12, 0.51%, 0.61%

LAB 75.28, -47.38, 42.11

 

CMYK 42 / 0 / 45 / 12

HEX #83E07B

RGB 131 224 123

HSL 115.25, 0.62%, 0.68%

LAB 81.6, -47.29, 40.87

 

CMYK 39 / 0 / 41 / 5

HEX #94F28E

RGB 148 242 142

HSL 116.4, 0.79%, 0.75%

LAB 87.85, -47.13, 39.65

 

CMYK 56 / 0 / 58 / 33

HEX #4BAA47

RGB 75 170 71

HSL 117.58, 0.41%, 0.47%

LAB 62.25, -47.99, 42.01

 

CMYK 62 / 0 / 66 / 40

HEX #3A9834

RGB 58 152 52

HSL 116.4, 0.49%, 0.4%

LAB 55.69, -47.53, 43.15

 

CMYK 69 / 0 / 75 / 47

HEX #298621

RGB 41 134 33

HSL 115.25, 0.6%, 0.33%

LAB 49.05, -46.6, 43.88

 

CMYK 79 / 0 / 88 / 55

HEX #18740E

RGB 24 116 14

HSL 114.12, 0.78%, 0.25%

LAB 42.33, -44.88, 43.6

 

CMYK 93 / 0 / 100 / 62

HEX #076200

RGB 7 98 0

HSL 115.71, 1%, 0.19%

LAB 35.56, -41.95, 41.38

 

CMYK 56 / 0 / 58 / 34

HEX #4BA947

RGB 75 169 71

HSL 117.55, 0.41%, 0.47%

LAB 61.94, -47.59, 41.64

 

CMYK 40 / 0 / 58 / 34

HEX #65A947

RGB 101 169 71

HSL 101.63, 0.41%, 0.47%

LAB 63.01, -39.77, 43.16

 

CMYK 24 / 0 / 58 / 34

HEX #80A947

RGB 128 169 71

HSL 85.1, 0.41%, 0.47%

LAB 64.5, -29.96, 45.26

 

CMYK 9 / 0 / 58 / 34

HEX #9AA947

RGB 154 169 71

HSL 69.18, 0.41%, 0.47%

LAB 66.29, -19.45, 47.78

 

CMYK 0 / 7 / 58 / 34

HEX #A99D47

RGB 169 157 71

HSL 52.65, 0.41%, 0.47%

LAB 64.16, -6.79, 45.71

 

CMYK 56 / 0 / 58 / 34

HEX #4BA947

RGB 75 169 71

HSL 117.55, 0.41%, 0.47%

LAB 61.94, -47.59, 41.64

 

CMYK 58 / 0 / 45 / 34

HEX #47A95D

RGB 71 169 93

HSL 133.47, 0.41%, 0.47%

LAB 62.09, -45.46, 30.76

 

CMYK 58 / 0 / 29 / 34

HEX #47A978

RGB 71 169 120

HSL 150, 0.41%, 0.47%

LAB 62.57, -40.39, 16.87

 

CMYK 58 / 0 / 14 / 34

HEX #47A992

RGB 71 169 146

HSL 165.92, 0.41%, 0.47%

LAB 63.17, -34.37, 3.29

 

CMYK 58 / 2 / 0 / 34

HEX #47A5A9

RGB 71 165 169

HSL 182.45, 0.41%, 0.47%

LAB 62.6, -26.26, -10.43

 

CMYK 56 / 0 / 58 / 34

HEX #4BA947

RGB 75 169 71

HSL 117.55, 0.41%, 0.47%

LAB 61.94, -47.59, 41.64

 

CMYK 70 / 0 / 73 / 26

HEX #39BC33

RGB 57 188 51

HSL 117.37, 0.57%, 0.47%

LAB 67.33, -60.48, 55.85

 

CMYK 81 / 0 / 85 / 18

HEX #27D020

RGB 39 208 32

HSL 117.61, 0.73%, 0.47%

LAB 73.32, -70.48, 67.1

 

CMYK 91 / 0 / 94 / 11

HEX #15E30D

RGB 21 227 13

HSL 117.76, 0.89%, 0.47%

LAB 79.11, -77.87, 75.12

 

CMYK 56 / 0 / 58 / 34

HEX #4BA947

RGB 75 169 71

HSL 117.55, 0.41%, 0.47%

LAB 61.94, -47.59, 41.64

 

CMYK 38 / 0 / 40 / 41

HEX #5D965A

RGB 93 150 90

HSL 117, 0.25%, 0.47%

LAB 56.96, -31.29, 25.9

 

CMYK 15 / 0 / 16 / 49

HEX #6E826D

RGB 110 130 109

HSL 117.14, 0.09%, 0.47%

LAB 52.27, -11.6, 8.97

 

CMYK 1 / 14 / 0 / 49

HEX #806F81

RGB 128 111 129

HSL 296.67, 0.08%, 0.47%

LAB 48.94, 10.12, -7.46

 

CMYK 1 / 39 / 0 / 42

HEX #925B94

RGB 146 91 148

HSL 297.89, 0.24%, 0.47%

LAB 46.62, 32.07, -22.1

 

CMYK 24 / 0 / 58 / 34

HEX #80A947

RGB 128 169 71

HSL 85.1, 0.41%, 0.47%

LAB 64.5, -29.96, 45.26

 

CMYK 40 / 0 / 58 / 34

HEX #66A947

RGB 102 169 71

HSL 101.02, 0.41%, 0.47%

LAB 63.06, -39.43, 43.23

 

CMYK 55 / 0 / 58 / 34

HEX #4CA947

RGB 76 169 71

HSL 116.94, 0.41%, 0.47%

LAB 61.97, -47.33, 41.69

 

CMYK 58 / 0 / 46 / 34

HEX #47A95C

RGB 71 169 92

HSL 132.86, 0.41%, 0.47%

LAB 62.07, -45.62, 31.26

 

CMYK 58 / 0 / 30 / 34

HEX #47A976

RGB 71 169 118

HSL 148.78, 0.41%, 0.47%

LAB 62.53, -40.81, 17.91

 

CMYK 56 / 0 / 59 / 56

HEX #316F2E

RGB 49 111 46

HSL 117.23, 0.41%, 0.31%

LAB 41.56, -34.19, 29.84

 

CMYK 56 / 0 / 58 / 45

HEX #3E8C3B

RGB 62 140 59

HSL 117.78, 0.41%, 0.39%

LAB 51.95, -40.97, 35.62

 

CMYK 56 / 0 / 58 / 34

HEX #4BA947

RGB 75 169 71

HSL 117.55, 0.41%, 0.47%

LAB 61.94, -47.59, 41.64

 

CMYK 48 / 0 / 50 / 27

HEX #61BB5E

RGB 97 187 94

HSL 118.06, 0.41%, 0.55%

LAB 68.67, -45.8, 38.73

 

CMYK 37 / 0 / 39 / 22

HEX #7EC87B

RGB 126 200 123

HSL 117.66, 0.41%, 0.63%

LAB 74.3, -38.4, 31.43

 

CMYK 56 / 0 / 58 / 33

HEX #4BAA47

RGB 75 170 71

HSL 117.58, 0.41%, 0.47%

LAB 62.25, -47.99, 42.01

 

CMYK 58 / 9 / 0 / 34

HEX #479AA9

RGB 71 154 169

HSL 189.18, 0.41%, 0.47%

LAB 59.27, -20.64, -15.46

 

CMYK 0 / 58 / 32 / 34

HEX #A94773

RGB 169 71 115

HSL 333.06, 0.41%, 0.47%

LAB 44.49, 44.91, -5.09

 

CMYK 56 / 0 / 58 / 33

HEX #4BAA47

RGB 75 170 71

HSL 117.58, 0.41%, 0.47%

LAB 62.25, -47.99, 42.01

 

CMYK 58 / 55 / 0 / 34

HEX #474CA9

RGB 71 76 169

HSL 236.94, 0.41%, 0.47%

LAB 36.69, 26.09, -50.81

 

CMYK 0 / 58 / 55 / 34

HEX #A9474C

RGB 169 71 76

HSL 356.94, 0.41%, 0.47%

LAB 43.45, 40.73, 17.41

 

CMYK 56 / 0 / 58 / 33

HEX #4BAA47

RGB 75 170 71

HSL 117.58, 0.41%, 0.47%

LAB 62.25, -47.99, 42.01

 

CMYK 58 / 9 / 0 / 34

HEX #479AA9

RGB 71 154 169

HSL 189.18, 0.41%, 0.47%

LAB 59.27, -20.64, -15.46

 

CMYK 3 / 58 / 0 / 34

HEX #A447A9

RGB 164 71 169

HSL 296.94, 0.41%, 0.47%

LAB 45.99, 51.97, -35.37

 

CMYK 0 / 50 / 58 / 34

HEX #A95547

RGB 169 85 71

HSL 8.57, 0.41%, 0.47%

LAB 46.16, 33.13, 23.98

 

CMYK 56 / 0 / 58 / 33

HEX #4BAA47

RGB 75 170 71

HSL 117.58, 0.41%, 0.47%

LAB 62.25, -47.99, 42.01

 

CMYK 58 / 26 / 0 / 34

HEX #477DA9

RGB 71 125 169

HSL 206.94, 0.41%, 0.47%

LAB 50.54, -4.57, -28.85

 

CMYK 3 / 58 / 0 / 34

HEX #A447A9

RGB 164 71 169

HSL 296.94, 0.41%, 0.47%

LAB 45.99, 51.97, -35.37

 

CMYK 0 / 32 / 58 / 34

HEX #A97347

RGB 169 115 71

HSL 26.94, 0.41%, 0.47%

LAB 53.11, 16.49, 32.7

 

Description

Color code: HEX #4BAA47 | qconv.com Color code: HEX #4BAA47 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 170 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 170 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 58 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 58% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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