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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BA6CF it is the complementary color #B45930. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BA6CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BA6CF shade: #50A6CA, #61B8DD, #72CAF0, #83DCFF and #94EEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BA6CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BA6CF shade: #4BA6CF, #3A94BC, #2982A9, #187096 and #075E83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BA6CF shade: #4AA5CF, #4A82CF, #4A5ECF, #5A4ACF and #7E4ACF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BA6CF shade: #4AA5CF, #4A82CF, #4A5ECF and #4A4ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BA6CF shade matches the following richer shades: #4AA5CF, #37ACE1 and #25B4F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BA6CF shade: #4AA5CF, #5C9EBC, #6F97AA, #819097 and #948985

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BA6CF shade: #4ACFB0, #4ACACF, #4AA7CF, #4A83CF and #4A60CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BA6CF shade: #2A799C, #3292BD, #4AA5CF, #6AB6D7 and #8BC6E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BA6CF shade: #4BA6CF, #8C4ACF and #CFC14A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BA6CF shade: #4BA6CF, #CF4AA7 and #A7CF4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BA6CF shade: #4BA6CF, #8C4ACF, #CF724A and #8CCF4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BA6CF shade: #4BA6CF, #B44ACF, #CF724A and #64CF4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 20 / 0 / 19

HEX #4BA6CF

RGB 75 166 207

HSL 198.64, 0.58%, 0.55%

LAB 64.38, -14.57, -28.94

 

Complementary color

CMYK 0 / 51 / 73 / 29

HEX #B45930

RGB 180 89 48

HSL 18.64, 0.58%, 0.45%

LAB 48.34, 33.94, 39.88

 

CMYK 60 / 18 / 0 / 21

HEX #50A6CA

RGB 80 166 202

HSL 197.7, 0.54%, 0.55%

LAB 64.36, -15.24, -26.18

 

CMYK 56 / 17 / 0 / 13

HEX #61B8DD

RGB 97 184 221

HSL 197.9, 0.65%, 0.62%

LAB 70.9, -15.77, -26.54

 

CMYK 53 / 16 / 0 / 6

HEX #72CAF0

RGB 114 202 240

HSL 198.1, 0.81%, 0.69%

LAB 77.35, -16.19, -26.89

 

CMYK 49 / 14 / 0 / 0

HEX #83DCFF

RGB 131 220 255

HSL 196.94, 1%, 0.76%

LAB 83.56, -17.6, -25.31

 

CMYK 42 / 7 / 0 / 0

HEX #94EEFF

RGB 148 238 255

HSL 189.53, 1%, 0.79%

LAB 89.24, -22.7, -16.66

 

CMYK 64 / 20 / 0 / 19

HEX #4BA6CF

RGB 75 166 207

HSL 198.64, 0.58%, 0.55%

LAB 64.38, -14.57, -28.94

 

CMYK 69 / 21 / 0 / 26

HEX #3A94BC

RGB 58 148 188

HSL 198.46, 0.53%, 0.48%

LAB 57.76, -13.7, -28.56

 

CMYK 76 / 23 / 0 / 34

HEX #2982A9

RGB 41 130 169

HSL 198.28, 0.61%, 0.41%

LAB 51.04, -12.54, -28.15

 

CMYK 84 / 25 / 0 / 41

HEX #187096

RGB 24 112 150

HSL 198.1, 0.72%, 0.34%

LAB 44.21, -10.98, -27.67

 

CMYK 95 / 28 / 0 / 49

HEX #075E83

RGB 7 94 131

HSL 197.9, 0.9%, 0.27%

LAB 37.28, -8.83, -27.1

 

CMYK 64 / 20 / 0 / 19

HEX #4AA5CF

RGB 74 165 207

HSL 198.95, 0.58%, 0.55%

LAB 64.06, -14.2, -29.44

 

CMYK 64 / 37 / 0 / 19

HEX #4A82CF

RGB 74 130 207

HSL 214.74, 0.58%, 0.55%

LAB 53.95, 5.81, -45.26

 

CMYK 64 / 55 / 0 / 19

HEX #4A5ECF

RGB 74 94 207

HSL 230.98, 0.58%, 0.55%

LAB 44.18, 28.19, -60.9

 

CMYK 57 / 64 / 0 / 19

HEX #5A4ACF

RGB 90 74 207

HSL 247.22, 0.58%, 0.55%

LAB 40.53, 43.06, -66.79

 

CMYK 39 / 64 / 0 / 19

HEX #7E4ACF

RGB 126 74 207

HSL 263.46, 0.58%, 0.55%

LAB 44, 49.83, -61

 

CMYK 64 / 20 / 0 / 19

HEX #4AA5CF

RGB 74 165 207

HSL 198.95, 0.58%, 0.55%

LAB 64.06, -14.2, -29.44

 

CMYK 64 / 37 / 0 / 19

HEX #4A82CF

RGB 74 130 207

HSL 214.74, 0.58%, 0.55%

LAB 53.95, 5.81, -45.26

 

CMYK 64 / 55 / 0 / 19

HEX #4A5ECF

RGB 74 94 207

HSL 230.98, 0.58%, 0.55%

LAB 44.18, 28.19, -60.9

 

CMYK 64 / 64 / 0 / 19

HEX #4A4ACF

RGB 74 74 207

HSL 240, 0.58%, 0.55%

LAB 39.34, 40.58, -68.79

 

CMYK 64 / 20 / 0 / 19

HEX #4AA5CF

RGB 74 165 207

HSL 198.95, 0.58%, 0.55%

LAB 64.06, -14.2, -29.44

 

CMYK 76 / 24 / 0 / 12

HEX #37ACE1

RGB 55 172 225

HSL 198.71, 0.74%, 0.55%

LAB 66.33, -14.75, -35.89

 

CMYK 85 / 26 / 0 / 4

HEX #25B4F4

RGB 37 180 244

HSL 198.55, 0.9%, 0.55%

LAB 69.16, -14.19, -41.88

 

CMYK 64 / 20 / 0 / 19

HEX #4AA5CF

RGB 74 165 207

HSL 198.95, 0.58%, 0.55%

LAB 64.06, -14.2, -29.44

 

CMYK 51 / 16 / 0 / 26

HEX #5C9EBC

RGB 92 158 188

HSL 198.75, 0.42%, 0.55%

LAB 61.96, -12.65, -21.99

 

CMYK 35 / 11 / 0 / 33

HEX #6F97AA

RGB 111 151 170

HSL 199.32, 0.26%, 0.55%

LAB 60.26, -8.88, -14.34

 

CMYK 15 / 5 / 0 / 41

HEX #819097

RGB 129 144 151

HSL 199.09, 0.1%, 0.55%

LAB 58.83, -3.86, -5.54

 

CMYK 0 / 7 / 10 / 42

HEX #948985

RGB 148 137 133

HSL 16, 0.07%, 0.55%

LAB 57.92, 3.39, 3.62

 

CMYK 64 / 0 / 15 / 19

HEX #4ACFB0

RGB 74 207 176

HSL 166.02, 0.58%, 0.55%

LAB 75.59, -43.44, 4.81

 

CMYK 64 / 2 / 0 / 19

HEX #4ACACF

RGB 74 202 207

HSL 182.26, 0.58%, 0.55%

LAB 74.95, -32.95, -12.86

 

CMYK 64 / 19 / 0 / 19

HEX #4AA7CF

RGB 74 167 207

HSL 198.05, 0.58%, 0.55%

LAB 64.64, -15.28, -28.54

 

CMYK 64 / 37 / 0 / 19

HEX #4A83CF

RGB 74 131 207

HSL 214.29, 0.58%, 0.55%

LAB 54.23, 5.21, -44.81

 

CMYK 64 / 54 / 0 / 19

HEX #4A60CF

RGB 74 96 207

HSL 230.08, 0.58%, 0.55%

LAB 44.7, 26.93, -60.07

 

CMYK 73 / 22 / 0 / 39

HEX #2A799C

RGB 42 121 156

HSL 198.42, 0.58%, 0.39%

LAB 47.71, -11.86, -25.74

 

CMYK 74 / 23 / 0 / 26

HEX #3292BD

RGB 50 146 189

HSL 198.56, 0.58%, 0.47%

LAB 56.99, -13.39, -30.35

 

CMYK 64 / 20 / 0 / 19

HEX #4AA5CF

RGB 74 165 207

HSL 198.95, 0.58%, 0.55%

LAB 64.06, -14.2, -29.44

 

CMYK 51 / 15 / 0 / 16

HEX #6AB6D7

RGB 106 182 215

HSL 198.17, 0.58%, 0.63%

LAB 70.47, -14.56, -23.89

 

CMYK 38 / 12 / 0 / 12

HEX #8BC6E0

RGB 139 198 224

HSL 198.35, 0.58%, 0.71%

LAB 76.84, -12.5, -18.95

 

CMYK 64 / 20 / 0 / 19

HEX #4BA6CF

RGB 75 166 207

HSL 198.64, 0.58%, 0.55%

LAB 64.38, -14.57, -28.94

 

CMYK 32 / 64 / 0 / 19

HEX #8C4ACF

RGB 140 74 207

HSL 269.77, 0.58%, 0.55%

LAB 45.6, 52.79, -58.33

 

CMYK 0 / 7 / 64 / 19

HEX #CFC14A

RGB 207 193 74

HSL 53.68, 0.58%, 0.55%

LAB 77.22, -9.14, 59.61

 

CMYK 64 / 20 / 0 / 19

HEX #4BA6CF

RGB 75 166 207

HSL 198.64, 0.58%, 0.55%

LAB 64.38, -14.57, -28.94

 

CMYK 0 / 64 / 19 / 19

HEX #CF4AA7

RGB 207 74 167

HSL 318.05, 0.58%, 0.55%

LAB 52.9, 61.94, -22.94

 

CMYK 19 / 0 / 64 / 19

HEX #A7CF4A

RGB 167 207 74

HSL 78.05, 0.58%, 0.55%

LAB 78.07, -32.41, 59.61

 

CMYK 64 / 20 / 0 / 19

HEX #4BA6CF

RGB 75 166 207

HSL 198.64, 0.58%, 0.55%

LAB 64.38, -14.57, -28.94

 

CMYK 32 / 64 / 0 / 19

HEX #8C4ACF

RGB 140 74 207

HSL 269.77, 0.58%, 0.55%

LAB 45.6, 52.79, -58.33

 

CMYK 0 / 45 / 64 / 19

HEX #CF724A

RGB 207 114 74

HSL 18.05, 0.58%, 0.55%

LAB 57.84, 33.09, 37.93

 

CMYK 32 / 0 / 64 / 19

HEX #8CCF4A

RGB 140 207 74

HSL 90.23, 0.58%, 0.55%

LAB 76.49, -42.48, 57.45

 

CMYK 64 / 20 / 0 / 19

HEX #4BA6CF

RGB 75 166 207

HSL 198.64, 0.58%, 0.55%

LAB 64.38, -14.57, -28.94

 

CMYK 13 / 64 / 0 / 19

HEX #B44ACF

RGB 180 74 207

HSL 287.82, 0.58%, 0.55%

LAB 50.81, 61.78, -49.69

 

CMYK 0 / 45 / 64 / 19

HEX #CF724A

RGB 207 114 74

HSL 18.05, 0.58%, 0.55%

LAB 57.84, 33.09, 37.93

 

CMYK 52 / 0 / 64 / 19

HEX #64CF4A

RGB 100 207 74

HSL 108.27, 0.58%, 0.55%

LAB 74.72, -55.17, 55

 

Description

Color code: HEX #4BA6CF | qconv.com Color code: HEX #4BA6CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 166 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 166 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 20 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 20% 0% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

50% - Welcome! | 10:10
Link: http://www.1010global.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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