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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BA3C7 it is the complementary color #B45C38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BA3C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BA3C7 shade: #50A3C2, #61B5D5, #72C7E8, #83D9FB and #94EBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BA3C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BA3C7 shade: #4BA3C7, #3A91B4, #297FA1, #186D8E and #075B7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BA3C7 shade: #4BA3C7, #4B82C7, #4B60C7, #574BC7 and #794BC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BA3C7 shade: #4BA3C7, #4B82C7, #4B60C7 and #4B4BC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BA3C7 shade matches the following richer shades: #4BA3C7, #38ABDA and #25B3ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BA3C7 shade: #4BA3C7, #5E9BB4, #7193A1, #848B8E and #97837B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BA3C7 shade: #4BC7A8, #4BC5C7, #4BA4C7, #4B83C7 and #4B62C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BA3C7 shade: #2D7593, #378FB3, #4BA3C7, #6BB3D1 and #8AC3DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BA3C7 shade: #4BA3C7, #874BC7 and #C7B94B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BA3C7 shade: #4BA3C7, #C74BA4 and #A4C74B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BA3C7 shade: #4BA3C7, #874BC7, #C76E4B and #8BC74B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BA3C7 shade: #4BA3C7, #AC4BC7, #C76E4B and #66C74B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 18 / 0 / 22

HEX #4BA3C7

RGB 75 163 199

HSL 197.42, 0.53%, 0.54%

LAB 63.19, -15.48, -26.32

 

Complementary color

CMYK 0 / 49 / 69 / 29

HEX #B45C38

RGB 180 92 56

HSL 17.42, 0.53%, 0.46%

LAB 49.06, 32.78, 36.42

 

CMYK 59 / 16 / 0 / 24

HEX #50A3C2

RGB 80 163 194

HSL 196.32, 0.48%, 0.54%

LAB 63.17, -16.09, -23.54

 

CMYK 54 / 15 / 0 / 16

HEX #61B5D5

RGB 97 181 213

HSL 196.55, 0.58%, 0.61%

LAB 69.75, -16.55, -23.93

 

CMYK 51 / 14 / 0 / 9

HEX #72C7E8

RGB 114 199 232

HSL 196.78, 0.72%, 0.68%

LAB 76.22, -16.89, -24.3

 

CMYK 48 / 14 / 0 / 2

HEX #83D9FB

RGB 131 217 251

HSL 197, 0.94%, 0.75%

LAB 82.6, -17.16, -24.66

 

CMYK 42 / 8 / 0 / 0

HEX #94EBFF

RGB 148 235 255

HSL 191.21, 1%, 0.79%

LAB 88.42, -21.22, -17.9

 

CMYK 62 / 18 / 0 / 22

HEX #4BA3C7

RGB 75 163 199

HSL 197.42, 0.53%, 0.54%

LAB 63.19, -15.48, -26.32

 

CMYK 68 / 19 / 0 / 29

HEX #3A91B4

RGB 58 145 180

HSL 197.21, 0.51%, 0.47%

LAB 56.53, -14.7, -25.92

 

CMYK 75 / 21 / 0 / 37

HEX #297FA1

RGB 41 127 161

HSL 197, 0.59%, 0.4%

LAB 49.77, -13.65, -25.48

 

CMYK 83 / 23 / 0 / 44

HEX #186D8E

RGB 24 109 142

HSL 196.78, 0.71%, 0.33%

LAB 42.89, -12.2, -24.97

 

CMYK 94 / 26 / 0 / 52

HEX #075B7B

RGB 7 91 123

HSL 196.55, 0.89%, 0.25%

LAB 35.9, -10.18, -24.35

 

CMYK 62 / 18 / 0 / 22

HEX #4BA3C7

RGB 75 163 199

HSL 197.42, 0.53%, 0.54%

LAB 63.19, -15.48, -26.32

 

CMYK 62 / 35 / 0 / 22

HEX #4B82C7

RGB 75 130 199

HSL 213.39, 0.53%, 0.54%

LAB 53.58, 3.27, -41.29

 

CMYK 62 / 52 / 0 / 22

HEX #4B60C7

RGB 75 96 199

HSL 229.84, 0.53%, 0.54%

LAB 44.21, 24.34, -56.25

 

CMYK 56 / 62 / 0 / 22

HEX #574BC7

RGB 87 75 199

HSL 245.81, 0.53%, 0.54%

LAB 39.89, 39.47, -63.22

 

CMYK 39 / 62 / 0 / 22

HEX #794BC7

RGB 121 75 199

HSL 262.26, 0.53%, 0.54%

LAB 43.09, 46.16, -57.87

 

CMYK 62 / 18 / 0 / 22

HEX #4BA3C7

RGB 75 163 199

HSL 197.42, 0.53%, 0.54%

LAB 63.19, -15.48, -26.32

 

CMYK 62 / 35 / 0 / 22

HEX #4B82C7

RGB 75 130 199

HSL 213.39, 0.53%, 0.54%

LAB 53.58, 3.27, -41.29

 

CMYK 62 / 52 / 0 / 22

HEX #4B60C7

RGB 75 96 199

HSL 229.84, 0.53%, 0.54%

LAB 44.21, 24.34, -56.25

 

CMYK 62 / 62 / 0 / 22

HEX #4B4BC7

RGB 75 75 199

HSL 240, 0.53%, 0.54%

LAB 38.99, 37.48, -64.73

 

CMYK 62 / 18 / 0 / 22

HEX #4BA3C7

RGB 75 163 199

HSL 197.42, 0.53%, 0.54%

LAB 63.19, -15.48, -26.32

 

CMYK 74 / 22 / 0 / 15

HEX #38ABDA

RGB 56 171 218

HSL 197.41, 0.69%, 0.54%

LAB 65.77, -16.44, -32.91

 

CMYK 84 / 24 / 0 / 7

HEX #25B3ED

RGB 37 179 237

HSL 197.4, 0.85%, 0.54%

LAB 68.57, -16.07, -39

 

CMYK 62 / 18 / 0 / 22

HEX #4BA3C7

RGB 75 163 199

HSL 197.42, 0.53%, 0.54%

LAB 63.19, -15.48, -26.32

 

CMYK 48 / 14 / 0 / 29

HEX #5E9BB4

RGB 94 155 180

HSL 197.44, 0.36%, 0.54%

LAB 60.89, -12.87, -19.13

 

CMYK 30 / 9 / 0 / 37

HEX #7193A1

RGB 113 147 161

HSL 197.5, 0.2%, 0.54%

LAB 58.93, -8.37, -11.22

 

CMYK 7 / 2 / 0 / 44

HEX #848B8E

RGB 132 139 142

HSL 198, 0.04%, 0.54%

LAB 57.39, -1.93, -2.49

 

CMYK 0 / 13 / 19 / 41

HEX #97837B

RGB 151 131 123

HSL 17.14, 0.12%, 0.54%

LAB 56.33, 6.25, 7.12

 

CMYK 62 / 0 / 16 / 22

HEX #4BC7A8

RGB 75 199 168

HSL 165, 0.53%, 0.54%

LAB 73, -41.72, 5.41

 

CMYK 62 / 1 / 0 / 22

HEX #4BC5C7

RGB 75 197 199

HSL 180.97, 0.53%, 0.54%

LAB 73.25, -32.67, -11.06

 

CMYK 62 / 18 / 0 / 22

HEX #4BA4C7

RGB 75 164 199

HSL 196.94, 0.53%, 0.54%

LAB 63.48, -16.02, -25.87

 

CMYK 62 / 34 / 0 / 22

HEX #4B83C7

RGB 75 131 199

HSL 212.9, 0.53%, 0.54%

LAB 53.87, 2.67, -40.84

 

CMYK 62 / 51 / 0 / 22

HEX #4B62C7

RGB 75 98 199

HSL 228.87, 0.53%, 0.54%

LAB 44.74, 23.07, -55.4

 

CMYK 69 / 20 / 0 / 42

HEX #2D7593

RGB 45 117 147

HSL 197.65, 0.53%, 0.38%

LAB 46.16, -12.25, -22.83

 

CMYK 69 / 20 / 0 / 30

HEX #378FB3

RGB 55 143 179

HSL 197.42, 0.53%, 0.46%

LAB 55.8, -14.4, -26.49

 

CMYK 62 / 18 / 0 / 22

HEX #4BA3C7

RGB 75 163 199

HSL 197.42, 0.53%, 0.54%

LAB 63.19, -15.48, -26.32

 

CMYK 49 / 14 / 0 / 18

HEX #6BB3D1

RGB 107 179 209

HSL 197.65, 0.53%, 0.62%

LAB 69.45, -14.45, -22.16

 

CMYK 37 / 11 / 0 / 14

HEX #8AC3DB

RGB 138 195 219

HSL 197.78, 0.53%, 0.7%

LAB 75.79, -12.46, -17.84

 

CMYK 62 / 18 / 0 / 22

HEX #4BA3C7

RGB 75 163 199

HSL 197.42, 0.53%, 0.54%

LAB 63.19, -15.48, -26.32

 

CMYK 32 / 62 / 0 / 22

HEX #874BC7

RGB 135 75 199

HSL 269.03, 0.53%, 0.54%

LAB 44.67, 49.24, -55.25

 

CMYK 0 / 7 / 62 / 22

HEX #C7B94B

RGB 199 185 75

HSL 53.23, 0.53%, 0.54%

LAB 74.41, -8.35, 55.97

 

CMYK 62 / 18 / 0 / 22

HEX #4BA3C7

RGB 75 163 199

HSL 197.42, 0.53%, 0.54%

LAB 63.19, -15.48, -26.32

 

CMYK 0 / 62 / 18 / 22

HEX #C74BA4

RGB 199 75 164

HSL 316.94, 0.53%, 0.54%

LAB 51.67, 58.91, -23.17

 

CMYK 18 / 0 / 62 / 22

HEX #A4C74B

RGB 164 199 75

HSL 76.94, 0.53%, 0.54%

LAB 75.6, -29.76, 56.49

 

CMYK 62 / 18 / 0 / 22

HEX #4BA3C7

RGB 75 163 199

HSL 197.42, 0.53%, 0.54%

LAB 63.19, -15.48, -26.32

 

CMYK 32 / 62 / 0 / 22

HEX #874BC7

RGB 135 75 199

HSL 269.03, 0.53%, 0.54%

LAB 44.67, 49.24, -55.25

 

CMYK 0 / 45 / 62 / 22

HEX #C76E4B

RGB 199 110 75

HSL 16.94, 0.53%, 0.54%

LAB 55.89, 32.07, 34.78

 

CMYK 30 / 0 / 62 / 22

HEX #8BC74B

RGB 139 199 75

HSL 89.03, 0.53%, 0.54%

LAB 74.09, -39.25, 54.4

 

CMYK 62 / 18 / 0 / 22

HEX #4BA3C7

RGB 75 163 199

HSL 197.42, 0.53%, 0.54%

LAB 63.19, -15.48, -26.32

 

CMYK 14 / 62 / 0 / 22

HEX #AC4BC7

RGB 172 75 199

HSL 286.94, 0.53%, 0.54%

LAB 49.41, 57.89, -47.39

 

CMYK 0 / 45 / 62 / 22

HEX #C76E4B

RGB 199 110 75

HSL 16.94, 0.53%, 0.54%

LAB 55.89, 32.07, 34.78

 

CMYK 49 / 0 / 62 / 22

HEX #66C74B

RGB 102 199 75

HSL 106.94, 0.53%, 0.54%

LAB 72.35, -51.43, 51.98

 

Description

Color code: HEX #4BA3C7 | qconv.com Color code: HEX #4BA3C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 163 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 163 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 18 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 18% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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