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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B9C12 it is the complementary color #B463ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B9C12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B9C12 shade: #509C0D, #61AE20, #72C033, #83D246 and #94E459

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B9C12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B9C12 shade: #4B9C12, #3A8A00, #297800, #186600 and #075400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B9C12 shade: #4B9B12, #709B12, #959B12, #9B7D12 and #9B5812

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B9C12 shade: #4B9B12, #269B12, #129B24, #129B48 and #129B6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B9C12 shade matches the following richer shades: #4B9B12 and #48A904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B9C12 shade: #4B9B12, #4D8D20, #507F2E, #52713C and #55634A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B9C12 shade: #949B12, #709B12, #4B9B12, #279B12 and #129B22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B9C12 shade: #27510A, #39760E, #4B9B12, #5DC017 and #6EE41C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B9C12 shade: #4B9C12, #129B7E and #9B1282

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B9C12 shade: #4B9C12, #124B9B and #9B124B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B9C12 shade: #4B9C12, #129B7E, #62129B and #9B1230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B9C12 shade: #4B9C12, #12909B, #62129B and #9B1E12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 88 / 39

HEX #4B9C12

RGB 75 156 18

HSL 95.22, 0.79%, 0.34%

LAB 57.38, -46.71, 56.5

 

Complementary color

CMYK 24 / 58 / 0 / 7

HEX #B463ED

RGB 180 99 237

HSL 275.22, 0.79%, 0.66%

LAB 56.82, 56.29, -57.04

 

CMYK 49 / 0 / 92 / 39

HEX #509C0D

RGB 80 156 13

HSL 91.89, 0.85%, 0.33%

LAB 57.57, -45.3, 57.7

 

CMYK 44 / 0 / 82 / 32

HEX #61AE20

RGB 97 174 32

HSL 92.54, 0.69%, 0.4%

LAB 64.09, -46.23, 59.34

 

CMYK 41 / 0 / 73 / 25

HEX #72C033

RGB 114 192 51

HSL 93.19, 0.58%, 0.48%

LAB 70.54, -46.82, 59.71

 

CMYK 38 / 0 / 67 / 18

HEX #83D246

RGB 131 210 70

HSL 93.86, 0.61%, 0.55%

LAB 76.9, -47.19, 59.36

 

CMYK 35 / 0 / 61 / 11

HEX #94E459

RGB 148 228 89

HSL 94.53, 0.72%, 0.62%

LAB 83.18, -47.39, 58.63

 

CMYK 52 / 0 / 88 / 39

HEX #4B9C12

RGB 75 156 18

HSL 95.22, 0.79%, 0.34%

LAB 57.38, -46.71, 56.5

 

CMYK 58 / 0 / 100 / 46

HEX #3A8A00

RGB 58 138 0

HSL 94.78, 1%, 0.27%

LAB 50.78, -45.4, 53.99

 

CMYK 66 / 0 / 100 / 53

HEX #297800

RGB 41 120 0

HSL 99.5, 1%, 0.24%

LAB 44.1, -43.33, 48.47

 

CMYK 76 / 0 / 100 / 60

HEX #186600

RGB 24 102 0

HSL 105.88, 1%, 0.2%

LAB 37.29, -40.78, 42.88

 

CMYK 92 / 0 / 100 / 67

HEX #075400

RGB 7 84 0

HSL 115, 1%, 0.16%

LAB 30.37, -37.43, 37.22

 

CMYK 52 / 0 / 88 / 39

HEX #4B9B12

RGB 75 155 18

HSL 95.04, 0.79%, 0.34%

LAB 57.06, -46.32, 56.22

 

CMYK 28 / 0 / 88 / 39

HEX #709B12

RGB 112 155 18

HSL 78.83, 0.79%, 0.34%

LAB 58.91, -33.06, 58.53

 

CMYK 4 / 0 / 88 / 39

HEX #959B12

RGB 149 155 18

HSL 62.63, 0.79%, 0.34%

LAB 61.55, -17.24, 61.79

 

CMYK 0 / 19 / 88 / 39

HEX #9B7D12

RGB 155 125 18

HSL 46.86, 0.79%, 0.34%

LAB 53.69, 1.71, 55.65

 

CMYK 0 / 43 / 88 / 39

HEX #9B5812

RGB 155 88 18

HSL 30.66, 0.79%, 0.34%

LAB 44.22, 22.78, 47.98

 

CMYK 52 / 0 / 88 / 39

HEX #4B9B12

RGB 75 155 18

HSL 95.04, 0.79%, 0.34%

LAB 57.06, -46.32, 56.22

 

CMYK 75 / 0 / 88 / 39

HEX #269B12

RGB 38 155 18

HSL 111.24, 0.79%, 0.34%

LAB 55.99, -55.14, 54.87

 

CMYK 88 / 0 / 77 / 39

HEX #129B24

RGB 18 155 36

HSL 127.88, 0.79%, 0.34%

LAB 55.78, -56.59, 49.41

 

CMYK 88 / 0 / 54 / 39

HEX #129B48

RGB 18 155 72

HSL 143.65, 0.79%, 0.34%

LAB 56.13, -52.35, 33.89

 

CMYK 88 / 0 / 30 / 39

HEX #129B6D

RGB 18 155 109

HSL 159.85, 0.79%, 0.34%

LAB 56.76, -45.03, 14.76

 

CMYK 52 / 0 / 88 / 39

HEX #4B9B12

RGB 75 155 18

HSL 95.04, 0.79%, 0.34%

LAB 57.06, -46.32, 56.22

 

CMYK 57 / 0 / 98 / 34

HEX #48A904

RGB 72 169 4

HSL 95.27, 0.95%, 0.34%

LAB 61.45, -52.77, 62.06

 

CMYK 52 / 0 / 88 / 39

HEX #4B9B12

RGB 75 155 18

HSL 95.04, 0.79%, 0.34%

LAB 57.06, -46.32, 56.22

 

CMYK 45 / 0 / 77 / 45

HEX #4D8D20

RGB 77 141 32

HSL 95.23, 0.63%, 0.34%

LAB 52.65, -39.33, 48.26

 

CMYK 37 / 0 / 64 / 50

HEX #507F2E

RGB 80 127 46

HSL 94.81, 0.47%, 0.34%

LAB 48.36, -30.91, 38.03

 

CMYK 27 / 0 / 47 / 56

HEX #52713C

RGB 82 113 60

HSL 95.09, 0.31%, 0.34%

LAB 44.13, -21.58, 25.81

 

CMYK 14 / 0 / 25 / 61

HEX #55634A

RGB 85 99 74

HSL 93.6, 0.14%, 0.34%

LAB 40.16, -10.5, 12.47

 

CMYK 5 / 0 / 88 / 39

HEX #949B12

RGB 148 155 18

HSL 63.07, 0.79%, 0.34%

LAB 61.47, -17.69, 61.69

 

CMYK 28 / 0 / 88 / 39

HEX #709B12

RGB 112 155 18

HSL 78.83, 0.79%, 0.34%

LAB 58.91, -33.06, 58.53

 

CMYK 52 / 0 / 88 / 39

HEX #4B9B12

RGB 75 155 18

HSL 95.04, 0.79%, 0.34%

LAB 57.06, -46.32, 56.22

 

CMYK 75 / 0 / 88 / 39

HEX #279B12

RGB 39 155 18

HSL 110.8, 0.79%, 0.34%

LAB 56.01, -54.97, 54.89

 

CMYK 88 / 0 / 78 / 39

HEX #129B22

RGB 18 155 34

HSL 127.01, 0.79%, 0.34%

LAB 55.77, -56.74, 50.09

 

CMYK 52 / 0 / 88 / 68

HEX #27510A

RGB 39 81 10

HSL 95.49, 0.78%, 0.18%

LAB 30.25, -27.88, 33.93

 

CMYK 52 / 0 / 88 / 54

HEX #39760E

RGB 57 118 14

HSL 95.19, 0.79%, 0.26%

LAB 44.03, -37.41, 45.5

 

CMYK 52 / 0 / 88 / 39

HEX #4B9B12

RGB 75 155 18

HSL 95.04, 0.79%, 0.34%

LAB 57.06, -46.32, 56.22

 

CMYK 52 / 0 / 88 / 25

HEX #5DC017

RGB 93 192 23

HSL 95.15, 0.79%, 0.42%

LAB 69.53, -54.77, 66.19

 

CMYK 52 / 0 / 88 / 11

HEX #6EE41C

RGB 110 228 28

HSL 95.4, 0.79%, 0.5%

LAB 81.23, -62.82, 75.48

 

CMYK 52 / 0 / 88 / 39

HEX #4B9C12

RGB 75 156 18

HSL 95.22, 0.79%, 0.34%

LAB 57.38, -46.71, 56.5

 

CMYK 88 / 0 / 19 / 39

HEX #129B7E

RGB 18 155 126

HSL 167.3, 0.79%, 0.34%

LAB 57.15, -40.75, 5.73

 

CMYK 0 / 88 / 16 / 39

HEX #9B1282

RGB 155 18 130

HSL 310.95, 0.79%, 0.34%

LAB 36.01, 61.69, -27.55

 

CMYK 52 / 0 / 88 / 39

HEX #4B9C12

RGB 75 156 18

HSL 95.22, 0.79%, 0.34%

LAB 57.38, -46.71, 56.5

 

CMYK 88 / 52 / 0 / 39

HEX #124B9B

RGB 18 75 155

HSL 215.04, 0.79%, 0.34%

LAB 32.98, 14.07, -48.53

 

CMYK 0 / 88 / 52 / 39

HEX #9B124B

RGB 155 18 75

HSL 335.04, 0.79%, 0.34%

LAB 33.79, 55.6, 4.26

 

CMYK 52 / 0 / 88 / 39

HEX #4B9C12

RGB 75 156 18

HSL 95.22, 0.79%, 0.34%

LAB 57.38, -46.71, 56.5

 

CMYK 88 / 0 / 19 / 39

HEX #129B7E

RGB 18 155 126

HSL 167.3, 0.79%, 0.34%

LAB 57.15, -40.75, 5.73

 

CMYK 37 / 88 / 0 / 39

HEX #62129B

RGB 98 18 155

HSL 275.04, 0.79%, 0.34%

LAB 27.83, 55.97, -56.65

 

CMYK 0 / 88 / 69 / 39

HEX #9B1230

RGB 155 18 48

HSL 346.86, 0.79%, 0.34%

LAB 33.17, 53.8, 21.09

 

CMYK 52 / 0 / 88 / 39

HEX #4B9C12

RGB 75 156 18

HSL 95.22, 0.79%, 0.34%

LAB 57.38, -46.71, 56.5

 

CMYK 88 / 7 / 0 / 39

HEX #12909B

RGB 18 144 155

HSL 184.82, 0.79%, 0.34%

LAB 54.49, -26.97, -14.8

 

CMYK 37 / 88 / 0 / 39

HEX #62129B

RGB 98 18 155

HSL 275.04, 0.79%, 0.34%

LAB 27.83, 55.97, -56.65

 

CMYK 0 / 81 / 88 / 39

HEX #9B1E12

RGB 155 30 18

HSL 5.26, 0.79%, 0.34%

LAB 33.86, 49.72, 39.53

 

Description

Color code: HEX #4B9C12 | qconv.com Color code: HEX #4B9C12 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 156 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 156 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 88 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 88% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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