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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B9A02 it is the complementary color #B465FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B9A02. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B9A02 shade: #509A00, #61AC10, #72BE23, #83D036 and #94E249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B9A02. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B9A02 shade: #4B9A02, #3A8800, #297600, #186400 and #075200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B9A02 shade: #4C9C02, #759C02, #9C9902, #9C6F02 and #9C4602

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B9A02 shade: #4C9C02, #239C02, #029C0B, #029C35 and #029C5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B9A02 shade matches the following richer shades: #4C9C02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B9A02 shade: #4C9C02, #4D8F0F, #4D821C, #4E7529 and #4E6936

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B9A02 shade: #9C9902, #759C02, #4C9C02, #249C02 and #029C0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B9A02 shade: #244A01, #387302, #4C9C02, #60C403 and #74ED04

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B9A02 shade: #4B9A02, #029C70 and #9C028A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B9A02 shade: #4B9A02, #024C9C and #9C024C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B9A02 shade: #4B9A02, #029C70, #52029C and #9C022E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B9A02 shade: #4B9A02, #02999C, #52029C and #9C0502

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 99 / 40

HEX #4B9A02

RGB 75 154 2

HSL 91.18, 0.97%, 0.31%

LAB 56.69, -46.37, 58.6

 

Complementary color

CMYK 29 / 60 / 0 / 1

HEX #B465FD

RGB 180 101 253

HSL 271.18, 0.97%, 0.69%

LAB 58.13, 58.88, -63.82

 

CMYK 48 / 0 / 100 / 40

HEX #509A00

RGB 80 154 0

HSL 88.83, 1%, 0.3%

LAB 56.9, -44.83, 59.16

 

CMYK 44 / 0 / 91 / 33

HEX #61AC10

RGB 97 172 16

HSL 88.85, 0.83%, 0.37%

LAB 63.41, -46.01, 62.36

 

CMYK 40 / 0 / 82 / 25

HEX #72BE23

RGB 114 190 35

HSL 89.42, 0.69%, 0.44%

LAB 69.84, -46.87, 64.03

 

CMYK 37 / 0 / 74 / 18

HEX #83D036

RGB 131 208 54

HSL 90, 0.62%, 0.51%

LAB 76.19, -47.46, 64.52

 

CMYK 35 / 0 / 68 / 11

HEX #94E249

RGB 148 226 73

HSL 90.59, 0.73%, 0.59%

LAB 82.47, -47.84, 64.3

 

CMYK 51 / 0 / 99 / 40

HEX #4B9A02

RGB 75 154 2

HSL 91.18, 0.97%, 0.31%

LAB 56.69, -46.37, 58.6

 

CMYK 57 / 0 / 100 / 47

HEX #3A8800

RGB 58 136 0

HSL 94.41, 1%, 0.27%

LAB 50.11, -44.66, 53.46

 

CMYK 65 / 0 / 100 / 54

HEX #297600

RGB 41 118 0

HSL 99.15, 1%, 0.23%

LAB 43.4, -42.61, 47.92

 

CMYK 76 / 0 / 100 / 61

HEX #186400

RGB 24 100 0

HSL 105.6, 1%, 0.2%

LAB 36.57, -40.08, 42.31

 

CMYK 91 / 0 / 100 / 68

HEX #075200

RGB 7 82 0

HSL 114.88, 1%, 0.16%

LAB 29.61, -36.77, 36.62

 

CMYK 51 / 0 / 99 / 39

HEX #4C9C02

RGB 76 156 2

HSL 91.17, 0.97%, 0.31%

LAB 57.38, -46.83, 59.16

 

CMYK 25 / 0 / 99 / 39

HEX #759C02

RGB 117 156 2

HSL 75.19, 0.97%, 0.31%

LAB 59.49, -31.84, 61.72

 

CMYK 0 / 2 / 99 / 39

HEX #9C9902

RGB 156 153 2

HSL 58.83, 0.97%, 0.31%

LAB 61.53, -13.34, 64.54

 

CMYK 0 / 29 / 99 / 39

HEX #9C6F02

RGB 156 111 2

HSL 42.47, 0.97%, 0.31%

LAB 50.03, 9.82, 56.29

 

CMYK 0 / 55 / 99 / 39

HEX #9C4602

RGB 156 70 2

HSL 26.49, 0.97%, 0.31%

LAB 40.33, 32.75, 49.94

 

CMYK 51 / 0 / 99 / 39

HEX #4C9C02

RGB 76 156 2

HSL 91.17, 0.97%, 0.31%

LAB 57.38, -46.83, 59.16

 

CMYK 78 / 0 / 99 / 39

HEX #239C02

RGB 35 156 2

HSL 107.14, 0.97%, 0.31%

LAB 56.23, -56.43, 57.75

 

CMYK 99 / 0 / 93 / 39

HEX #029C0B

RGB 2 156 11

HSL 123.51, 0.97%, 0.31%

LAB 55.9, -59.27, 55.95

 

CMYK 99 / 0 / 66 / 39

HEX #029C35

RGB 2 156 53

HSL 139.87, 0.97%, 0.31%

LAB 56.13, -56.28, 42.94

 

CMYK 99 / 0 / 40 / 39

HEX #029C5E

RGB 2 156 94

HSL 155.84, 0.97%, 0.31%

LAB 56.68, -49.64, 22.94

 

CMYK 51 / 0 / 99 / 39

HEX #4C9C02

RGB 76 156 2

HSL 91.17, 0.97%, 0.31%

LAB 57.38, -46.83, 59.16

 

CMYK 51 / 0 / 99 / 39

HEX #4C9C02

RGB 76 156 2

HSL 91.17, 0.97%, 0.31%

LAB 57.38, -46.83, 59.16

 

CMYK 46 / 0 / 90 / 44

HEX #4D8F0F

RGB 77 143 15

HSL 90.94, 0.81%, 0.31%

LAB 53.23, -40.99, 53.6

 

CMYK 41 / 0 / 78 / 49

HEX #4D821C

RGB 77 130 28

HSL 91.18, 0.65%, 0.31%

LAB 49.04, -34.83, 46.17

 

CMYK 33 / 0 / 65 / 54

HEX #4E7529

RGB 78 117 41

HSL 90.79, 0.48%, 0.31%

LAB 44.94, -27.41, 36.58

 

CMYK 26 / 0 / 49 / 59

HEX #4E6936

RGB 78 105 54

HSL 91.76, 0.32%, 0.31%

LAB 41.2, -19.84, 25.42

 

CMYK 0 / 2 / 99 / 39

HEX #9C9902

RGB 156 153 2

HSL 58.83, 0.97%, 0.31%

LAB 61.53, -13.34, 64.54

 

CMYK 25 / 0 / 99 / 39

HEX #759C02

RGB 117 156 2

HSL 75.19, 0.97%, 0.31%

LAB 59.49, -31.84, 61.72

 

CMYK 51 / 0 / 99 / 39

HEX #4C9C02

RGB 76 156 2

HSL 91.17, 0.97%, 0.31%

LAB 57.38, -46.83, 59.16

 

CMYK 77 / 0 / 99 / 39

HEX #249C02

RGB 36 156 2

HSL 106.75, 0.97%, 0.31%

LAB 56.24, -56.27, 57.77

 

CMYK 99 / 0 / 94 / 39

HEX #029C0A

RGB 2 156 10

HSL 123.12, 0.97%, 0.31%

LAB 55.9, -59.3, 56.11

 

CMYK 51 / 0 / 99 / 71

HEX #244A01

RGB 36 74 1

HSL 91.23, 0.97%, 0.15%

LAB 27.5, -26.37, 34.85

 

CMYK 51 / 0 / 98 / 55

HEX #387302

RGB 56 115 2

HSL 91.33, 0.97%, 0.23%

LAB 42.92, -36.95, 47.3

 

CMYK 51 / 0 / 99 / 39

HEX #4C9C02

RGB 76 156 2

HSL 91.17, 0.97%, 0.31%

LAB 57.38, -46.83, 59.16

 

CMYK 51 / 0 / 98 / 23

HEX #60C403

RGB 96 196 3

HSL 91.09, 0.97%, 0.39%

LAB 70.85, -55.81, 70.04

 

CMYK 51 / 0 / 98 / 7

HEX #74ED04

RGB 116 237 4

HSL 91.16, 0.97%, 0.47%

LAB 84.12, -64.79, 80.76

 

CMYK 51 / 0 / 99 / 40

HEX #4B9A02

RGB 75 154 2

HSL 91.18, 0.97%, 0.31%

LAB 56.69, -46.37, 58.6

 

CMYK 99 / 0 / 28 / 39

HEX #029C70

RGB 2 156 112

HSL 162.86, 0.97%, 0.31%

LAB 57.04, -45.58, 13.45

 

CMYK 0 / 99 / 12 / 39

HEX #9C028A

RGB 156 2 138

HSL 307.01, 0.97%, 0.31%

LAB 35.88, 65.2, -32.7

 

CMYK 51 / 0 / 99 / 40

HEX #4B9A02

RGB 75 154 2

HSL 91.18, 0.97%, 0.31%

LAB 56.69, -46.37, 58.6

 

CMYK 99 / 51 / 0 / 39

HEX #024C9C

RGB 2 76 156

HSL 211.17, 0.97%, 0.31%

LAB 33.1, 12.93, -48.96

 

CMYK 0 / 99 / 51 / 39

HEX #9C024C

RGB 156 2 76

HSL 331.17, 0.97%, 0.31%

LAB 33.21, 58.32, 2.79

 

CMYK 51 / 0 / 99 / 40

HEX #4B9A02

RGB 75 154 2

HSL 91.18, 0.97%, 0.31%

LAB 56.69, -46.37, 58.6

 

CMYK 99 / 0 / 28 / 39

HEX #029C70

RGB 2 156 112

HSL 162.86, 0.97%, 0.31%

LAB 57.04, -45.58, 13.45

 

CMYK 47 / 99 / 0 / 39

HEX #52029C

RGB 82 2 156

HSL 271.17, 0.97%, 0.31%

LAB 24.44, 57.74, -62.92

 

CMYK 0 / 99 / 71 / 39

HEX #9C022E

RGB 156 2 46

HSL 342.86, 0.97%, 0.31%

LAB 32.5, 56.42, 21.61

 

CMYK 51 / 0 / 99 / 40

HEX #4B9A02

RGB 75 154 2

HSL 91.18, 0.97%, 0.31%

LAB 56.69, -46.37, 58.6

 

CMYK 99 / 2 / 0 / 39

HEX #02999C

RGB 2 153 156

HSL 181.17, 0.97%, 0.31%

LAB 57.27, -31.8, -11.2

 

CMYK 47 / 99 / 0 / 39

HEX #52029C

RGB 82 2 156

HSL 271.17, 0.97%, 0.31%

LAB 24.44, 57.74, -62.92

 

CMYK 0 / 97 / 99 / 39

HEX #9C0502

RGB 156 5 2

HSL 1.17, 0.97%, 0.31%

LAB 32.22, 54.82, 45.28

 

Description

Color code: HEX #4B9A02 | qconv.com Color code: HEX #4B9A02 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 154 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 154 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 99 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 99% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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