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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B9344 it is the complementary color #B46CBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B9344. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B9344 shade: #50933F, #61A552, #72B765, #83C978 and #94DB8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B9344. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B9344 shade: #4B9344, #3A8131, #296F1E, #185D0B and #074B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B9344 shade: #4B9343, #609343, #759343, #8B9343 and #938543

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B9344 shade: #4B9343, #439352, #439367, #43937D and #439392

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B9344 shade matches the following richer shades: #4B9343, #3CA432, #2EB521 and #20C70F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B9344 shade: #4B9343, #598155, #677066, #755F77 and #844D89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B9344 shade: #769343, #619343, #4B9343, #439351 and #439366

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B9344 shade: #2E5A29, #3C7636, #4B9343, #59AF51 and #74BC6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B9344 shade: #4B9344, #438B93 and #93436B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B9344 shade: #4B9344, #434B93 and #93434B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B9344 shade: #4B9344, #438B93, #8B4393 and #934B43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B9344 shade: #4B9344, #437393, #8B4393 and #936343

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 54 / 42

HEX #4B9344

RGB 75 147 68

HSL 114.68, 0.37%, 0.42%

LAB 54.85, -38.95, 34.68

 

Complementary color

CMYK 4 / 42 / 0 / 27

HEX #B46CBB

RGB 180 108 187

HSL 294.68, 0.37%, 0.58%

LAB 56.1, 41.18, -29.88

 

CMYK 46 / 0 / 57 / 42

HEX #50933F

RGB 80 147 63

HSL 107.86, 0.4%, 0.41%

LAB 55, -38.03, 37.42

 

CMYK 41 / 0 / 50 / 35

HEX #61A552

RGB 97 165 82

HSL 109.16, 0.34%, 0.48%

LAB 61.71, -38, 36.17

 

CMYK 38 / 0 / 45 / 28

HEX #72B765

RGB 114 183 101

HSL 110.49, 0.36%, 0.56%

LAB 68.3, -37.88, 34.9

 

CMYK 35 / 0 / 40 / 21

HEX #83C978

RGB 131 201 120

HSL 111.85, 0.43%, 0.63%

LAB 74.8, -37.7, 33.67

 

CMYK 32 / 0 / 37 / 14

HEX #94DB8B

RGB 148 219 139

HSL 113.25, 0.53%, 0.7%

LAB 81.19, -37.49, 32.48

 

CMYK 49 / 0 / 54 / 42

HEX #4B9344

RGB 75 147 68

HSL 114.68, 0.37%, 0.42%

LAB 54.85, -38.95, 34.68

 

CMYK 55 / 0 / 62 / 49

HEX #3A8131

RGB 58 129 49

HSL 113.25, 0.45%, 0.35%

LAB 48.03, -38.8, 35.95

 

CMYK 63 / 0 / 73 / 56

HEX #296F1E

RGB 41 111 30

HSL 111.85, 0.57%, 0.28%

LAB 41.11, -38.26, 36.93

 

CMYK 74 / 0 / 88 / 64

HEX #185D0B

RGB 24 93 11

HSL 110.49, 0.79%, 0.2%

LAB 34.08, -37, 36.95

 

CMYK 91 / 0 / 100 / 71

HEX #074B00

RGB 7 75 0

HSL 114.4, 1%, 0.15%

LAB 26.95, -34.42, 34.42

 

CMYK 49 / 0 / 54 / 42

HEX #4B9343

RGB 75 147 67

HSL 114, 0.37%, 0.42%

LAB 54.83, -39.08, 35.17

 

CMYK 35 / 0 / 54 / 42

HEX #609343

RGB 96 147 67

HSL 98.25, 0.37%, 0.42%

LAB 55.85, -32.06, 36.63

 

CMYK 20 / 0 / 54 / 42

HEX #759343

RGB 117 147 67

HSL 82.5, 0.37%, 0.42%

LAB 57.13, -23.97, 38.46

 

CMYK 5 / 0 / 54 / 42

HEX #8B9343

RGB 139 147 67

HSL 66, 0.37%, 0.42%

LAB 58.75, -14.78, 40.77

 

CMYK 0 / 10 / 54 / 42

HEX #938543

RGB 147 133 67

HSL 49.5, 0.37%, 0.42%

LAB 55.47, -3.7, 37.09

 

CMYK 49 / 0 / 54 / 42

HEX #4B9343

RGB 75 147 67

HSL 114, 0.37%, 0.42%

LAB 54.83, -39.08, 35.17

 

CMYK 54 / 0 / 44 / 42

HEX #439352

RGB 67 147 82

HSL 131.25, 0.37%, 0.42%

LAB 54.73, -39.12, 27.12

 

CMYK 54 / 0 / 30 / 42

HEX #439367

RGB 67 147 103

HSL 147, 0.37%, 0.42%

LAB 55.11, -35.15, 16.03

 

CMYK 54 / 0 / 15 / 42

HEX #43937D

RGB 67 147 125

HSL 163.5, 0.37%, 0.42%

LAB 55.63, -30.09, 4.25

 

CMYK 54 / 0 / 1 / 42

HEX #439392

RGB 67 147 146

HSL 179.25, 0.37%, 0.42%

LAB 56.22, -24.51, -6.92

 

CMYK 49 / 0 / 54 / 42

HEX #4B9343

RGB 75 147 67

HSL 114, 0.37%, 0.42%

LAB 54.83, -39.08, 35.17

 

CMYK 63 / 0 / 70 / 36

HEX #3CA432

RGB 60 164 50

HSL 114.74, 0.53%, 0.42%

LAB 59.65, -51.67, 48.29

 

CMYK 75 / 0 / 82 / 29

HEX #2EB521

RGB 46 181 33

HSL 114.73, 0.69%, 0.42%

LAB 64.75, -61.35, 59.09

 

CMYK 84 / 0 / 92 / 22

HEX #20C70F

RGB 32 199 15

HSL 114.46, 0.86%, 0.42%

LAB 70.31, -69.24, 67.6

 

CMYK 49 / 0 / 54 / 42

HEX #4B9343

RGB 75 147 67

HSL 114, 0.37%, 0.42%

LAB 54.83, -39.08, 35.17

 

CMYK 31 / 0 / 34 / 49

HEX #598155

RGB 89 129 85

HSL 114.55, 0.21%, 0.42%

LAB 50.07, -23.22, 19.53

 

CMYK 8 / 0 / 9 / 56

HEX #677066

RGB 103 112 102

HSL 114, 0.05%, 0.42%

LAB 46.22, -5.48, 4.39

 

CMYK 2 / 20 / 0 / 53

HEX #755F77

RGB 117 95 119

HSL 295, 0.11%, 0.42%

LAB 43.21, 13.53, -10.15

 

CMYK 4 / 44 / 0 / 46

HEX #844D89

RGB 132 77 137

HSL 295, 0.28%, 0.42%

LAB 41.25, 33.21, -23.94

 

CMYK 20 / 0 / 54 / 42

HEX #769343

RGB 118 147 67

HSL 81.75, 0.37%, 0.42%

LAB 57.2, -23.57, 38.56

 

CMYK 34 / 0 / 54 / 42

HEX #619343

RGB 97 147 67

HSL 97.5, 0.37%, 0.42%

LAB 55.9, -31.69, 36.71

 

CMYK 49 / 0 / 54 / 42

HEX #4B9343

RGB 75 147 67

HSL 114, 0.37%, 0.42%

LAB 54.83, -39.08, 35.17

 

CMYK 54 / 0 / 45 / 42

HEX #439351

RGB 67 147 81

HSL 130.5, 0.37%, 0.42%

LAB 54.71, -39.29, 27.64

 

CMYK 54 / 0 / 31 / 42

HEX #439366

RGB 67 147 102

HSL 146.25, 0.37%, 0.42%

LAB 55.09, -35.36, 16.56

 

CMYK 49 / 0 / 54 / 65

HEX #2E5A29

RGB 46 90 41

HSL 113.88, 0.37%, 0.26%

LAB 34.09, -26.31, 23.52

 

CMYK 49 / 0 / 54 / 54

HEX #3C7636

RGB 60 118 54

HSL 114.38, 0.37%, 0.34%

LAB 44.5, -32.79, 29.25

 

CMYK 49 / 0 / 54 / 42

HEX #4B9343

RGB 75 147 67

HSL 114, 0.37%, 0.42%

LAB 54.83, -39.08, 35.17

 

CMYK 49 / 0 / 54 / 31

HEX #59AF51

RGB 89 175 81

HSL 114.89, 0.37%, 0.5%

LAB 64.47, -44.88, 39.94

 

CMYK 38 / 0 / 42 / 26

HEX #74BC6D

RGB 116 188 109

HSL 114.68, 0.37%, 0.58%

LAB 70.02, -38.31, 33.01

 

CMYK 49 / 0 / 54 / 42

HEX #4B9344

RGB 75 147 68

HSL 114.68, 0.37%, 0.42%

LAB 54.85, -38.95, 34.68

 

CMYK 54 / 5 / 0 / 42

HEX #438B93

RGB 67 139 147

HSL 186, 0.37%, 0.42%

LAB 53.78, -20.08, -11.15

 

CMYK 0 / 54 / 27 / 42

HEX #93436B

RGB 147 67 107

HSL 330, 0.37%, 0.42%

LAB 40.05, 38.43, -7.14

 

CMYK 49 / 0 / 54 / 42

HEX #4B9344

RGB 75 147 68

HSL 114.68, 0.37%, 0.42%

LAB 54.85, -38.95, 34.68

 

CMYK 54 / 49 / 0 / 42

HEX #434B93

RGB 67 75 147

HSL 234, 0.37%, 0.42%

LAB 34.67, 18.42, -40.85

 

CMYK 0 / 54 / 49 / 42

HEX #93434B

RGB 147 67 75

HSL 354, 0.37%, 0.42%

LAB 39.11, 34.49, 11.54

 

CMYK 49 / 0 / 54 / 42

HEX #4B9344

RGB 75 147 68

HSL 114.68, 0.37%, 0.42%

LAB 54.85, -38.95, 34.68

 

CMYK 54 / 5 / 0 / 42

HEX #438B93

RGB 67 139 147

HSL 186, 0.37%, 0.42%

LAB 53.78, -20.08, -11.15

 

CMYK 5 / 54 / 0 / 42

HEX #8B4393

RGB 139 67 147

HSL 294, 0.37%, 0.42%

LAB 40.59, 42.79, -30.96

 

CMYK 0 / 49 / 54 / 42

HEX #934B43

RGB 147 75 67

HSL 6, 0.37%, 0.42%

LAB 40.64, 29.4, 18.55

 

CMYK 49 / 0 / 54 / 42

HEX #4B9344

RGB 75 147 68

HSL 114.68, 0.37%, 0.42%

LAB 54.85, -38.95, 34.68

 

CMYK 54 / 22 / 0 / 42

HEX #437393

RGB 67 115 147

HSL 204, 0.37%, 0.42%

LAB 46.39, -6.7, -22.4

 

CMYK 5 / 54 / 0 / 42

HEX #8B4393

RGB 139 67 147

HSL 294, 0.37%, 0.42%

LAB 40.59, 42.79, -30.96

 

CMYK 0 / 33 / 54 / 42

HEX #936343

RGB 147 99 67

HSL 24, 0.37%, 0.42%

LAB 46.35, 15.72, 25.94

 

Description

Color code: HEX #4B9344 | qconv.com Color code: HEX #4B9344 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 147 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 147 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 54 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 54% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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