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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B922F it is the complementary color #B46DD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B922F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B922F shade: #50922A, #61A43D, #72B650, #83C863 and #94DA76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B922F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B922F shade: #4B922F, #3A801C, #296E09, #185C00 and #074A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B922F shade: #4B922F, #66922F, #81922F, #92892F and #926F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B922F shade: #4B922F, #31922F, #2F9249, #2F9263 and #2F927E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B922F shade matches the following richer shades: #4B922F, #45A220, #3EB210 and #37C100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B922F shade: #4B922F, #52833F, #59734F, #60635F and #67546E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B922F shade: #80922F, #66922F, #4B922F, #31922F and #2F9248

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B922F shade: #2B541B, #3B7325, #4B922F, #5BB13A and #70C64F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B922F shade: #4B922F, #2F928A and #922F73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B922F shade: #4B922F, #2F4B92 and #922F4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B922F shade: #4B922F, #2F928A, #762F92 and #922F38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B922F shade: #4B922F, #2F7D92, #762F92 and #92452F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 68 / 43

HEX #4B922F

RGB 75 146 47

HSL 103.03, 0.51%, 0.38%

LAB 54.3, -40.9, 44

 

Complementary color

CMYK 13 / 48 / 0 / 18

HEX #B46DD0

RGB 180 109 208

HSL 283.03, 0.51%, 0.62%

LAB 57.26, 44.88, -40.04

 

CMYK 45 / 0 / 71 / 43

HEX #50922A

RGB 80 146 42

HSL 98.08, 0.55%, 0.37%

LAB 54.48, -39.71, 46.34

 

CMYK 41 / 0 / 63 / 36

HEX #61A43D

RGB 97 164 61

HSL 99.03, 0.46%, 0.44%

LAB 61.16, -39.98, 45.62

 

CMYK 37 / 0 / 56 / 29

HEX #72B650

RGB 114 182 80

HSL 100, 0.41%, 0.51%

LAB 67.73, -40.07, 44.58

 

CMYK 35 / 0 / 51 / 22

HEX #83C863

RGB 131 200 99

HSL 100.99, 0.48%, 0.59%

LAB 74.21, -40.05, 43.42

 

CMYK 32 / 0 / 46 / 15

HEX #94DA76

RGB 148 218 118

HSL 102, 0.57%, 0.66%

LAB 80.6, -39.95, 42.23

 

CMYK 49 / 0 / 68 / 43

HEX #4B922F

RGB 75 146 47

HSL 103.03, 0.51%, 0.38%

LAB 54.3, -40.9, 44

 

CMYK 55 / 0 / 78 / 50

HEX #3A801C

RGB 58 128 28

HSL 102, 0.64%, 0.31%

LAB 47.52, -40.36, 44.4

 

CMYK 63 / 0 / 92 / 57

HEX #296E09

RGB 41 110 9

HSL 100.99, 0.85%, 0.23%

LAB 40.64, -39.27, 43.51

 

CMYK 74 / 0 / 100 / 64

HEX #185C00

RGB 24 92 0

HSL 104.35, 1%, 0.18%

LAB 33.67, -37.25, 40

 

CMYK 91 / 0 / 100 / 71

HEX #074A00

RGB 7 74 0

HSL 114.32, 1%, 0.15%

LAB 26.57, -34.08, 34.08

 

CMYK 49 / 0 / 68 / 43

HEX #4B922F

RGB 75 146 47

HSL 103.03, 0.51%, 0.38%

LAB 54.3, -40.9, 44

 

CMYK 30 / 0 / 68 / 43

HEX #66922F

RGB 102 146 47

HSL 86.67, 0.51%, 0.38%

LAB 55.67, -31.3, 45.87

 

CMYK 12 / 0 / 68 / 43

HEX #81922F

RGB 129 146 47

HSL 70.3, 0.51%, 0.38%

LAB 57.49, -20.15, 48.34

 

CMYK 0 / 6 / 68 / 43

HEX #92892F

RGB 146 137 47

HSL 54.55, 0.51%, 0.38%

LAB 56.29, -7.85, 47.54

 

CMYK 0 / 24 / 68 / 43

HEX #926F2F

RGB 146 111 47

HSL 38.79, 0.51%, 0.38%

LAB 49.11, 6.75, 39.93

 

CMYK 49 / 0 / 68 / 43

HEX #4B922F

RGB 75 146 47

HSL 103.03, 0.51%, 0.38%

LAB 54.3, -40.9, 44

 

CMYK 66 / 0 / 68 / 43

HEX #31922F

RGB 49 146 47

HSL 118.79, 0.51%, 0.38%

LAB 53.4, -47.91, 42.77

 

CMYK 68 / 0 / 50 / 43

HEX #2F9249

RGB 47 146 73

HSL 135.76, 0.51%, 0.38%

LAB 53.65, -44.89, 30.41

 

CMYK 68 / 0 / 32 / 43

HEX #2F9263

RGB 47 146 99

HSL 151.52, 0.51%, 0.38%

LAB 54.09, -39.95, 16.78

 

CMYK 68 / 0 / 14 / 43

HEX #2F927E

RGB 47 146 126

HSL 167.88, 0.51%, 0.38%

LAB 54.73, -33.37, 2.3

 

CMYK 49 / 0 / 68 / 43

HEX #4B922F

RGB 75 146 47

HSL 103.03, 0.51%, 0.38%

LAB 54.3, -40.9, 44

 

CMYK 57 / 0 / 80 / 36

HEX #45A220

RGB 69 162 32

HSL 102.92, 0.67%, 0.38%

LAB 59.17, -50.04, 54.37

 

CMYK 65 / 0 / 91 / 30

HEX #3EB210

RGB 62 178 16

HSL 102.96, 0.84%, 0.38%

LAB 64.08, -58.05, 62.42

 

CMYK 72 / 0 / 100 / 24

HEX #37C100

RGB 55 193 0

HSL 102.9, 1%, 0.38%

LAB 68.72, -64.6, 68.18

 

CMYK 49 / 0 / 68 / 43

HEX #4B922F

RGB 75 146 47

HSL 103.03, 0.51%, 0.38%

LAB 54.3, -40.9, 44

 

CMYK 37 / 0 / 52 / 49

HEX #52833F

RGB 82 131 63

HSL 103.24, 0.35%, 0.38%

LAB 49.96, -30.09, 31.4

 

CMYK 23 / 0 / 31 / 55

HEX #59734F

RGB 89 115 79

HSL 103.33, 0.19%, 0.38%

LAB 45.57, -16.91, 16.92

 

CMYK 3 / 0 / 4 / 61

HEX #60635F

RGB 96 99 95

HSL 105, 0.02%, 0.38%

LAB 41.59, -2, 1.86

 

CMYK 6 / 24 / 0 / 57

HEX #67546E

RGB 103 84 110

HSL 283.85, 0.13%, 0.38%

LAB 38.46, 13.1, -11.94

 

CMYK 12 / 0 / 68 / 43

HEX #80922F

RGB 128 146 47

HSL 70.91, 0.51%, 0.38%

LAB 57.42, -20.58, 48.24

 

CMYK 30 / 0 / 68 / 43

HEX #66922F

RGB 102 146 47

HSL 86.67, 0.51%, 0.38%

LAB 55.67, -31.3, 45.87

 

CMYK 49 / 0 / 68 / 43

HEX #4B922F

RGB 75 146 47

HSL 103.03, 0.51%, 0.38%

LAB 54.3, -40.9, 44

 

CMYK 66 / 0 / 68 / 43

HEX #31922F

RGB 49 146 47

HSL 118.79, 0.51%, 0.38%

LAB 53.4, -47.91, 42.77

 

CMYK 68 / 0 / 51 / 43

HEX #2F9248

RGB 47 146 72

HSL 135.15, 0.51%, 0.38%

LAB 53.63, -45.05, 30.91

 

CMYK 49 / 0 / 68 / 67

HEX #2B541B

RGB 43 84 27

HSL 103.16, 0.51%, 0.22%

LAB 31.65, -26.36, 28.15

 

CMYK 49 / 0 / 68 / 55

HEX #3B7325

RGB 59 115 37

HSL 103.08, 0.51%, 0.3%

LAB 43.25, -33.84, 36.3

 

CMYK 49 / 0 / 68 / 43

HEX #4B922F

RGB 75 146 47

HSL 103.03, 0.51%, 0.38%

LAB 54.3, -40.9, 44

 

CMYK 49 / 0 / 67 / 31

HEX #5BB13A

RGB 91 177 58

HSL 103.36, 0.51%, 0.46%

LAB 64.94, -47.58, 50.96

 

CMYK 43 / 0 / 60 / 22

HEX #70C64F

RGB 112 198 79

HSL 103.36, 0.51%, 0.54%

LAB 72.49, -47.61, 50.5

 

CMYK 49 / 0 / 68 / 43

HEX #4B922F

RGB 75 146 47

HSL 103.03, 0.51%, 0.38%

LAB 54.3, -40.9, 44

 

CMYK 68 / 0 / 5 / 43

HEX #2F928A

RGB 47 146 138

HSL 175.15, 0.51%, 0.38%

LAB 55.07, -30.03, -4.1

 

CMYK 0 / 68 / 21 / 43

HEX #922F73

RGB 146 47 115

HSL 318.79, 0.51%, 0.38%

LAB 36.71, 48.68, -17.21

 

CMYK 49 / 0 / 68 / 43

HEX #4B922F

RGB 75 146 47

HSL 103.03, 0.51%, 0.38%

LAB 54.3, -40.9, 44

 

CMYK 68 / 49 / 0 / 43

HEX #2F4B92

RGB 47 75 146

HSL 223.03, 0.51%, 0.38%

LAB 33.38, 14.03, -42.38

 

CMYK 0 / 68 / 49 / 43

HEX #922F4B

RGB 146 47 75

HSL 343.03, 0.51%, 0.38%

LAB 35.31, 43.79, 6.18

 

CMYK 49 / 0 / 68 / 43

HEX #4B922F

RGB 75 146 47

HSL 103.03, 0.51%, 0.38%

LAB 54.3, -40.9, 44

 

CMYK 68 / 0 / 5 / 43

HEX #2F928A

RGB 47 146 138

HSL 175.15, 0.51%, 0.38%

LAB 55.07, -30.03, -4.1

 

CMYK 19 / 68 / 0 / 43

HEX #762F92

RGB 118 47 146

HSL 283.03, 0.51%, 0.38%

LAB 33.9, 46.92, -41.16

 

CMYK 0 / 68 / 62 / 43

HEX #922F38

RGB 146 47 56

HSL 354.55, 0.51%, 0.38%

LAB 34.86, 42.19, 17.77

 

CMYK 49 / 0 / 68 / 43

HEX #4B922F

RGB 75 146 47

HSL 103.03, 0.51%, 0.38%

LAB 54.3, -40.9, 44

 

CMYK 68 / 14 / 0 / 43

HEX #2F7D92

RGB 47 125 146

HSL 192.73, 0.51%, 0.38%

LAB 48.69, -16.73, -18.34

 

CMYK 19 / 68 / 0 / 43

HEX #762F92

RGB 118 47 146

HSL 283.03, 0.51%, 0.38%

LAB 33.9, 46.92, -41.16

 

CMYK 0 / 53 / 68 / 43

HEX #92452F

RGB 146 69 47

HSL 13.33, 0.51%, 0.38%

LAB 38.85, 30.71, 28.27

 

Description

Color code: HEX #4B922F | qconv.com Color code: HEX #4B922F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 146 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 146 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 68 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 68% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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