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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B8C16 it is the complementary color #B473E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B8C16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B8C16 shade: #508C11, #619E24, #72B037, #83C24A and #94D45D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B8C16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B8C16 shade: #4B8C16, #3A7A03, #296800, #185600 and #074400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B8C16 shade: #4C8D16, #6C8D16, #8C8D16, #8D6E16 and #8D4E16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B8C16 shade: #4C8D16, #2B8D16, #168D21, #168D41 and #168D61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B8C16 shade matches the following richer shades: #4C8D16 and #4A9A09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B8C16 shade: #4C8D16, #4D8023, #4E7330, #50663E and #51584B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B8C16 shade: #8B8D16, #6B8D16, #4C8D16, #2C8D16 and #168D20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B8C16 shade: #25460B, #386910, #4C8D16, #5FB11C and #72D521

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B8C16 shade: #4B8C16, #168D6F and #8D167B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B8C16 shade: #4B8C16, #164C8D and #8D164C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B8C16 shade: #4B8C16, #168D6F, #58168D and #8D1634

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B8C16 shade: #4B8C16, #16878D, #58168D and #8D1C16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 84 / 45

HEX #4B8C16

RGB 75 140 22

HSL 93.05, 0.73%, 0.32%

LAB 52.19, -40.15, 50.94

 

Complementary color

CMYK 23 / 51 / 0 / 9

HEX #B473E9

RGB 180 115 233

HSL 273.05, 0.73%, 0.68%

LAB 59.75, 47.12, -50.15

 

CMYK 43 / 0 / 88 / 45

HEX #508C11

RGB 80 140 17

HSL 89.27, 0.78%, 0.31%

LAB 52.4, -38.62, 52.49

 

CMYK 39 / 0 / 77 / 38

HEX #619E24

RGB 97 158 36

HSL 90, 0.63%, 0.38%

LAB 59.09, -39.34, 53.42

 

CMYK 35 / 0 / 69 / 31

HEX #72B037

RGB 114 176 55

HSL 90.74, 0.52%, 0.45%

LAB 65.67, -39.77, 53.27

 

CMYK 32 / 0 / 62 / 24

HEX #83C24A

RGB 131 194 74

HSL 91.5, 0.5%, 0.53%

LAB 72.16, -40.01, 52.58

 

CMYK 30 / 0 / 56 / 17

HEX #94D45D

RGB 148 212 93

HSL 92.27, 0.58%, 0.6%

LAB 78.56, -40.12, 51.62

 

CMYK 46 / 0 / 84 / 45

HEX #4B8C16

RGB 75 140 22

HSL 93.05, 0.73%, 0.32%

LAB 52.19, -40.15, 50.94

 

CMYK 52 / 0 / 98 / 52

HEX #3A7A03

RGB 58 122 3

HSL 92.27, 0.95%, 0.25%

LAB 45.39, -39.11, 49.1

 

CMYK 61 / 0 / 100 / 59

HEX #296800

RGB 41 104 0

HSL 96.35, 1%, 0.2%

LAB 38.5, -37.34, 44.05

 

CMYK 72 / 0 / 100 / 66

HEX #185600

RGB 24 86 0

HSL 103.26, 1%, 0.17%

LAB 31.46, -35.05, 38.25

 

CMYK 90 / 0 / 100 / 73

HEX #074400

RGB 7 68 0

HSL 113.82, 1%, 0.13%

LAB 24.26, -32.01, 31.91

 

CMYK 46 / 0 / 84 / 45

HEX #4C8D16

RGB 76 141 22

HSL 92.77, 0.73%, 0.32%

LAB 52.56, -40.22, 51.29

 

CMYK 23 / 0 / 84 / 45

HEX #6C8D16

RGB 108 141 22

HSL 76.64, 0.73%, 0.32%

LAB 54.34, -27.95, 53.55

 

CMYK 1 / 0 / 84 / 45

HEX #8C8D16

RGB 140 141 22

HSL 60.5, 0.73%, 0.32%

LAB 56.77, -13.86, 56.6

 

CMYK 0 / 22 / 84 / 45

HEX #8D6E16

RGB 141 110 22

HSL 44.37, 0.73%, 0.32%

LAB 48.1, 3.79, 49.21

 

CMYK 0 / 45 / 84 / 45

HEX #8D4E16

RGB 141 78 22

HSL 28.24, 0.73%, 0.32%

LAB 39.86, 22.34, 41.97

 

CMYK 46 / 0 / 84 / 45

HEX #4C8D16

RGB 76 141 22

HSL 92.77, 0.73%, 0.32%

LAB 52.56, -40.22, 51.29

 

CMYK 70 / 0 / 84 / 45

HEX #2B8D16

RGB 43 141 22

HSL 109.41, 0.73%, 0.32%

LAB 51.41, -49.37, 49.82

 

CMYK 84 / 0 / 77 / 45

HEX #168D21

RGB 22 141 33

HSL 125.55, 0.73%, 0.32%

LAB 51.07, -52.04, 45.8

 

CMYK 84 / 0 / 54 / 45

HEX #168D41

RGB 22 141 65

HSL 141.68, 0.73%, 0.32%

LAB 51.38, -48.2, 31.67

 

CMYK 84 / 0 / 31 / 45

HEX #168D61

RGB 22 141 97

HSL 157.82, 0.73%, 0.32%

LAB 51.93, -41.88, 14.87

 

CMYK 46 / 0 / 84 / 45

HEX #4C8D16

RGB 76 141 22

HSL 92.77, 0.73%, 0.32%

LAB 52.56, -40.22, 51.29

 

CMYK 52 / 0 / 94 / 40

HEX #4A9A09

RGB 74 154 9

HSL 93.1, 0.89%, 0.32%

LAB 56.67, -46.51, 57.48

 

CMYK 46 / 0 / 84 / 45

HEX #4C8D16

RGB 76 141 22

HSL 92.77, 0.73%, 0.32%

LAB 52.56, -40.22, 51.29

 

CMYK 40 / 0 / 73 / 50

HEX #4D8023

RGB 77 128 35

HSL 92.9, 0.57%, 0.32%

LAB 48.43, -33.45, 42.91

 

CMYK 32 / 0 / 58 / 55

HEX #4E7330

RGB 78 115 48

HSL 93.13, 0.41%, 0.32%

LAB 44.37, -25.7, 32.46

 

CMYK 22 / 0 / 39 / 60

HEX #50663E

RGB 80 102 62

HSL 93, 0.24%, 0.32%

LAB 40.5, -16.24, 19.99

 

CMYK 8 / 0 / 15 / 65

HEX #51584B

RGB 81 88 75

HSL 92.31, 0.08%, 0.32%

LAB 36.44, -5.51, 6.61

 

CMYK 1 / 0 / 84 / 45

HEX #8B8D16

RGB 139 141 22

HSL 61.01, 0.73%, 0.32%

LAB 56.68, -14.32, 56.49

 

CMYK 24 / 0 / 84 / 45

HEX #6B8D16

RGB 107 141 22

HSL 77.14, 0.73%, 0.32%

LAB 54.27, -28.37, 53.47

 

CMYK 46 / 0 / 84 / 45

HEX #4C8D16

RGB 76 141 22

HSL 92.77, 0.73%, 0.32%

LAB 52.56, -40.22, 51.29

 

CMYK 69 / 0 / 84 / 45

HEX #2C8D16

RGB 44 141 22

HSL 108.91, 0.73%, 0.32%

LAB 51.43, -49.16, 49.85

 

CMYK 84 / 0 / 77 / 45

HEX #168D20

RGB 22 141 32

HSL 125.04, 0.73%, 0.32%

LAB 51.06, -52.12, 46.16

 

CMYK 47 / 0 / 84 / 73

HEX #25460B

RGB 37 70 11

HSL 93.56, 0.73%, 0.16%

LAB 26.15, -23.43, 29.65

 

CMYK 47 / 0 / 85 / 59

HEX #386910

RGB 56 105 16

HSL 93.03, 0.74%, 0.24%

LAB 39.55, -32.11, 40.87

 

CMYK 46 / 0 / 84 / 45

HEX #4C8D16

RGB 76 141 22

HSL 92.77, 0.73%, 0.32%

LAB 52.56, -40.22, 51.29

 

CMYK 46 / 0 / 84 / 31

HEX #5FB11C

RGB 95 177 28

HSL 93.02, 0.73%, 0.4%

LAB 64.93, -48.26, 61.11

 

CMYK 46 / 0 / 85 / 16

HEX #72D521

RGB 114 213 33

HSL 93, 0.73%, 0.48%

LAB 76.85, -55.99, 70.75

 

CMYK 46 / 0 / 84 / 45

HEX #4B8C16

RGB 75 140 22

HSL 93.05, 0.73%, 0.32%

LAB 52.19, -40.15, 50.94

 

CMYK 84 / 0 / 21 / 45

HEX #168D6F

RGB 22 141 111

HSL 164.87, 0.73%, 0.32%

LAB 52.25, -38.4, 7.3

 

CMYK 0 / 84 / 13 / 45

HEX #8D167B

RGB 141 22 123

HSL 309.08, 0.73%, 0.32%

LAB 33.28, 56.87, -27.65

 

CMYK 46 / 0 / 84 / 45

HEX #4B8C16

RGB 75 140 22

HSL 93.05, 0.73%, 0.32%

LAB 52.19, -40.15, 50.94

 

CMYK 84 / 46 / 0 / 45

HEX #164C8D

RGB 22 76 141

HSL 212.77, 0.73%, 0.32%

LAB 32.4, 7.96, -40.94

 

CMYK 0 / 84 / 46 / 45

HEX #8D164C

RGB 141 22 76

HSL 332.77, 0.73%, 0.32%

LAB 31.25, 51.12, -0.44

 

CMYK 46 / 0 / 84 / 45

HEX #4B8C16

RGB 75 140 22

HSL 93.05, 0.73%, 0.32%

LAB 52.19, -40.15, 50.94

 

CMYK 84 / 0 / 21 / 45

HEX #168D6F

RGB 22 141 111

HSL 164.87, 0.73%, 0.32%

LAB 52.25, -38.4, 7.3

 

CMYK 38 / 84 / 0 / 45

HEX #58168D

RGB 88 22 141

HSL 273.28, 0.73%, 0.32%

LAB 25.48, 50.11, -51.93

 

CMYK 0 / 84 / 63 / 45

HEX #8D1634

RGB 141 22 52

HSL 344.87, 0.73%, 0.32%

LAB 30.6, 49.2, 14.57

 

CMYK 46 / 0 / 84 / 45

HEX #4B8C16

RGB 75 140 22

HSL 93.05, 0.73%, 0.32%

LAB 52.19, -40.15, 50.94

 

CMYK 84 / 4 / 0 / 45

HEX #16878D

RGB 22 135 141

HSL 183.03, 0.73%, 0.32%

LAB 51.18, -26.74, -11.69

 

CMYK 38 / 84 / 0 / 45

HEX #58168D

RGB 88 22 141

HSL 273.28, 0.73%, 0.32%

LAB 25.48, 50.11, -51.93

 

CMYK 0 / 80 / 84 / 45

HEX #8D1C16

RGB 141 28 22

HSL 3.03, 0.73%, 0.32%

LAB 30.76, 46.06, 33.6

 

Description

Color code: HEX #4B8C16 | qconv.com Color code: HEX #4B8C16 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 140 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 140 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 84 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 84% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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