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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B7F98 it is the complementary color #B48067. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B7F98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B7F98 shade: #507F93, #6191A6, #72A3B9, #83B5CC and #94C7DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B7F98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B7F98 shade: #4B7F98, #3A6D85, #295B72, #18495F and #07374C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B7F98 shade: #4C809A, #4C6B9A, #4C569A, #564C9A and #6B4C9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B7F98 shade: #4C809A, #4C6B9A, #4C569A and #4C4C9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B7F98 shade matches the following richer shades: #4C809A, #3987AC, #278DBF, #1494D1 and #019AE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B7F98 shade: #4C809A, #5E7A87, #717375, #836D62 and #96664F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B7F98 shade: #4C9A89, #4C969A, #4C819A, #4C6C9A and #4C579A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B7F98 shade: #315262, #3E697E, #4C809A, #5F96B0 and #7AA8BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B7F98 shade: #4B7F98, #744C9A and #9A934C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B7F98 shade: #4B7F98, #9A4C81 and #819A4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B7F98 shade: #4B7F98, #744C9A, #9A644C and #719A4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B7F98 shade: #4B7F98, #8B4C9A, #9A644C and #5A9A4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 16 / 0 / 40

HEX #4B7F98

RGB 75 127 152

HSL 199.48, 0.34%, 0.45%

LAB 50.62, -10.16, -18.81

 

Complementary color

CMYK 0 / 29 / 43 / 29

HEX #B48067

RGB 180 128 103

HSL 19.48, 0.34%, 0.55%

LAB 58.15, 16.95, 21.55

 

CMYK 46 / 14 / 0 / 42

HEX #507F93

RGB 80 127 147

HSL 197.91, 0.3%, 0.45%

LAB 50.68, -10.38, -15.78

 

CMYK 42 / 13 / 0 / 35

HEX #6191A6

RGB 97 145 166

HSL 198.26, 0.28%, 0.52%

LAB 57.6, -10.55, -16.16

 

CMYK 38 / 12 / 0 / 27

HEX #72A3B9

RGB 114 163 185

HSL 198.59, 0.34%, 0.59%

LAB 64.38, -10.67, -16.53

 

CMYK 36 / 11 / 0 / 20

HEX #83B5CC

RGB 131 181 204

HSL 198.9, 0.42%, 0.66%

LAB 71.03, -10.77, -16.9

 

CMYK 34 / 11 / 0 / 13

HEX #94C7DF

RGB 148 199 223

HSL 199.2, 0.54%, 0.73%

LAB 77.56, -10.84, -17.27

 

CMYK 51 / 16 / 0 / 40

HEX #4B7F98

RGB 75 127 152

HSL 199.48, 0.34%, 0.45%

LAB 50.62, -10.16, -18.81

 

CMYK 56 / 18 / 0 / 48

HEX #3A6D85

RGB 58 109 133

HSL 199.2, 0.39%, 0.37%

LAB 43.55, -9.77, -18.47

 

CMYK 64 / 20 / 0 / 55

HEX #295B72

RGB 41 91 114

HSL 198.9, 0.47%, 0.3%

LAB 36.31, -9.18, -18.11

 

CMYK 75 / 23 / 0 / 63

HEX #18495F

RGB 24 73 95

HSL 198.59, 0.6%, 0.23%

LAB 28.86, -8.25, -17.7

 

CMYK 91 / 28 / 0 / 70

HEX #07374C

RGB 7 55 76

HSL 198.26, 0.83%, 0.16%

LAB 21.2, -6.71, -17.21

 

CMYK 51 / 17 / 0 / 40

HEX #4C809A

RGB 76 128 154

HSL 200, 0.34%, 0.45%

LAB 51.05, -9.88, -19.32

 

CMYK 51 / 31 / 0 / 40

HEX #4C6B9A

RGB 76 107 154

HSL 216.15, 0.34%, 0.45%

LAB 44.78, 2.52, -29.01

 

CMYK 51 / 44 / 0 / 40

HEX #4C569A

RGB 76 86 154

HSL 232.31, 0.34%, 0.45%

LAB 38.77, 15.74, -38.49

 

CMYK 44 / 51 / 0 / 40

HEX #564C9A

RGB 86 76 154

HSL 247.69, 0.34%, 0.45%

LAB 36.89, 24.61, -41.44

 

CMYK 31 / 51 / 0 / 40

HEX #6B4C9A

RGB 107 76 154

HSL 263.85, 0.34%, 0.45%

LAB 38.95, 30.21, -38.04

 

CMYK 51 / 17 / 0 / 40

HEX #4C809A

RGB 76 128 154

HSL 200, 0.34%, 0.45%

LAB 51.05, -9.88, -19.32

 

CMYK 51 / 31 / 0 / 40

HEX #4C6B9A

RGB 76 107 154

HSL 216.15, 0.34%, 0.45%

LAB 44.78, 2.52, -29.01

 

CMYK 51 / 44 / 0 / 40

HEX #4C569A

RGB 76 86 154

HSL 232.31, 0.34%, 0.45%

LAB 38.77, 15.74, -38.49

 

CMYK 51 / 51 / 0 / 40

HEX #4C4C9A

RGB 76 76 154

HSL 240, 0.34%, 0.45%

LAB 36.06, 22.17, -42.82

 

CMYK 51 / 17 / 0 / 40

HEX #4C809A

RGB 76 128 154

HSL 200, 0.34%, 0.45%

LAB 51.05, -9.88, -19.32

 

CMYK 67 / 22 / 0 / 33

HEX #3987AC

RGB 57 135 172

HSL 199.3, 0.5%, 0.45%

LAB 53.14, -11.97, -26.58

 

CMYK 80 / 26 / 0 / 25

HEX #278DBF

RGB 39 141 191

HSL 199.74, 0.66%, 0.45%

LAB 55.32, -11.19, -34.1

 

CMYK 90 / 29 / 0 / 18

HEX #1494D1

RGB 20 148 209

HSL 199.37, 0.83%, 0.45%

LAB 57.97, -10.06, -40.12

 

CMYK 100 / 32 / 0 / 11

HEX #019AE4

RGB 1 154 228

HSL 199.56, 0.99%, 0.45%

LAB 60.53, -7.1, -46.69

 

CMYK 51 / 17 / 0 / 40

HEX #4C809A

RGB 76 128 154

HSL 200, 0.34%, 0.45%

LAB 51.05, -9.88, -19.32

 

CMYK 30 / 10 / 0 / 47

HEX #5E7A87

RGB 94 122 135

HSL 199.02, 0.18%, 0.45%

LAB 49.55, -6.78, -10.36

 

CMYK 3 / 2 / 0 / 54

HEX #717375

RGB 113 115 117

HSL 210, 0.02%, 0.45%

LAB 48.33, -0.34, -1.37

 

CMYK 0 / 17 / 25 / 49

HEX #836D62

RGB 131 109 98

HSL 20, 0.14%, 0.45%

LAB 47.81, 6.86, 9.38

 

CMYK 0 / 32 / 47 / 41

HEX #96664F

RGB 150 102 79

HSL 19.44, 0.31%, 0.45%

LAB 47.69, 16.49, 20.78

 

CMYK 51 / 0 / 11 / 40

HEX #4C9A89

RGB 76 154 137

HSL 166.92, 0.34%, 0.45%

LAB 58.47, -28.35, 1.56

 

CMYK 51 / 3 / 0 / 40

HEX #4C969A

RGB 76 150 154

HSL 183.08, 0.34%, 0.45%

LAB 57.73, -21.82, -9.21

 

CMYK 51 / 16 / 0 / 40

HEX #4C819A

RGB 76 129 154

HSL 199.23, 0.34%, 0.45%

LAB 51.35, -10.45, -18.86

 

CMYK 51 / 30 / 0 / 40

HEX #4C6C9A

RGB 76 108 154

HSL 215.38, 0.34%, 0.45%

LAB 45.07, 1.91, -28.55

 

CMYK 51 / 44 / 0 / 40

HEX #4C579A

RGB 76 87 154

HSL 231.54, 0.34%, 0.45%

LAB 39.05, 15.1, -38.05

 

CMYK 50 / 16 / 0 / 62

HEX #315262

RGB 49 82 98

HSL 199.59, 0.33%, 0.29%

LAB 33.07, -7.16, -13.05

 

CMYK 51 / 17 / 0 / 51

HEX #3E697E

RGB 62 105 126

HSL 199.69, 0.34%, 0.37%

LAB 42.21, -8.68, -16.3

 

CMYK 51 / 17 / 0 / 40

HEX #4C809A

RGB 76 128 154

HSL 200, 0.34%, 0.45%

LAB 51.05, -9.88, -19.32

 

CMYK 46 / 15 / 0 / 31

HEX #5F96B0

RGB 95 150 176

HSL 199.26, 0.34%, 0.53%

LAB 59.32, -11.02, -19.24

 

CMYK 36 / 12 / 0 / 25

HEX #7AA8BE

RGB 122 168 190

HSL 199.41, 0.34%, 0.61%

LAB 66.41, -9.86, -16.2

 

CMYK 51 / 16 / 0 / 40

HEX #4B7F98

RGB 75 127 152

HSL 199.48, 0.34%, 0.45%

LAB 50.62, -10.16, -18.81

 

CMYK 25 / 51 / 0 / 40

HEX #744C9A

RGB 116 76 154

HSL 270.77, 0.34%, 0.45%

LAB 39.94, 32.75, -36.4

 

CMYK 0 / 5 / 51 / 40

HEX #9A934C

RGB 154 147 76

HSL 54.62, 0.34%, 0.45%

LAB 60.12, -7.48, 38.18

 

CMYK 51 / 16 / 0 / 40

HEX #4B7F98

RGB 75 127 152

HSL 199.48, 0.34%, 0.45%

LAB 50.62, -10.16, -18.81

 

CMYK 0 / 51 / 16 / 40

HEX #9A4C81

RGB 154 76 129

HSL 319.23, 0.34%, 0.45%

LAB 43.69, 39.49, -15.07

 

CMYK 16 / 0 / 51 / 40

HEX #819A4C

RGB 129 154 76

HSL 79.23, 0.34%, 0.45%

LAB 60.16, -21.68, 37.75

 

CMYK 51 / 16 / 0 / 40

HEX #4B7F98

RGB 75 127 152

HSL 199.48, 0.34%, 0.45%

LAB 50.62, -10.16, -18.81

 

CMYK 25 / 51 / 0 / 40

HEX #744C9A

RGB 116 76 154

HSL 270.77, 0.34%, 0.45%

LAB 39.94, 32.75, -36.4

 

CMYK 0 / 35 / 51 / 40

HEX #9A644C

RGB 154 100 76

HSL 18.46, 0.34%, 0.45%

LAB 47.63, 19.04, 22.55

 

CMYK 27 / 0 / 51 / 40

HEX #719A4C

RGB 113 154 76

HSL 91.54, 0.34%, 0.45%

LAB 59.11, -27.99, 36.23

 

CMYK 51 / 16 / 0 / 40

HEX #4B7F98

RGB 75 127 152

HSL 199.48, 0.34%, 0.45%

LAB 50.62, -10.16, -18.81

 

CMYK 10 / 51 / 0 / 40

HEX #8B4C9A

RGB 139 76 154

HSL 288.46, 0.34%, 0.45%

LAB 42.75, 39.45, -31.78

 

CMYK 0 / 35 / 51 / 40

HEX #9A644C

RGB 154 100 76

HSL 18.46, 0.34%, 0.45%

LAB 47.63, 19.04, 22.55

 

CMYK 42 / 0 / 51 / 40

HEX #5A9A4C

RGB 90 154 76

HSL 109.23, 0.34%, 0.45%

LAB 57.85, -36.2, 34.41

 

Description

Color code: HEX #4B7F98 | qconv.com Color code: HEX #4B7F98 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 127 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 127 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 16 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 16% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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