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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B7933 it is the complementary color #B486CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B7933. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B7933 shade: #50792E, #618B41, #729D54, #83AF67 and #94C17A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B7933. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B7933 shade: #4B7933, #3A6720, #29550D, #184300 and #073100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B7933 shade: #4C7A33, #5F7A33, #727A33, #7A6F33 and #7A5C33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B7933 shade: #4C7A33, #387A33, #337A41, #337A54 and #337A67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B7933 shade matches the following richer shades: #4C7A33, #478825, #439617 and #3EA409

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B7933 shade: #4C7A33, #506C41, #545E4F, #59505D and #5D426B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B7933 shade: #727A33, #5F7A33, #4C7A33, #397A33 and #337A40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B7933 shade: #28401B, #3A5D27, #4C7A33, #5D973F and #70B44C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B7933 shade: #4B7933, #337A70 and #7A3368

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B7933 shade: #4B7933, #334C7A and #7A334C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B7933 shade: #4B7933, #337A70, #61337A and #7A333E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B7933 shade: #4B7933, #33707A, #61337A and #7A3E33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 58 / 53

HEX #4B7933

RGB 75 121 51

HSL 99.43, 0.41%, 0.34%

LAB 46.19, -29.4, 33.02

 

Complementary color

CMYK 12 / 34 / 0 / 20

HEX #B486CC

RGB 180 134 204

HSL 279.43, 0.41%, 0.66%

LAB 62.6, 30.33, -29.46

 

CMYK 34 / 0 / 62 / 53

HEX #50792E

RGB 80 121 46

HSL 92.8, 0.45%, 0.33%

LAB 46.42, -28.07, 35.85

 

CMYK 30 / 0 / 53 / 45

HEX #618B41

RGB 97 139 65

HSL 94.05, 0.36%, 0.4%

LAB 53.37, -28.12, 34.69

 

CMYK 27 / 0 / 46 / 38

HEX #729D54

RGB 114 157 84

HSL 95.34, 0.3%, 0.47%

LAB 60.19, -28.07, 33.46

 

CMYK 25 / 0 / 41 / 31

HEX #83AF67

RGB 131 175 103

HSL 96.67, 0.31%, 0.55%

LAB 66.87, -27.97, 32.23

 

CMYK 23 / 0 / 37 / 24

HEX #94C17A

RGB 148 193 122

HSL 98.03, 0.36%, 0.62%

LAB 73.44, -27.84, 31.05

 

CMYK 38 / 0 / 58 / 53

HEX #4B7933

RGB 75 121 51

HSL 99.43, 0.41%, 0.34%

LAB 46.19, -29.4, 33.02

 

CMYK 44 / 0 / 69 / 60

HEX #3A6720

RGB 58 103 32

HSL 98.03, 0.53%, 0.26%

LAB 39.08, -29.27, 34.08

 

CMYK 52 / 0 / 85 / 67

HEX #29550D

RGB 41 85 13

HSL 96.67, 0.73%, 0.19%

LAB 31.8, -28.77, 34.38

 

CMYK 64 / 0 / 100 / 74

HEX #184300

RGB 24 67 0

HSL 98.51, 1%, 0.13%

LAB 24.35, -27.56, 32.16

 

CMYK 86 / 0 / 100 / 81

HEX #073100

RGB 7 49 0

HSL 111.43, 1%, 0.1%

LAB 16.71, -25.01, 23.51

 

CMYK 38 / 0 / 58 / 52

HEX #4C7A33

RGB 76 122 51

HSL 98.87, 0.41%, 0.34%

LAB 46.57, -29.5, 33.48

 

CMYK 22 / 0 / 58 / 52

HEX #5F7A33

RGB 95 122 51

HSL 82.82, 0.41%, 0.34%

LAB 47.74, -22, 35.14

 

CMYK 7 / 0 / 58 / 52

HEX #727A33

RGB 114 122 51

HSL 66.76, 0.41%, 0.34%

LAB 49.17, -13.78, 37.15

 

CMYK 0 / 9 / 58 / 52

HEX #7A6F33

RGB 122 111 51

HSL 50.7, 0.41%, 0.34%

LAB 46.64, -4.01, 34.44

 

CMYK 0 / 25 / 58 / 52

HEX #7A5C33

RGB 122 92 51

HSL 34.65, 0.41%, 0.34%

LAB 41.27, 7.1, 28.09

 

CMYK 38 / 0 / 58 / 52

HEX #4C7A33

RGB 76 122 51

HSL 98.87, 0.41%, 0.34%

LAB 46.57, -29.5, 33.48

 

CMYK 54 / 0 / 58 / 52

HEX #387A33

RGB 56 122 51

HSL 115.77, 0.41%, 0.34%

LAB 45.63, -36.19, 32.14

 

CMYK 58 / 0 / 47 / 52

HEX #337A41

RGB 51 122 65

HSL 131.83, 0.41%, 0.34%

LAB 45.64, -35.46, 24.63

 

CMYK 58 / 0 / 31 / 52

HEX #337A54

RGB 51 122 84

HSL 147.89, 0.41%, 0.34%

LAB 45.99, -31.76, 14.27

 

CMYK 58 / 0 / 16 / 52

HEX #337A67

RGB 51 122 103

HSL 163.94, 0.41%, 0.34%

LAB 46.45, -27.2, 3.75

 

CMYK 38 / 0 / 58 / 52

HEX #4C7A33

RGB 76 122 51

HSL 98.87, 0.41%, 0.34%

LAB 46.57, -29.5, 33.48

 

CMYK 48 / 0 / 73 / 47

HEX #478825

RGB 71 136 37

HSL 99.39, 0.57%, 0.34%

LAB 50.78, -38.87, 44.42

 

CMYK 55 / 0 / 85 / 41

HEX #439617

RGB 67 150 23

HSL 99.21, 0.73%, 0.34%

LAB 55.14, -46.57, 53.21

 

CMYK 62 / 0 / 95 / 36

HEX #3EA409

RGB 62 164 9

HSL 99.48, 0.9%, 0.34%

LAB 59.52, -53.46, 59.67

 

CMYK 38 / 0 / 58 / 52

HEX #4C7A33

RGB 76 122 51

HSL 98.87, 0.41%, 0.34%

LAB 46.57, -29.5, 33.48

 

CMYK 26 / 0 / 40 / 58

HEX #506C41

RGB 80 108 65

HSL 99.07, 0.25%, 0.34%

LAB 42.48, -19.01, 20.83

 

CMYK 11 / 0 / 16 / 63

HEX #545E4F

RGB 84 94 79

HSL 100, 0.09%, 0.34%

LAB 38.65, -7.06, 7.3

 

CMYK 4 / 14 / 0 / 64

HEX #59505D

RGB 89 80 93

HSL 281.54, 0.08%, 0.34%

LAB 35.3, 6.45, -6.23

 

CMYK 13 / 38 / 0 / 58

HEX #5D426B

RGB 93 66 107

HSL 279.51, 0.24%, 0.34%

LAB 32.45, 20.05, -19.38

 

CMYK 7 / 0 / 58 / 52

HEX #727A33

RGB 114 122 51

HSL 66.76, 0.41%, 0.34%

LAB 49.17, -13.78, 37.15

 

CMYK 22 / 0 / 58 / 52

HEX #5F7A33

RGB 95 122 51

HSL 82.82, 0.41%, 0.34%

LAB 47.74, -22, 35.14

 

CMYK 38 / 0 / 58 / 52

HEX #4C7A33

RGB 76 122 51

HSL 98.87, 0.41%, 0.34%

LAB 46.57, -29.5, 33.48

 

CMYK 53 / 0 / 58 / 52

HEX #397A33

RGB 57 122 51

HSL 114.93, 0.41%, 0.34%

LAB 45.67, -35.89, 32.2

 

CMYK 58 / 0 / 48 / 52

HEX #337A40

RGB 51 122 64

HSL 130.99, 0.41%, 0.34%

LAB 45.62, -35.63, 25.16

 

CMYK 38 / 0 / 58 / 75

HEX #28401B

RGB 40 64 27

HSL 98.92, 0.41%, 0.18%

LAB 24.31, -17.41, 19.58

 

CMYK 38 / 0 / 58 / 64

HEX #3A5D27

RGB 58 93 39

HSL 98.89, 0.41%, 0.26%

LAB 35.74, -23.66, 26.76

 

CMYK 38 / 0 / 58 / 52

HEX #4C7A33

RGB 76 122 51

HSL 98.87, 0.41%, 0.34%

LAB 46.57, -29.5, 33.48

 

CMYK 38 / 0 / 58 / 41

HEX #5D973F

RGB 93 151 63

HSL 99.55, 0.41%, 0.42%

LAB 56.9, -35.42, 39.79

 

CMYK 38 / 0 / 58 / 29

HEX #70B44C

RGB 112 180 76

HSL 99.23, 0.41%, 0.5%

LAB 66.98, -40.31, 45.55

 

CMYK 38 / 0 / 58 / 53

HEX #4B7933

RGB 75 121 51

HSL 99.43, 0.41%, 0.34%

LAB 46.19, -29.4, 33.02

 

CMYK 58 / 0 / 8 / 52

HEX #337A70

RGB 51 122 112

HSL 171.55, 0.41%, 0.34%

LAB 46.7, -24.77, -1.22

 

CMYK 0 / 58 / 15 / 52

HEX #7A3368

RGB 122 51 104

HSL 315.21, 0.41%, 0.34%

LAB 32.93, 37.88, -16.41

 

CMYK 38 / 0 / 58 / 53

HEX #4B7933

RGB 75 121 51

HSL 99.43, 0.41%, 0.34%

LAB 46.19, -29.4, 33.02

 

CMYK 58 / 38 / 0 / 52

HEX #334C7A

RGB 51 76 122

HSL 218.87, 0.41%, 0.34%

LAB 32.43, 5.35, -29.08

 

CMYK 0 / 58 / 38 / 52

HEX #7A334C

RGB 122 51 76

HSL 338.87, 0.41%, 0.34%

LAB 31.87, 33.69, 0.04

 

CMYK 38 / 0 / 58 / 53

HEX #4B7933

RGB 75 121 51

HSL 99.43, 0.41%, 0.34%

LAB 46.19, -29.4, 33.02

 

CMYK 58 / 0 / 8 / 52

HEX #337A70

RGB 51 122 112

HSL 171.55, 0.41%, 0.34%

LAB 46.7, -24.77, -1.22

 

CMYK 20 / 58 / 0 / 52

HEX #61337A

RGB 97 51 122

HSL 278.87, 0.41%, 0.34%

LAB 30.19, 33.96, -32.36

 

CMYK 0 / 58 / 49 / 52

HEX #7A333E

RGB 122 51 62

HSL 350.7, 0.41%, 0.34%

LAB 31.47, 32.05, 8.6

 

CMYK 38 / 0 / 58 / 53

HEX #4B7933

RGB 75 121 51

HSL 99.43, 0.41%, 0.34%

LAB 46.19, -29.4, 33.02

 

CMYK 58 / 8 / 0 / 52

HEX #33707A

RGB 51 112 122

HSL 188.45, 0.41%, 0.34%

LAB 43.8, -16.52, -11.52

 

CMYK 20 / 58 / 0 / 52

HEX #61337A

RGB 97 51 122

HSL 278.87, 0.41%, 0.34%

LAB 30.19, 33.96, -32.36

 

CMYK 0 / 49 / 58 / 52

HEX #7A3E33

RGB 122 62 51

HSL 9.3, 0.41%, 0.34%

LAB 33.61, 24.9, 18.52

 

Description

Color code: HEX #4B7933 | qconv.com Color code: HEX #4B7933 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 121 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 121 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 58 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 58% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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