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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B71E5 it is the complementary color #B48E1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B71E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4B71E5: #5071E0, #6183F3, #7295FF, #83A7FF and #94B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B71E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4B71E5: #4B71E5, #3A5FD2, #294DBF, #183BAC and #072999

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 51 / 0 / 10

HEX #4B71E5

RGB 75 113 229

HSL 225.19, 0.75%, 0.6%

LAB 50.64, 24.09, -62.96

 

Complementary color

CMYK 0 / 21 / 86 / 29

HEX #B48E1A

RGB 180 142 26

HSL 45.19, 0.75%, 0.4%

LAB 60.89, 3.95, 60.54

 

CMYK 64 / 50 / 0 / 12

HEX #5071E0

RGB 80 113 224

HSL 226.25, 0.7%, 0.6%

LAB 50.57, 23.14, -60.25

 

CMYK 60 / 46 / 0 / 5

HEX #6183F3

RGB 97 131 243

HSL 226.03, 0.86%, 0.67%

LAB 57.31, 21.46, -59.98

 

CMYK 55 / 42 / 0 / 0

HEX #7295FF

RGB 114 149 255

HSL 225.11, 1%, 0.72%

LAB 63.58, 17.85, -56.51

 

CMYK 49 / 35 / 0 / 0

HEX #83A7FF

RGB 131 167 255

HSL 222.58, 1%, 0.76%

LAB 69.24, 11.07, -47.5

 

CMYK 42 / 27 / 0 / 0

HEX #94B9FF

RGB 148 185 255

HSL 219.25, 1%, 0.79%

LAB 74.96, 5.03, -38.49

 

CMYK 67 / 51 / 0 / 10

HEX #4B71E5

RGB 75 113 229

HSL 225.19, 0.75%, 0.6%

LAB 50.64, 24.09, -62.96

 

CMYK 72 / 55 / 0 / 18

HEX #3A5FD2

RGB 58 95 210

HSL 225.39, 0.63%, 0.53%

LAB 43.85, 26.3, -63.2

 

CMYK 79 / 60 / 0 / 25

HEX #294DBF

RGB 41 77 191

HSL 225.6, 0.65%, 0.45%

LAB 37.01, 28.96, -63.37

 

CMYK 86 / 66 / 0 / 33

HEX #183BAC

RGB 24 59 172

HSL 225.81, 0.76%, 0.38%

LAB 30.16, 32.16, -63.36

 

CMYK 95 / 73 / 0 / 40

HEX #072999

RGB 7 41 153

HSL 226.03, 0.91%, 0.31%

LAB 23.44, 35.82, -62.92

 

CMYK 67 / 51 / 0 / 10

HEX #4B71E5

RGB 75 113 229

HSL 225.19, 0.75%, 0.6%

LAB 50.64, 24.09, -62.96

 

CMYK 67 / 61 / 0 / 10

HEX #4C59E5

RGB 76 89 229

HSL 234.9, 0.75%, 0.6%

LAB 44.71, 39.1, -72.58

 

CMYK 61 / 67 / 0 / 10

HEX #594CE5

RGB 89 76 229

HSL 245.1, 0.75%, 0.6%

LAB 42.69, 48.57, -75.86

 

CMYK 50 / 67 / 0 / 10

HEX #724CE5

RGB 114 76 229

HSL 254.9, 0.75%, 0.6%

LAB 44.81, 52.46, -72.31

 

CMYK 39 / 67 / 0 / 10

HEX #8C4CE5

RGB 140 76 229

HSL 265.1, 0.75%, 0.6%

LAB 47.5, 57.18, -67.81

 

CMYK 67 / 51 / 0 / 10

HEX #4B71E5

RGB 75 113 229

HSL 225.19, 0.75%, 0.6%

LAB 50.64, 24.09, -62.96

 

CMYK 68 / 52 / 0 / 90

HEX #080C19

RGB 8 12 25

HSL 225.88, 0.52%, 0.06%

LAB 3.48, 1.7, -7.92

 

CMYK 67 / 50 / 0 / 70

HEX #19264C

RGB 25 38 76

HSL 224.71, 0.5%, 0.2%

LAB 16.08, 8.39, -25.27

 

CMYK 67 / 50 / 0 / 50

HEX #2A3F7F

RGB 42 63 127

HSL 225.18, 0.5%, 0.33%

LAB 28.33, 14.07, -38.78

 

CMYK 67 / 51 / 0 / 30

HEX #3A58B2

RGB 58 88 178

HSL 225, 0.51%, 0.46%

LAB 39.74, 19.14, -51.27

 

CMYK 67 / 51 / 0 / 10

HEX #4B71E5

RGB 75 113 229

HSL 225.19, 0.75%, 0.6%

LAB 50.64, 24.09, -62.96

 

CMYK 3 / 67 / 0 / 10

HEX #DD4CE5

RGB 221 76 229

HSL 296.86, 0.75%, 0.6%

LAB 58.22, 74.18, -50.01

 

CMYK 24 / 0 / 67 / 10

HEX #AFE54C

RGB 175 229 76

HSL 81.18, 0.75%, 0.6%

LAB 84.83, -39.22, 66.07

 

CMYK 67 / 51 / 0 / 10

HEX #4B71E5

RGB 75 113 229

HSL 225.19, 0.75%, 0.6%

LAB 50.64, 24.09, -62.96

 

CMYK 0 / 67 / 50 / 10

HEX #E54C72

RGB 229 76 114

HSL 345.1, 0.75%, 0.6%

LAB 55.12, 61.6, 12.1

 

CMYK 50 / 0 / 67 / 10

HEX #72E54C

RGB 114 229 76

HSL 105.1, 0.75%, 0.6%

LAB 81.91, -59.4, 62.11

 

CMYK 67 / 51 / 0 / 10

HEX #4B71E5

RGB 75 113 229

HSL 225.19, 0.75%, 0.6%

LAB 50.64, 24.09, -62.96

 

CMYK 3 / 67 / 0 / 10

HEX #DD4CE5

RGB 221 76 229

HSL 296.86, 0.75%, 0.6%

LAB 58.22, 74.18, -50.01

 

CMYK 0 / 17 / 67 / 10

HEX #E5BF4C

RGB 229 191 76

HSL 45.1, 0.75%, 0.6%

LAB 78.72, 1.32, 60.96

 

CMYK 63 / 0 / 67 / 10

HEX #54E54C

RGB 84 229 76

HSL 116.86, 0.75%, 0.6%

LAB 80.99, -66.69, 60.85

 

CMYK 67 / 51 / 0 / 10

HEX #4B71E5

RGB 75 113 229

HSL 225.19, 0.75%, 0.6%

LAB 50.64, 24.09, -62.96

 

CMYK 0 / 67 / 17 / 10

HEX #E54CBF

RGB 229 76 191

HSL 314.9, 0.75%, 0.6%

LAB 57.64, 70.24, -29.25

 

CMYK 0 / 17 / 67 / 10

HEX #E5BF4C

RGB 229 191 76

HSL 45.1, 0.75%, 0.6%

LAB 78.72, 1.32, 60.96

 

CMYK 67 / 0 / 50 / 10

HEX #4CE572

RGB 76 229 114

HSL 134.9, 0.75%, 0.6%

LAB 81.18, -63.8, 44.31

 

Description

Color code: HEX #4B71E5 | qconv.com Color code: HEX #4B71E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 113 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 113 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 51 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 51% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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