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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B6F8F it is the complementary color #B49070. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B6F8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B6F8F shade: #506F8A, #61819D, #7293B0, #83A5C3 and #94B7D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B6F8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B6F8F shade: #4B6F8F, #3A5D7C, #294B69, #183956 and #072743

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B6F8F shade: #4B6F8F, #4B5D8F, #4C4B8F, #5E4B8F and #714B8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B6F8F shade: #4B6F8F, #4B5D8F and #4B4B8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B6F8F shade matches the following richer shades: #4B6F8F, #3970A1, #2871B3, #1672C4 and #0473D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B6F8F shade: #4B6F8F, #5D6E7D, #6F6D6C, #806C5A and #926B48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B6F8F shade: #4B8F8B, #4B828F, #4B6F8F, #4B5D8F and #4B4B8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B6F8F shade: #2F4559, #3D5A74, #4B6F8F, #5B84A8 and #7698B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B6F8F shade: #4B6F8F, #784B8F and #8B8F4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B6F8F shade: #4B6F8F, #8F4B6F and #6F8F4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B6F8F shade: #4B6F8F, #784B8F, #8F6B4B and #628F4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B6F8F shade: #4B6F8F, #8D4B8F, #8F6B4B and #4D8F4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 22 / 0 / 44

HEX #4B6F8F

RGB 75 111 143

HSL 208.24, 0.31%, 0.43%

LAB 45.43, -3.6, -21.49

 

Complementary color

CMYK 0 / 20 / 38 / 29

HEX #B49070

RGB 180 144 112

HSL 28.24, 0.31%, 0.57%

LAB 62.36, 9.08, 22.16

 

CMYK 42 / 20 / 0 / 46

HEX #506F8A

RGB 80 111 138

HSL 207.93, 0.27%, 0.43%

LAB 45.51, -3.74, -18.36

 

CMYK 38 / 18 / 0 / 38

HEX #61819D

RGB 97 129 157

HSL 208, 0.24%, 0.5%

LAB 52.59, -4, -18.6

 

CMYK 35 / 16 / 0 / 31

HEX #7293B0

RGB 114 147 176

HSL 208.06, 0.28%, 0.57%

LAB 59.51, -4.21, -18.87

 

CMYK 33 / 15 / 0 / 24

HEX #83A5C3

RGB 131 165 195

HSL 208.13, 0.35%, 0.64%

LAB 66.27, -4.39, -19.15

 

CMYK 31 / 14 / 0 / 16

HEX #94B7D6

RGB 148 183 214

HSL 208.18, 0.45%, 0.71%

LAB 72.9, -4.54, -19.44

 

CMYK 48 / 22 / 0 / 44

HEX #4B6F8F

RGB 75 111 143

HSL 208.24, 0.31%, 0.43%

LAB 45.43, -3.6, -21.49

 

CMYK 53 / 25 / 0 / 51

HEX #3A5D7C

RGB 58 93 124

HSL 208.18, 0.36%, 0.36%

LAB 38.17, -3.11, -21.32

 

CMYK 61 / 29 / 0 / 59

HEX #294B69

RGB 41 75 105

HSL 208.13, 0.44%, 0.29%

LAB 30.7, -2.41, -21.17

 

CMYK 72 / 34 / 0 / 66

HEX #183956

RGB 24 57 86

HSL 208.06, 0.56%, 0.22%

LAB 22.97, -1.33, -21.04

 

CMYK 90 / 42 / 0 / 74

HEX #072743

RGB 7 39 67

HSL 208, 0.81%, 0.15%

LAB 14.96, 0.47, -20.91

 

CMYK 48 / 22 / 0 / 44

HEX #4B6F8F

RGB 75 111 143

HSL 208.24, 0.31%, 0.43%

LAB 45.43, -3.6, -21.49

 

CMYK 48 / 35 / 0 / 44

HEX #4B5D8F

RGB 75 93 143

HSL 224.12, 0.31%, 0.43%

LAB 40.09, 7.46, -29.78

 

CMYK 47 / 48 / 0 / 44

HEX #4C4B8F

RGB 76 75 143

HSL 240.88, 0.31%, 0.43%

LAB 35.11, 19.28, -37.67

 

CMYK 34 / 48 / 0 / 44

HEX #5E4B8F

RGB 94 75 143

HSL 256.76, 0.31%, 0.43%

LAB 36.73, 24.16, -34.98

 

CMYK 21 / 48 / 0 / 44

HEX #714B8F

RGB 113 75 143

HSL 273.53, 0.31%, 0.43%

LAB 38.77, 29.75, -31.63

 

CMYK 48 / 22 / 0 / 44

HEX #4B6F8F

RGB 75 111 143

HSL 208.24, 0.31%, 0.43%

LAB 45.43, -3.6, -21.49

 

CMYK 48 / 35 / 0 / 44

HEX #4B5D8F

RGB 75 93 143

HSL 224.12, 0.31%, 0.43%

LAB 40.09, 7.46, -29.78

 

CMYK 48 / 48 / 0 / 44

HEX #4B4B8F

RGB 75 75 143

HSL 240, 0.31%, 0.43%

LAB 35.03, 19.02, -37.8

 

CMYK 48 / 22 / 0 / 44

HEX #4B6F8F

RGB 75 111 143

HSL 208.24, 0.31%, 0.43%

LAB 45.43, -3.6, -21.49

 

CMYK 65 / 30 / 0 / 37

HEX #3970A1

RGB 57 112 161

HSL 208.27, 0.48%, 0.43%

LAB 45.68, -2.33, -31.81

 

CMYK 78 / 37 / 0 / 30

HEX #2871B3

RGB 40 113 179

HSL 208.49, 0.63%, 0.43%

LAB 46.33, 1.02, -41.35

 

CMYK 89 / 42 / 0 / 23

HEX #1672C4

RGB 22 114 196

HSL 208.28, 0.8%, 0.43%

LAB 47.22, 5.34, -49.78

 

CMYK 98 / 46 / 0 / 16

HEX #0473D6

RGB 4 115 214

HSL 208.29, 0.96%, 0.43%

LAB 48.44, 11.06, -58.13

 

CMYK 48 / 22 / 0 / 44

HEX #4B6F8F

RGB 75 111 143

HSL 208.24, 0.31%, 0.43%

LAB 45.43, -3.6, -21.49

 

CMYK 26 / 12 / 0 / 51

HEX #5D6E7D

RGB 93 110 125

HSL 208.13, 0.15%, 0.43%

LAB 45.58, -2.68, -10.41

 

CMYK 0 / 2 / 3 / 56

HEX #6F6D6C

RGB 111 109 108

HSL 20, 0.01%, 0.43%

LAB 46.18, 0.57, 0.82

 

CMYK 0 / 16 / 30 / 50

HEX #806C5A

RGB 128 108 90

HSL 28.42, 0.17%, 0.43%

LAB 47.04, 4.97, 13.01

 

CMYK 0 / 27 / 51 / 43

HEX #926B48

RGB 146 107 72

HSL 28.38, 0.34%, 0.43%

LAB 48.38, 11.13, 25.63

 

CMYK 48 / 0 / 3 / 44

HEX #4B8F8B

RGB 75 143 139

HSL 176.47, 0.31%, 0.43%

LAB 55.08, -22.55, -4.56

 

CMYK 48 / 9 / 0 / 44

HEX #4B828F

RGB 75 130 143

HSL 191.47, 0.31%, 0.43%

LAB 51.2, -14.5, -12.67

 

CMYK 48 / 22 / 0 / 44

HEX #4B6F8F

RGB 75 111 143

HSL 208.24, 0.31%, 0.43%

LAB 45.43, -3.6, -21.49

 

CMYK 48 / 35 / 0 / 44

HEX #4B5D8F

RGB 75 93 143

HSL 224.12, 0.31%, 0.43%

LAB 40.09, 7.46, -29.78

 

CMYK 48 / 48 / 0 / 44

HEX #4B4B8F

RGB 75 75 143

HSL 240, 0.31%, 0.43%

LAB 35.03, 19.02, -37.8

 

CMYK 47 / 22 / 0 / 65

HEX #2F4559

RGB 47 69 89

HSL 208.57, 0.31%, 0.27%

LAB 28.33, -2.45, -14.58

 

CMYK 47 / 22 / 0 / 55

HEX #3D5A74

RGB 61 90 116

HSL 208.36, 0.31%, 0.35%

LAB 37.05, -3.05, -18.11

 

CMYK 48 / 22 / 0 / 44

HEX #4B6F8F

RGB 75 111 143

HSL 208.24, 0.31%, 0.43%

LAB 45.43, -3.6, -21.49

 

CMYK 46 / 21 / 0 / 34

HEX #5B84A8

RGB 91 132 168

HSL 208.05, 0.31%, 0.51%

LAB 53.55, -4.22, -23.53

 

CMYK 36 / 17 / 0 / 28

HEX #7698B7

RGB 118 152 183

HSL 208.62, 0.31%, 0.59%

LAB 61.42, -4.02, -19.89

 

CMYK 48 / 22 / 0 / 44

HEX #4B6F8F

RGB 75 111 143

HSL 208.24, 0.31%, 0.43%

LAB 45.43, -3.6, -21.49

 

CMYK 16 / 48 / 0 / 44

HEX #784B8F

RGB 120 75 143

HSL 279.71, 0.31%, 0.43%

LAB 39.59, 31.88, -30.28

 

CMYK 3 / 0 / 48 / 44

HEX #8B8F4B

RGB 139 143 75

HSL 63.53, 0.31%, 0.43%

LAB 57.7, -11.87, 35.46

 

CMYK 48 / 22 / 0 / 44

HEX #4B6F8F

RGB 75 111 143

HSL 208.24, 0.31%, 0.43%

LAB 45.43, -3.6, -21.49

 

CMYK 0 / 48 / 22 / 44

HEX #8F4B6F

RGB 143 75 111

HSL 328.24, 0.31%, 0.43%

LAB 41.25, 33.36, -7.88

 

CMYK 22 / 0 / 48 / 44

HEX #6F8F4B

RGB 111 143 75

HSL 88.24, 0.31%, 0.43%

LAB 55.62, -23.44, 32.44

 

CMYK 48 / 22 / 0 / 44

HEX #4B6F8F

RGB 75 111 143

HSL 208.24, 0.31%, 0.43%

LAB 45.43, -3.6, -21.49

 

CMYK 16 / 48 / 0 / 44

HEX #784B8F

RGB 120 75 143

HSL 279.71, 0.31%, 0.43%

LAB 39.59, 31.88, -30.28

 

CMYK 0 / 25 / 48 / 44

HEX #8F6B4B

RGB 143 107 75

HSL 28.24, 0.31%, 0.43%

LAB 48.09, 10.12, 23.47

 

CMYK 31 / 0 / 48 / 44

HEX #628F4B

RGB 98 143 75

HSL 99.71, 0.31%, 0.43%

LAB 54.81, -28.41, 31.27

 

CMYK 48 / 22 / 0 / 44

HEX #4B6F8F

RGB 75 111 143

HSL 208.24, 0.31%, 0.43%

LAB 45.43, -3.6, -21.49

 

CMYK 1 / 48 / 0 / 44

HEX #8D4B8F

RGB 141 75 143

HSL 298.24, 0.31%, 0.43%

LAB 42.27, 38.37, -25.89

 

CMYK 0 / 25 / 48 / 44

HEX #8F6B4B

RGB 143 107 75

HSL 28.24, 0.31%, 0.43%

LAB 48.09, 10.12, 23.47

 

CMYK 46 / 0 / 48 / 44

HEX #4D8F4B

RGB 77 143 75

HSL 118.24, 0.31%, 0.43%

LAB 53.74, -35.59, 29.69

 

Description

Color code: HEX #4B6F8F | qconv.com Color code: HEX #4B6F8F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 111 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 111 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 22 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 22% 0% 44% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - http://www.p...
Link: http://pertusoftware.com.br

18% - Pertusoftware | Home
Link: http://www.pertusoftware.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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