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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B69BC it is the complementary color #B49643. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B69BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B69BC shade: #5069B7, #617BCA, #728DDD, #839FF0 and #94B1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B69BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B69BC shade: #4B69BC, #3A57A9, #294596, #183383 and #072170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B69BC shade: #4C6ABD, #4D4CBD, #6B4CBD, #894CBD and #A84CBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B69BC shade: #4C6ABD and #4C4CBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B69BC shade matches the following richer shades: #4C6ABD, #3861D1, #2558E5 and #114EF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B69BC shade: #4C6ABD, #6073A9, #747D95, #888681 and #9C8F6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B69BC shade: #4CA6BD, #4C88BD, #4C6ABD, #4C4CBD and #6A4CBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B69BC shade: #314885, #3C58A3, #4C6ABD, #6A83C8 and #899CD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B69BC shade: #4B69BC, #B54CBD and #97BD4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B69BC shade: #4B69BC, #BD4C6A and #6ABD4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B69BC shade: #4B69BC, #B54CBD, #BD9F4C and #54BD4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B69BC shade: #4B69BC, #BD4CA3, #BD9F4C and #4CBD67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 44 / 0 / 26

HEX #4B69BC

RGB 75 105 188

HSL 224.07, 0.46%, 0.52%

LAB 45.95, 14.87, -47.1

 

Complementary color

CMYK 0 / 17 / 63 / 29

HEX #B49643

RGB 180 150 67

HSL 44.07, 0.46%, 0.48%

LAB 63.28, 1.5, 46.9

 

CMYK 56 / 43 / 0 / 28

HEX #5069B7

RGB 80 105 183

HSL 225.44, 0.42%, 0.52%

LAB 45.94, 14.2, -44.19

 

CMYK 52 / 39 / 0 / 21

HEX #617BCA

RGB 97 123 202

HSL 225.14, 0.5%, 0.59%

LAB 52.92, 13.03, -43.98

 

CMYK 48 / 36 / 0 / 13

HEX #728DDD

RGB 114 141 221

HSL 224.86, 0.61%, 0.66%

LAB 59.75, 12.08, -43.82

 

CMYK 45 / 34 / 0 / 6

HEX #839FF0

RGB 131 159 240

HSL 224.59, 0.78%, 0.73%

LAB 66.45, 11.27, -43.71

 

CMYK 42 / 31 / 0 / 0

HEX #94B1FF

RGB 148 177 255

HSL 223.74, 1%, 0.79%

LAB 72.87, 9.48, -41.75

 

CMYK 60 / 44 / 0 / 26

HEX #4B69BC

RGB 75 105 188

HSL 224.07, 0.46%, 0.52%

LAB 45.95, 14.87, -47.1

 

CMYK 66 / 49 / 0 / 34

HEX #3A57A9

RGB 58 87 169

HSL 224.32, 0.49%, 0.45%

LAB 38.86, 16.52, -47.36

 

CMYK 73 / 54 / 0 / 41

HEX #294596

RGB 41 69 150

HSL 224.59, 0.57%, 0.37%

LAB 31.65, 18.64, -47.62

 

CMYK 82 / 61 / 0 / 49

HEX #183383

RGB 24 51 131

HSL 224.86, 0.69%, 0.3%

LAB 24.32, 21.41, -47.81

 

CMYK 94 / 71 / 0 / 56

HEX #072170

RGB 7 33 112

HSL 225.14, 0.88%, 0.23%

LAB 17, 24.98, -47.72

 

CMYK 60 / 44 / 0 / 26

HEX #4C6ABD

RGB 76 106 189

HSL 224.07, 0.46%, 0.52%

LAB 46.34, 14.78, -47.06

 

CMYK 59 / 60 / 0 / 26

HEX #4D4CBD

RGB 77 76 189

HSL 240.53, 0.46%, 0.52%

LAB 38.59, 33.89, -59.54

 

CMYK 43 / 60 / 0 / 26

HEX #6B4CBD

RGB 107 76 189

HSL 256.46, 0.46%, 0.52%

LAB 41.17, 39.83, -55.24

 

CMYK 28 / 60 / 0 / 26

HEX #894CBD

RGB 137 76 189

HSL 272.39, 0.46%, 0.52%

LAB 44.46, 46.78, -49.76

 

CMYK 11 / 60 / 0 / 26

HEX #A84CBD

RGB 168 76 189

HSL 288.85, 0.46%, 0.52%

LAB 48.47, 54.48, -43.13

 

CMYK 60 / 44 / 0 / 26

HEX #4C6ABD

RGB 76 106 189

HSL 224.07, 0.46%, 0.52%

LAB 46.34, 14.78, -47.06

 

CMYK 60 / 60 / 0 / 26

HEX #4C4CBD

RGB 76 76 189

HSL 240, 0.46%, 0.52%

LAB 38.52, 33.71, -59.66

 

CMYK 60 / 44 / 0 / 26

HEX #4C6ABD

RGB 76 106 189

HSL 224.07, 0.46%, 0.52%

LAB 46.34, 14.78, -47.06

 

CMYK 73 / 54 / 0 / 18

HEX #3861D1

RGB 56 97 209

HSL 223.92, 0.62%, 0.52%

LAB 44.22, 24.4, -62.03

 

CMYK 84 / 62 / 0 / 10

HEX #2558E5

RGB 37 88 229

HSL 224.06, 0.79%, 0.52%

LAB 42.81, 35.74, -75.76

 

CMYK 93 / 69 / 0 / 3

HEX #114EF8

RGB 17 78 248

HSL 224.16, 0.94%, 0.52%

LAB 41.76, 47.93, -88.21

 

CMYK 60 / 44 / 0 / 26

HEX #4C6ABD

RGB 76 106 189

HSL 224.07, 0.46%, 0.52%

LAB 46.34, 14.78, -47.06

 

CMYK 43 / 32 / 0 / 34

HEX #6073A9

RGB 96 115 169

HSL 224.38, 0.3%, 0.52%

LAB 49.02, 7.48, -31.11

 

CMYK 22 / 16 / 0 / 42

HEX #747D95

RGB 116 125 149

HSL 223.64, 0.13%, 0.52%

LAB 52.45, 2.14, -14.04

 

CMYK 0 / 1 / 5 / 47

HEX #888681

RGB 136 134 129

HSL 42.86, 0.03%, 0.52%

LAB 55.96, -0.21, 2.94

 

CMYK 0 / 8 / 29 / 39

HEX #9C8F6E

RGB 156 143 110

HSL 43.04, 0.19%, 0.52%

LAB 59.74, -0.46, 19.35

 

CMYK 60 / 12 / 0 / 26

HEX #4CA6BD

RGB 76 166 189

HSL 192.21, 0.46%, 0.52%

LAB 63.74, -19.96, -19.9

 

CMYK 60 / 28 / 0 / 26

HEX #4C88BD

RGB 76 136 189

HSL 208.14, 0.46%, 0.52%

LAB 54.89, -3.41, -33.55

 

CMYK 60 / 44 / 0 / 26

HEX #4C6ABD

RGB 76 106 189

HSL 224.07, 0.46%, 0.52%

LAB 46.34, 14.78, -47.06

 

CMYK 60 / 60 / 0 / 26

HEX #4C4CBD

RGB 76 76 189

HSL 240, 0.46%, 0.52%

LAB 38.52, 33.71, -59.66

 

CMYK 44 / 60 / 0 / 26

HEX #6A4CBD

RGB 106 76 189

HSL 255.93, 0.46%, 0.52%

LAB 41.07, 39.62, -55.4

 

CMYK 63 / 46 / 0 / 48

HEX #314885

RGB 49 72 133

HSL 223.57, 0.46%, 0.36%

LAB 31.76, 11.57, -36.98

 

CMYK 63 / 46 / 0 / 36

HEX #3C58A3

RGB 60 88 163

HSL 223.69, 0.46%, 0.44%

LAB 38.87, 14.07, -43.77

 

CMYK 60 / 44 / 0 / 26

HEX #4C6ABD

RGB 76 106 189

HSL 224.07, 0.46%, 0.52%

LAB 46.34, 14.78, -47.06

 

CMYK 47 / 35 / 0 / 22

HEX #6A83C8

RGB 106 131 200

HSL 224.04, 0.46%, 0.6%

LAB 55.55, 9.74, -38.65

 

CMYK 35 / 26 / 0 / 17

HEX #899CD3

RGB 137 156 211

HSL 224.59, 0.46%, 0.68%

LAB 64.8, 6.52, -30.26

 

CMYK 60 / 44 / 0 / 26

HEX #4B69BC

RGB 75 105 188

HSL 224.07, 0.46%, 0.52%

LAB 45.95, 14.87, -47.1

 

CMYK 4 / 60 / 0 / 26

HEX #B54CBD

RGB 181 76 189

HSL 295.75, 0.46%, 0.52%

LAB 50.3, 57.77, -40.12

 

CMYK 20 / 0 / 60 / 26

HEX #97BD4C

RGB 151 189 76

HSL 80.18, 0.46%, 0.52%

LAB 71.89, -30.05, 51.73

 

CMYK 60 / 44 / 0 / 26

HEX #4B69BC

RGB 75 105 188

HSL 224.07, 0.46%, 0.52%

LAB 45.95, 14.87, -47.1

 

CMYK 0 / 60 / 44 / 26

HEX #BD4C6A

RGB 189 76 106

HSL 344.07, 0.46%, 0.52%

LAB 48.3, 48.15, 6.33

 

CMYK 44 / 0 / 60 / 26

HEX #6ABD4C

RGB 106 189 76

HSL 104.07, 0.46%, 0.52%

LAB 69.46, -46.09, 48.32

 

CMYK 60 / 44 / 0 / 26

HEX #4B69BC

RGB 75 105 188

HSL 224.07, 0.46%, 0.52%

LAB 45.95, 14.87, -47.1

 

CMYK 4 / 60 / 0 / 26

HEX #B54CBD

RGB 181 76 189

HSL 295.75, 0.46%, 0.52%

LAB 50.3, 57.77, -40.12

 

CMYK 0 / 16 / 60 / 26

HEX #BD9F4C

RGB 189 159 76

HSL 44.07, 0.46%, 0.52%

LAB 66.62, 1.18, 46.61

 

CMYK 56 / 0 / 60 / 26

HEX #54BD4C

RGB 84 189 76

HSL 115.75, 0.46%, 0.52%

LAB 68.61, -52.4, 47.12

 

CMYK 60 / 44 / 0 / 26

HEX #4B69BC

RGB 75 105 188

HSL 224.07, 0.46%, 0.52%

LAB 45.95, 14.87, -47.1

 

CMYK 0 / 60 / 14 / 26

HEX #BD4CA3

RGB 189 76 163

HSL 313.81, 0.46%, 0.52%

LAB 50.25, 55.54, -24.9

 

CMYK 0 / 16 / 60 / 26

HEX #BD9F4C

RGB 189 159 76

HSL 44.07, 0.46%, 0.52%

LAB 66.62, 1.18, 46.61

 

CMYK 60 / 0 / 46 / 26

HEX #4CBD67

RGB 76 189 103

HSL 134.34, 0.46%, 0.52%

LAB 68.69, -50.65, 34.06

 

Description

Color code: HEX #4B69BC | qconv.com Color code: HEX #4B69BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 105 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 105 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 44 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 44% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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