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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B6909 it is the complementary color #B496F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B6909. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B6909 shade: #506904, #617B17, #728D2A, #839F3D and #94B150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B6909. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B6909 shade: #4B6909, #3A5700, #294500, #183300 and #072100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B6909 shade: #4A6709, #636709, #675209, #673809 and #671F09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B6909 shade: #4A6709, #306709, #176709, #096714 and #09672E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B6909 shade matches the following richer shades: #4A6709

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B6909 shade: #4A6709, #465E12, #43551B, #404C24 and #3C432D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B6909 shade: #675109, #646709, #4B6709, #326709 and #196709

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B6909 shade: #141B02, #2F4106, #4A6709, #658D0C and #80B310

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B6909 shade: #4B6909, #096738 and #5E0967

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B6909 shade: #4B6909, #094B67 and #67094B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B6909 shade: #4B6909, #096738, #250967 and #670938

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B6909 shade: #4B6909, #096754, #250967 and #67091C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 91 / 59

HEX #4B6909

RGB 75 105 9

HSL 78.75, 0.84%, 0.22%

LAB 40.6, -24.84, 44.13

 

Complementary color

CMYK 27 / 39 / 0 / 4

HEX #B496F6

RGB 180 150 246

HSL 258.75, 0.84%, 0.78%

LAB 68.15, 30.9, -44.08

 

CMYK 24 / 0 / 96 / 59

HEX #506904

RGB 80 105 4

HSL 74.85, 0.93%, 0.21%

LAB 40.92, -22.81, 45.78

 

CMYK 21 / 0 / 81 / 52

HEX #617B17

RGB 97 123 23

HSL 75.6, 0.68%, 0.29%

LAB 47.97, -23.73, 47.27

 

CMYK 19 / 0 / 70 / 45

HEX #728D2A

RGB 114 141 42

HSL 76.36, 0.54%, 0.36%

LAB 54.86, -24.37, 47.35

 

CMYK 18 / 0 / 62 / 38

HEX #839F3D

RGB 131 159 61

HSL 77.14, 0.45%, 0.43%

LAB 61.62, -24.8, 46.68

 

CMYK 16 / 0 / 55 / 31

HEX #94B150

RGB 148 177 80

HSL 77.94, 0.38%, 0.5%

LAB 68.26, -25.09, 45.69

 

CMYK 29 / 0 / 91 / 59

HEX #4B6909

RGB 75 105 9

HSL 78.75, 0.84%, 0.22%

LAB 40.6, -24.84, 44.13

 

CMYK 33 / 0 / 100 / 66

HEX #3A5700

RGB 58 87 0

HSL 80, 1%, 0.17%

LAB 33.38, -23.62, 40.42

 

CMYK 41 / 0 / 100 / 73

HEX #294500

RGB 41 69 0

HSL 84.35, 1%, 0.14%

LAB 25.94, -22.04, 33.97

 

CMYK 53 / 0 / 100 / 80

HEX #183300

RGB 24 51 0

HSL 91.76, 1%, 0.1%

LAB 18.2, -20.32, 25.48

 

CMYK 79 / 0 / 100 / 87

HEX #072100

RGB 7 33 0

HSL 107.27, 1%, 0.06%

LAB 10.05, -17.46, 14.68

 

CMYK 28 / 0 / 91 / 60

HEX #4A6709

RGB 74 103 9

HSL 78.51, 0.84%, 0.22%

LAB 39.88, -24.27, 43.49

 

CMYK 4 / 0 / 91 / 60

HEX #636709

RGB 99 103 9

HSL 62.55, 0.84%, 0.22%

LAB 41.8, -12.75, 45.88

 

CMYK 0 / 20 / 91 / 60

HEX #675209

RGB 103 82 9

HSL 46.6, 0.84%, 0.22%

LAB 35.86, 1.44, 41.19

 

CMYK 0 / 46 / 91 / 60

HEX #673809

RGB 103 56 9

HSL 30, 0.84%, 0.22%

LAB 28.73, 17.37, 35.33

 

CMYK 0 / 70 / 91 / 60

HEX #671F09

RGB 103 31 9

HSL 14.04, 0.84%, 0.22%

LAB 23.28, 31.23, 30.35

 

CMYK 28 / 0 / 91 / 60

HEX #4A6709

RGB 74 103 9

HSL 78.51, 0.84%, 0.22%

LAB 39.88, -24.27, 43.49

 

CMYK 53 / 0 / 91 / 60

HEX #306709

RGB 48 103 9

HSL 95.11, 0.84%, 0.22%

LAB 38.46, -34.36, 41.72

 

CMYK 78 / 0 / 91 / 60

HEX #176709

RGB 23 103 9

HSL 111.06, 0.84%, 0.22%

LAB 37.67, -40.87, 40.72

 

CMYK 91 / 0 / 81 / 60

HEX #096714

RGB 9 103 20

HSL 127.02, 0.84%, 0.22%

LAB 37.5, -42.14, 37.06

 

CMYK 91 / 0 / 55 / 60

HEX #09672E

RGB 9 103 46

HSL 143.62, 0.84%, 0.22%

LAB 37.76, -38.86, 25.02

 

CMYK 28 / 0 / 91 / 60

HEX #4A6709

RGB 74 103 9

HSL 78.51, 0.84%, 0.22%

LAB 39.88, -24.27, 43.49

 

CMYK 28 / 0 / 91 / 60

HEX #4A6709

RGB 74 103 9

HSL 78.51, 0.84%, 0.22%

LAB 39.88, -24.27, 43.49

 

CMYK 26 / 0 / 81 / 63

HEX #465E12

RGB 70 94 18

HSL 78.95, 0.68%, 0.22%

LAB 36.65, -21.04, 37.77

 

CMYK 21 / 0 / 68 / 67

HEX #43551B

RGB 67 85 27

HSL 78.62, 0.52%, 0.22%

LAB 33.5, -16.95, 30.6

 

CMYK 16 / 0 / 53 / 70

HEX #404C24

RGB 64 76 36

HSL 78, 0.36%, 0.22%

LAB 30.37, -12.29, 22.08

 

CMYK 10 / 0 / 33 / 74

HEX #3C432D

RGB 60 67 45

HSL 79.09, 0.2%, 0.22%

LAB 27.2, -7.43, 12.44

 

CMYK 0 / 21 / 91 / 60

HEX #675109

RGB 103 81 9

HSL 45.96, 0.84%, 0.22%

LAB 35.57, 2.04, 40.95

 

CMYK 3 / 0 / 91 / 60

HEX #646709

RGB 100 103 9

HSL 61.91, 0.84%, 0.22%

LAB 41.89, -12.27, 45.99

 

CMYK 27 / 0 / 91 / 60

HEX #4B6709

RGB 75 103 9

HSL 77.87, 0.84%, 0.22%

LAB 39.94, -23.84, 43.57

 

CMYK 51 / 0 / 91 / 60

HEX #326709

RGB 50 103 9

HSL 93.83, 0.84%, 0.22%

LAB 38.55, -33.69, 41.83

 

CMYK 76 / 0 / 91 / 60

HEX #196709

RGB 25 103 9

HSL 109.79, 0.84%, 0.22%

LAB 37.71, -40.49, 40.77

 

CMYK 26 / 0 / 93 / 89

HEX #141B02

RGB 20 27 2

HSL 76.8, 0.86%, 0.06%

LAB 8.45, -8.12, 11.69

 

CMYK 28 / 0 / 91 / 75

HEX #2F4106

RGB 47 65 6

HSL 78.31, 0.83%, 0.14%

LAB 24.95, -16.82, 30.74

 

CMYK 28 / 0 / 91 / 60

HEX #4A6709

RGB 74 103 9

HSL 78.51, 0.84%, 0.22%

LAB 39.88, -24.27, 43.49

 

CMYK 28 / 0 / 91 / 45

HEX #658D0C

RGB 101 141 12

HSL 78.6, 0.84%, 0.3%

LAB 53.86, -31.17, 55.23

 

CMYK 28 / 0 / 91 / 30

HEX #80B310

RGB 128 179 16

HSL 78.77, 0.84%, 0.38%

LAB 67.18, -37.67, 66.13

 

CMYK 29 / 0 / 91 / 59

HEX #4B6909

RGB 75 105 9

HSL 78.75, 0.84%, 0.22%

LAB 40.6, -24.84, 44.13

 

CMYK 91 / 0 / 46 / 60

HEX #096738

RGB 9 103 56

HSL 150, 0.84%, 0.22%

LAB 37.92, -36.98, 19.57

 

CMYK 9 / 91 / 0 / 60

HEX #5E0967

RGB 94 9 103

HSL 294.26, 0.84%, 0.22%

LAB 22.14, 46.79, -33.08

 

CMYK 29 / 0 / 91 / 59

HEX #4B6909

RGB 75 105 9

HSL 78.75, 0.84%, 0.22%

LAB 40.6, -24.84, 44.13

 

CMYK 91 / 27 / 0 / 60

HEX #094B67

RGB 9 75 103

HSL 197.87, 0.84%, 0.22%

LAB 29.59, -8.19, -21.71

 

CMYK 0 / 91 / 27 / 60

HEX #67094B

RGB 103 9 75

HSL 317.87, 0.84%, 0.22%

LAB 22.26, 44.3, -14.09

 

CMYK 29 / 0 / 91 / 59

HEX #4B6909

RGB 75 105 9

HSL 78.75, 0.84%, 0.22%

LAB 40.6, -24.84, 44.13

 

CMYK 91 / 0 / 46 / 60

HEX #096738

RGB 9 103 56

HSL 150, 0.84%, 0.22%

LAB 37.92, -36.98, 19.57

 

CMYK 64 / 91 / 0 / 60

HEX #250967

RGB 37 9 103

HSL 257.87, 0.84%, 0.22%

LAB 13.03, 38.12, -48.32

 

CMYK 0 / 91 / 46 / 60

HEX #670938

RGB 103 9 56

HSL 330, 0.84%, 0.22%

LAB 21.45, 42.05, -2.21

 

CMYK 29 / 0 / 91 / 59

HEX #4B6909

RGB 75 105 9

HSL 78.75, 0.84%, 0.22%

LAB 40.6, -24.84, 44.13

 

CMYK 91 / 0 / 18 / 60

HEX #096754

RGB 9 103 84

HSL 167.87, 0.84%, 0.22%

LAB 38.55, -29.99, 3.67

 

CMYK 64 / 91 / 0 / 60

HEX #250967

RGB 37 9 103

HSL 257.87, 0.84%, 0.22%

LAB 13.03, 38.12, -48.32

 

CMYK 0 / 91 / 73 / 60

HEX #67091C

RGB 103 9 28

HSL 347.87, 0.84%, 0.22%

LAB 20.68, 39.86, 16.42

 

Description

Color code: HEX #4B6909 | qconv.com Color code: HEX #4B6909 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 105 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 105 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 91 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 91% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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