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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B64EC it is the complementary color #B49B13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B64EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B64EC shade: #5064E7, #6176FA, #7288FF, #839AFF and #94ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B64EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B64EC shade: #4B64EC, #3A52D9, #2940C6, #182EB3 and #071CA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B64EC shade: #4B64EC, #5D4BEC, #894BEC, #B44BEC and #E04BEC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B64EC shade: #4B64EC and #4B4BEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B64EC shade matches the following richer shades: #4B64EC and #3B59FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B64EC shade: #4B64EC, #5B6FDC, #6B7ACC, #7B85BC and #8B90AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B64EC shade: #4BBCEC, #4B91EC, #4B66EC, #5B4BEC and #864BEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B64EC shade: #1632CF, #2644E8, #4B64EC, #7084F0 and #96A4F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B64EC shade: #4B64EC, #EC4BE7 and #A6EC4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B64EC shade: #4B64EC, #EC4B66 and #66EC4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B64EC shade: #4B64EC, #EC4BE7, #ECD14B and #4BEC50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B64EC shade: #4B64EC, #EC4BB6, #ECD14B and #4BEC81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 58 / 0 / 7

HEX #4B64EC

RGB 75 100 236

HSL 230.68, 0.81%, 0.61%

LAB 47.84, 34.6, -71.44

 

Complementary color

CMYK 0 / 14 / 89 / 29

HEX #B49B13

RGB 180 155 19

HSL 50.68, 0.81%, 0.39%

LAB 64.32, -3.28, 64.96

 

CMYK 65 / 57 / 0 / 9

HEX #5064E7

RGB 80 100 231

HSL 232.05, 0.76%, 0.61%

LAB 47.74, 33.6, -68.78

 

CMYK 61 / 53 / 0 / 2

HEX #6176FA

RGB 97 118 250

HSL 231.76, 0.94%, 0.68%

LAB 54.45, 31.64, -68.47

 

CMYK 55 / 47 / 0 / 0

HEX #7288FF

RGB 114 136 255

HSL 230.64, 1%, 0.72%

LAB 60.25, 25.54, -61.83

 

CMYK 49 / 40 / 0 / 0

HEX #839AFF

RGB 131 154 255

HSL 228.87, 1%, 0.76%

LAB 65.87, 18.55, -52.82

 

CMYK 42 / 33 / 0 / 0

HEX #94ACFF

RGB 148 172 255

HSL 226.54, 1%, 0.79%

LAB 71.57, 12.29, -43.77

 

CMYK 68 / 58 / 0 / 7

HEX #4B64EC

RGB 75 100 236

HSL 230.68, 0.81%, 0.61%

LAB 47.84, 34.6, -71.44

 

CMYK 73 / 62 / 0 / 15

HEX #3A52D9

RGB 58 82 217

HSL 230.94, 0.68%, 0.54%

LAB 41.13, 37.05, -71.65

 

CMYK 79 / 68 / 0 / 22

HEX #2940C6

RGB 41 64 198

HSL 231.21, 0.66%, 0.47%

LAB 34.43, 39.86, -71.69

 

CMYK 87 / 74 / 0 / 30

HEX #182EB3

RGB 24 46 179

HSL 231.48, 0.76%, 0.4%

LAB 27.85, 42.94, -71.34

 

CMYK 96 / 83 / 0 / 37

HEX #071CA0

RGB 7 28 160

HSL 231.76, 0.92%, 0.33%

LAB 21.63, 45.86, -70.21

 

CMYK 68 / 58 / 0 / 7

HEX #4B64EC

RGB 75 100 236

HSL 230.68, 0.81%, 0.61%

LAB 47.84, 34.6, -71.44

 

CMYK 61 / 68 / 0 / 7

HEX #5D4BEC

RGB 93 75 236

HSL 246.71, 0.81%, 0.61%

LAB 43.38, 51.83, -78.67

 

CMYK 42 / 68 / 0 / 7

HEX #894BEC

RGB 137 75 236

HSL 263.11, 0.81%, 0.61%

LAB 47.5, 58.86, -71.77

 

CMYK 24 / 68 / 0 / 7

HEX #B44BEC

RGB 180 75 236

HSL 279.13, 0.81%, 0.61%

LAB 52.72, 67.15, -63.07

 

CMYK 5 / 68 / 0 / 7

HEX #E04BEC

RGB 224 75 236

HSL 295.53, 0.81%, 0.61%

LAB 58.91, 76.36, -52.8

 

CMYK 68 / 58 / 0 / 7

HEX #4B64EC

RGB 75 100 236

HSL 230.68, 0.81%, 0.61%

LAB 47.84, 34.6, -71.44

 

CMYK 68 / 68 / 0 / 7

HEX #4B4BEC

RGB 75 75 236

HSL 240, 0.81%, 0.61%

LAB 42.13, 49.58, -80.77

 

CMYK 68 / 58 / 0 / 7

HEX #4B64EC

RGB 75 100 236

HSL 230.68, 0.81%, 0.61%

LAB 47.84, 34.6, -71.44

 

CMYK 77 / 65 / 0 / 1

HEX #3B59FC

RGB 59 89 252

HSL 230.67, 0.97%, 0.61%

LAB 45.77, 45.07, -83.8

 

CMYK 68 / 58 / 0 / 7

HEX #4B64EC

RGB 75 100 236

HSL 230.68, 0.81%, 0.61%

LAB 47.84, 34.6, -71.44

 

CMYK 59 / 50 / 0 / 14

HEX #5B6FDC

RGB 91 111 220

HSL 230.7, 0.65%, 0.61%

LAB 50.41, 24.97, -58.22

 

CMYK 48 / 40 / 0 / 20

HEX #6B7ACC

RGB 107 122 204

HSL 230.72, 0.49%, 0.61%

LAB 53.39, 16.59, -44.33

 

CMYK 35 / 29 / 0 / 26

HEX #7B85BC

RGB 123 133 188

HSL 230.77, 0.33%, 0.61%

LAB 56.7, 9.68, -29.95

 

CMYK 19 / 16 / 0 / 33

HEX #8B90AC

RGB 139 144 172

HSL 230.91, 0.17%, 0.61%

LAB 60.26, 4.25, -15.29

 

CMYK 68 / 20 / 0 / 7

HEX #4BBCEC

RGB 75 188 236

HSL 197.89, 0.81%, 0.61%

LAB 71.91, -17.05, -33.21

 

CMYK 68 / 39 / 0 / 7

HEX #4B91EC

RGB 75 145 236

HSL 213.91, 0.81%, 0.61%

LAB 59.71, 7.02, -52.34

 

CMYK 68 / 57 / 0 / 7

HEX #4B66EC

RGB 75 102 236

HSL 229.94, 0.81%, 0.61%

LAB 48.33, 33.36, -70.64

 

CMYK 61 / 68 / 0 / 7

HEX #5B4BEC

RGB 91 75 236

HSL 245.96, 0.81%, 0.61%

LAB 43.23, 51.56, -78.93

 

CMYK 43 / 68 / 0 / 7

HEX #864BEC

RGB 134 75 236

HSL 261.99, 0.81%, 0.61%

LAB 47.18, 58.33, -72.31

 

CMYK 89 / 76 / 0 / 19

HEX #1632CF

RGB 22 50 207

HSL 230.92, 0.81%, 0.45%

LAB 31.71, 50.21, -81.44

 

CMYK 84 / 71 / 0 / 9

HEX #2644E8

RGB 38 68 232

HSL 230.72, 0.81%, 0.53%

LAB 38.5, 49.15, -84.54

 

CMYK 68 / 58 / 0 / 7

HEX #4B64EC

RGB 75 100 236

HSL 230.68, 0.81%, 0.61%

LAB 47.84, 34.6, -71.44

 

CMYK 53 / 45 / 0 / 6

HEX #7084F0

RGB 112 132 240

HSL 230.63, 0.81%, 0.69%

LAB 58.26, 22.82, -56.75

 

CMYK 39 / 33 / 0 / 4

HEX #96A4F4

RGB 150 164 244

HSL 231.06, 0.81%, 0.77%

LAB 69.16, 14.32, -41.56

 

CMYK 68 / 58 / 0 / 7

HEX #4B64EC

RGB 75 100 236

HSL 230.68, 0.81%, 0.61%

LAB 47.84, 34.6, -71.44

 

CMYK 0 / 68 / 2 / 7

HEX #EC4BE7

RGB 236 75 231

HSL 301.86, 0.81%, 0.61%

LAB 60.46, 78.15, -47.45

 

CMYK 30 / 0 / 68 / 7

HEX #A6EC4B

RGB 166 236 75

HSL 86.09, 0.81%, 0.61%

LAB 86.31, -45.62, 67.82

 

CMYK 68 / 58 / 0 / 7

HEX #4B64EC

RGB 75 100 236

HSL 230.68, 0.81%, 0.61%

LAB 47.84, 34.6, -71.44

 

CMYK 0 / 68 / 57 / 7

HEX #EC4B66

RGB 236 75 102

HSL 349.94, 0.81%, 0.61%

LAB 55.91, 63.18, 20.49

 

CMYK 57 / 0 / 68 / 7

HEX #66EC4B

RGB 102 236 75

HSL 109.94, 0.81%, 0.61%

LAB 83.61, -65.12, 64.17

 

CMYK 68 / 58 / 0 / 7

HEX #4B64EC

RGB 75 100 236

HSL 230.68, 0.81%, 0.61%

LAB 47.84, 34.6, -71.44

 

CMYK 0 / 68 / 2 / 7

HEX #EC4BE7

RGB 236 75 231

HSL 301.86, 0.81%, 0.61%

LAB 60.46, 78.15, -47.45

 

CMYK 0 / 11 / 68 / 7

HEX #ECD14B

RGB 236 209 75

HSL 49.94, 0.81%, 0.61%

LAB 83.94, -5.05, 66.97

 

CMYK 68 / 0 / 66 / 7

HEX #4BEC50

RGB 75 236 80

HSL 121.86, 0.81%, 0.61%

LAB 82.95, -70.37, 61.33

 

CMYK 68 / 58 / 0 / 7

HEX #4B64EC

RGB 75 100 236

HSL 230.68, 0.81%, 0.61%

LAB 47.84, 34.6, -71.44

 

CMYK 0 / 68 / 23 / 7

HEX #EC4BB6

RGB 236 75 182

HSL 320.12, 0.81%, 0.61%

LAB 58.27, 71.17, -23.02

 

CMYK 0 / 11 / 68 / 7

HEX #ECD14B

RGB 236 209 75

HSL 49.94, 0.81%, 0.61%

LAB 83.94, -5.05, 66.97

 

CMYK 68 / 0 / 45 / 7

HEX #4BEC81

RGB 75 236 129

HSL 140.12, 0.81%, 0.61%

LAB 83.48, -64.17, 39.94

 

Description

Color code: HEX #4B64EC | qconv.com Color code: HEX #4B64EC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 100 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 100 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 58 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 58% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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