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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B5DF0CE it is the complementary color #B4A20FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B5DF0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B5DF0CE shade: #505DEBCE, #616FFECE, #7281FFCE, #8393FFCE and #94A5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B5DF0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B5DF0CE shade: #4B5DF0CE, #3A4BDDCE, #2939CACE, #1827B7CE and #0715A4CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B5DF0CE shade: #4C5EF0, #664CF0, #934CF0, #BF4CF0 and #EB4CF0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B5DF0CE shade: #4C5EF0 and #4C4CF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B5DF0CE shade matches the following richer shades: #4C5EF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B5DF0CE shade: #4C5EF0, #5B6AE1, #6B76D1, #7B82C1 and #8A8FB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B5DF0CE shade: #4CB7F0, #4C8BF0, #4C5FF0, #644CF0 and #904CF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B5DF0CE shade: #1227D8, #263BED, #4C5EF0, #7280F4 and #98A2F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B5DF0CE shade: #4B5DF0, #F04CE3 and #A1F04C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B5DF0CE shade: #4B5DF0, #F04C5F and #5FF04C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B5DF0CE shade: #4B5DF0, #F04CE3, #F0DD4C and #4CF059

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B5DF0CE shade: #4B5DF0, #F04CB1, #F0DD4C and #4CF08B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 50 / 0 / 5

HEX #4B5DF0CE

RGBA 75 93 240 0.81

HSLA 233.45, 0.85%, 0.62%, 0.81

LABA 46.47, 40.25, -75.92, 0.81

 

Complementary color

CMYK 0 / 8 / 74 / 24

HEX #B4A20FCE

RGBA 180 162 15 0.81

HSLA 53.45, 0.85%, 0.38%, 0.81

LABA 66.2, -7.08, 67.16, 0.81

 

CMYK 53 / 49 / 0 / 6

HEX #505DEBCE

RGBA 80 93 235 0.81

HSLA 234.97, 0.79%, 0.62%, 0.81

LABA 46.35, 39.23, -73.28, 0.81

 

CMYK 50 / 46 / 0 / 0

HEX #616FFECE

RGBA 97 111 254 0.81

HSLA 234.65, 0.99%, 0.69%, 0.81

LABA 53.02, 37.17, -73, 0.81

 

CMYK 45 / 40 / 0 / 0

HEX #7281FFCE

RGBA 114 129 255 0.81

HSLA 233.62, 1%, 0.72%, 0.81

LABA 58.51, 29.7, -64.64, 0.81

 

CMYK 39 / 34 / 0 / 0

HEX #8393FFCE

RGBA 131 147 255 0.81

HSLA 232.26, 1%, 0.76%, 0.81

LABA 64.09, 22.62, -55.65, 0.81

 

CMYK 34 / 29 / 0 / 0

HEX #94A5FFCE

RGBA 148 165 255 0.81

HSLA 230.47, 1%, 0.79%, 0.81

LABA 69.77, 16.25, -46.59, 0.81

 

CMYK 56 / 50 / 0 / 5

HEX #4B5DF0CE

RGBA 75 93 240 0.81

HSLA 233.45, 0.85%, 0.62%, 0.81

LABA 46.47, 40.25, -75.92, 0.81

 

CMYK 60 / 54 / 0 / 11

HEX #3A4BDDCE

RGBA 58 75 221 0.81

HSLA 233.74, 0.71%, 0.55%, 0.81

LABA 39.84, 42.76, -76.05, 0.81

 

CMYK 65 / 58 / 0 / 17

HEX #2939CACE

RGBA 41 57 202 0.81

HSLA 234.04, 0.66%, 0.48%, 0.81

LABA 33.27, 45.5, -75.93, 0.81

 

CMYK 70 / 64 / 0 / 23

HEX #1827B7CE

RGBA 24 39 183 0.81

HSLA 234.34, 0.77%, 0.41%, 0.81

LABA 26.92, 48.27, -75.28, 0.81

 

CMYK 78 / 71 / 0 / 29

HEX #0715A4CE

RGBA 7 21 164 0.81

HSLA 234.65, 0.92%, 0.34%, 0.81

LABA 21.06, 50.39, -73.59, 0.81

 

CMYK 68 / 61 / 0 / 6

HEX #4C5EF0

RGB 76 94 240

HSL 233.41, 0.85%, 0.62%

LAB 46.75, 39.77, -75.45

 

CMYK 58 / 68 / 0 / 6

HEX #664CF0

RGB 102 76 240

HSL 249.51, 0.85%, 0.62%

LAB 44.64, 53.74, -78.84

 

CMYK 39 / 68 / 0 / 6

HEX #934CF0

RGB 147 76 240

HSL 265.98, 0.85%, 0.62%

LAB 49.09, 61.19, -71.39

 

CMYK 20 / 68 / 0 / 6

HEX #BF4CF0

RGB 191 76 240

HSL 282.07, 0.85%, 0.62%

LAB 54.59, 69.79, -62.22

 

CMYK 2 / 68 / 0 / 6

HEX #EB4CF0

RGB 235 76 240

HSL 298.17, 0.85%, 0.62%

LAB 60.89, 79.02, -51.79

 

CMYK 68 / 61 / 0 / 6

HEX #4C5EF0

RGB 76 94 240

HSL 233.41, 0.85%, 0.62%

LAB 46.75, 39.77, -75.45

 

CMYK 68 / 68 / 0 / 6

HEX #4C4CF0

RGB 76 76 240

HSL 240, 0.85%, 0.62%

LAB 42.76, 50.4, -81.99

 

CMYK 68 / 61 / 0 / 6

HEX #4C5EF0

RGB 76 94 240

HSL 233.41, 0.85%, 0.62%

LAB 46.75, 39.77, -75.45

 

CMYK 68 / 61 / 0 / 6

HEX #4C5EF0

RGB 76 94 240

HSL 233.41, 0.85%, 0.62%

LAB 46.75, 39.77, -75.45

 

CMYK 60 / 53 / 0 / 12

HEX #5B6AE1

RGB 91 106 225

HSL 233.28, 0.69%, 0.62%

LAB 49.46, 29.7, -62.58

 

CMYK 49 / 44 / 0 / 18

HEX #6B76D1

RGB 107 118 209

HSL 233.53, 0.53%, 0.62%

LAB 52.6, 20.54, -48.42

 

CMYK 36 / 33 / 0 / 24

HEX #7B82C1

RGB 123 130 193

HSL 234, 0.36%, 0.62%

LAB 56.11, 12.81, -33.71

 

CMYK 22 / 20 / 0 / 30

HEX #8A8FB2

RGB 138 143 178

HSL 232.5, 0.21%, 0.62%

LAB 60.13, 5.91, -18.91

 

CMYK 68 / 24 / 0 / 6

HEX #4CB7F0

RGB 76 183 240

HSL 200.85, 0.85%, 0.62%

LAB 70.66, -12.97, -37.31

 

CMYK 68 / 42 / 0 / 6

HEX #4C8BF0

RGB 76 139 240

HSL 216.95, 0.85%, 0.62%

LAB 58.31, 12.14, -56.78

 

CMYK 68 / 60 / 0 / 6

HEX #4C5FF0

RGB 76 95 240

HSL 233.05, 0.85%, 0.62%

LAB 46.99, 39.17, -75.06

 

CMYK 58 / 68 / 0 / 6

HEX #644CF0

RGB 100 76 240

HSL 248.78, 0.85%, 0.62%

LAB 44.48, 53.45, -79.11

 

CMYK 40 / 68 / 0 / 6

HEX #904CF0

RGB 144 76 240

HSL 264.88, 0.85%, 0.62%

LAB 48.75, 60.65, -71.96

 

CMYK 92 / 82 / 0 / 15

HEX #1227D8

RGB 18 39 216

HSL 233.64, 0.85%, 0.46%

LAB 30.73, 58.61, -88.28

 

CMYK 84 / 75 / 0 / 7

HEX #263BED

RGB 38 59 237

HSL 233.67, 0.85%, 0.54%

LAB 37.21, 55.88, -89.51

 

CMYK 68 / 61 / 0 / 6

HEX #4C5EF0

RGB 76 94 240

HSL 233.41, 0.85%, 0.62%

LAB 46.75, 39.77, -75.45

 

CMYK 53 / 48 / 0 / 4

HEX #7280F4

RGB 114 128 244

HSL 233.54, 0.86%, 0.7%

LAB 57.6, 26.87, -60.01

 

CMYK 38 / 34 / 0 / 3

HEX #98A2F7

RGB 152 162 247

HSL 233.68, 0.86%, 0.78%

LAB 68.92, 16.79, -43.57

 

CMYK 69 / 61 / 0 / 6

HEX #4B5DF0

RGB 75 93 240

HSL 233.45, 0.85%, 0.62%

LAB 46.47, 40.25, -75.92

 

CMYK 0 / 68 / 5 / 6

HEX #F04CE3

RGB 240 76 227

HSL 304.76, 0.85%, 0.62%

LAB 60.99, 78.08, -44.32

 

CMYK 33 / 0 / 68 / 6

HEX #A1F04C

RGB 161 240 76

HSL 88.9, 0.85%, 0.62%

LAB 87.2, -48.99, 68.28

 

CMYK 69 / 61 / 0 / 6

HEX #4B5DF0

RGB 75 93 240

HSL 233.45, 0.85%, 0.62%

LAB 46.47, 40.25, -75.92

 

CMYK 0 / 68 / 60 / 6

HEX #F04C5F

RGB 240 76 95

HSL 353.05, 0.85%, 0.62%

LAB 56.61, 63.56, 25.65

 

CMYK 60 / 0 / 68 / 6

HEX #5FF04C

RGB 95 240 76

HSL 113.05, 0.85%, 0.62%

LAB 84.63, -68.04, 64.8

 

CMYK 69 / 61 / 0 / 6

HEX #4B5DF0

RGB 75 93 240

HSL 233.45, 0.85%, 0.62%

LAB 46.47, 40.25, -75.92

 

CMYK 0 / 68 / 5 / 6

HEX #F04CE3

RGB 240 76 227

HSL 304.76, 0.85%, 0.62%

LAB 60.99, 78.08, -44.32

 

CMYK 0 / 8 / 68 / 6

HEX #F0DD4C

RGB 240 221 76

HSL 53.05, 0.85%, 0.62%

LAB 87.37, -9.38, 70.17

 

CMYK 68 / 0 / 63 / 6

HEX #4CF059

RGB 76 240 89

HSL 124.76, 0.85%, 0.62%

LAB 84.27, -70.61, 59.14

 

CMYK 69 / 61 / 0 / 6

HEX #4B5DF0

RGB 75 93 240

HSL 233.45, 0.85%, 0.62%

LAB 46.47, 40.25, -75.92

 

CMYK 0 / 68 / 26 / 6

HEX #F04CB1

RGB 240 76 177

HSL 323.05, 0.85%, 0.62%

LAB 58.85, 71.22, -19.18

 

CMYK 0 / 8 / 68 / 6

HEX #F0DD4C

RGB 240 221 76

HSL 53.05, 0.85%, 0.62%

LAB 87.37, -9.38, 70.17

 

CMYK 68 / 0 / 42 / 6

HEX #4CF08B

RGB 76 240 139

HSL 143.05, 0.85%, 0.62%

LAB 84.85, -63.8, 36.8

 

Description

Color code: HEX #4B5DF0CE | qconv.com Color code: HEX #4B5DF0CE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 93 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 93 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 50 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 50% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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