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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B5C7E it is the complementary color #B4A381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B5C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B5C7E shade: #505C79, #616E8C, #72809F, #8392B2 and #94A4C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B5C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B5C7E shade: #4B5C7E, #3A4A6B, #293858, #182645 and #071432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B5C7E shade: #4B5B7C, #4B4E7C, #554B7C, #624B7C and #704B7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B5C7E shade: #4B5B7C, #4B4E7C and #4B4B7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B5C7E shade matches the following richer shades: #4B5B7C, #3A568C, #2A509C, #1A4BAD and #0A46BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B5C7E shade: #4B5B7C, #5B616C, #6B665C, #7B6B4C and #8B713C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B5C7E shade: #4B767C, #4B687C, #4B5B7C, #4B4E7C and #554B7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B5C7E shade: #2C3549, #3B4863, #4B5B7C, #5A6E96 and #7083A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B5C7E shade: #4B5C7E, #764B7C and #6F7C4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B5C7E shade: #4B5C7E, #7C4B5B and #5B7C4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B5C7E shade: #4B5C7E, #764B7C, #7C6C4B and #517C4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B5C7E shade: #4B5C7E, #7C4B74, #7C6C4B and #4B7C53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 27 / 0 / 51

HEX #4B5C7E

RGB 75 92 126

HSL 220, 0.25%, 0.39%

LAB 39, 2.82, -21.18

 

Complementary color

CMYK 0 / 9 / 28 / 29

HEX #B4A381

RGB 180 163 129

HSL 40, 0.25%, 0.61%

LAB 67.64, 0.86, 19.94

 

CMYK 34 / 24 / 0 / 53

HEX #505C79

RGB 80 92 121

HSL 222.44, 0.2%, 0.39%

LAB 39.14, 2.9, -17.87

 

CMYK 31 / 21 / 0 / 45

HEX #616E8C

RGB 97 110 140

HSL 221.86, 0.18%, 0.46%

LAB 46.43, 2.55, -18.04

 

CMYK 28 / 19 / 0 / 38

HEX #72809F

RGB 114 128 159

HSL 221.33, 0.19%, 0.54%

LAB 53.51, 2.25, -18.26

 

CMYK 26 / 18 / 0 / 30

HEX #8392B2

RGB 131 146 178

HSL 220.85, 0.23%, 0.61%

LAB 60.42, 1.98, -18.5

 

CMYK 25 / 17 / 0 / 23

HEX #94A4C5

RGB 148 164 197

HSL 220.41, 0.3%, 0.68%

LAB 67.19, 1.75, -18.77

 

CMYK 40 / 27 / 0 / 51

HEX #4B5C7E

RGB 75 92 126

HSL 220, 0.25%, 0.39%

LAB 39, 2.82, -21.18

 

CMYK 46 / 31 / 0 / 58

HEX #3A4A6B

RGB 58 74 107

HSL 220.41, 0.3%, 0.32%

LAB 31.48, 3.38, -21.13

 

CMYK 53 / 36 / 0 / 65

HEX #293858

RGB 41 56 88

HSL 220.85, 0.36%, 0.25%

LAB 23.69, 4.15, -21.18

 

CMYK 65 / 45 / 0 / 73

HEX #182645

RGB 24 38 69

HSL 221.33, 0.48%, 0.18%

LAB 15.54, 5.33, -21.33

 

CMYK 86 / 60 / 0 / 80

HEX #071432

RGB 7 20 50

HSL 221.86, 0.75%, 0.11%

LAB 7.01, 7.14, -21.53

 

CMYK 40 / 27 / 0 / 51

HEX #4B5B7C

RGB 75 91 124

HSL 220.41, 0.25%, 0.39%

LAB 38.61, 2.85, -20.55

 

CMYK 40 / 37 / 0 / 51

HEX #4B4E7C

RGB 75 78 124

HSL 236.33, 0.25%, 0.39%

LAB 34.8, 11.13, -26.48

 

CMYK 31 / 40 / 0 / 51

HEX #554B7C

RGB 85 75 124

HSL 252.24, 0.25%, 0.39%

LAB 34.84, 16.12, -26.36

 

CMYK 21 / 40 / 0 / 51

HEX #624B7C

RGB 98 75 124

HSL 268.16, 0.25%, 0.39%

LAB 36.15, 20.3, -24.22

 

CMYK 10 / 40 / 0 / 51

HEX #704B7C

RGB 112 75 124

HSL 285.31, 0.25%, 0.39%

LAB 37.72, 24.98, -21.65

 

CMYK 40 / 27 / 0 / 51

HEX #4B5B7C

RGB 75 91 124

HSL 220.41, 0.25%, 0.39%

LAB 38.61, 2.85, -20.55

 

CMYK 40 / 37 / 0 / 51

HEX #4B4E7C

RGB 75 78 124

HSL 236.33, 0.25%, 0.39%

LAB 34.8, 11.13, -26.48

 

CMYK 40 / 40 / 0 / 51

HEX #4B4B7C

RGB 75 75 124

HSL 240, 0.25%, 0.39%

LAB 33.95, 13.07, -27.82

 

CMYK 40 / 27 / 0 / 51

HEX #4B5B7C

RGB 75 91 124

HSL 220.41, 0.25%, 0.39%

LAB 38.61, 2.85, -20.55

 

CMYK 59 / 39 / 0 / 45

HEX #3A568C

RGB 58 86 140

HSL 219.51, 0.41%, 0.39%

LAB 36.83, 6.78, -33.17

 

CMYK 73 / 49 / 0 / 39

HEX #2A509C

RGB 42 80 156

HSL 220, 0.58%, 0.39%

LAB 35.26, 13.7, -45.42

 

CMYK 85 / 57 / 0 / 32

HEX #1A4BAD

RGB 26 75 173

HSL 220, 0.74%, 0.39%

LAB 34.54, 21.97, -56.79

 

CMYK 95 / 63 / 0 / 26

HEX #0A46BD

RGB 10 70 189

HSL 219.89, 0.9%, 0.39%

LAB 34.23, 30.8, -66.77

 

CMYK 40 / 27 / 0 / 51

HEX #4B5B7C

RGB 75 91 124

HSL 220.41, 0.25%, 0.39%

LAB 38.61, 2.85, -20.55

 

CMYK 16 / 10 / 0 / 58

HEX #5B616C

RGB 91 97 108

HSL 218.82, 0.09%, 0.39%

LAB 40.99, 0.19, -7.02

 

CMYK 0 / 5 / 14 / 58

HEX #6B665C

RGB 107 102 92

HSL 40, 0.08%, 0.39%

LAB 43.36, 0.06, 6.35

 

CMYK 0 / 13 / 38 / 52

HEX #7B6B4C

RGB 123 107 76

HSL 39.57, 0.24%, 0.39%

LAB 45.97, 1.45, 19.71

 

CMYK 0 / 19 / 57 / 45

HEX #8B713C

RGB 139 113 60

HSL 40.25, 0.4%, 0.39%

LAB 49.04, 3.39, 32.94

 

CMYK 40 / 5 / 0 / 51

HEX #4B767C

RGB 75 118 124

HSL 187.35, 0.25%, 0.39%

LAB 46.85, -13.18, -8.01

 

CMYK 40 / 16 / 0 / 51

HEX #4B687C

RGB 75 104 124

HSL 204.49, 0.25%, 0.39%

LAB 42.54, -5.1, -14.52

 

CMYK 40 / 27 / 0 / 51

HEX #4B5B7C

RGB 75 91 124

HSL 220.41, 0.25%, 0.39%

LAB 38.61, 2.85, -20.55

 

CMYK 40 / 37 / 0 / 51

HEX #4B4E7C

RGB 75 78 124

HSL 236.33, 0.25%, 0.39%

LAB 34.8, 11.13, -26.48

 

CMYK 31 / 40 / 0 / 51

HEX #554B7C

RGB 85 75 124

HSL 252.24, 0.25%, 0.39%

LAB 34.84, 16.12, -26.36

 

CMYK 40 / 27 / 0 / 71

HEX #2C3549

RGB 44 53 73

HSL 221.38, 0.25%, 0.23%

LAB 22.17, 2.05, -13.56

 

CMYK 40 / 27 / 0 / 61

HEX #3B4863

RGB 59 72 99

HSL 220.5, 0.25%, 0.31%

LAB 30.56, 2.45, -17.49

 

CMYK 40 / 27 / 0 / 51

HEX #4B5B7C

RGB 75 91 124

HSL 220.41, 0.25%, 0.39%

LAB 38.61, 2.85, -20.55

 

CMYK 40 / 27 / 0 / 41

HEX #5A6E96

RGB 90 110 150

HSL 220, 0.25%, 0.47%

LAB 46.35, 3.23, -24.14

 

CMYK 34 / 22 / 0 / 34

HEX #7083A9

RGB 112 131 169

HSL 220, 0.25%, 0.55%

LAB 54.6, 2.51, -22.39

 

CMYK 40 / 27 / 0 / 51

HEX #4B5C7E

RGB 75 92 126

HSL 220, 0.25%, 0.39%

LAB 39, 2.82, -21.18

 

CMYK 5 / 40 / 0 / 51

HEX #764B7C

RGB 118 75 124

HSL 292.65, 0.25%, 0.39%

LAB 38.44, 27.01, -20.47

 

CMYK 10 / 0 / 40 / 51

HEX #6F7C4B

RGB 111 124 75

HSL 75.92, 0.25%, 0.39%

LAB 49.86, -13.48, 25.17

 

CMYK 40 / 27 / 0 / 51

HEX #4B5C7E

RGB 75 92 126

HSL 220, 0.25%, 0.39%

LAB 39, 2.82, -21.18

 

CMYK 0 / 40 / 27 / 51

HEX #7C4B5B

RGB 124 75 91

HSL 340.41, 0.25%, 0.39%

LAB 37.97, 23.09, -0.57

 

CMYK 27 / 0 / 40 / 51

HEX #5B7C4B

RGB 91 124 75

HSL 100.41, 0.25%, 0.39%

LAB 48.45, -21.55, 23.06

 

CMYK 40 / 27 / 0 / 51

HEX #4B5C7E

RGB 75 92 126

HSL 220, 0.25%, 0.39%

LAB 39, 2.82, -21.18

 

CMYK 5 / 40 / 0 / 51

HEX #764B7C

RGB 118 75 124

HSL 292.65, 0.25%, 0.39%

LAB 38.44, 27.01, -20.47

 

CMYK 0 / 13 / 40 / 51

HEX #7C6C4B

RGB 124 108 75

HSL 40.41, 0.25%, 0.39%

LAB 46.34, 1.18, 20.79

 

CMYK 35 / 0 / 40 / 51

HEX #517C4B

RGB 81 124 75

HSL 112.65, 0.25%, 0.39%

LAB 47.84, -25.26, 22.16

 

CMYK 40 / 27 / 0 / 51

HEX #4B5C7E

RGB 75 92 126

HSL 220, 0.25%, 0.39%

LAB 39, 2.82, -21.18

 

CMYK 0 / 40 / 6 / 51

HEX #7C4B74

RGB 124 75 116

HSL 309.8, 0.25%, 0.39%

LAB 38.86, 27.47, -14.83

 

CMYK 0 / 13 / 40 / 51

HEX #7C6C4B

RGB 124 108 75

HSL 40.41, 0.25%, 0.39%

LAB 46.34, 1.18, 20.79

 

CMYK 40 / 0 / 33 / 51

HEX #4B7C53

RGB 75 124 83

HSL 129.8, 0.25%, 0.39%

LAB 47.67, -25.92, 17.31

 

Description

Color code: HEX #4B5C7E | qconv.com Color code: HEX #4B5C7E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 92 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 92 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 27 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 27% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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