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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B5B8C it is the complementary color #B4A473. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B5B8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B5B8C shade: #505B87, #616D9A, #727FAD, #8391C0 and #94A3D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B5B8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B5B8C shade: #4B5B8C, #3A4979, #293766, #182553 and #071340

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B5B8C shade: #4B5B8B, #4C4B8B, #5E4B8B, #6F4B8B and #804B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B5B8C shade: #4B5B8B and #4B4B8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B5B8C shade matches the following richer shades: #4B5B8B, #3A529D, #2849AE, #1740BF and #0638D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B5B8C shade: #4B5B8B, #5C647A, #6E6C69, #7F7557 and #907E46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B5B8C shade: #4B7D8B, #4B6C8B, #4B5B8B, #4C4B8B and #5D4B8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B5B8C shade: #2E3856, #3D4970, #4B5B8B, #5A6CA6 and #7484B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B5B8C shade: #4B5B8C, #884B8B and #758B4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B5B8C shade: #4B5B8C, #8B4B5B and #5B8B4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B5B8C shade: #4B5B8C, #884B8B, #8B7B4B and #4E8B4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B5B8C shade: #4B5B8C, #8B4B7B, #8B7B4B and #4B8B5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 35 / 0 / 45

HEX #4B5B8C

RGB 75 91 140

HSL 225.23, 0.3%, 0.42%

LAB 39.36, 7.78, -29.12

 

Complementary color

CMYK 0 / 9 / 36 / 29

HEX #B4A473

RGB 180 164 115

HSL 45.23, 0.3%, 0.58%

LAB 67.64, -1.5, 27.57

 

CMYK 41 / 33 / 0 / 47

HEX #505B87

RGB 80 91 135

HSL 228, 0.26%, 0.42%

LAB 39.47, 7.63, -25.89

 

CMYK 37 / 29 / 0 / 40

HEX #616D9A

RGB 97 109 154

HSL 227.37, 0.23%, 0.49%

LAB 46.73, 7.03, -25.88

 

CMYK 34 / 27 / 0 / 32

HEX #727FAD

RGB 114 127 173

HSL 226.78, 0.26%, 0.56%

LAB 53.79, 6.53, -25.93

 

CMYK 32 / 24 / 0 / 25

HEX #8391C0

RGB 131 145 192

HSL 226.23, 0.33%, 0.63%

LAB 60.68, 6.1, -26.03

 

CMYK 30 / 23 / 0 / 17

HEX #94A3D3

RGB 148 163 211

HSL 225.71, 0.42%, 0.7%

LAB 67.42, 5.73, -26.16

 

CMYK 46 / 35 / 0 / 45

HEX #4B5B8C

RGB 75 91 140

HSL 225.23, 0.3%, 0.42%

LAB 39.36, 7.78, -29.12

 

CMYK 52 / 40 / 0 / 53

HEX #3A4979

RGB 58 73 121

HSL 225.71, 0.35%, 0.35%

LAB 31.91, 8.7, -29.26

 

CMYK 60 / 46 / 0 / 60

HEX #293766

RGB 41 55 102

HSL 226.23, 0.43%, 0.28%

LAB 24.2, 9.96, -29.49

 

CMYK 71 / 55 / 0 / 67

HEX #182553

RGB 24 37 83

HSL 226.78, 0.55%, 0.21%

LAB 16.21, 11.79, -29.8

 

CMYK 89 / 70 / 0 / 75

HEX #071340

RGB 7 19 64

HSL 227.37, 0.8%, 0.14%

LAB 7.96, 14.62, -30.1

 

CMYK 46 / 35 / 0 / 45

HEX #4B5B8B

RGB 75 91 139

HSL 225, 0.3%, 0.42%

LAB 39.31, 7.46, -28.59

 

CMYK 45 / 46 / 0 / 45

HEX #4C4B8B

RGB 76 75 139

HSL 240.94, 0.3%, 0.42%

LAB 34.87, 18.01, -35.6

 

CMYK 32 / 46 / 0 / 45

HEX #5E4B8B

RGB 94 75 139

HSL 257.81, 0.3%, 0.42%

LAB 36.51, 23.04, -32.9

 

CMYK 20 / 46 / 0 / 45

HEX #6F4B8B

RGB 111 75 139

HSL 273.75, 0.3%, 0.42%

LAB 38.33, 28.17, -29.9

 

CMYK 8 / 46 / 0 / 45

HEX #804B8B

RGB 128 75 139

HSL 289.69, 0.3%, 0.42%

LAB 40.39, 33.48, -26.54

 

CMYK 46 / 35 / 0 / 45

HEX #4B5B8B

RGB 75 91 139

HSL 225, 0.3%, 0.42%

LAB 39.31, 7.46, -28.59

 

CMYK 46 / 46 / 0 / 45

HEX #4B4B8B

RGB 75 75 139

HSL 240, 0.3%, 0.42%

LAB 34.79, 17.75, -35.74

 

CMYK 46 / 35 / 0 / 45

HEX #4B5B8B

RGB 75 91 139

HSL 225, 0.3%, 0.42%

LAB 39.31, 7.46, -28.59

 

CMYK 63 / 48 / 0 / 38

HEX #3A529D

RGB 58 82 157

HSL 225.45, 0.46%, 0.42%

LAB 36.68, 15.45, -43.69

 

CMYK 77 / 58 / 0 / 32

HEX #2849AE

RGB 40 73 174

HSL 225.22, 0.63%, 0.42%

LAB 34.54, 25.04, -57.36

 

CMYK 88 / 66 / 0 / 25

HEX #1740BF

RGB 23 64 191

HSL 225.36, 0.79%, 0.42%

LAB 33.16, 36.06, -69.7

 

CMYK 97 / 73 / 0 / 18

HEX #0638D1

RGB 6 56 209

HSL 225.22, 0.94%, 0.42%

LAB 32.85, 47.02, -80.71

 

CMYK 46 / 35 / 0 / 45

HEX #4B5B8B

RGB 75 91 139

HSL 225, 0.3%, 0.42%

LAB 39.31, 7.46, -28.59

 

CMYK 25 / 18 / 0 / 52

HEX #5C647A

RGB 92 100 122

HSL 224, 0.14%, 0.42%

LAB 42.45, 2.21, -13.33

 

CMYK 0 / 2 / 5 / 57

HEX #6E6C69

RGB 110 108 105

HSL 36, 0.02%, 0.42%

LAB 45.72, 0.18, 1.94

 

CMYK 0 / 8 / 31 / 50

HEX #7F7557

RGB 127 117 87

HSL 45, 0.19%, 0.42%

LAB 49.4, -1.11, 17.98

 

CMYK 0 / 13 / 51 / 44

HEX #907E46

RGB 144 126 70

HSL 45.41, 0.35%, 0.42%

LAB 53.27, -0.84, 32.81

 

CMYK 46 / 10 / 0 / 45

HEX #4B7D8B

RGB 75 125 139

HSL 193.13, 0.3%, 0.42%

LAB 49.53, -12.88, -12.86

 

CMYK 46 / 22 / 0 / 45

HEX #4B6C8B

RGB 75 108 139

HSL 209.06, 0.3%, 0.42%

LAB 44.35, -3.03, -20.75

 

CMYK 46 / 35 / 0 / 45

HEX #4B5B8B

RGB 75 91 139

HSL 225, 0.3%, 0.42%

LAB 39.31, 7.46, -28.59

 

CMYK 45 / 46 / 0 / 45

HEX #4C4B8B

RGB 76 75 139

HSL 240.94, 0.3%, 0.42%

LAB 34.87, 18.01, -35.6

 

CMYK 33 / 46 / 0 / 45

HEX #5D4B8B

RGB 93 75 139

HSL 256.88, 0.3%, 0.42%

LAB 36.41, 22.75, -33.06

 

CMYK 47 / 35 / 0 / 66

HEX #2E3856

RGB 46 56 86

HSL 225, 0.3%, 0.26%

LAB 23.94, 4.91, -19.44

 

CMYK 46 / 35 / 0 / 56

HEX #3D4970

RGB 61 73 112

HSL 225.88, 0.29%, 0.34%

LAB 31.64, 6.52, -24.02

 

CMYK 46 / 35 / 0 / 45

HEX #4B5B8B

RGB 75 91 139

HSL 225, 0.3%, 0.42%

LAB 39.31, 7.46, -28.59

 

CMYK 46 / 35 / 0 / 35

HEX #5A6CA6

RGB 90 108 166

HSL 225.79, 0.3%, 0.5%

LAB 46.51, 9.25, -33.31

 

CMYK 36 / 27 / 0 / 29

HEX #7484B4

RGB 116 132 180

HSL 225, 0.3%, 0.58%

LAB 55.59, 6.07, -27.14

 

CMYK 46 / 35 / 0 / 45

HEX #4B5B8C

RGB 75 91 140

HSL 225.23, 0.3%, 0.42%

LAB 39.36, 7.78, -29.12

 

CMYK 2 / 46 / 0 / 45

HEX #884B8B

RGB 136 75 139

HSL 297.19, 0.3%, 0.42%

LAB 41.42, 36.01, -24.84

 

CMYK 16 / 0 / 46 / 45

HEX #758B4B

RGB 117 139 75

HSL 80.63, 0.3%, 0.42%

LAB 54.82, -18.98, 31.54

 

CMYK 46 / 35 / 0 / 45

HEX #4B5B8C

RGB 75 91 140

HSL 225.23, 0.3%, 0.42%

LAB 39.36, 7.78, -29.12

 

CMYK 0 / 46 / 35 / 45

HEX #8B4B5B

RGB 139 75 91

HSL 345, 0.3%, 0.42%

LAB 40.04, 28.95, 2.69

 

CMYK 35 / 0 / 46 / 45

HEX #5B8B4B

RGB 91 139 75

HSL 105, 0.3%, 0.42%

LAB 53.16, -29.03, 29.11

 

CMYK 46 / 35 / 0 / 45

HEX #4B5B8C

RGB 75 91 140

HSL 225.23, 0.3%, 0.42%

LAB 39.36, 7.78, -29.12

 

CMYK 2 / 46 / 0 / 45

HEX #884B8B

RGB 136 75 139

HSL 297.19, 0.3%, 0.42%

LAB 41.42, 36.01, -24.84

 

CMYK 0 / 12 / 46 / 45

HEX #8B7B4B

RGB 139 123 75

HSL 45, 0.3%, 0.42%

LAB 52.02, -0.84, 28.43

 

CMYK 44 / 0 / 46 / 45

HEX #4E8B4B

RGB 78 139 75

HSL 117.19, 0.3%, 0.42%

LAB 52.5, -33.46, 28.13

 

CMYK 46 / 35 / 0 / 45

HEX #4B5B8C

RGB 75 91 140

HSL 225.23, 0.3%, 0.42%

LAB 39.36, 7.78, -29.12

 

CMYK 0 / 46 / 12 / 45

HEX #8B4B7B

RGB 139 75 123

HSL 315, 0.3%, 0.42%

LAB 41.14, 33.98, -15.48

 

CMYK 0 / 12 / 46 / 45

HEX #8B7B4B

RGB 139 123 75

HSL 45, 0.3%, 0.42%

LAB 52.02, -0.84, 28.43

 

CMYK 46 / 0 / 35 / 45

HEX #4B8B5B

RGB 75 139 91

HSL 135, 0.3%, 0.42%

LAB 52.64, -31.65, 19.46

 

Description

Color code: HEX #4B5B8C | qconv.com Color code: HEX #4B5B8C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 91 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 91 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 35 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 35% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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