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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B4FA0 it is the complementary color #B4B05F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B4FA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4B4FA0: #504F9B, #6161AE, #7273C1, #8385D4 and #9497E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B4FA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4B4FA0: #4B4FA0, #3A3D8D, #292B7A, #181967 and #070754

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 51 / 0 / 37

HEX #4B4FA0

RGB 75 79 160

HSL 237.18, 0.36%, 0.46%

LAB 37.16, 21.98, -44.66

 

Complementary color

CMYK 0 / 2 / 47 / 29

HEX #B4B05F

RGB 180 176 95

HSL 57.18, 0.36%, 0.54%

LAB 70.58, -10.05, 41.72

 

CMYK 48 / 49 / 0 / 39

HEX #504F9B

RGB 80 79 155

HSL 240.79, 0.32%, 0.46%

LAB 37.23, 21.53, -41.53

 

CMYK 44 / 44 / 0 / 32

HEX #6161AE

RGB 97 97 174

HSL 240, 0.32%, 0.53%

LAB 44.44, 20.32, -41.25

 

CMYK 41 / 40 / 0 / 24

HEX #7273C1

RGB 114 115 193

HSL 239.24, 0.39%, 0.6%

LAB 51.48, 19.32, -41.03

 

CMYK 38 / 37 / 0 / 17

HEX #8385D4

RGB 131 133 212

HSL 238.52, 0.49%, 0.67%

LAB 58.37, 18.47, -40.87

 

CMYK 36 / 35 / 0 / 9

HEX #9497E7

RGB 148 151 231

HSL 237.83, 0.63%, 0.74%

LAB 65.12, 17.73, -40.77

 

CMYK 53 / 51 / 0 / 37

HEX #4B4FA0

RGB 75 79 160

HSL 237.18, 0.36%, 0.46%

LAB 37.16, 21.98, -44.66

 

CMYK 59 / 57 / 0 / 45

HEX #3A3D8D

RGB 58 61 141

HSL 237.83, 0.42%, 0.39%

LAB 29.81, 23.66, -45.02

 

CMYK 66 / 65 / 0 / 52

HEX #292B7A

RGB 41 43 122

HSL 238.52, 0.5%, 0.32%

LAB 22.32, 25.75, -45.36

 

CMYK 77 / 76 / 0 / 60

HEX #181967

RGB 24 25 103

HSL 239.24, 0.62%, 0.25%

LAB 14.78, 28.3, -45.47

 

CMYK 92 / 92 / 0 / 67

HEX #070754

RGB 7 7 84

HSL 240, 0.85%, 0.18%

LAB 7.56, 30.81, -44.7

 

CMYK 53 / 51 / 0 / 37

HEX #4B4FA0

RGB 75 79 160

HSL 237.18, 0.36%, 0.46%

LAB 37.16, 21.98, -44.66

 

CMYK 47 / 53 / 0 / 38

HEX #544B9F

RGB 84 75 159

HSL 246.43, 0.36%, 0.46%

LAB 36.78, 26.29, -44.64

 

CMYK 38 / 53 / 0 / 38

HEX #634B9F

RGB 99 75 159

HSL 257.14, 0.36%, 0.46%

LAB 38.18, 30.03, -42.32

 

CMYK 29 / 53 / 0 / 38

HEX #714B9F

RGB 113 75 159

HSL 267.14, 0.36%, 0.46%

LAB 39.66, 33.76, -39.87

 

CMYK 20 / 53 / 0 / 38

HEX #7F4B9F

RGB 127 75 159

HSL 277.14, 0.36%, 0.46%

LAB 41.29, 37.65, -37.18

 

CMYK 53 / 51 / 0 / 37

HEX #4B4FA0

RGB 75 79 160

HSL 237.18, 0.36%, 0.46%

LAB 37.16, 21.98, -44.66

 

CMYK 53 / 51 / 0 / 17

HEX #6368D3

RGB 99 104 211

HSL 237.32, 0.56%, 0.61%

LAB 48.58, 27.94, -56.02

 

CMYK 57 / 57 / 0 / 97

HEX #030307

RGB 3 3 7

HSL 240, 0.4%, 0.02%

LAB 0.9, 0.56, -1.51

 

CMYK 53 / 50 / 0 / 77

HEX #1B1D3A

RGB 27 29 58

HSL 236.13, 0.36%, 0.17%

LAB 12.07, 8.6, -19.12

 

CMYK 53 / 50 / 0 / 57

HEX #33366D

RGB 51 54 109

HSL 236.9, 0.36%, 0.31%

LAB 25.1, 15.61, -32.53

 

CMYK 53 / 51 / 0 / 37

HEX #4B4FA0

RGB 75 79 160

HSL 237.18, 0.36%, 0.46%

LAB 37.16, 21.98, -44.66

 

CMYK 0 / 53 / 8 / 38

HEX #9F4B92

RGB 159 75 146

HSL 309.29, 0.36%, 0.46%

LAB 44.91, 44.46, -23.41

 

CMYK 29 / 0 / 53 / 38

HEX #719F4B

RGB 113 159 75

HSL 92.86, 0.36%, 0.46%

LAB 60.62, -30.5, 38.56

 

CMYK 53 / 51 / 0 / 37

HEX #4B4FA0

RGB 75 79 160

HSL 237.18, 0.36%, 0.46%

LAB 37.16, 21.98, -44.66

 

CMYK 0 / 53 / 50 / 38

HEX #9F4B4F

RGB 159 75 79

HSL 357.14, 0.36%, 0.46%

LAB 42.71, 35.25, 14.31

 

CMYK 50 / 0 / 53 / 38

HEX #4F9F4B

RGB 79 159 75

HSL 117.14, 0.36%, 0.46%

LAB 58.94, -41.91, 36.15

 

CMYK 53 / 51 / 0 / 37

HEX #4B4FA0

RGB 75 79 160

HSL 237.18, 0.36%, 0.46%

LAB 37.16, 21.98, -44.66

 

CMYK 0 / 53 / 8 / 38

HEX #9F4B92

RGB 159 75 146

HSL 309.29, 0.36%, 0.46%

LAB 44.91, 44.46, -23.41

 

CMYK 0 / 3 / 53 / 38

HEX #9F9B4B

RGB 159 155 75

HSL 57.14, 0.36%, 0.46%

LAB 62.78, -9.71, 41.94

 

CMYK 53 / 0 / 45 / 38

HEX #4B9F57

RGB 75 159 87

HSL 128.57, 0.36%, 0.46%

LAB 58.96, -41.26, 29.93

 

CMYK 53 / 51 / 0 / 37

HEX #4B4FA0

RGB 75 79 160

HSL 237.18, 0.36%, 0.46%

LAB 37.16, 21.98, -44.66

 

CMYK 0 / 53 / 24 / 38

HEX #9F4B79

RGB 159 75 121

HSL 327.14, 0.36%, 0.46%

LAB 43.92, 40.42, -9.77

 

CMYK 0 / 3 / 53 / 38

HEX #9F9B4B

RGB 159 155 75

HSL 57.14, 0.36%, 0.46%

LAB 62.78, -9.71, 41.94

 

CMYK 53 / 0 / 29 / 38

HEX #4B9F71

RGB 75 159 113

HSL 147.14, 0.36%, 0.46%

LAB 59.42, -36.47, 16.41

 

Description

Color code: HEX #4B4FA0 | qconv.com Color code: HEX #4B4FA0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 79 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 79 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 51 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 51% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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