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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B48DACE it is the complementary color #B4B725CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B48DACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B48DACE shade: #5048D5CE, #615AE8CE, #726CFBCE, #837EFFCE and #9490FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B48DACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B48DACE shade: #4B48DACE, #3A36C7CE, #2924B4CE, #1812A1CE and #07008ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B48DACE shade: #4C49DA, #7349DA, #9A49DA, #C149DA and #DA49CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B48DACE shade: #4C49DA and #4949DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B48DACE shade matches the following richer shades: #4C49DA, #3B37EB and #2A25FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B48DACE shade: #4C49DA, #5D5BC8, #6E6CB6, #7F7EA4 and #909093

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B48DACE shade: #4994DA, #496DDA, #4B49DA, #7249DA and #9949DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B48DACE shade: #2623AD, #2E2ACF, #4C49DA, #6E6BE1 and #8F8DE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B48DACE shade: #4B48DA, #DA49BA and #80DA49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B48DACE shade: #4B48DA, #DA4B49 and #49DA4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B48DACE shade: #4B48DA, #DA49BA, #D7DA49 and #49DA68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B48DACE shade: #4B48DA, #DA498F, #D7DA49 and #49DA94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 54 / 0 / 12

HEX #4B48DACE

RGBA 75 72 218 0.81

HSLA 241.23, 0.66%, 0.57%, 0.81

LABA 39.9, 45.5, -74.19, 0.81

 

Complementary color

CMYK 1 / 0 / 65 / 23

HEX #B4B725CE

RGBA 180 183 37 0.81

HSLA 61.23, 0.66%, 0.43%, 0.81

LABA 72.03, -17.38, 67.03, 0.81

 

CMYK 51 / 54 / 0 / 13

HEX #5048D5CE

RGBA 80 72 213 0.81

HSLA 243.4, 0.63%, 0.56%, 0.81

LABA 39.82, 44.57, -71.44, 0.81

 

CMYK 47 / 50 / 0 / 7

HEX #615AE8CE

RGBA 97 90 232 0.81

HSLA 242.96, 0.76%, 0.63%, 0.81

LABA 46.55, 42.64, -71.22, 0.81

 

CMYK 44 / 46 / 0 / 1

HEX #726CFBCE

RGBA 114 108 251 0.81

HSLA 242.52, 0.95%, 0.7%, 0.81

LABA 53.24, 40.9, -70.93, 0.81

 

CMYK 39 / 41 / 0 / 0

HEX #837EFFCE

RGBA 131 126 255 0.81

HSLA 242.33, 1%, 0.75%, 0.81

LABA 58.94, 34.91, -63.87, 0.81

 

CMYK 34 / 35 / 0 / 0

HEX #9490FFCE

RGBA 148 144 255 0.81

HSLA 242.16, 1%, 0.78%, 0.81

LABA 64.53, 28.3, -54.87, 0.81

 

CMYK 53 / 54 / 0 / 12

HEX #4B48DACE

RGBA 75 72 218 0.81

HSLA 241.23, 0.66%, 0.57%, 0.81

LABA 39.9, 45.5, -74.19, 0.81

 

CMYK 57 / 59 / 0 / 18

HEX #3A36C7CE

RGBA 58 54 199 0.81

HSLA 241.66, 0.57%, 0.5%, 0.81

LABA 33.27, 47.7, -74.15, 0.81

 

CMYK 63 / 65 / 0 / 24

HEX #2924B4CE

RGBA 41 36 180 0.81

HSLA 242.08, 0.67%, 0.42%, 0.81

LABA 26.82, 49.78, -73.63, 0.81

 

CMYK 69 / 72 / 0 / 30

HEX #1812A1CE

RGBA 24 18 161 0.81

HSLA 242.52, 0.8%, 0.35%, 0.81

LABA 20.83, 51.1, -72.14, 0.81

 

CMYK 77 / 81 / 0 / 36

HEX #07008ECE

RGBA 7 0 142 0.81

HSLA 242.96, 1%, 0.28%, 0.81

LABA 15.48, 51.29, -69.35, 0.81

 

CMYK 65 / 67 / 0 / 15

HEX #4C49DA

RGB 76 73 218

HSL 241.24, 0.66%, 0.57%

LAB 40.19, 45.05, -73.72

 

CMYK 47 / 67 / 0 / 15

HEX #7349DA

RGB 115 73 218

HSL 257.38, 0.66%, 0.57%

LAB 43.47, 51.18, -68.23

 

CMYK 29 / 67 / 0 / 15

HEX #9A49DA

RGB 154 73 218

HSL 273.52, 0.66%, 0.57%

LAB 47.88, 58.8, -60.87

 

CMYK 11 / 67 / 0 / 15

HEX #C149DA

RGB 193 73 218

HSL 289.66, 0.66%, 0.57%

LAB 53.13, 67.21, -52.15

 

CMYK 0 / 67 / 7 / 15

HEX #DA49CB

RGB 218 73 203

HSL 306.21, 0.66%, 0.57%

LAB 56.07, 70.42, -38.71

 

CMYK 65 / 67 / 0 / 15

HEX #4C49DA

RGB 76 73 218

HSL 241.24, 0.66%, 0.57%

LAB 40.19, 45.05, -73.72

 

CMYK 67 / 67 / 0 / 15

HEX #4949DA

RGB 73 73 218

HSL 240, 0.66%, 0.57%

LAB 39.99, 44.66, -74.06

 

CMYK 65 / 67 / 0 / 15

HEX #4C49DA

RGB 76 73 218

HSL 241.24, 0.66%, 0.57%

LAB 40.19, 45.05, -73.72

 

CMYK 75 / 77 / 0 / 8

HEX #3B37EB

RGB 59 55 235

HSL 241.33, 0.82%, 0.57%

LAB 37.23, 58.59, -88.33

 

CMYK 83 / 85 / 0 / 1

HEX #2A25FD

RGB 42 37 253

HSL 241.39, 0.98%, 0.57%

LAB 35.81, 70.82, -100.87

 

CMYK 65 / 67 / 0 / 15

HEX #4C49DA

RGB 76 73 218

HSL 241.24, 0.66%, 0.57%

LAB 40.19, 45.05, -73.72

 

CMYK 54 / 55 / 0 / 22

HEX #5D5BC8

RGB 93 91 200

HSL 241.1, 0.5%, 0.57%

LAB 44.2, 31.21, -56.78

 

CMYK 40 / 41 / 0 / 29

HEX #6E6CB6

RGB 110 108 182

HSL 241.62, 0.34%, 0.57%

LAB 48.78, 19.33, -38.97

 

CMYK 23 / 23 / 0 / 36

HEX #7F7EA4

RGB 127 126 164

HSL 241.58, 0.17%, 0.57%

LAB 54.15, 8.83, -20.09

 

CMYK 2 / 2 / 0 / 42

HEX #909093

RGB 144 144 147

HSL 240, 0.01%, 0.57%

LAB 59.87, 0.59, -1.59

 

CMYK 67 / 32 / 0 / 15

HEX #4994DA

RGB 73 148 218

HSL 208.97, 0.66%, 0.57%

LAB 59.58, -1.23, -42.55

 

CMYK 67 / 50 / 0 / 15

HEX #496DDA

RGB 73 109 218

HSL 225.1, 0.66%, 0.57%

LAB 48.78, 22.43, -59.76

 

CMYK 66 / 67 / 0 / 15

HEX #4B49DA

RGB 75 73 218

HSL 240.83, 0.66%, 0.57%

LAB 40.12, 44.91, -73.84

 

CMYK 48 / 67 / 0 / 15

HEX #7249DA

RGB 114 73 218

HSL 256.97, 0.66%, 0.57%

LAB 43.37, 51, -68.4

 

CMYK 30 / 67 / 0 / 15

HEX #9949DA

RGB 153 73 218

HSL 273.1, 0.66%, 0.57%

LAB 47.75, 58.59, -61.08

 

CMYK 78 / 80 / 0 / 32

HEX #2623AD

RGB 38 35 173

HSL 241.3, 0.66%, 0.41%

LAB 25.66, 47.86, -71.37

 

CMYK 78 / 80 / 0 / 19

HEX #2E2ACF

RGB 46 42 207

HSL 241.45, 0.66%, 0.49%

LAB 31.21, 55.54, -82.24

 

CMYK 65 / 67 / 0 / 15

HEX #4C49DA

RGB 76 73 218

HSL 241.24, 0.66%, 0.57%

LAB 40.19, 45.05, -73.72

 

CMYK 51 / 52 / 0 / 12

HEX #6E6BE1

RGB 110 107 225

HSL 241.53, 0.66%, 0.65%

LAB 51, 32.76, -60.03

 

CMYK 38 / 39 / 0 / 9

HEX #8F8DE8

RGB 143 141 232

HSL 241.32, 0.66%, 0.73%

LAB 62.27, 22.45, -45.83

 

CMYK 66 / 67 / 0 / 15

HEX #4B48DA

RGB 75 72 218

HSL 241.23, 0.66%, 0.57%

LAB 39.9, 45.5, -74.19

 

CMYK 0 / 67 / 15 / 15

HEX #DA49BA

RGB 218 73 186

HSL 313.24, 0.66%, 0.57%

LAB 55.29, 67.89, -30.16

 

CMYK 41 / 0 / 67 / 15

HEX #80DA49

RGB 128 218 73

HSL 97.24, 0.66%, 0.57%

LAB 79.16, -51.21, 60.54

 

CMYK 66 / 67 / 0 / 15

HEX #4B48DA

RGB 75 72 218

HSL 241.23, 0.66%, 0.57%

LAB 39.9, 45.5, -74.19

 

CMYK 0 / 66 / 67 / 15

HEX #DA4B49

RGB 218 75 73

HSL 0.83, 0.66%, 0.57%

LAB 52.31, 55.68, 32.21

 

CMYK 67 / 0 / 66 / 15

HEX #49DA4B

RGB 73 218 75

HSL 120.83, 0.66%, 0.57%

LAB 77.32, -65.29, 57.21

 

CMYK 66 / 67 / 0 / 15

HEX #4B48DA

RGB 75 72 218

HSL 241.23, 0.66%, 0.57%

LAB 39.9, 45.5, -74.19

 

CMYK 0 / 67 / 15 / 15

HEX #DA49BA

RGB 218 73 186

HSL 313.24, 0.66%, 0.57%

LAB 55.29, 67.89, -30.16

 

CMYK 1 / 0 / 67 / 15

HEX #D7DA49

RGB 215 218 73

HSL 61.24, 0.66%, 0.57%

LAB 84.52, -18.4, 67.77

 

CMYK 67 / 0 / 52 / 15

HEX #49DA68

RGB 73 218 104

HSL 132.83, 0.66%, 0.57%

LAB 77.61, -61.88, 44.68

 

CMYK 66 / 67 / 0 / 15

HEX #4B48DA

RGB 75 72 218

HSL 241.23, 0.66%, 0.57%

LAB 39.9, 45.5, -74.19

 

CMYK 0 / 67 / 34 / 15

HEX #DA498F

RGB 218 73 143

HSL 331.03, 0.66%, 0.57%

LAB 53.66, 62.36, -7.47

 

CMYK 1 / 0 / 67 / 15

HEX #D7DA49

RGB 215 218 73

HSL 61.24, 0.66%, 0.57%

LAB 84.52, -18.4, 67.77

 

CMYK 67 / 0 / 32 / 15

HEX #49DA94

RGB 73 218 148

HSL 151.03, 0.66%, 0.57%

LAB 78.28, -54.4, 23.46

 

Description

Color code: HEX #4B48DACE | qconv.com Color code: HEX #4B48DACE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 72 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 72 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 54 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 54% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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