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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B484FCE it is the complementary color #B4B7B0CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B484FCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B484FCE shade: #50484ACE, #615A5DCE, #726C70CE, #837E83CE and #949096CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B484FCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B484FCE shade: #4B484FCE, #3A363CCE, #292429CE, #181216CE and #070003CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B484FCE shade: #4C4950, #4E4950, #504950, #50494F and #50494C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B484FCE shade: #4C4950, #4A4950 and #494950

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B484FCE shade matches the following richer shades: #4C4950, #4A3C5D, #483069, #472475 and #451782

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B484FCE shade: #4C4950, #4E5544, #4F6138, #516E2B and #537A1F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B484FCE shade: #494A50, #4A4950, #4C4950, #4E4950 and #504950

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B484FCE shade: #232125, #37353B, #4C4950, #605C66 and #75707C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B484FCE shade: #4B484F, #50494C and #495049

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B484FCE shade: #4B484F, #504C49 and #49504C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B484FCE shade: #4B484F, #50494C, #4D5049 and #49504D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B484FCE shade: #4B484F, #504949, #4D5049 and #495050

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 7 / 0 / 56

HEX #4B484FCE

RGBA 75 72 79 0.81

HSLA 265.71, 0.05%, 0.3%, 0.81

LABA 31.1, 2.8, -3.73, 0.81

 

Complementary color

CMYK 1 / 0 / 3 / 23

HEX #B4B7B0CE

RGBA 180 183 176 0.81

HSLA 85.71, 0.05%, 0.7%, 0.81

LABA 74, -2.34, 3.18, 0.81

 

CMYK 0 / 8 / 6 / 56

HEX #50484ACE

RGBA 80 72 74 0.81

HSLA 345, 0.05%, 0.3%, 0.81

LABA 31.43, 3.76, 0.02, 0.81

 

CMYK 0 / 6 / 3 / 50

HEX #615A5DCE

RGBA 97 90 93 0.81

HSLA 334.29, 0.04%, 0.37%, 0.81

LABA 38.97, 3.42, -0.71, 0.81

 

CMYK 0 / 4 / 1 / 45

HEX #726C70CE

RGBA 114 108 112 0.81

HSLA 320, 0.03%, 0.44%, 0.81

LABA 46.27, 3.13, -1.4, 0.81

 

CMYK 0 / 3 / 0 / 39

HEX #837E83CE

RGBA 131 126 131 0.81

HSLA 300, 0.02%, 0.5%, 0.81

LABA 53.37, 2.87, -2.04, 0.81

 

CMYK 1 / 3 / 0 / 33

HEX #949096CE

RGBA 148 144 150 0.81

HSLA 280, 0.03%, 0.58%, 0.81

LABA 60.29, 2.64, -2.66, 0.81

 

CMYK 4 / 7 / 0 / 56

HEX #4B484FCE

RGBA 75 72 79 0.81

HSLA 265.71, 0.05%, 0.3%, 0.81

LABA 31.1, 2.8, -3.73, 0.81

 

CMYK 3 / 8 / 0 / 62

HEX #3A363CCE

RGBA 58 54 60 0.81

HSLA 280, 0.05%, 0.22%, 0.81

LABA 23.22, 3.12, -3.12, 0.81

 

CMYK 0 / 10 / 0 / 68

HEX #292429CE

RGBA 41 36 41 0.81

HSLA 300, 0.06%, 0.15%, 0.81

LABA 14.92, 3.51, -2.46, 0.81

 

CMYK 0 / 20 / 7 / 73

HEX #181216CE

RGBA 24 18 22 0.81

HSLA 320, 0.14%, 0.08%, 0.81

LABA 6.19, 3.56, -1.53, 0.81

 

CMYK 0 / 81 / 46 / 79

HEX #070003CE

RGBA 7 0 3 0.81

HSLA 334.29, 1%, 0.01%, 0.81

LABA 0.47, 2.25, -0.49, 0.81

 

CMYK 5 / 9 / 0 / 69

HEX #4C4950

RGB 76 73 80

HSL 265.71, 0.05%, 0.3%

LAB 31.53, 2.79, -3.72

 

CMYK 2 / 9 / 0 / 69

HEX #4E4950

RGB 78 73 80

HSL 282.86, 0.05%, 0.3%

LAB 31.72, 3.6, -3.41

 

CMYK 0 / 9 / 0 / 69

HEX #504950

RGB 80 73 80

HSL 300, 0.05%, 0.3%

LAB 31.92, 4.41, -3.1

 

CMYK 0 / 9 / 1 / 69

HEX #50494F

RGB 80 73 79

HSL 308.57, 0.05%, 0.3%

LAB 31.89, 4.19, -2.51

 

CMYK 0 / 9 / 5 / 69

HEX #50494C

RGB 80 73 76

HSL 334.29, 0.05%, 0.3%

LAB 31.79, 3.55, -0.73

 

CMYK 5 / 9 / 0 / 69

HEX #4C4950

RGB 76 73 80

HSL 265.71, 0.05%, 0.3%

LAB 31.53, 2.79, -3.72

 

CMYK 7 / 9 / 0 / 69

HEX #4A4950

RGB 74 73 80

HSL 248.57, 0.05%, 0.3%

LAB 31.35, 1.99, -4.01

 

CMYK 9 / 9 / 0 / 69

HEX #494950

RGB 73 73 80

HSL 240, 0.05%, 0.3%

LAB 31.26, 1.6, -4.16

 

CMYK 5 / 9 / 0 / 69

HEX #4C4950

RGB 76 73 80

HSL 265.71, 0.05%, 0.3%

LAB 31.53, 2.79, -3.72

 

CMYK 20 / 35 / 0 / 64

HEX #4A3C5D

RGB 74 60 93

HSL 265.45, 0.22%, 0.3%

LAB 28.06, 13.69, -17.4

 

CMYK 31 / 54 / 0 / 59

HEX #483069

RGB 72 48 105

HSL 265.26, 0.37%, 0.3%

LAB 25.3, 24.13, -29.52

 

CMYK 39 / 69 / 0 / 54

HEX #472475

RGB 71 36 117

HSL 265.93, 0.53%, 0.3%

LAB 23.29, 34.49, -40.46

 

CMYK 47 / 82 / 0 / 49

HEX #451782

RGB 69 23 130

HSL 265.79, 0.7%, 0.3%

LAB 21.91, 44.07, -50.99

 

CMYK 5 / 9 / 0 / 69

HEX #4C4950

RGB 76 73 80

HSL 265.71, 0.05%, 0.3%

LAB 31.53, 2.79, -3.72

 

CMYK 8 / 0 / 20 / 67

HEX #4E5544

RGB 78 85 68

HSL 84.71, 0.11%, 0.3%

LAB 35.07, -6.31, 9

 

CMYK 19 / 0 / 42 / 62

HEX #4F6138

RGB 79 97 56

HSL 86.34, 0.27%, 0.3%

LAB 38.72, -14.81, 21.16

 

CMYK 26 / 0 / 61 / 57

HEX #516E2B

RGB 81 110 43

HSL 85.97, 0.44%, 0.3%

LAB 42.88, -22.51, 33.33

 

CMYK 32 / 0 / 75 / 52

HEX #537A1F

RGB 83 122 31

HSL 85.71, 0.59%, 0.3%

LAB 46.79, -28.65, 42.96

 

CMYK 9 / 7 / 0 / 69

HEX #494A50

RGB 73 74 80

HSL 231.43, 0.05%, 0.3%

LAB 31.56, 0.96, -3.71

 

CMYK 7 / 9 / 0 / 69

HEX #4A4950

RGB 74 73 80

HSL 248.57, 0.05%, 0.3%

LAB 31.35, 1.99, -4.01

 

CMYK 5 / 9 / 0 / 69

HEX #4C4950

RGB 76 73 80

HSL 265.71, 0.05%, 0.3%

LAB 31.53, 2.79, -3.72

 

CMYK 2 / 9 / 0 / 69

HEX #4E4950

RGB 78 73 80

HSL 282.86, 0.05%, 0.3%

LAB 31.72, 3.6, -3.41

 

CMYK 0 / 9 / 0 / 69

HEX #504950

RGB 80 73 80

HSL 300, 0.05%, 0.3%

LAB 31.92, 4.41, -3.1

 

CMYK 5 / 11 / 0 / 85

HEX #232125

RGB 35 33 37

HSL 270, 0.06%, 0.14%

LAB 13.1, 1.93, -2.35

 

CMYK 7 / 10 / 0 / 77

HEX #37353B

RGB 55 53 59

HSL 260, 0.05%, 0.22%

LAB 22.56, 2.28, -3.44

 

CMYK 5 / 9 / 0 / 69

HEX #4C4950

RGB 76 73 80

HSL 265.71, 0.05%, 0.3%

LAB 31.53, 2.79, -3.72

 

CMYK 6 / 10 / 0 / 60

HEX #605C66

RGB 96 92 102

HSL 264, 0.05%, 0.38%

LAB 39.75, 3.73, -5.14

 

CMYK 6 / 10 / 0 / 51

HEX #75707C

RGB 117 112 124

HSL 265, 0.05%, 0.46%

LAB 48.04, 4.4, -5.93

 

CMYK 5 / 9 / 0 / 69

HEX #4B484F

RGB 75 72 79

HSL 265.71, 0.05%, 0.3%

LAB 31.1, 2.8, -3.73

 

CMYK 0 / 9 / 5 / 69

HEX #50494C

RGB 80 73 76

HSL 334.29, 0.05%, 0.3%

LAB 31.79, 3.55, -0.73

 

CMYK 9 / 0 / 9 / 69

HEX #495049

RGB 73 80 73

HSL 120, 0.05%, 0.3%

LAB 33.21, -4.35, 3.16

 

CMYK 5 / 9 / 0 / 69

HEX #4B484F

RGB 75 72 79

HSL 265.71, 0.05%, 0.3%

LAB 31.1, 2.8, -3.73

 

CMYK 0 / 5 / 9 / 69

HEX #504C49

RGB 80 76 73

HSL 25.71, 0.05%, 0.3%

LAB 32.6, 1.04, 2.37

 

CMYK 9 / 0 / 5 / 69

HEX #49504C

RGB 73 80 76

HSL 145.71, 0.05%, 0.3%

LAB 33.3, -3.7, 1.39

 

CMYK 5 / 9 / 0 / 69

HEX #4B484F

RGB 75 72 79

HSL 265.71, 0.05%, 0.3%

LAB 31.1, 2.8, -3.73

 

CMYK 0 / 9 / 5 / 69

HEX #50494C

RGB 80 73 76

HSL 334.29, 0.05%, 0.3%

LAB 31.79, 3.55, -0.73

 

CMYK 4 / 0 / 9 / 69

HEX #4D5049

RGB 77 80 73

HSL 85.71, 0.05%, 0.3%

LAB 33.55, -2.71, 3.7

 

CMYK 9 / 0 / 4 / 69

HEX #49504D

RGB 73 80 77

HSL 154.29, 0.05%, 0.3%

LAB 33.33, -3.48, 0.8

 

CMYK 5 / 9 / 0 / 69

HEX #4B484F

RGB 75 72 79

HSL 265.71, 0.05%, 0.3%

LAB 31.1, 2.8, -3.73

 

CMYK 0 / 9 / 9 / 69

HEX #504949

RGB 80 73 73

HSL 0, 0.05%, 0.3%

LAB 31.7, 2.93, 1.05

 

CMYK 4 / 0 / 9 / 69

HEX #4D5049

RGB 77 80 73

HSL 85.71, 0.05%, 0.3%

LAB 33.55, -2.71, 3.7

 

CMYK 9 / 0 / 0 / 69

HEX #495050

RGB 73 80 80

HSL 180, 0.05%, 0.3%

LAB 33.42, -2.8, -0.97

 

Description

Color code: HEX #4B484FCE | qconv.com Color code: HEX #4B484FCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 72 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 72 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 7 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 7% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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