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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B45EE it is the complementary color #B4BA11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B45EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B45EE shade: #5045E9, #6157FC, #7269FF, #837BFF and #948DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B45EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B45EE shade: #4B45EE, #3A33DB, #2921C8, #180FB5 and #0700A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B45EE shade: #4A44EE, #7844EE, #A644EE, #D344EE and #EE44DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B45EE shade: #4A44EE and #4444EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B45EE shade matches the following richer shades: #4A44EE and #3B34FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B45EE shade: #4A44EE, #5A55DD, #6965CD, #7876BC and #8886AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B45EE shade: #4499EE, #446CEE, #4A44EE, #7744EE and #A444EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B45EE shade: #1A13CC, #261FEA, #4A44EE, #6F6AF1 and #9390F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B45EE shade: #4B45EE, #EE44C6 and #82EE44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B45EE shade: #4B45EE, #EE4A44 and #44EE4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B45EE shade: #4B45EE, #EE44C6, #E8EE44 and #44EE6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B45EE shade: #4B45EE, #EE4493, #E8EE44 and #44EE9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 71 / 0 / 7

HEX #4B45EE

RGB 75 69 238

HSL 242.13, 0.83%, 0.6%

LAB 41.1, 53.56, -83.6

 

Complementary color

CMYK 3 / 0 / 91 / 27

HEX #B4BA11

RGB 180 186 17

HSL 62.13, 0.83%, 0.4%

LAB 72.8, -19.39, 71.98

 

CMYK 66 / 70 / 0 / 9

HEX #5045E9

RGB 80 69 233

HSL 244.02, 0.79%, 0.59%

LAB 40.97, 52.55, -80.97

 

CMYK 62 / 65 / 0 / 1

HEX #6157FC

RGB 97 87 252

HSL 243.64, 0.96%, 0.66%

LAB 47.48, 50.59, -80.92

 

CMYK 55 / 59 / 0 / 0

HEX #7269FF

RGB 114 105 255

HSL 243.6, 1%, 0.71%

LAB 52.84, 43.86, -73.79

 

CMYK 49 / 52 / 0 / 0

HEX #837BFF

RGB 131 123 255

HSL 243.64, 1%, 0.74%

LAB 58.24, 36.66, -65.01

 

CMYK 42 / 45 / 0 / 0

HEX #948DFF

RGB 148 141 255

HSL 243.68, 1%, 0.78%

LAB 63.81, 30.03, -56.02

 

CMYK 68 / 71 / 0 / 7

HEX #4B45EE

RGB 75 69 238

HSL 242.13, 0.83%, 0.6%

LAB 41.1, 53.56, -83.6

 

CMYK 74 / 77 / 0 / 14

HEX #3A33DB

RGB 58 51 219

HSL 242.5, 0.7%, 0.53%

LAB 34.77, 55.61, -83.27

 

CMYK 80 / 84 / 0 / 22

HEX #2921C8

RGB 41 33 200

HSL 242.87, 0.72%, 0.46%

LAB 28.72, 57.27, -82.3

 

CMYK 87 / 92 / 0 / 29

HEX #180FB5

RGB 24 15 181

HSL 243.25, 0.85%, 0.38%

LAB 23.24, 57.79, -80.2

 

CMYK 96 / 100 / 0 / 36

HEX #0700A2

RGB 7 0 162

HSL 242.59, 1%, 0.32%

LAB 18.6, 56.47, -76.49

 

CMYK 69 / 71 / 0 / 7

HEX #4A44EE

RGB 74 68 238

HSL 242.12, 0.83%, 0.6%

LAB 40.84, 54, -84.03

 

CMYK 50 / 71 / 0 / 7

HEX #7844EE

RGB 120 68 238

HSL 258.35, 0.83%, 0.6%

LAB 44.66, 59.94, -77.61

 

CMYK 30 / 71 / 0 / 7

HEX #A644EE

RGB 166 68 238

HSL 274.59, 0.83%, 0.6%

LAB 49.99, 67.76, -68.69

 

CMYK 11 / 71 / 0 / 7

HEX #D344EE

RGB 211 68 238

HSL 290.47, 0.83%, 0.6%

LAB 56.24, 76.46, -58.3

 

CMYK 0 / 71 / 8 / 7

HEX #EE44DA

RGB 238 68 218

HSL 307.06, 0.83%, 0.6%

LAB 59.32, 78.93, -41.91

 

CMYK 69 / 71 / 0 / 7

HEX #4A44EE

RGB 74 68 238

HSL 242.12, 0.83%, 0.6%

LAB 40.84, 54, -84.03

 

CMYK 71 / 71 / 0 / 7

HEX #4444EE

RGB 68 68 238

HSL 240, 0.83%, 0.6%

LAB 40.47, 53.41, -84.65

 

CMYK 69 / 71 / 0 / 7

HEX #4A44EE

RGB 74 68 238

HSL 242.12, 0.83%, 0.6%

LAB 40.84, 54, -84.03

 

CMYK 77 / 80 / 0 / 0

HEX #3B34FE

RGB 59 52 254

HSL 242.08, 0.99%, 0.6%

LAB 38.8, 65.7, -96.43

 

CMYK 69 / 71 / 0 / 7

HEX #4A44EE

RGB 74 68 238

HSL 242.12, 0.83%, 0.6%

LAB 40.84, 54, -84.03

 

CMYK 59 / 62 / 0 / 13

HEX #5A55DD

RGB 90 85 221

HSL 242.21, 0.67%, 0.6%

LAB 44.08, 40.98, -69.04

 

CMYK 49 / 51 / 0 / 20

HEX #6965CD

RGB 105 101 205

HSL 242.31, 0.51%, 0.6%

LAB 47.9, 29.2, -53.66

 

CMYK 36 / 37 / 0 / 26

HEX #7876BC

RGB 120 118 188

HSL 241.71, 0.34%, 0.6%

LAB 52.49, 17.73, -36.55

 

CMYK 21 / 22 / 0 / 33

HEX #8886AC

RGB 136 134 172

HSL 243.16, 0.19%, 0.6%

LAB 57.33, 9.01, -19.76

 

CMYK 71 / 36 / 0 / 7

HEX #4499EE

RGB 68 153 238

HSL 210, 0.83%, 0.6%

LAB 61.81, 2.01, -50.12

 

CMYK 71 / 55 / 0 / 7

HEX #446CEE

RGB 68 108 238

HSL 225.88, 0.83%, 0.6%

LAB 49.65, 29.41, -69.63

 

CMYK 69 / 71 / 0 / 7

HEX #4A44EE

RGB 74 68 238

HSL 242.12, 0.83%, 0.6%

LAB 40.84, 54, -84.03

 

CMYK 50 / 71 / 0 / 7

HEX #7744EE

RGB 119 68 238

HSL 258, 0.83%, 0.6%

LAB 44.56, 59.78, -77.78

 

CMYK 31 / 71 / 0 / 7

HEX #A444EE

RGB 164 68 238

HSL 273.88, 0.83%, 0.6%

LAB 49.74, 67.39, -69.12

 

CMYK 87 / 91 / 0 / 20

HEX #1A13CC

RGB 26 19 204

HSL 242.27, 0.83%, 0.44%

LAB 26.86, 62.96, -87.75

 

CMYK 84 / 87 / 0 / 8

HEX #261FEA

RGB 38 31 234

HSL 242.07, 0.83%, 0.52%

LAB 32.55, 67.61, -95.55

 

CMYK 69 / 71 / 0 / 7

HEX #4A44EE

RGB 74 68 238

HSL 242.12, 0.83%, 0.6%

LAB 40.84, 54, -84.03

 

CMYK 54 / 56 / 0 / 5

HEX #6F6AF1

RGB 111 106 241

HSL 242.22, 0.83%, 0.68%

LAB 51.88, 38.46, -67.58

 

CMYK 40 / 41 / 0 / 4

HEX #9390F5

RGB 147 144 245

HSL 241.78, 0.83%, 0.76%

LAB 63.95, 25.29, -50.32

 

CMYK 68 / 71 / 0 / 7

HEX #4B45EE

RGB 75 69 238

HSL 242.13, 0.83%, 0.6%

LAB 41.1, 53.56, -83.6

 

CMYK 0 / 71 / 17 / 7

HEX #EE44C6

RGB 238 68 198

HSL 314.12, 0.83%, 0.6%

LAB 58.4, 76.13, -31.97

 

CMYK 45 / 0 / 71 / 7

HEX #82EE44

RGB 130 238 68

HSL 98.12, 0.83%, 0.6%

LAB 85.16, -58.77, 68.61

 

CMYK 68 / 71 / 0 / 7

HEX #4B45EE

RGB 75 69 238

HSL 242.13, 0.83%, 0.6%

LAB 41.1, 53.56, -83.6

 

CMYK 0 / 69 / 71 / 7

HEX #EE4A44

RGB 238 74 68

HSL 2.12, 0.83%, 0.6%

LAB 55.58, 62.24, 39.78

 

CMYK 71 / 0 / 69 / 7

HEX #44EE4A

RGB 68 238 74

HSL 122.12, 0.83%, 0.6%

LAB 83.38, -72.73, 64.04

 

CMYK 68 / 71 / 0 / 7

HEX #4B45EE

RGB 75 69 238

HSL 242.13, 0.83%, 0.6%

LAB 41.1, 53.56, -83.6

 

CMYK 0 / 71 / 17 / 7

HEX #EE44C6

RGB 238 68 198

HSL 314.12, 0.83%, 0.6%

LAB 58.4, 76.13, -31.97

 

CMYK 3 / 0 / 71 / 7

HEX #E8EE44

RGB 232 238 68

HSL 62.12, 0.83%, 0.6%

LAB 91.11, -21.39, 76.46

 

CMYK 71 / 0 / 55 / 7

HEX #44EE6C

RGB 68 238 108

HSL 134.12, 0.83%, 0.6%

LAB 83.68, -69.03, 50.13

 

CMYK 68 / 71 / 0 / 7

HEX #4B45EE

RGB 75 69 238

HSL 242.13, 0.83%, 0.6%

LAB 41.1, 53.56, -83.6

 

CMYK 0 / 71 / 38 / 7

HEX #EE4493

RGB 238 68 147

HSL 332.12, 0.83%, 0.6%

LAB 56.5, 70.11, -5.24

 

CMYK 3 / 0 / 71 / 7

HEX #E8EE44

RGB 232 238 68

HSL 62.12, 0.83%, 0.6%

LAB 91.11, -21.39, 76.46

 

CMYK 71 / 0 / 33 / 7

HEX #44EE9F

RGB 68 238 159

HSL 152.12, 0.83%, 0.6%

LAB 84.42, -60.62, 26.12

 

Description

Color code: HEX #4B45EE | qconv.com Color code: HEX #4B45EE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 69 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 69 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 71 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 71% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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