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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B444B it is the complementary color #B4BBB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B444B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B444B shade: #504446, #615659, #72686C, #837A7F and #948C92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B444B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B444B shade: #4B444B, #3A3238, #292025, #180E12 and #070000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B444B shade: #4A434A, #4A4349, #4A4347, #4A4345 and #4A4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B444B shade: #4A434A, #49434A, #47434A, #45434A and #43434A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B444B shade matches the following richer shades: #4A434A, #563856, #622C62, #6D216D and #791579

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B444B shade: #4A434A, #3F4F3F, #335A33, #286628 and #1C721C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B444B shade: #47434A, #49434A, #4A434A, #4A4349 and #4A4347

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B444B shade: #1F1C1F, #353035, #4A434A, #605760 and #766B76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B444B shade: #4B444B, #4A4543 and #434A48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B444B shade: #4B444B, #4A4A43 and #434A4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B444B shade: #4B444B, #4A4543, #434A43 and #43494A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B444B shade: #4B444B, #4A4743, #434A43 and #43474A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 0 / 71

HEX #4B444B

RGB 75 68 75

HSL 300, 0.05%, 0.28%

LAB 29.76, 4.46, -3.14

 

Complementary color

CMYK 4 / 0 / 4 / 27

HEX #B4BBB4

RGB 180 187 180

HSL 120, 0.05%, 0.72%

LAB 75.16, -3.74, 2.69

 

CMYK 0 / 15 / 13 / 69

HEX #504446

RGB 80 68 70

HSL 350, 0.08%, 0.29%

LAB 30.11, 5.51, 0.68

 

CMYK 0 / 11 / 8 / 62

HEX #615659

RGB 97 86 89

HSL 343.64, 0.06%, 0.36%

LAB 37.7, 5.07, -0.1

 

CMYK 0 / 9 / 5 / 55

HEX #72686C

RGB 114 104 108

HSL 336, 0.05%, 0.43%

LAB 45.03, 4.71, -0.82

 

CMYK 0 / 7 / 3 / 49

HEX #837A7F

RGB 131 122 127

HSL 326.67, 0.04%, 0.5%

LAB 52.15, 4.39, -1.49

 

CMYK 0 / 5 / 1 / 42

HEX #948C92

RGB 148 140 146

HSL 315, 0.04%, 0.56%

LAB 59.09, 4.11, -2.13

 

CMYK 0 / 9 / 0 / 71

HEX #4B444B

RGB 75 68 75

HSL 300, 0.05%, 0.28%

LAB 29.76, 4.46, -3.14

 

CMYK 0 / 14 / 3 / 77

HEX #3A3238

RGB 58 50 56

HSL 315, 0.07%, 0.21%

LAB 21.82, 4.88, -2.48

 

CMYK 0 / 22 / 10 / 84

HEX #292025

RGB 41 32 37

HSL 326.67, 0.12%, 0.14%

LAB 13.46, 5.42, -1.74

 

CMYK 0 / 42 / 25 / 91

HEX #180E12

RGB 24 14 18

HSL 336, 0.26%, 0.07%

LAB 4.99, 4.85, -0.63

 

CMYK 0 / 100 / 100 / 97

HEX #070000

RGB 7 0 0

HSL 0, 1%, 0.01%

LAB 0.41, 1.83, 0.64

 

CMYK 0 / 9 / 0 / 71

HEX #4A434A

RGB 74 67 74

HSL 300, 0.05%, 0.28%

LAB 29.32, 4.47, -3.14

 

CMYK 0 / 9 / 1 / 71

HEX #4A4349

RGB 74 67 73

HSL 308.57, 0.05%, 0.28%

LAB 29.29, 4.25, -2.54

 

CMYK 0 / 9 / 4 / 71

HEX #4A4347

RGB 74 67 71

HSL 325.71, 0.05%, 0.28%

LAB 29.22, 3.81, -1.34

 

CMYK 0 / 9 / 7 / 71

HEX #4A4345

RGB 74 67 69

HSL 342.86, 0.05%, 0.28%

LAB 29.16, 3.39, -0.14

 

CMYK 0 / 9 / 9 / 71

HEX #4A4343

RGB 74 67 67

HSL 0, 0.05%, 0.28%

LAB 29.1, 2.97, 1.07

 

CMYK 0 / 9 / 0 / 71

HEX #4A434A

RGB 74 67 74

HSL 300, 0.05%, 0.28%

LAB 29.32, 4.47, -3.14

 

CMYK 1 / 9 / 0 / 71

HEX #49434A

RGB 73 67 74

HSL 291.43, 0.05%, 0.28%

LAB 29.22, 4.06, -3.3

 

CMYK 4 / 9 / 0 / 71

HEX #47434A

RGB 71 67 74

HSL 274.29, 0.05%, 0.28%

LAB 29.03, 3.24, -3.62

 

CMYK 7 / 9 / 0 / 71

HEX #45434A

RGB 69 67 74

HSL 257.14, 0.05%, 0.28%

LAB 28.83, 2.43, -3.92

 

CMYK 9 / 9 / 0 / 71

HEX #43434A

RGB 67 67 74

HSL 240, 0.05%, 0.28%

LAB 28.65, 1.62, -4.22

 

CMYK 0 / 9 / 0 / 71

HEX #4A434A

RGB 74 67 74

HSL 300, 0.05%, 0.28%

LAB 29.32, 4.47, -3.14

 

CMYK 0 / 35 / 0 / 66

HEX #563856

RGB 86 56 86

HSL 300, 0.21%, 0.28%

LAB 28.06, 19, -12.73

 

CMYK 0 / 55 / 0 / 62

HEX #622C62

RGB 98 44 98

HSL 300, 0.38%, 0.28%

LAB 27.52, 32.84, -21.24

 

CMYK 0 / 70 / 0 / 57

HEX #6D216D

RGB 109 33 109

HSL 300, 0.54%, 0.28%

LAB 27.96, 43.45, -27.53

 

CMYK 0 / 83 / 0 / 53

HEX #791579

RGB 121 21 121

HSL 300, 0.7%, 0.28%

LAB 29.37, 52.5, -32.82

 

CMYK 0 / 9 / 0 / 71

HEX #4A434A

RGB 74 67 74

HSL 300, 0.05%, 0.28%

LAB 29.32, 4.47, -3.14

 

CMYK 20 / 0 / 20 / 69

HEX #3F4F3F

RGB 63 79 63

HSL 120, 0.11%, 0.28%

LAB 31.82, -9.94, 7.41

 

CMYK 43 / 0 / 43 / 65

HEX #335A33

RGB 51 90 51

HSL 120, 0.28%, 0.28%

LAB 34.51, -22.93, 18.3

 

CMYK 61 / 0 / 61 / 60

HEX #286628

RGB 40 102 40

HSL 120, 0.44%, 0.28%

LAB 38.03, -33.71, 28.72

 

CMYK 75 / 0 / 75 / 55

HEX #1C721C

RGB 28 114 28

HSL 120, 0.61%, 0.28%

LAB 41.79, -42.49, 38.36

 

CMYK 4 / 9 / 0 / 71

HEX #47434A

RGB 71 67 74

HSL 274.29, 0.05%, 0.28%

LAB 29.03, 3.24, -3.62

 

CMYK 1 / 9 / 0 / 71

HEX #49434A

RGB 73 67 74

HSL 291.43, 0.05%, 0.28%

LAB 29.22, 4.06, -3.3

 

CMYK 0 / 9 / 0 / 71

HEX #4A434A

RGB 74 67 74

HSL 300, 0.05%, 0.28%

LAB 29.32, 4.47, -3.14

 

CMYK 0 / 9 / 1 / 71

HEX #4A4349

RGB 74 67 73

HSL 308.57, 0.05%, 0.28%

LAB 29.29, 4.25, -2.54

 

CMYK 0 / 9 / 4 / 71

HEX #4A4347

RGB 74 67 71

HSL 325.71, 0.05%, 0.28%

LAB 29.22, 3.81, -1.34

 

CMYK 0 / 10 / 0 / 88

HEX #1F1C1F

RGB 31 28 31

HSL 300, 0.05%, 0.12%

LAB 10.71, 2.19, -1.54

 

CMYK 0 / 9 / 0 / 79

HEX #353035

RGB 53 48 53

HSL 300, 0.05%, 0.2%

LAB 20.55, 3.37, -2.37

 

CMYK 0 / 9 / 0 / 71

HEX #4A434A

RGB 74 67 74

HSL 300, 0.05%, 0.28%

LAB 29.32, 4.47, -3.14

 

CMYK 0 / 9 / 0 / 62

HEX #605760

RGB 96 87 96

HSL 300, 0.05%, 0.36%

LAB 38.11, 5.5, -3.86

 

CMYK 0 / 9 / 0 / 54

HEX #766B76

RGB 118 107 118

HSL 300, 0.05%, 0.44%

LAB 46.55, 6.48, -4.55

 

CMYK 0 / 9 / 0 / 71

HEX #4B444B

RGB 75 68 75

HSL 300, 0.05%, 0.28%

LAB 29.76, 4.46, -3.14

 

CMYK 0 / 7 / 9 / 71

HEX #4A4543

RGB 74 69 67

HSL 17.14, 0.05%, 0.28%

LAB 29.71, 1.69, 1.96

 

CMYK 9 / 0 / 3 / 71

HEX #434A48

RGB 67 74 72

HSL 162.86, 0.05%, 0.28%

LAB 30.78, -3.3, 0.22

 

CMYK 0 / 9 / 0 / 71

HEX #4B444B

RGB 75 68 75

HSL 300, 0.05%, 0.28%

LAB 29.76, 4.46, -3.14

 

CMYK 0 / 0 / 9 / 71

HEX #4A4A43

RGB 74 74 67

HSL 60, 0.05%, 0.28%

LAB 31.25, -1.47, 4.18

 

CMYK 9 / 0 / 0 / 71

HEX #434A4A

RGB 67 74 74

HSL 180, 0.05%, 0.28%

LAB 30.84, -2.83, -0.98

 

CMYK 0 / 9 / 0 / 71

HEX #4B444B

RGB 75 68 75

HSL 300, 0.05%, 0.28%

LAB 29.76, 4.46, -3.14

 

CMYK 0 / 7 / 9 / 71

HEX #4A4543

RGB 74 69 67

HSL 17.14, 0.05%, 0.28%

LAB 29.71, 1.69, 1.96

 

CMYK 9 / 0 / 9 / 71

HEX #434A43

RGB 67 74 67

HSL 120, 0.05%, 0.28%

LAB 30.63, -4.41, 3.21

 

CMYK 9 / 1 / 0 / 71

HEX #43494A

RGB 67 73 74

HSL 188.57, 0.05%, 0.28%

LAB 30.53, -2.2, -1.44

 

CMYK 0 / 9 / 0 / 71

HEX #4B444B

RGB 75 68 75

HSL 300, 0.05%, 0.28%

LAB 29.76, 4.46, -3.14

 

CMYK 0 / 4 / 9 / 71

HEX #4A4743

RGB 74 71 67

HSL 34.29, 0.05%, 0.28%

LAB 30.32, 0.42, 2.85

 

CMYK 9 / 0 / 9 / 71

HEX #434A43

RGB 67 74 67

HSL 120, 0.05%, 0.28%

LAB 30.63, -4.41, 3.21

 

CMYK 9 / 4 / 0 / 71

HEX #43474A

RGB 67 71 74

HSL 205.71, 0.05%, 0.28%

LAB 29.9, -0.94, -2.37

 

Description

Color code: HEX #4B444B | qconv.com Color code: HEX #4B444B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 68 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 68 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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