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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B429B3F it is the complementary color #B4BD643F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B429B3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B429B3F shade: #5042963F, #6154A93F, #7266BC3F, #8378CF3F and #948AE23F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B429B3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B429B3F shade: #4B429B3F, #3A30883F, #291E753F, #180C623F and #07004F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B429B3F shade: #4B429A, #62429A, #7A429A, #92429A and #9A428A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B429B3F shade: #4B429A and #42429A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B429B3F shade matches the following richer shades: #4B429A, #3D30AB, #2E1EBD and #200DCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B429B3F shade: #4B429A, #595488, #676576, #757764 and #838953

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B429B3F shade: #42689A, #42509A, #4B429A, #62429A and #79429A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B429B3F shade: #2F2960, #3D357D, #4B429A, #5A50B4 and #766DC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B429B3F shade: #4B429B, #9A427F and #5C9A42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B429B3F shade: #4B429B, #9A4B42 and #429A4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B429B3F shade: #4B429B, #9A427F, #919A42 and #429A5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B429B3F shade: #4B429B, #9A4265, #919A42 and #429A76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 14 / 0 / 10

HEX #4B429B3F

RGBA 75 66 155 0.25

HSLA 246.07, 0.4%, 0.43%, 0.25

LABA 33.48, 28.67, -47.59, 0.25

 

Complementary color

CMYK 1 / 0 / 12 / 6

HEX #B4BD643F

RGBA 180 189 100 0.25

HSLA 66.07, 0.4%, 0.57%, 0.25

LABA 74.2, -16.24, 43.64, 0.25

 

CMYK 12 / 14 / 0 / 10

HEX #5042963F

RGBA 80 66 150 0.25

HSLA 250, 0.39%, 0.42%, 0.25

LABA 33.57, 28.22, -44.37, 0.25

 

CMYK 11 / 13 / 0 / 8

HEX #6154A93F

RGBA 97 84 169 0.25

HSLA 249.18, 0.34%, 0.5%, 0.25

LABA 40.81, 26.89, -44.09, 0.25

 

CMYK 10 / 11 / 0 / 7

HEX #7266BC3F

RGBA 114 102 188 0.25

HSLA 248.37, 0.39%, 0.57%, 0.25

LABA 47.89, 25.75, -43.84, 0.25

 

CMYK 9 / 11 / 0 / 5

HEX #8378CF3F

RGBA 131 120 207 0.25

HSLA 247.59, 0.48%, 0.64%, 0.25

LABA 54.83, 24.76, -43.64, 0.25

 

CMYK 9 / 10 / 0 / 3

HEX #948AE23F

RGBA 148 138 226 0.25

HSLA 246.82, 0.6%, 0.71%, 0.25

LABA 61.62, 23.9, -43.49, 0.25

 

CMYK 13 / 14 / 0 / 10

HEX #4B429B3F

RGBA 75 66 155 0.25

HSLA 246.07, 0.4%, 0.43%, 0.25

LABA 33.48, 28.67, -47.59, 0.25

 

CMYK 14 / 16 / 0 / 12

HEX #3A30883F

RGBA 58 48 136 0.25

HSLA 246.82, 0.48%, 0.36%, 0.25

LABA 26.13, 30.41, -47.9, 0.25

 

CMYK 16 / 19 / 0 / 14

HEX #291E753F

RGBA 41 30 117 0.25

HSLA 247.59, 0.59%, 0.29%, 0.25

LABA 18.73, 32.37, -48.03, 0.25

 

CMYK 19 / 22 / 0 / 15

HEX #180C623F

RGBA 24 12 98 0.25

HSLA 248.37, 0.78%, 0.22%, 0.25

LABA 11.55, 34.07, -47.51, 0.25

 

CMYK 23 / 25 / 0 / 17

HEX #07004F3F

RGBA 7 0 79 0.25

HSLA 245.32, 1%, 0.15%, 0.25

LABA 5.51, 32.68, -44.67, 0.25

 

CMYK 51 / 57 / 0 / 40

HEX #4B429A

RGB 75 66 154

HSL 246.14, 0.4%, 0.43%

LAB 33.4, 28.35, -47.1

 

CMYK 36 / 57 / 0 / 40

HEX #62429A

RGB 98 66 154

HSL 261.82, 0.4%, 0.43%

LAB 35.65, 33.79, -43.37

 

CMYK 21 / 57 / 0 / 40

HEX #7A429A

RGB 122 66 154

HSL 278.18, 0.4%, 0.43%

LAB 38.49, 40.08, -38.66

 

CMYK 5 / 57 / 0 / 40

HEX #92429A

RGB 146 66 154

HSL 294.55, 0.4%, 0.43%

LAB 41.75, 46.64, -33.29

 

CMYK 0 / 57 / 10 / 40

HEX #9A428A

RGB 154 66 138

HSL 310.91, 0.4%, 0.43%

LAB 42.16, 46.04, -22.9

 

CMYK 51 / 57 / 0 / 40

HEX #4B429A

RGB 75 66 154

HSL 246.14, 0.4%, 0.43%

LAB 33.4, 28.35, -47.1

 

CMYK 57 / 57 / 0 / 40

HEX #42429A

RGB 66 66 154

HSL 240, 0.4%, 0.43%

LAB 32.67, 26.46, -48.31

 

CMYK 51 / 57 / 0 / 40

HEX #4B429A

RGB 75 66 154

HSL 246.14, 0.4%, 0.43%

LAB 33.4, 28.35, -47.1

 

CMYK 64 / 72 / 0 / 33

HEX #3D30AB

RGB 61 48 171

HSL 246.34, 0.56%, 0.43%

LAB 29.53, 42.38, -63.72

 

CMYK 76 / 84 / 0 / 26

HEX #2E1EBD

RGB 46 30 189

HSL 246.04, 0.73%, 0.43%

LAB 27.25, 55.57, -78.25

 

CMYK 85 / 94 / 0 / 19

HEX #200DCF

RGB 32 13 207

HSL 245.88, 0.88%, 0.43%

LAB 27.02, 65.43, -89.24

 

CMYK 51 / 57 / 0 / 40

HEX #4B429A

RGB 75 66 154

HSL 246.14, 0.4%, 0.43%

LAB 33.4, 28.35, -47.1

 

CMYK 35 / 38 / 0 / 47

HEX #595488

RGB 89 84 136

HSL 245.77, 0.24%, 0.43%

LAB 38.27, 15.03, -28.32

 

CMYK 13 / 14 / 0 / 54

HEX #676576

RGB 103 101 118

HSL 247.06, 0.08%, 0.43%

LAB 43.51, 4.5, -9.23

 

CMYK 2 / 0 / 16 / 53

HEX #757764

RGB 117 119 100

HSL 66.32, 0.09%, 0.43%

LAB 49.37, -4.35, 10.21

 

CMYK 4 / 0 / 39 / 46

HEX #838953

RGB 131 137 83

HSL 66.67, 0.25%, 0.43%

LAB 55.42, -11.12, 28.22

 

CMYK 57 / 32 / 0 / 40

HEX #42689A

RGB 66 104 154

HSL 214.09, 0.4%, 0.43%

LAB 43.35, 2, -31.3

 

CMYK 57 / 48 / 0 / 40

HEX #42509A

RGB 66 80 154

HSL 230.45, 0.4%, 0.43%

LAB 36.42, 17.33, -42.28

 

CMYK 51 / 57 / 0 / 40

HEX #4B429A

RGB 75 66 154

HSL 246.14, 0.4%, 0.43%

LAB 33.4, 28.35, -47.1

 

CMYK 36 / 57 / 0 / 40

HEX #62429A

RGB 98 66 154

HSL 261.82, 0.4%, 0.43%

LAB 35.65, 33.79, -43.37

 

CMYK 21 / 57 / 0 / 40

HEX #79429A

RGB 121 66 154

HSL 277.5, 0.4%, 0.43%

LAB 38.37, 39.81, -38.87

 

CMYK 51 / 57 / 0 / 62

HEX #2F2960

RGB 47 41 96

HSL 246.55, 0.4%, 0.27%

LAB 20.18, 19.06, -31.98

 

CMYK 51 / 58 / 0 / 51

HEX #3D357D

RGB 61 53 125

HSL 246.67, 0.4%, 0.35%

LAB 26.79, 24.14, -39.93

 

CMYK 51 / 57 / 0 / 40

HEX #4B429A

RGB 75 66 154

HSL 246.14, 0.4%, 0.43%

LAB 33.4, 28.35, -47.1

 

CMYK 50 / 56 / 0 / 29

HEX #5A50B4

RGB 90 80 180

HSL 246, 0.4%, 0.51%

LAB 39.93, 31.07, -52.04

 

CMYK 39 / 44 / 0 / 24

HEX #766DC1

RGB 118 109 193

HSL 246.43, 0.4%, 0.59%

LAB 50.26, 23.99, -42.94

 

CMYK 52 / 57 / 0 / 39

HEX #4B429B

RGB 75 66 155

HSL 246.07, 0.4%, 0.43%

LAB 33.48, 28.67, -47.59

 

CMYK 0 / 57 / 18 / 40

HEX #9A427F

RGB 154 66 127

HSL 318.41, 0.4%, 0.43%

LAB 41.69, 44.24, -16.9

 

CMYK 40 / 0 / 57 / 40

HEX #5C9A42

RGB 92 154 66

HSL 102.27, 0.4%, 0.43%

LAB 57.83, -36.77, 39.41

 

CMYK 52 / 57 / 0 / 39

HEX #4B429B

RGB 75 66 155

HSL 246.07, 0.4%, 0.43%

LAB 33.48, 28.67, -47.59

 

CMYK 0 / 51 / 57 / 40

HEX #9A4B42

RGB 154 75 66

HSL 6.14, 0.4%, 0.43%

LAB 41.68, 32.12, 20.73

 

CMYK 57 / 0 / 51 / 40

HEX #429A4B

RGB 66 154 75

HSL 126.14, 0.4%, 0.43%

LAB 56.86, -43.41, 33.48

 

CMYK 52 / 57 / 0 / 39

HEX #4B429B

RGB 75 66 155

HSL 246.07, 0.4%, 0.43%

LAB 33.48, 28.67, -47.59

 

CMYK 0 / 57 / 18 / 40

HEX #9A427F

RGB 154 66 127

HSL 318.41, 0.4%, 0.43%

LAB 41.69, 44.24, -16.9

 

CMYK 6 / 0 / 57 / 40

HEX #919A42

RGB 145 154 66

HSL 66.14, 0.4%, 0.43%

LAB 61.24, -15.96, 44.23

 

CMYK 57 / 0 / 40 / 40

HEX #429A5C

RGB 66 154 92

HSL 137.73, 0.4%, 0.43%

LAB 57.12, -40.62, 24.81

 

CMYK 52 / 57 / 0 / 39

HEX #4B429B

RGB 75 66 155

HSL 246.07, 0.4%, 0.43%

LAB 33.48, 28.67, -47.59

 

CMYK 0 / 57 / 34 / 40

HEX #9A4265

RGB 154 66 101

HSL 336.14, 0.4%, 0.43%

LAB 40.75, 40.53, -2.24

 

CMYK 6 / 0 / 57 / 40

HEX #919A42

RGB 145 154 66

HSL 66.14, 0.4%, 0.43%

LAB 61.24, -15.96, 44.23

 

CMYK 57 / 0 / 23 / 40

HEX #429A76

RGB 66 154 118

HSL 155.45, 0.4%, 0.43%

LAB 57.63, -35.27, 11.08

 

Description

Color code: HEX #4B429B3F | qconv.com Color code: HEX #4B429B3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 66 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 66 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 14 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 14% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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