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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B4094 it is the complementary color #B4BF6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B4094. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B4094 shade: #50408F, #6152A2, #7264B5, #8376C8 and #9488DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B4094. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B4094 shade: #4B4094, #3A2E81, #291C6E, #180A5B and #070048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B4094 shade: #4B4096, #634096, #7A4096, #914096 and #964084

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B4094 shade: #4B4096 and #404096

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B4094 shade matches the following richer shades: #4B4096, #3F2FA7, #321EB9 and #250CCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B4094 shade: #4B4096, #585285, #656373, #727462 and #7F8651

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B4094 shade: #406496, #404D96, #4A4096, #614096 and #784096

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B4094 shade: #2E285C, #3D3479, #4B4096, #5A4DB3 and #756ABF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B4094 shade: #4B4094, #96407B and #599640

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B4094 shade: #4B4094, #964A40 and #40964A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B4094 shade: #4B4094, #96407B, #8C9640 and #40965B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B4094 shade: #4B4094, #964061, #8C9640 and #409675

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 57 / 0 / 42

HEX #4B4094

RGB 75 64 148

HSL 247.86, 0.4%, 0.42%

LAB 32.48, 27.7, -44.93

 

Complementary color

CMYK 6 / 0 / 44 / 25

HEX #B4BF6B

RGB 180 191 107

HSL 67.86, 0.4%, 0.58%

LAB 74.84, -16.53, 40.95

 

CMYK 44 / 55 / 0 / 44

HEX #50408F

RGB 80 64 143

HSL 252.15, 0.38%, 0.41%

LAB 32.6, 27.33, -41.66

 

CMYK 40 / 49 / 0 / 36

HEX #6152A2

RGB 97 82 162

HSL 251.25, 0.33%, 0.48%

LAB 39.89, 26.07, -41.39

 

CMYK 37 / 45 / 0 / 29

HEX #7264B5

RGB 114 100 181

HSL 250.37, 0.35%, 0.55%

LAB 47.01, 24.99, -41.17

 

CMYK 35 / 41 / 0 / 22

HEX #8376C8

RGB 131 118 200

HSL 249.51, 0.43%, 0.62%

LAB 53.98, 24.05, -41.01

 

CMYK 32 / 38 / 0 / 14

HEX #9488DB

RGB 148 136 219

HSL 248.67, 0.54%, 0.7%

LAB 60.8, 23.22, -40.89

 

CMYK 49 / 57 / 0 / 42

HEX #4B4094

RGB 75 64 148

HSL 247.86, 0.4%, 0.42%

LAB 32.48, 27.7, -44.93

 

CMYK 55 / 64 / 0 / 49

HEX #3A2E81

RGB 58 46 129

HSL 248.67, 0.47%, 0.34%

LAB 25.07, 29.35, -45.24

 

CMYK 63 / 75 / 0 / 57

HEX #291C6E

RGB 41 28 110

HSL 249.51, 0.59%, 0.27%

LAB 17.59, 31.2, -45.39

 

CMYK 74 / 89 / 0 / 64

HEX #180A5B

RGB 24 10 91

HSL 250.37, 0.8%, 0.2%

LAB 10.31, 32.75, -44.87

 

CMYK 90 / 100 / 0 / 72

HEX #070048

RGB 7 0 72

HSL 245.83, 1%, 0.14%

LAB 4.63, 29.31, -41.22

 

CMYK 50 / 57 / 0 / 41

HEX #4B4096

RGB 75 64 150

HSL 247.67, 0.4%, 0.42%

LAB 32.62, 28.33, -45.93

 

CMYK 34 / 57 / 0 / 41

HEX #634096

RGB 99 64 150

HSL 264.42, 0.4%, 0.42%

LAB 35.05, 34.13, -41.9

 

CMYK 19 / 57 / 0 / 41

HEX #7A4096

RGB 122 64 150

HSL 280.47, 0.4%, 0.42%

LAB 37.85, 40.24, -37.26

 

CMYK 3 / 57 / 0 / 41

HEX #914096

RGB 145 64 150

HSL 296.51, 0.4%, 0.42%

LAB 41.04, 46.58, -32.01

 

CMYK 0 / 57 / 12 / 41

HEX #964084

RGB 150 64 132

HSL 312.56, 0.4%, 0.42%

LAB 40.92, 44.8, -21.19

 

CMYK 50 / 57 / 0 / 41

HEX #4B4096

RGB 75 64 150

HSL 247.67, 0.4%, 0.42%

LAB 32.62, 28.33, -45.93

 

CMYK 57 / 57 / 0 / 41

HEX #404096

RGB 64 64 150

HSL 240, 0.4%, 0.42%

LAB 31.71, 26, -47.44

 

CMYK 50 / 57 / 0 / 41

HEX #4B4096

RGB 75 64 150

HSL 247.67, 0.4%, 0.42%

LAB 32.62, 28.33, -45.93

 

CMYK 62 / 72 / 0 / 35

HEX #3F2FA7

RGB 63 47 167

HSL 248, 0.56%, 0.42%

LAB 29.11, 41.94, -62

 

CMYK 73 / 84 / 0 / 27

HEX #321EB9

RGB 50 30 185

HSL 247.74, 0.72%, 0.42%

LAB 27.04, 54.66, -76.21

 

CMYK 82 / 94 / 0 / 21

HEX #250CCA

RGB 37 12 202

HSL 247.89, 0.89%, 0.42%

LAB 26.51, 64.47, -87.16

 

CMYK 50 / 57 / 0 / 41

HEX #4B4096

RGB 75 64 150

HSL 247.67, 0.4%, 0.42%

LAB 32.62, 28.33, -45.93

 

CMYK 34 / 38 / 0 / 48

HEX #585285

RGB 88 82 133

HSL 247.06, 0.24%, 0.42%

LAB 37.49, 15.14, -27.73

 

CMYK 12 / 14 / 0 / 55

HEX #656373

RGB 101 99 115

HSL 247.5, 0.07%, 0.42%

LAB 42.65, 4.28, -8.71

 

CMYK 2 / 0 / 16 / 55

HEX #727462

RGB 114 116 98

HSL 66.67, 0.08%, 0.42%

LAB 48.2, -4.19, 9.7

 

CMYK 5 / 0 / 40 / 47

HEX #7F8651

RGB 127 134 81

HSL 67.92, 0.25%, 0.42%

LAB 54.19, -11.42, 27.67

 

CMYK 57 / 33 / 0 / 41

HEX #406496

RGB 64 100 150

HSL 214.88, 0.4%, 0.42%

LAB 41.85, 2.68, -31.26

 

CMYK 57 / 49 / 0 / 41

HEX #404D96

RGB 64 77 150

HSL 230.93, 0.4%, 0.42%

LAB 35.2, 17.48, -41.82

 

CMYK 51 / 57 / 0 / 41

HEX #4A4096

RGB 74 64 150

HSL 246.98, 0.4%, 0.42%

LAB 32.53, 28.11, -46.07

 

CMYK 35 / 57 / 0 / 41

HEX #614096

RGB 97 64 150

HSL 263.02, 0.4%, 0.42%

LAB 34.82, 33.62, -42.27

 

CMYK 20 / 57 / 0 / 41

HEX #784096

RGB 120 64 150

HSL 279.07, 0.4%, 0.42%

LAB 37.59, 39.7, -37.69

 

CMYK 50 / 57 / 0 / 64

HEX #2E285C

RGB 46 40 92

HSL 246.92, 0.39%, 0.26%

LAB 19.52, 18.12, -30.41

 

CMYK 50 / 57 / 0 / 53

HEX #3D3479

RGB 61 52 121

HSL 247.83, 0.4%, 0.34%

LAB 26.24, 23.48, -38.29

 

CMYK 50 / 57 / 0 / 41

HEX #4B4096

RGB 75 64 150

HSL 247.67, 0.4%, 0.42%

LAB 32.62, 28.33, -45.93

 

CMYK 50 / 57 / 0 / 30

HEX #5A4DB3

RGB 90 77 179

HSL 247.65, 0.4%, 0.5%

LAB 39.13, 32.6, -52.73

 

CMYK 39 / 45 / 0 / 25

HEX #756ABF

RGB 117 106 191

HSL 247.76, 0.4%, 0.58%

LAB 49.32, 24.97, -43.3

 

CMYK 49 / 57 / 0 / 42

HEX #4B4094

RGB 75 64 148

HSL 247.86, 0.4%, 0.42%

LAB 32.48, 27.7, -44.93

 

CMYK 0 / 57 / 18 / 41

HEX #96407B

RGB 150 64 123

HSL 318.84, 0.4%, 0.42%

LAB 40.54, 43.34, -16.25

 

CMYK 41 / 0 / 57 / 41

HEX #599640

RGB 89 150 64

HSL 102.56, 0.4%, 0.42%

LAB 56.39, -36.24, 38.67

 

CMYK 49 / 57 / 0 / 42

HEX #4B4094

RGB 75 64 148

HSL 247.86, 0.4%, 0.42%

LAB 32.48, 27.7, -44.93

 

CMYK 0 / 51 / 57 / 41

HEX #964A40

RGB 150 74 64

HSL 6.98, 0.4%, 0.42%

LAB 40.82, 30.89, 20.7

 

CMYK 57 / 0 / 51 / 41

HEX #40964A

RGB 64 150 74

HSL 126.98, 0.4%, 0.42%

LAB 55.48, -42.44, 32.28

 

CMYK 49 / 57 / 0 / 42

HEX #4B4094

RGB 75 64 148

HSL 247.86, 0.4%, 0.42%

LAB 32.48, 27.7, -44.93

 

CMYK 0 / 57 / 18 / 41

HEX #96407B

RGB 150 64 123

HSL 318.84, 0.4%, 0.42%

LAB 40.54, 43.34, -16.25

 

CMYK 7 / 0 / 57 / 41

HEX #8C9640

RGB 140 150 64

HSL 66.98, 0.4%, 0.42%

LAB 59.67, -16.19, 43.3

 

CMYK 57 / 0 / 39 / 41

HEX #40965B

RGB 64 150 91

HSL 138.84, 0.4%, 0.42%

LAB 55.74, -39.59, 23.53

 

CMYK 49 / 57 / 0 / 42

HEX #4B4094

RGB 75 64 148

HSL 247.86, 0.4%, 0.42%

LAB 32.48, 27.7, -44.93

 

CMYK 0 / 57 / 35 / 41

HEX #964061

RGB 150 64 97

HSL 336.98, 0.4%, 0.42%

LAB 39.6, 39.64, -1.49

 

CMYK 7 / 0 / 57 / 41

HEX #8C9640

RGB 140 150 64

HSL 66.98, 0.4%, 0.42%

LAB 59.67, -16.19, 43.3

 

CMYK 57 / 0 / 22 / 41

HEX #409675

RGB 64 150 117

HSL 156.98, 0.4%, 0.42%

LAB 56.27, -34.13, 9.72

 

Description

Color code: HEX #4B4094 | qconv.com Color code: HEX #4B4094 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 64 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 64 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 57 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 57% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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