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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B4054 it is the complementary color #B4BFAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B4054. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B4054 shade: #50404F, #615262, #726475, #837688 and #94889B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B4054. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B4054 shade: #4B4054, #3A2E41, #291C2E, #180A1B and #070008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B4054 shade: #4B4054, #514054, #544052, #54404D and #544047

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B4054 shade: #4B4054, #454054 and #404054

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B4054 shade matches the following richer shades: #4B4054, #4C3460, #4D286C, #4F1C78 and #501084

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B4054 shade: #4B4054, #4A4C48, #49583C, #476330 and #466F24

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B4054 shade: #404054, #454054, #4B4054, #514054 and #544053

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B4054 shade: #211C25, #362E3D, #4B4054, #60516C and #756383

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B4054 shade: #4B4054, #544045 and #405443

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B4054 shade: #4B4054, #544B40 and #40544B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B4054 shade: #4B4054, #544045, #495440 and #40544F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B4054 shade: #4B4054, #544140, #495440 and #405354

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 24 / 0 / 67

HEX #4B4054

RGB 75 64 84

HSL 273, 0.14%, 0.29%

LAB 28.91, 9.15, -10.25

 

Complementary color

CMYK 6 / 0 / 10 / 25

HEX #B4BFAB

RGB 180 191 171

HSL 93, 0.14%, 0.71%

LAB 76.01, -7.47, 8.79

 

CMYK 0 / 20 / 1 / 69

HEX #50404F

RGB 80 64 79

HSL 303.75, 0.11%, 0.28%

LAB 29.25, 9.97, -6.43

 

CMYK 1 / 16 / 0 / 62

HEX #615262

RGB 97 82 98

HSL 296.25, 0.09%, 0.35%

LAB 36.85, 9.42, -6.97

 

CMYK 3 / 15 / 0 / 54

HEX #726475

RGB 114 100 117

HSL 289.41, 0.08%, 0.43%

LAB 44.2, 8.96, -7.48

 

CMYK 4 / 13 / 0 / 47

HEX #837688

RGB 131 118 136

HSL 283.33, 0.07%, 0.5%

LAB 51.34, 8.55, -7.98

 

CMYK 5 / 12 / 0 / 39

HEX #94889B

RGB 148 136 155

HSL 277.89, 0.09%, 0.57%

LAB 58.29, 8.18, -8.47

 

CMYK 11 / 24 / 0 / 67

HEX #4B4054

RGB 75 64 84

HSL 273, 0.14%, 0.29%

LAB 28.91, 9.15, -10.25

 

CMYK 11 / 29 / 0 / 75

HEX #3A2E41

RGB 58 46 65

HSL 277.89, 0.17%, 0.22%

LAB 20.96, 9.77, -9.9

 

CMYK 11 / 39 / 0 / 82

HEX #291C2E

RGB 41 28 46

HSL 283.33, 0.24%, 0.15%

LAB 12.6, 10.55, -9.56

 

CMYK 11 / 63 / 0 / 89

HEX #180A1B

RGB 24 10 27

HSL 289.41, 0.46%, 0.07%

LAB 4.43, 8.89, -7.95

 

CMYK 13 / 100 / 0 / 97

HEX #070008

RGB 7 0 8

HSL 292.5, 1%, 0.02%

LAB 0.57, 2.94, -2.38

 

CMYK 11 / 24 / 0 / 67

HEX #4B4054

RGB 75 64 84

HSL 273, 0.14%, 0.29%

LAB 28.91, 9.15, -10.25

 

CMYK 4 / 24 / 0 / 67

HEX #514054

RGB 81 64 84

HSL 291, 0.14%, 0.29%

LAB 29.55, 11.49, -9.21

 

CMYK 0 / 24 / 2 / 67

HEX #544052

RGB 84 64 82

HSL 306, 0.14%, 0.29%

LAB 29.81, 12.23, -7.49

 

CMYK 0 / 24 / 8 / 67

HEX #54404D

RGB 84 64 77

HSL 321, 0.14%, 0.29%

LAB 29.63, 11.17, -4.52

 

CMYK 0 / 24 / 15 / 67

HEX #544047

RGB 84 64 71

HSL 339, 0.14%, 0.29%

LAB 29.43, 9.98, -0.91

 

CMYK 11 / 24 / 0 / 67

HEX #4B4054

RGB 75 64 84

HSL 273, 0.14%, 0.29%

LAB 28.91, 9.15, -10.25

 

CMYK 18 / 24 / 0 / 67

HEX #454054

RGB 69 64 84

HSL 255, 0.14%, 0.29%

LAB 28.31, 6.86, -11.22

 

CMYK 24 / 24 / 0 / 67

HEX #404054

RGB 64 64 84

HSL 240, 0.14%, 0.29%

LAB 27.84, 5, -11.98

 

CMYK 11 / 24 / 0 / 67

HEX #4B4054

RGB 75 64 84

HSL 273, 0.14%, 0.29%

LAB 28.91, 9.15, -10.25

 

CMYK 21 / 46 / 0 / 62

HEX #4C3460

RGB 76 52 96

HSL 272.73, 0.3%, 0.29%

LAB 26.27, 20.38, -22.12

 

CMYK 29 / 63 / 0 / 58

HEX #4D286C

RGB 77 40 108

HSL 272.65, 0.46%, 0.29%

LAB 24.25, 31.24, -33.08

 

CMYK 34 / 77 / 0 / 53

HEX #4F1C78

RGB 79 28 120

HSL 273.26, 0.62%, 0.29%

LAB 23.17, 41.07, -42.53

 

CMYK 39 / 88 / 0 / 48

HEX #501084

RGB 80 16 132

HSL 273.1, 0.78%, 0.29%

LAB 22.8, 48.72, -50.73

 

CMYK 11 / 24 / 0 / 67

HEX #4B4054

RGB 75 64 84

HSL 273, 0.14%, 0.29%

LAB 28.91, 9.15, -10.25

 

CMYK 3 / 0 / 5 / 70

HEX #4A4C48

RGB 74 76 72

HSL 90, 0.03%, 0.29%

LAB 32.02, -1.68, 2.09

 

CMYK 17 / 0 / 32 / 65

HEX #49583C

RGB 73 88 60

HSL 92.14, 0.19%, 0.29%

LAB 35.44, -11.63, 14.38

 

CMYK 28 / 0 / 52 / 61

HEX #476330

RGB 71 99 48

HSL 92.94, 0.35%, 0.29%

LAB 38.68, -20.36, 25.56

 

CMYK 37 / 0 / 68 / 56

HEX #466F24

RGB 70 111 36

HSL 92.8, 0.51%, 0.29%

LAB 42.46, -28.13, 36.07

 

CMYK 24 / 24 / 0 / 67

HEX #404054

RGB 64 64 84

HSL 240, 0.14%, 0.29%

LAB 27.84, 5, -11.98

 

CMYK 18 / 24 / 0 / 67

HEX #454054

RGB 69 64 84

HSL 255, 0.14%, 0.29%

LAB 28.31, 6.86, -11.22

 

CMYK 11 / 24 / 0 / 67

HEX #4B4054

RGB 75 64 84

HSL 273, 0.14%, 0.29%

LAB 28.91, 9.15, -10.25

 

CMYK 4 / 24 / 0 / 67

HEX #514054

RGB 81 64 84

HSL 291, 0.14%, 0.29%

LAB 29.55, 11.49, -9.21

 

CMYK 0 / 24 / 1 / 67

HEX #544053

RGB 84 64 83

HSL 303, 0.14%, 0.29%

LAB 29.85, 12.45, -8.08

 

CMYK 11 / 24 / 0 / 85

HEX #211C25

RGB 33 28 37

HSL 273.33, 0.14%, 0.13%

LAB 11.19, 4.69, -5.24

 

CMYK 11 / 25 / 0 / 76

HEX #362E3D

RGB 54 46 61

HSL 272, 0.14%, 0.21%

LAB 20.34, 7.13, -8.15

 

CMYK 11 / 24 / 0 / 67

HEX #4B4054

RGB 75 64 84

HSL 273, 0.14%, 0.29%

LAB 28.91, 9.15, -10.25

 

CMYK 11 / 25 / 0 / 58

HEX #60516C

RGB 96 81 108

HSL 273.33, 0.14%, 0.37%

LAB 36.84, 11.93, -13.23

 

CMYK 11 / 24 / 0 / 49

HEX #756383

RGB 117 99 131

HSL 273.75, 0.14%, 0.45%

LAB 44.72, 13.73, -15.11

 

CMYK 11 / 24 / 0 / 67

HEX #4B4054

RGB 75 64 84

HSL 273, 0.14%, 0.29%

LAB 28.91, 9.15, -10.25

 

CMYK 0 / 24 / 18 / 67

HEX #544045

RGB 84 64 69

HSL 345, 0.14%, 0.29%

LAB 29.37, 9.6, 0.3

 

CMYK 24 / 0 / 20 / 67

HEX #405443

RGB 64 84 67

HSL 129, 0.14%, 0.29%

LAB 33.64, -11.63, 7.46

 

CMYK 11 / 24 / 0 / 67

HEX #4B4054

RGB 75 64 84

HSL 273, 0.14%, 0.29%

LAB 28.91, 9.15, -10.25

 

CMYK 0 / 11 / 24 / 67

HEX #544B40

RGB 84 75 64

HSL 33, 0.14%, 0.29%

LAB 32.45, 1.71, 7.93

 

CMYK 24 / 0 / 11 / 67

HEX #40544B

RGB 64 84 75

HSL 153, 0.14%, 0.29%

LAB 33.85, -9.85, 2.74

 

CMYK 11 / 24 / 0 / 67

HEX #4B4054

RGB 75 64 84

HSL 273, 0.14%, 0.29%

LAB 28.91, 9.15, -10.25

 

CMYK 0 / 24 / 18 / 67

HEX #544045

RGB 84 64 69

HSL 345, 0.14%, 0.29%

LAB 29.37, 9.6, 0.3

 

CMYK 13 / 0 / 24 / 67

HEX #495440

RGB 73 84 64

HSL 93, 0.14%, 0.29%

LAB 34.25, -8.57, 10.28

 

CMYK 24 / 0 / 6 / 67

HEX #40544F

RGB 64 84 79

HSL 165, 0.14%, 0.29%

LAB 33.97, -8.9, 0.39

 

CMYK 11 / 24 / 0 / 67

HEX #4B4054

RGB 75 64 84

HSL 273, 0.14%, 0.29%

LAB 28.91, 9.15, -10.25

 

CMYK 0 / 23 / 24 / 67

HEX #544140

RGB 84 65 64

HSL 3, 0.14%, 0.29%

LAB 29.5, 8.04, 3.75

 

CMYK 13 / 0 / 24 / 67

HEX #495440

RGB 73 84 64

HSL 93, 0.14%, 0.29%

LAB 34.25, -8.57, 10.28

 

CMYK 24 / 1 / 0 / 67

HEX #405354

RGB 64 83 84

HSL 183, 0.14%, 0.29%

LAB 33.81, -7.04, -3.01

 

Description

Color code: HEX #4B4054 | qconv.com Color code: HEX #4B4054 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 64 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 64 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 24 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 24% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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