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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B403F it is the complementary color #B4BFC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B403F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B403F shade: #50403A, #61524D, #726460, #837673 and #948886

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B403F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B403F shade: #4B403F, #3A2E2C, #291C19, #180A06 and #070000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B403F shade: #4B403F and #4B3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B403F shade: #4B403F, #4B433F, #4B463F, #4B4A3F and #494B3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B403F shade matches the following richer shades: #4B403F, #563634, #612D28, #6C241D and #781B12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B403F shade: #4B403F, #40494A, #355255, #2A5C60 and #1E656B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B403F shade: #4B3F44, #4B3F41, #4B403F, #4B433F and #4B463F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B403F shade: #1E1A19, #352D2C, #4B403F, #625351 and #786664

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B403F shade: #4B403F, #484B3F and #3F434B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B403F shade: #4B403F, #3F4B40 and #403F4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B403F shade: #4B403F, #484B3F, #3F4A4B and #423F4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B403F shade: #4B403F, #444B3F, #3F4A4B and #463F4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 16 / 71

HEX #4B403F

RGB 75 64 63

HSL 5, 0.09%, 0.27%

LAB 28.17, 4.54, 2.35

 

Complementary color

CMYK 6 / 1 / 0 / 25

HEX #B4BFC0

RGB 180 191 192

HSL 185, 0.09%, 0.73%

LAB 76.54, -3.58, -1.82

 

CMYK 0 / 20 / 28 / 69

HEX #50403A

RGB 80 64 58

HSL 16.36, 0.16%, 0.27%

LAB 28.58, 5.86, 6.28

 

CMYK 0 / 15 / 21 / 62

HEX #61524D

RGB 97 82 77

HSL 15, 0.11%, 0.34%

LAB 36.2, 5.3, 5.23

 

CMYK 0 / 12 / 16 / 55

HEX #726460

RGB 114 100 96

HSL 13.33, 0.09%, 0.41%

LAB 43.56, 4.84, 4.3

 

CMYK 0 / 10 / 12 / 49

HEX #837673

RGB 131 118 115

HSL 11.25, 0.07%, 0.48%

LAB 50.71, 4.46, 3.47

 

CMYK 0 / 8 / 9 / 42

HEX #948886

RGB 148 136 134

HSL 8.57, 0.06%, 0.55%

LAB 57.68, 4.13, 2.69

 

CMYK 0 / 15 / 16 / 71

HEX #4B403F

RGB 75 64 63

HSL 5, 0.09%, 0.27%

LAB 28.17, 4.54, 2.35

 

CMYK 0 / 21 / 24 / 77

HEX #3A2E2C

RGB 58 46 44

HSL 8.57, 0.14%, 0.2%

LAB 20.19, 5.09, 3.35

 

CMYK 0 / 32 / 39 / 84

HEX #291C19

RGB 41 28 25

HSL 11.25, 0.24%, 0.13%

LAB 11.77, 5.86, 4.58

 

CMYK 0 / 58 / 75 / 91

HEX #180A06

RGB 24 10 6

HSL 13.33, 0.6%, 0.06%

LAB 3.83, 4.7, 3.36

 

CMYK 0 / 100 / 100 / 97

HEX #070000

RGB 7 0 0

HSL 0, 1%, 0.01%

LAB 0.41, 1.83, 0.64

 

CMYK 0 / 15 / 16 / 71

HEX #4B403F

RGB 75 64 63

HSL 5, 0.09%, 0.27%

LAB 28.17, 4.54, 2.35

 

CMYK 0 / 16 / 16 / 71

HEX #4B3F3F

RGB 75 63 63

HSL 0, 0.09%, 0.27%

LAB 27.87, 5.18, 1.92

 

CMYK 0 / 15 / 16 / 71

HEX #4B403F

RGB 75 64 63

HSL 5, 0.09%, 0.27%

LAB 28.17, 4.54, 2.35

 

CMYK 0 / 11 / 16 / 71

HEX #4B433F

RGB 75 67 63

HSL 20, 0.09%, 0.27%

LAB 29.08, 2.61, 3.66

 

CMYK 0 / 7 / 16 / 71

HEX #4B463F

RGB 75 70 63

HSL 35, 0.09%, 0.27%

LAB 30, 0.7, 4.97

 

CMYK 0 / 1 / 16 / 71

HEX #4B4A3F

RGB 75 74 63

HSL 55, 0.09%, 0.27%

LAB 31.24, -1.82, 6.73

 

CMYK 3 / 0 / 16 / 71

HEX #494B3F

RGB 73 75 63

HSL 70, 0.09%, 0.27%

LAB 31.36, -3.31, 6.88

 

CMYK 0 / 15 / 16 / 71

HEX #4B403F

RGB 75 64 63

HSL 5, 0.09%, 0.27%

LAB 28.17, 4.54, 2.35

 

CMYK 0 / 37 / 40 / 66

HEX #563634

RGB 86 54 52

HSL 3.53, 0.25%, 0.27%

LAB 26.35, 14.06, 7.18

 

CMYK 0 / 54 / 59 / 62

HEX #612D28

RGB 97 45 40

HSL 5.26, 0.42%, 0.27%

LAB 25.48, 23.05, 14.21

 

CMYK 0 / 67 / 73 / 58

HEX #6C241D

RGB 108 36 29

HSL 5.32, 0.58%, 0.27%

LAB 25.38, 31.6, 21.67

 

CMYK 0 / 78 / 85 / 53

HEX #781B12

RGB 120 27 18

HSL 5.29, 0.74%, 0.27%

LAB 26.22, 39.38, 29.98

 

CMYK 0 / 15 / 16 / 71

HEX #4B403F

RGB 75 64 63

HSL 5, 0.09%, 0.27%

LAB 28.17, 4.54, 2.35

 

CMYK 14 / 1 / 0 / 71

HEX #40494A

RGB 64 73 74

HSL 186, 0.07%, 0.27%

LAB 30.28, -3.39, -1.84

 

CMYK 38 / 4 / 0 / 67

HEX #355255

RGB 53 82 85

HSL 185.63, 0.23%, 0.27%

LAB 32.8, -9.9, -5.21

 

CMYK 56 / 4 / 0 / 62

HEX #2A5C60

RGB 42 92 96

HSL 184.44, 0.39%, 0.27%

LAB 35.97, -15.48, -7.44

 

CMYK 72 / 6 / 0 / 58

HEX #1E656B

RGB 30 101 107

HSL 184.68, 0.56%, 0.27%

LAB 38.98, -19.29, -9.76

 

CMYK 0 / 16 / 9 / 71

HEX #4B3F44

RGB 75 63 68

HSL 335, 0.09%, 0.27%

LAB 28.03, 6.19, -1.13

 

CMYK 0 / 16 / 13 / 71

HEX #4B3F41

RGB 75 63 65

HSL 350, 0.09%, 0.27%

LAB 27.93, 5.58, 0.7

 

CMYK 0 / 15 / 16 / 71

HEX #4B403F

RGB 75 64 63

HSL 5, 0.09%, 0.27%

LAB 28.17, 4.54, 2.35

 

CMYK 0 / 11 / 16 / 71

HEX #4B433F

RGB 75 67 63

HSL 20, 0.09%, 0.27%

LAB 29.08, 2.61, 3.66

 

CMYK 0 / 7 / 16 / 71

HEX #4B463F

RGB 75 70 63

HSL 35, 0.09%, 0.27%

LAB 30, 0.7, 4.97

 

CMYK 0 / 13 / 17 / 88

HEX #1E1A19

RGB 30 26 25

HSL 12, 0.09%, 0.11%

LAB 9.68, 1.73, 1.41

 

CMYK 0 / 15 / 17 / 79

HEX #352D2C

RGB 53 45 44

HSL 6.67, 0.09%, 0.19%

LAB 19.29, 3.43, 1.98

 

CMYK 0 / 15 / 16 / 71

HEX #4B403F

RGB 75 64 63

HSL 5, 0.09%, 0.27%

LAB 28.17, 4.54, 2.35

 

CMYK 0 / 15 / 17 / 62

HEX #625351

RGB 98 83 81

HSL 7.06, 0.09%, 0.35%

LAB 36.7, 5.82, 3.46

 

CMYK 0 / 15 / 17 / 53

HEX #786664

RGB 120 102 100

HSL 6, 0.09%, 0.43%

LAB 44.82, 6.81, 3.78

 

CMYK 0 / 15 / 16 / 71

HEX #4B403F

RGB 75 64 63

HSL 5, 0.09%, 0.27%

LAB 28.17, 4.54, 2.35

 

CMYK 4 / 0 / 16 / 71

HEX #484B3F

RGB 72 75 63

HSL 75, 0.09%, 0.27%

LAB 31.27, -3.74, 6.74

 

CMYK 16 / 11 / 0 / 71

HEX #3F434B

RGB 63 67 75

HSL 220, 0.09%, 0.27%

LAB 28.32, 0.29, -5.39

 

CMYK 0 / 15 / 16 / 71

HEX #4B403F

RGB 75 64 63

HSL 5, 0.09%, 0.27%

LAB 28.17, 4.54, 2.35

 

CMYK 16 / 0 / 15 / 71

HEX #3F4B40

RGB 63 75 64

HSL 125, 0.09%, 0.27%

LAB 30.54, -7.32, 4.96

 

CMYK 15 / 16 / 0 / 71

HEX #403F4B

RGB 64 63 75

HSL 245, 0.09%, 0.27%

LAB 27.17, 3.29, -7.12

 

CMYK 0 / 15 / 16 / 71

HEX #4B403F

RGB 75 64 63

HSL 5, 0.09%, 0.27%

LAB 28.17, 4.54, 2.35

 

CMYK 4 / 0 / 16 / 71

HEX #484B3F

RGB 72 75 63

HSL 75, 0.09%, 0.27%

LAB 31.27, -3.74, 6.74

 

CMYK 16 / 1 / 0 / 71

HEX #3F4A4B

RGB 63 74 75

HSL 185, 0.09%, 0.27%

LAB 30.55, -4.15, -2.09

 

CMYK 12 / 16 / 0 / 71

HEX #423F4B

RGB 66 63 75

HSL 255, 0.09%, 0.27%

LAB 27.36, 4.07, -6.81

 

CMYK 0 / 15 / 16 / 71

HEX #4B403F

RGB 75 64 63

HSL 5, 0.09%, 0.27%

LAB 28.17, 4.54, 2.35

 

CMYK 9 / 0 / 16 / 71

HEX #444B3F

RGB 68 75 63

HSL 95, 0.09%, 0.27%

LAB 30.93, -5.45, 6.2

 

CMYK 16 / 1 / 0 / 71

HEX #3F4A4B

RGB 63 74 75

HSL 185, 0.09%, 0.27%

LAB 30.55, -4.15, -2.09

 

CMYK 7 / 16 / 0 / 71

HEX #463F4B

RGB 70 63 75

HSL 275, 0.09%, 0.27%

LAB 27.75, 5.67, -6.18

 

Description

Color code: HEX #4B403F | qconv.com Color code: HEX #4B403F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 64 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 64 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 16 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 16% 71% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

68% - THE SUIT COMPANY SPA...
Link: http://www.uktsc.com

36% - kalender · Musikfest...
Link: http://heidelberger-fruehling.de

32% - KeyBridge Technologi...
Link: http://keybridgeti.com

15% - Zante Fiore Studios ...
Link: http://www.zantefiorestudios.gr

76% - Vacuum Cleaners | Ca...
Link: http://hoover.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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