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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B3B66 it is the complementary color #B4C499. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B3B66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B3B66 shade: #503B61, #614D74, #725F87, #83719A and #9483AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B3B66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B3B66 shade: #4B3B66, #3A2953, #291740, #18052D and #07001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B3B66 shade: #4C3C68, #583C68, #643C68, #683C60 and #683C54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B3B66 shade: #4C3C68, #403C68 and #3C3C68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B3B66 shade matches the following richer shades: #4C3C68, #492E75, #452182, #42148F and #3E079C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B3B66 shade: #4C3C68, #4F495A, #53564D, #566340 and #597033

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B3B66 shade: #3C4368, #403C68, #4C3C68, #573C68 and #633C68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B3B66 shade: #261D33, #392D4D, #4C3C68, #5F4B82 and #725A9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B3B66 shade: #4B3B66, #683C4F and #3D683C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B3B66 shade: #4B3B66, #684C3C and #3C684C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B3B66 shade: #4B3B66, #683C4F, #57683C and #3C6855

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B3B66 shade: #4B3B66, #683C41, #57683C and #3C6862

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 42 / 0 / 60

HEX #4B3B66

RGB 75 59 102

HSL 262.33, 0.27%, 0.32%

LAB 28.34, 17.12, -22.76

 

Complementary color

CMYK 8 / 0 / 22 / 23

HEX #B4C499

RGB 180 196 153

HSL 82.33, 0.27%, 0.68%

LAB 76.97, -13.03, 19.81

 

CMYK 18 / 39 / 0 / 62

HEX #503B61

RGB 80 59 97

HSL 273.16, 0.24%, 0.31%

LAB 28.63, 17.5, -19.04

 

CMYK 16 / 34 / 0 / 55

HEX #614D74

RGB 97 77 116

HSL 270.77, 0.2%, 0.38%

LAB 36.2, 16.72, -19.19

 

CMYK 16 / 30 / 0 / 47

HEX #725F87

RGB 114 95 135

HSL 268.5, 0.17%, 0.45%

LAB 43.52, 16.04, -19.38

 

CMYK 15 / 27 / 0 / 40

HEX #83719A

RGB 131 113 154

HSL 266.34, 0.17%, 0.52%

LAB 50.65, 15.45, -19.59

 

CMYK 14 / 24 / 0 / 32

HEX #9483AD

RGB 148 131 173

HSL 264.29, 0.2%, 0.6%

LAB 57.6, 14.93, -19.83

 

CMYK 26 / 42 / 0 / 60

HEX #4B3B66

RGB 75 59 102

HSL 262.33, 0.27%, 0.32%

LAB 28.34, 17.12, -22.76

 

CMYK 30 / 51 / 0 / 67

HEX #3A2953

RGB 58 41 83

HSL 264.29, 0.34%, 0.24%

LAB 20.48, 18.11, -22.81

 

CMYK 36 / 64 / 0 / 75

HEX #291740

RGB 41 23 64

HSL 266.34, 0.47%, 0.17%

LAB 12.32, 19.28, -22.89

 

CMYK 47 / 89 / 0 / 82

HEX #18052D

RGB 24 5 45

HSL 268.5, 0.8%, 0.1%

LAB 4.45, 17.83, -21.82

 

CMYK 73 / 100 / 0 / 90

HEX #07001A

RGB 7 0 26

HSL 256.15, 1%, 0.05%

LAB 1.08, 6.56, -12.24

 

CMYK 27 / 42 / 0 / 59

HEX #4C3C68

RGB 76 60 104

HSL 261.82, 0.27%, 0.32%

LAB 28.82, 17.34, -23.28

 

CMYK 15 / 42 / 0 / 59

HEX #583C68

RGB 88 60 104

HSL 278.18, 0.27%, 0.32%

LAB 30.17, 21.37, -21.06

 

CMYK 4 / 42 / 0 / 59

HEX #643C68

RGB 100 60 104

HSL 294.55, 0.27%, 0.32%

LAB 31.67, 25.5, -18.62

 

CMYK 0 / 42 / 8 / 59

HEX #683C60

RGB 104 60 96

HSL 310.91, 0.27%, 0.32%

LAB 31.85, 25.27, -13.18

 

CMYK 0 / 42 / 19 / 59

HEX #683C54

RGB 104 60 84

HSL 327.27, 0.27%, 0.32%

LAB 31.38, 23.03, -6.17

 

CMYK 27 / 42 / 0 / 59

HEX #4C3C68

RGB 76 60 104

HSL 261.82, 0.27%, 0.32%

LAB 28.82, 17.34, -23.28

 

CMYK 38 / 42 / 0 / 59

HEX #403C68

RGB 64 60 104

HSL 245.45, 0.27%, 0.32%

LAB 27.63, 13.52, -25.23

 

CMYK 42 / 42 / 0 / 59

HEX #3C3C68

RGB 60 60 104

HSL 240, 0.27%, 0.32%

LAB 27.27, 12.31, -25.81

 

CMYK 27 / 42 / 0 / 59

HEX #4C3C68

RGB 76 60 104

HSL 261.82, 0.27%, 0.32%

LAB 28.82, 17.34, -23.28

 

CMYK 38 / 61 / 0 / 54

HEX #492E75

RGB 73 46 117

HSL 262.82, 0.44%, 0.32%

LAB 25.73, 29.08, -36.51

 

CMYK 47 / 75 / 0 / 49

HEX #452182

RGB 69 33 130

HSL 262.27, 0.6%, 0.32%

LAB 23.55, 39.36, -48.29

 

CMYK 54 / 86 / 0 / 44

HEX #42148F

RGB 66 20 143

HSL 262.44, 0.75%, 0.32%

LAB 22.45, 48.3, -58.26

 

CMYK 60 / 96 / 0 / 39

HEX #3E079C

RGB 62 7 156

HSL 262.15, 0.91%, 0.32%

LAB 22.22, 54.96, -66.69

 

CMYK 27 / 42 / 0 / 59

HEX #4C3C68

RGB 76 60 104

HSL 261.82, 0.27%, 0.32%

LAB 28.82, 17.34, -23.28

 

CMYK 12 / 19 / 0 / 65

HEX #4F495A

RGB 79 73 90

HSL 261.18, 0.1%, 0.32%

LAB 32.18, 6.33, -9.12

 

CMYK 3 / 0 / 10 / 66

HEX #53564D

RGB 83 86 77

HSL 80, 0.06%, 0.32%

LAB 36.04, -3.08, 4.82

 

CMYK 13 / 0 / 35 / 61

HEX #566340

RGB 86 99 64

HSL 82.29, 0.21%, 0.32%

LAB 40.04, -11.75, 18.29

 

CMYK 21 / 0 / 54 / 56

HEX #597033

RGB 89 112 51

HSL 82.62, 0.37%, 0.32%

LAB 44.16, -19.32, 30.84

 

CMYK 42 / 36 / 0 / 59

HEX #3C4368

RGB 60 67 104

HSL 230.45, 0.27%, 0.32%

LAB 29.35, 7.62, -22.55

 

CMYK 38 / 42 / 0 / 59

HEX #403C68

RGB 64 60 104

HSL 245.45, 0.27%, 0.32%

LAB 27.63, 13.52, -25.23

 

CMYK 27 / 42 / 0 / 59

HEX #4C3C68

RGB 76 60 104

HSL 261.82, 0.27%, 0.32%

LAB 28.82, 17.34, -23.28

 

CMYK 16 / 42 / 0 / 59

HEX #573C68

RGB 87 60 104

HSL 276.82, 0.27%, 0.32%

LAB 30.05, 21.03, -21.26

 

CMYK 5 / 42 / 0 / 59

HEX #633C68

RGB 99 60 104

HSL 293.18, 0.27%, 0.32%

LAB 31.54, 25.15, -18.83

 

CMYK 25 / 43 / 0 / 80

HEX #261D33

RGB 38 29 51

HSL 264.55, 0.28%, 0.16%

LAB 12.8, 10.04, -12.9

 

CMYK 26 / 42 / 0 / 70

HEX #392D4D

RGB 57 45 77

HSL 262.5, 0.26%, 0.24%

LAB 21.14, 13.32, -17.75

 

CMYK 27 / 42 / 0 / 59

HEX #4C3C68

RGB 76 60 104

HSL 261.82, 0.27%, 0.32%

LAB 28.82, 17.34, -23.28

 

CMYK 27 / 42 / 0 / 49

HEX #5F4B82

RGB 95 75 130

HSL 261.82, 0.27%, 0.4%

LAB 36.13, 20.9, -27.97

 

CMYK 27 / 42 / 0 / 39

HEX #725A9C

RGB 114 90 156

HSL 261.82, 0.27%, 0.48%

LAB 43.2, 24.31, -32.47

 

CMYK 26 / 42 / 0 / 60

HEX #4B3B66

RGB 75 59 102

HSL 262.33, 0.27%, 0.32%

LAB 28.34, 17.12, -22.76

 

CMYK 0 / 42 / 24 / 59

HEX #683C4F

RGB 104 60 79

HSL 334.09, 0.27%, 0.32%

LAB 31.21, 22.17, -3.2

 

CMYK 41 / 0 / 42 / 59

HEX #3D683C

RGB 61 104 60

HSL 118.64, 0.27%, 0.32%

LAB 39.95, -24.89, 20.2

 

CMYK 26 / 42 / 0 / 60

HEX #4B3B66

RGB 75 59 102

HSL 262.33, 0.27%, 0.32%

LAB 28.34, 17.12, -22.76

 

CMYK 0 / 27 / 42 / 59

HEX #684C3C

RGB 104 76 60

HSL 21.82, 0.27%, 0.32%

LAB 34.88, 9.51, 14.14

 

CMYK 42 / 0 / 27 / 59

HEX #3C684C

RGB 60 104 76

HSL 141.82, 0.27%, 0.32%

LAB 40.22, -22.12, 11.09

 

CMYK 26 / 42 / 0 / 60

HEX #4B3B66

RGB 75 59 102

HSL 262.33, 0.27%, 0.32%

LAB 28.34, 17.12, -22.76

 

CMYK 0 / 42 / 24 / 59

HEX #683C4F

RGB 104 60 79

HSL 334.09, 0.27%, 0.32%

LAB 31.21, 22.17, -3.2

 

CMYK 16 / 0 / 42 / 59

HEX #57683C

RGB 87 104 60

HSL 83.18, 0.27%, 0.32%

LAB 41.62, -14.71, 22.69

 

CMYK 42 / 0 / 18 / 59

HEX #3C6855

RGB 60 104 85

HSL 154.09, 0.27%, 0.32%

LAB 40.44, -20.08, 5.97

 

CMYK 26 / 42 / 0 / 60

HEX #4B3B66

RGB 75 59 102

HSL 262.33, 0.27%, 0.32%

LAB 28.34, 17.12, -22.76

 

CMYK 0 / 42 / 38 / 59

HEX #683C41

RGB 104 60 65

HSL 353.18, 0.27%, 0.32%

LAB 30.77, 20.02, 5.26

 

CMYK 16 / 0 / 42 / 59

HEX #57683C

RGB 87 104 60

HSL 83.18, 0.27%, 0.32%

LAB 41.62, -14.71, 22.69

 

CMYK 42 / 0 / 6 / 59

HEX #3C6862

RGB 60 104 98

HSL 171.82, 0.27%, 0.32%

LAB 40.8, -16.8, -1.41

 

Description

Color code: HEX #4B3B66 | qconv.com Color code: HEX #4B3B66 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 59 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 59 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 42 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 42% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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