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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B3B36 it is the complementary color #B4C4C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B3B36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B3B36 shade: #503B31, #614D44, #725F57, #83716A and #94837D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B3B36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B3B36 shade: #4B3B36, #3A2923, #291710, #180500 and #070000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B3B36 shade: #4A3A36 and #4A3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B3B36 shade: #4A3A36, #4A4036, #4A4536, #494A36 and #434A36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B3B36 shade matches the following richer shades: #4A3A36, #54352B, #5F3021, #692A17 and #73250C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B3B36 shade: #4A3A36, #404040, #35454A, #2B4B54 and #21505F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B3B36 shade: #4A363C, #4A3636, #4A3A36, #4A4036 and #4A4536

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B3B36 shade: #1A1513, #322824, #4A3A36, #624D47 and #7A6058

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B3B36 shade: #4B3B36, #414A36 and #36394A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B3B36 shade: #4B3B36, #364A3A and #3A364A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B3B36 shade: #4B3B36, #414A36, #36454A and #3E364A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B3B36 shade: #4B3B36, #3B4A36, #36454A and #45364A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 28 / 71

HEX #4B3B36

RGB 75 59 54

HSL 14.29, 0.16%, 0.25%

LAB 26.42, 6.13, 5.76

 

Complementary color

CMYK 10 / 2 / 0 / 21

HEX #B4C4C9

RGB 180 196 201

HSL 194.29, 0.16%, 0.75%

LAB 78.11, -4.45, -4.38

 

CMYK 0 / 26 / 39 / 69

HEX #503B31

RGB 80 59 49

HSL 19.35, 0.24%, 0.25%

LAB 26.89, 7.65, 9.79

 

CMYK 0 / 21 / 30 / 62

HEX #614D44

RGB 97 77 68

HSL 18.62, 0.18%, 0.32%

LAB 34.53, 6.89, 8.52

 

CMYK 0 / 17 / 24 / 55

HEX #725F57

RGB 114 95 87

HSL 17.78, 0.13%, 0.39%

LAB 41.92, 6.3, 7.44

 

CMYK 0 / 14 / 19 / 49

HEX #83716A

RGB 131 113 106

HSL 16.8, 0.11%, 0.46%

LAB 49.1, 5.81, 6.47

 

CMYK 0 / 11 / 16 / 42

HEX #94837D

RGB 148 131 125

HSL 15.65, 0.1%, 0.54%

LAB 56.1, 5.4, 5.59

 

CMYK 0 / 21 / 28 / 71

HEX #4B3B36

RGB 75 59 54

HSL 14.29, 0.16%, 0.25%

LAB 26.42, 6.13, 5.76

 

CMYK 0 / 29 / 40 / 77

HEX #3A2923

RGB 58 41 35

HSL 15.65, 0.25%, 0.18%

LAB 18.39, 6.92, 7.03

 

CMYK 0 / 44 / 61 / 84

HEX #291710

RGB 41 23 16

HSL 16.8, 0.44%, 0.11%

LAB 9.97, 8.09, 8.07

 

CMYK 0 / 79 / 100 / 91

HEX #180500

RGB 24 5 0

HSL 12.5, 1%, 0.05%

LAB 2.73, 5.87, 4.2

 

CMYK 0 / 100 / 100 / 97

HEX #070000

RGB 7 0 0

HSL 0, 1%, 0.01%

LAB 0.41, 1.83, 0.64

 

CMYK 0 / 22 / 27 / 71

HEX #4A3A36

RGB 74 58 54

HSL 12, 0.16%, 0.25%

LAB 26.01, 6.33, 5.15

 

CMYK 0 / 27 / 27 / 71

HEX #4A3636

RGB 74 54 54

HSL 0, 0.16%, 0.25%

LAB 24.83, 8.94, 3.48

 

CMYK 0 / 22 / 27 / 71

HEX #4A3A36

RGB 74 58 54

HSL 12, 0.16%, 0.25%

LAB 26.01, 6.33, 5.15

 

CMYK 0 / 14 / 27 / 71

HEX #4A4036

RGB 74 64 54

HSL 30, 0.16%, 0.25%

LAB 27.82, 2.44, 7.7

 

CMYK 0 / 7 / 27 / 71

HEX #4A4536

RGB 74 69 54

HSL 45, 0.16%, 0.25%

LAB 29.36, -0.74, 9.84

 

CMYK 1 / 0 / 27 / 71

HEX #494A36

RGB 73 74 54

HSL 63, 0.16%, 0.25%

LAB 30.83, -4.31, 11.85

 

CMYK 9 / 0 / 27 / 71

HEX #434A36

RGB 67 74 54

HSL 81, 0.16%, 0.25%

LAB 30.3, -6.99, 11.03

 

CMYK 0 / 22 / 27 / 71

HEX #4A3A36

RGB 74 58 54

HSL 12, 0.16%, 0.25%

LAB 26.01, 6.33, 5.15

 

CMYK 0 / 37 / 49 / 67

HEX #54352B

RGB 84 53 43

HSL 14.63, 0.32%, 0.25%

LAB 25.58, 12.58, 12.02

 

CMYK 0 / 49 / 65 / 63

HEX #5F3021

RGB 95 48 33

HSL 14.52, 0.48%, 0.25%

LAB 25.73, 19.76, 19.02

 

CMYK 0 / 60 / 78 / 59

HEX #692A17

RGB 105 42 23

HSL 13.9, 0.64%, 0.25%

LAB 25.92, 26.94, 25.85

 

CMYK 0 / 68 / 90 / 55

HEX #73250C

RGB 115 37 12

HSL 14.56, 0.81%, 0.25%

LAB 26.72, 33.13, 33.18

 

CMYK 0 / 22 / 27 / 71

HEX #4A3A36

RGB 74 58 54

HSL 12, 0.16%, 0.25%

LAB 26.01, 6.33, 5.15

 

CMYK 0 / 0 / 0 / 75

HEX #404040

RGB 64 64 64

HSL 0, 0%, 0.25%

LAB 27.09, 0, -0

 

CMYK 28 / 7 / 0 / 71

HEX #35454A

RGB 53 69 74

HSL 194.29, 0.17%, 0.25%

LAB 28.13, -5.01, -5.11

 

CMYK 49 / 11 / 0 / 67

HEX #2B4B54

RGB 43 75 84

HSL 193.17, 0.32%, 0.25%

LAB 29.88, -9, -9.02

 

CMYK 65 / 16 / 0 / 63

HEX #21505F

RGB 33 80 95

HSL 194.52, 0.48%, 0.25%

LAB 31.55, -10.84, -13.54

 

CMYK 0 / 27 / 19 / 71

HEX #4A363C

RGB 74 54 60

HSL 342, 0.16%, 0.25%

LAB 25.02, 10.04, -0.26

 

CMYK 0 / 27 / 27 / 71

HEX #4A3636

RGB 74 54 54

HSL 0, 0.16%, 0.25%

LAB 24.83, 8.94, 3.48

 

CMYK 0 / 22 / 27 / 71

HEX #4A3A36

RGB 74 58 54

HSL 12, 0.16%, 0.25%

LAB 26.01, 6.33, 5.15

 

CMYK 0 / 14 / 27 / 71

HEX #4A4036

RGB 74 64 54

HSL 30, 0.16%, 0.25%

LAB 27.82, 2.44, 7.7

 

CMYK 0 / 7 / 27 / 71

HEX #4A4536

RGB 74 69 54

HSL 45, 0.16%, 0.25%

LAB 29.36, -0.74, 9.84

 

CMYK 0 / 19 / 27 / 90

HEX #1A1513

RGB 26 21 19

HSL 17.14, 0.16%, 0.09%

LAB 7.25, 1.99, 2.09

 

CMYK 0 / 20 / 28 / 80

HEX #322824

RGB 50 40 36

HSL 17.14, 0.16%, 0.17%

LAB 17.1, 3.87, 4.37

 

CMYK 0 / 22 / 27 / 71

HEX #4A3A36

RGB 74 58 54

HSL 12, 0.16%, 0.25%

LAB 26.01, 6.33, 5.15

 

CMYK 0 / 21 / 28 / 62

HEX #624D47

RGB 98 77 71

HSL 13.33, 0.16%, 0.33%

LAB 34.72, 7.82, 6.91

 

CMYK 0 / 21 / 28 / 52

HEX #7A6058

RGB 122 96 88

HSL 14.12, 0.16%, 0.41%

LAB 43.07, 9.24, 8.58

 

CMYK 0 / 21 / 28 / 71

HEX #4B3B36

RGB 75 59 54

HSL 14.29, 0.16%, 0.25%

LAB 26.42, 6.13, 5.76

 

CMYK 12 / 0 / 27 / 71

HEX #414A36

RGB 65 74 54

HSL 87, 0.16%, 0.25%

LAB 30.13, -7.87, 10.77

 

CMYK 27 / 23 / 0 / 71

HEX #36394A

RGB 54 57 74

HSL 231, 0.16%, 0.25%

LAB 24.34, 3.19, -10.83

 

CMYK 0 / 21 / 28 / 71

HEX #4B3B36

RGB 75 59 54

HSL 14.29, 0.16%, 0.25%

LAB 26.42, 6.13, 5.76

 

CMYK 27 / 0 / 22 / 71

HEX #364A3A

RGB 54 74 58

HSL 132, 0.16%, 0.25%

LAB 29.38, -11.64, 7.06

 

CMYK 22 / 27 / 0 / 71

HEX #3A364A

RGB 58 54 74

HSL 252, 0.16%, 0.25%

LAB 23.78, 6.71, -11.65

 

CMYK 0 / 21 / 28 / 71

HEX #4B3B36

RGB 75 59 54

HSL 14.29, 0.16%, 0.25%

LAB 26.42, 6.13, 5.76

 

CMYK 12 / 0 / 27 / 71

HEX #414A36

RGB 65 74 54

HSL 87, 0.16%, 0.25%

LAB 30.13, -7.87, 10.77

 

CMYK 27 / 7 / 0 / 71

HEX #36454A

RGB 54 69 74

HSL 195, 0.16%, 0.25%

LAB 28.21, -4.64, -4.99

 

CMYK 16 / 27 / 0 / 71

HEX #3E364A

RGB 62 54 74

HSL 264, 0.16%, 0.25%

LAB 24.18, 8.24, -11

 

CMYK 0 / 21 / 28 / 71

HEX #4B3B36

RGB 75 59 54

HSL 14.29, 0.16%, 0.25%

LAB 26.42, 6.13, 5.76

 

CMYK 20 / 0 / 27 / 71

HEX #3B4A36

RGB 59 74 54

HSL 105, 0.16%, 0.25%

LAB 29.65, -10.44, 10.03

 

CMYK 27 / 7 / 0 / 71

HEX #36454A

RGB 54 69 74

HSL 195, 0.16%, 0.25%

LAB 28.21, -4.64, -4.99

 

CMYK 7 / 27 / 0 / 71

HEX #45364A

RGB 69 54 74

HSL 285, 0.16%, 0.25%

LAB 24.95, 10.97, -9.77

 

Description

Color code: HEX #4B3B36 | qconv.com Color code: HEX #4B3B36 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 59 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 59 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 28 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 28% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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