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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B3789 it is the complementary color #B4C876. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B3789. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B3789 shade: #503784, #614997, #725BAA, #836DBD and #947FD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B3789. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B3789 shade: #4B3789, #3A2576, #291363, #180150 and #07003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B3789 shade: #4C378B, #62378B, #78378B, #8B3786 and #8B3770

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B3789 shade: #4C378B and #37378B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B3789 shade matches the following richer shades: #4C378B, #44289A, #3B18AA and #3308BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B3789 shade: #4C378B, #54477B, #5C576B, #64665C and #6C764C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B3789 shade: #37508B, #373A8B, #4B378B, #61378B and #77378B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B3789 shade: #2B2050, #3B2B6D, #4C378B, #5C43A8 and #7058BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B3789 shade: #4B3789, #8B3766 and #458B37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B3789 shade: #4B3789, #8B4B37 and #378B4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B3789 shade: #4B3789, #8B3766, #778B37 and #378B5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B3789 shade: #4B3789, #8B374D, #778B37 and #378B74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 60 / 0 / 46

HEX #4B3789

RGB 75 55 137

HSL 254.63, 0.43%, 0.38%

LAB 29.5, 29.94, -42.98

 

Complementary color

CMYK 10 / 0 / 41 / 22

HEX #B4C876

RGB 180 200 118

HSL 74.63, 0.43%, 0.62%

LAB 77.47, -19.81, 38.71

 

CMYK 39 / 58 / 0 / 48

HEX #503784

RGB 80 55 132

HSL 259.48, 0.41%, 0.37%

LAB 29.67, 29.67, -39.57

 

CMYK 36 / 52 / 0 / 41

HEX #614997

RGB 97 73 151

HSL 258.46, 0.35%, 0.44%

LAB 37.01, 28.47, -39.39

 

CMYK 33 / 46 / 0 / 33

HEX #725BAA

RGB 114 91 170

HSL 257.47, 0.32%, 0.51%

LAB 44.18, 27.4, -39.22

 

CMYK 31 / 42 / 0 / 26

HEX #836DBD

RGB 131 109 189

HSL 256.5, 0.38%, 0.58%

LAB 51.19, 26.46, -39.09

 

CMYK 29 / 39 / 0 / 18

HEX #947FD0

RGB 148 127 208

HSL 255.56, 0.46%, 0.66%

LAB 58.06, 25.62, -39.01

 

CMYK 45 / 60 / 0 / 46

HEX #4B3789

RGB 75 55 137

HSL 254.63, 0.43%, 0.38%

LAB 29.5, 29.94, -42.98

 

CMYK 51 / 69 / 0 / 54

HEX #3A2576

RGB 58 37 118

HSL 255.56, 0.52%, 0.3%

LAB 22.05, 31.41, -43.17

 

CMYK 59 / 81 / 0 / 61

HEX #291363

RGB 41 19 99

HSL 256.5, 0.68%, 0.23%

LAB 14.61, 32.78, -43.05

 

CMYK 70 / 99 / 0 / 69

HEX #180150

RGB 24 1 80

HSL 257.47, 0.98%, 0.16%

LAB 7.18, 34.22, -42.54

 

CMYK 89 / 100 / 0 / 76

HEX #07003D

RGB 7 0 61

HSL 246.89, 1%, 0.12%

LAB 3.45, 23.1, -35.3

 

CMYK 45 / 60 / 0 / 45

HEX #4C378B

RGB 76 55 139

HSL 255, 0.43%, 0.38%

LAB 29.75, 30.78, -43.82

 

CMYK 29 / 60 / 0 / 45

HEX #62378B

RGB 98 55 139

HSL 270.71, 0.43%, 0.38%

LAB 32.24, 36.19, -39.67

 

CMYK 14 / 60 / 0 / 45

HEX #78378B

RGB 120 55 139

HSL 286.43, 0.43%, 0.38%

LAB 35.18, 42.01, -34.81

 

CMYK 0 / 60 / 4 / 45

HEX #8B3786

RGB 139 55 134

HSL 303.57, 0.43%, 0.38%

LAB 37.74, 46.25, -27.51

 

CMYK 0 / 60 / 19 / 45

HEX #8B3770

RGB 139 55 112

HSL 319.29, 0.43%, 0.38%

LAB 36.73, 42.56, -15.41

 

CMYK 45 / 60 / 0 / 45

HEX #4C378B

RGB 76 55 139

HSL 255, 0.43%, 0.38%

LAB 29.75, 30.78, -43.82

 

CMYK 60 / 60 / 0 / 45

HEX #37378B

RGB 55 55 139

HSL 240, 0.43%, 0.38%

LAB 27.87, 26.34, -46.95

 

CMYK 45 / 60 / 0 / 45

HEX #4C378B

RGB 76 55 139

HSL 255, 0.43%, 0.38%

LAB 29.75, 30.78, -43.82

 

CMYK 56 / 74 / 0 / 40

HEX #44289A

RGB 68 40 154

HSL 254.74, 0.59%, 0.38%

LAB 26.96, 42.51, -57.61

 

CMYK 65 / 86 / 0 / 33

HEX #3B18AA

RGB 59 24 170

HSL 254.38, 0.75%, 0.38%

LAB 25.22, 53.46, -70.24

 

CMYK 73 / 96 / 0 / 27

HEX #3308BA

RGB 51 8 186

HSL 254.49, 0.92%, 0.38%

LAB 25.02, 61.68, -80.17

 

CMYK 45 / 60 / 0 / 45

HEX #4C378B

RGB 76 55 139

HSL 255, 0.43%, 0.38%

LAB 29.75, 30.78, -43.82

 

CMYK 32 / 42 / 0 / 52

HEX #54477B

RGB 84 71 123

HSL 255, 0.27%, 0.38%

LAB 33.61, 18.09, -27.68

 

CMYK 14 / 19 / 0 / 58

HEX #5C576B

RGB 92 87 107

HSL 255, 0.1%, 0.38%

LAB 38.12, 6.47, -10.71

 

CMYK 2 / 0 / 10 / 60

HEX #64665C

RGB 100 102 92

HSL 72, 0.05%, 0.38%

LAB 42.74, -2.79, 5.38

 

CMYK 8 / 0 / 36 / 54

HEX #6C764C

RGB 108 118 76

HSL 74.29, 0.22%, 0.38%

LAB 47.84, -11.31, 21.93

 

CMYK 60 / 42 / 0 / 45

HEX #37508B

RGB 55 80 139

HSL 222.14, 0.43%, 0.38%

LAB 34.83, 9.68, -35.75

 

CMYK 60 / 58 / 0 / 45

HEX #373A8B

RGB 55 58 139

HSL 237.86, 0.43%, 0.38%

LAB 28.65, 24.35, -45.68

 

CMYK 46 / 60 / 0 / 45

HEX #4B378B

RGB 75 55 139

HSL 254.29, 0.43%, 0.38%

LAB 29.64, 30.55, -43.99

 

CMYK 30 / 60 / 0 / 45

HEX #61378B

RGB 97 55 139

HSL 270, 0.43%, 0.38%

LAB 32.12, 35.93, -39.87

 

CMYK 14 / 60 / 0 / 45

HEX #77378B

RGB 119 55 139

HSL 285.71, 0.43%, 0.38%

LAB 35.04, 41.74, -35.04

 

CMYK 46 / 60 / 0 / 69

HEX #2B2050

RGB 43 32 80

HSL 253.75, 0.43%, 0.22%

LAB 16.13, 18.81, -27.81

 

CMYK 46 / 61 / 0 / 57

HEX #3B2B6D

RGB 59 43 109

HSL 254.55, 0.43%, 0.3%

LAB 22.87, 25.01, -36.07

 

CMYK 45 / 60 / 0 / 45

HEX #4C378B

RGB 76 55 139

HSL 255, 0.43%, 0.38%

LAB 29.75, 30.78, -43.82

 

CMYK 45 / 60 / 0 / 34

HEX #5C43A8

RGB 92 67 168

HSL 254.85, 0.43%, 0.46%

LAB 36.21, 35.77, -50.91

 

CMYK 40 / 53 / 0 / 26

HEX #7058BC

RGB 112 88 188

HSL 254.4, 0.43%, 0.54%

LAB 44.31, 33.66, -49.57

 

CMYK 45 / 60 / 0 / 46

HEX #4B3789

RGB 75 55 137

HSL 254.63, 0.43%, 0.38%

LAB 29.5, 29.94, -42.98

 

CMYK 0 / 60 / 27 / 45

HEX #8B3766

RGB 139 55 102

HSL 326.43, 0.43%, 0.38%

LAB 36.33, 41.06, -9.71

 

CMYK 50 / 0 / 60 / 45

HEX #458B37

RGB 69 139 55

HSL 110, 0.43%, 0.38%

LAB 51.84, -39, 37.53

 

CMYK 45 / 60 / 0 / 46

HEX #4B3789

RGB 75 55 137

HSL 254.63, 0.43%, 0.38%

LAB 29.5, 29.94, -42.98

 

CMYK 0 / 46 / 60 / 45

HEX #8B4B37

RGB 139 75 55

HSL 14.29, 0.43%, 0.38%

LAB 39.24, 25.04, 23.77

 

CMYK 60 / 0 / 46 / 45

HEX #378B4B

RGB 55 139 75

HSL 134.29, 0.43%, 0.38%

LAB 51.59, -39.98, 26.79

 

CMYK 45 / 60 / 0 / 46

HEX #4B3789

RGB 75 55 137

HSL 254.63, 0.43%, 0.38%

LAB 29.5, 29.94, -42.98

 

CMYK 0 / 60 / 27 / 45

HEX #8B3766

RGB 139 55 102

HSL 326.43, 0.43%, 0.38%

LAB 36.33, 41.06, -9.71

 

CMYK 14 / 0 / 60 / 45

HEX #778B37

RGB 119 139 55

HSL 74.29, 0.43%, 0.38%

LAB 54.72, -20.23, 41.57

 

CMYK 60 / 0 / 35 / 45

HEX #378B5B

RGB 55 139 91

HSL 145.71, 0.43%, 0.38%

LAB 51.87, -36.97, 18.3

 

CMYK 45 / 60 / 0 / 46

HEX #4B3789

RGB 75 55 137

HSL 254.63, 0.43%, 0.38%

LAB 29.5, 29.94, -42.98

 

CMYK 0 / 60 / 45 / 45

HEX #8B374D

RGB 139 55 77

HSL 344.29, 0.43%, 0.38%

LAB 35.51, 37.89, 5.02

 

CMYK 14 / 0 / 60 / 45

HEX #778B37

RGB 119 139 55

HSL 74.29, 0.43%, 0.38%

LAB 54.72, -20.23, 41.57

 

CMYK 60 / 0 / 17 / 45

HEX #378B74

RGB 55 139 116

HSL 163.57, 0.43%, 0.38%

LAB 52.44, -31.19, 4.78

 

Description

Color code: HEX #4B3789 | qconv.com Color code: HEX #4B3789 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 55 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 55 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 60 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 60% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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