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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B2D94 it is the complementary color #B4D26B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B2D94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B2D94 shade: #502D8F, #613FA2, #7251B5, #8363C8 and #9475DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B2D94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B2D94 shade: #4B2D94, #3A1B81, #29096E, #18005B and #070048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B2D94 shade: #4B2E94, #672E94, #832E94, #942E8A and #942E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B2D94 shade: #4B2E94, #302E94 and #2E2E94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B2D94 shade matches the following richer shades: #4B2E94, #451EA4 and #3E0EB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B2D94 shade: #4B2E94, #523D85, #594D75, #5F5D65 and #666C56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B2D94 shade: #2E4794, #2F2E94, #4B2E94, #662E94 and #812E94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B2D94 shade: #2B1A55, #3B2475, #4B2E94, #5C37B4 and #704CC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B2D94 shade: #4B2D94, #942E63 and #3A942E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B2D94 shade: #4B2D94, #944B2E and #2E944B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B2D94 shade: #4B2D94, #942E63, #77942E and #2E945F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B2D94 shade: #4B2D94, #942E44, #77942E and #2E947E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 70 / 0 / 42

HEX #4B2D94

RGB 75 45 148

HSL 257.48, 0.53%, 0.38%

LAB 28.14, 39.18, -51.97

 

Complementary color

CMYK 14 / 0 / 49 / 18

HEX #B4D26B

RGB 180 210 107

HSL 77.48, 0.53%, 0.62%

LAB 80.1, -25.91, 47.38

 

CMYK 44 / 69 / 0 / 44

HEX #502D8F

RGB 80 45 143

HSL 261.43, 0.52%, 0.37%

LAB 28.29, 38.71, -48.63

 

CMYK 40 / 61 / 0 / 36

HEX #613FA2

RGB 97 63 162

HSL 260.61, 0.44%, 0.44%

LAB 35.41, 37.52, -48.58

 

CMYK 37 / 55 / 0 / 29

HEX #7251B5

RGB 114 81 181

HSL 259.8, 0.4%, 0.51%

LAB 42.46, 36.34, -48.43

 

CMYK 35 / 51 / 0 / 22

HEX #8363C8

RGB 131 99 200

HSL 259.01, 0.48%, 0.59%

LAB 49.4, 35.22, -48.27

 

CMYK 32 / 47 / 0 / 14

HEX #9475DB

RGB 148 117 219

HSL 258.24, 0.59%, 0.66%

LAB 56.22, 34.21, -48.11

 

CMYK 49 / 70 / 0 / 42

HEX #4B2D94

RGB 75 45 148

HSL 257.48, 0.53%, 0.38%

LAB 28.14, 39.18, -51.97

 

CMYK 55 / 79 / 0 / 49

HEX #3A1B81

RGB 58 27 129

HSL 258.24, 0.65%, 0.31%

LAB 21.09, 40.32, -51.75

 

CMYK 63 / 92 / 0 / 57

HEX #29096E

RGB 41 9 110

HSL 259.01, 0.85%, 0.23%

LAB 14.36, 40.51, -50.71

 

CMYK 74 / 100 / 0 / 64

HEX #18005B

RGB 24 0 91

HSL 255.82, 1%, 0.18%

LAB 8.56, 38.01, -47.77

 

CMYK 90 / 100 / 0 / 72

HEX #070048

RGB 7 0 72

HSL 245.83, 1%, 0.14%

LAB 4.63, 29.31, -41.22

 

CMYK 49 / 69 / 0 / 42

HEX #4B2E94

RGB 75 46 148

HSL 257.06, 0.53%, 0.38%

LAB 28.35, 38.62, -51.64

 

CMYK 30 / 69 / 0 / 42

HEX #672E94

RGB 103 46 148

HSL 273.53, 0.53%, 0.38%

LAB 31.75, 44.42, -45.96

 

CMYK 11 / 69 / 0 / 42

HEX #832E94

RGB 131 46 148

HSL 290, 0.53%, 0.38%

LAB 35.82, 50.86, -39.2

 

CMYK 0 / 69 / 7 / 42

HEX #942E8A

RGB 148 46 138

HSL 305.88, 0.53%, 0.38%

LAB 37.99, 53.21, -29.46

 

CMYK 0 / 69 / 26 / 42

HEX #942E6E

RGB 148 46 110

HSL 322.35, 0.53%, 0.38%

LAB 36.7, 48.96, -14.06

 

CMYK 49 / 69 / 0 / 42

HEX #4B2E94

RGB 75 46 148

HSL 257.06, 0.53%, 0.38%

LAB 28.35, 38.62, -51.64

 

CMYK 68 / 69 / 0 / 42

HEX #302E94

RGB 48 46 148

HSL 241.18, 0.53%, 0.38%

LAB 25.92, 34.15, -55.7

 

CMYK 69 / 69 / 0 / 42

HEX #2E2E94

RGB 46 46 148

HSL 240, 0.53%, 0.38%

LAB 25.78, 33.88, -55.94

 

CMYK 49 / 69 / 0 / 42

HEX #4B2E94

RGB 75 46 148

HSL 257.06, 0.53%, 0.38%

LAB 28.35, 38.62, -51.64

 

CMYK 58 / 82 / 0 / 36

HEX #451EA4

RGB 69 30 164

HSL 257.46, 0.69%, 0.38%

LAB 26.37, 50.37, -64.67

 

CMYK 66 / 92 / 0 / 29

HEX #3E0EB4

RGB 62 14 180

HSL 257.35, 0.86%, 0.38%

LAB 25.66, 59.42, -75.5

 

CMYK 49 / 69 / 0 / 42

HEX #4B2E94

RGB 75 46 148

HSL 257.06, 0.53%, 0.38%

LAB 28.35, 38.62, -51.64

 

CMYK 38 / 54 / 0 / 48

HEX #523D85

RGB 82 61 133

HSL 257.5, 0.37%, 0.38%

LAB 31.4, 26.75, -37.4

 

CMYK 24 / 34 / 0 / 54

HEX #594D75

RGB 89 77 117

HSL 258, 0.21%, 0.38%

LAB 35.43, 14.23, -21.06

 

CMYK 6 / 8 / 0 / 60

HEX #5F5D65

RGB 95 93 101

HSL 255, 0.04%, 0.38%

LAB 39.92, 2.51, -4.28

 

CMYK 6 / 0 / 20 / 58

HEX #666C56

RGB 102 108 86

HSL 76.36, 0.11%, 0.38%

LAB 44.55, -6.57, 11.56

 

CMYK 69 / 52 / 0 / 42

HEX #2E4794

RGB 46 71 148

HSL 225.29, 0.53%, 0.38%

LAB 32.31, 17.3, -45.31

 

CMYK 68 / 69 / 0 / 42

HEX #2F2E94

RGB 47 46 148

HSL 240.59, 0.53%, 0.38%

LAB 25.85, 34.01, -55.82

 

CMYK 49 / 69 / 0 / 42

HEX #4B2E94

RGB 75 46 148

HSL 257.06, 0.53%, 0.38%

LAB 28.35, 38.62, -51.64

 

CMYK 31 / 69 / 0 / 42

HEX #662E94

RGB 102 46 148

HSL 272.94, 0.53%, 0.38%

LAB 31.62, 44.2, -46.18

 

CMYK 13 / 69 / 0 / 42

HEX #812E94

RGB 129 46 148

HSL 288.82, 0.53%, 0.38%

LAB 35.52, 50.38, -39.71

 

CMYK 49 / 69 / 0 / 67

HEX #2B1A55

RGB 43 26 85

HSL 257.29, 0.53%, 0.22%

LAB 15, 24.5, -33.04

 

CMYK 50 / 69 / 0 / 54

HEX #3B2475

RGB 59 36 117

HSL 257.04, 0.53%, 0.3%

LAB 21.86, 31.91, -42.85

 

CMYK 49 / 69 / 0 / 42

HEX #4B2E94

RGB 75 46 148

HSL 257.06, 0.53%, 0.38%

LAB 28.35, 38.62, -51.64

 

CMYK 49 / 69 / 0 / 29

HEX #5C37B4

RGB 92 55 180

HSL 257.76, 0.53%, 0.46%

LAB 34.61, 46.04, -60.66

 

CMYK 44 / 62 / 0 / 22

HEX #704CC8

RGB 112 76 200

HSL 257.42, 0.53%, 0.54%

LAB 42.44, 43.98, -59.56

 

CMYK 49 / 70 / 0 / 42

HEX #4B2D94

RGB 75 45 148

HSL 257.48, 0.53%, 0.38%

LAB 28.14, 39.18, -51.97

 

CMYK 0 / 69 / 33 / 42

HEX #942E63

RGB 148 46 99

HSL 328.82, 0.53%, 0.38%

LAB 36.27, 47.51, -7.74

 

CMYK 61 / 0 / 69 / 42

HEX #3A942E

RGB 58 148 46

HSL 112.94, 0.53%, 0.38%

LAB 54.32, -46.63, 44.26

 

CMYK 49 / 70 / 0 / 42

HEX #4B2D94

RGB 75 45 148

HSL 257.48, 0.53%, 0.38%

LAB 28.14, 39.18, -51.97

 

CMYK 0 / 49 / 69 / 42

HEX #944B2E

RGB 148 75 46

HSL 17.06, 0.53%, 0.38%

LAB 40.45, 28.2, 30.8

 

CMYK 69 / 0 / 49 / 42

HEX #2E944B

RGB 46 148 75

HSL 137.06, 0.53%, 0.38%

LAB 54.31, -45.54, 30.18

 

CMYK 49 / 70 / 0 / 42

HEX #4B2D94

RGB 75 45 148

HSL 257.48, 0.53%, 0.38%

LAB 28.14, 39.18, -51.97

 

CMYK 0 / 69 / 33 / 42

HEX #942E63

RGB 148 46 99

HSL 328.82, 0.53%, 0.38%

LAB 36.27, 47.51, -7.74

 

CMYK 20 / 0 / 69 / 42

HEX #77942E

RGB 119 148 46

HSL 77.06, 0.53%, 0.38%

LAB 57.37, -25.47, 48.4

 

CMYK 69 / 0 / 36 / 42

HEX #2E945F

RGB 46 148 95

HSL 148.82, 0.53%, 0.38%

LAB 54.64, -41.82, 19.76

 

CMYK 49 / 70 / 0 / 42

HEX #4B2D94

RGB 75 45 148

HSL 257.48, 0.53%, 0.38%

LAB 28.14, 39.18, -51.97

 

CMYK 0 / 69 / 54 / 42

HEX #942E44

RGB 148 46 68

HSL 347.06, 0.53%, 0.38%

LAB 35.34, 44.24, 10.78

 

CMYK 20 / 0 / 69 / 42

HEX #77942E

RGB 119 148 46

HSL 77.06, 0.53%, 0.38%

LAB 57.37, -25.47, 48.4

 

CMYK 69 / 0 / 15 / 42

HEX #2E947E

RGB 46 148 126

HSL 167.06, 0.53%, 0.38%

LAB 55.35, -34.46, 3.19

 

Description

Color code: HEX #4B2D94 | qconv.com Color code: HEX #4B2D94 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 45 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 45 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 70 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 70% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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