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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B24DF it is the complementary color #B4DB20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B24DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B24DF shade: #5024DA, #6136ED, #7248FF, #835AFF and #946CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B24DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B24DF shade: #4B24DF, #3A12CC, #2900B9, #1800A6 and #070093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B24DF shade: #4B24E0, #7E24E0, #B124E0, #E024DC and #E024AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B24DF shade: #4B24E0 and #2424E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B24DF shade matches the following richer shades: #4B24E0 and #4010F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B24DF shade: #4B24E0, #5739CC, #634DB7, #6F61A3 and #7B758F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B24DF shade: #2463E0, #2431E0, #4A24E0, #7C24E0 and #AE24E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B24DF shade: #32169B, #3E1BBF, #4B24E0, #6948E5 and #876DEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B24DF shade: #4B24DF, #E02495 and #4AE024

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B24DF shade: #4B24DF, #E04A24 and #24E04A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B24DF shade: #4B24DF, #E02495, #BAE024 and #24E06F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B24DF shade: #4B24DF, #E0245D, #BAE024 and #24E0A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 84 / 0 / 13

HEX #4B24DF

RGB 75 36 223

HSL 252.51, 0.75%, 0.51%

LAB 34.16, 64.69, -86.53

 

Complementary color

CMYK 18 / 0 / 85 / 14

HEX #B4DB20

RGB 180 219 32

HSL 72.51, 0.75%, 0.49%

LAB 82.09, -34.82, 76.84

 

CMYK 63 / 83 / 0 / 15

HEX #5024DA

RGB 80 36 218

HSL 254.51, 0.72%, 0.5%

LAB 34.04, 63.75, -83.83

 

CMYK 59 / 77 / 0 / 7

HEX #6136ED

RGB 97 54 237

HSL 254.1, 0.84%, 0.57%

LAB 40.07, 63.13, -84.67

 

CMYK 55 / 72 / 0 / 0

HEX #7248FF

RGB 114 72 255

HSL 253.77, 1%, 0.64%

LAB 46.22, 61.73, -84.6

 

CMYK 49 / 65 / 0 / 0

HEX #835AFF

RGB 131 90 255

HSL 254.91, 1%, 0.68%

LAB 51.1, 55.18, -76.55

 

CMYK 42 / 58 / 0 / 0

HEX #946CFF

RGB 148 108 255

HSL 256.33, 1%, 0.71%

LAB 56.33, 48.74, -68.01

 

CMYK 66 / 84 / 0 / 13

HEX #4B24DF

RGB 75 36 223

HSL 252.51, 0.75%, 0.51%

LAB 34.16, 64.69, -86.53

 

CMYK 72 / 91 / 0 / 20

HEX #3A12CC

RGB 58 18 204

HSL 252.9, 0.84%, 0.44%

LAB 28.62, 64.36, -84.77

 

CMYK 78 / 100 / 0 / 27

HEX #2900B9

RGB 41 0 185

HSL 253.3, 1%, 0.36%

LAB 23.59, 62.8, -81.99

 

CMYK 86 / 100 / 0 / 35

HEX #1800A6

RGB 24 0 166

HSL 248.67, 1%, 0.33%

LAB 19.83, 57.7, -76.85

 

CMYK 95 / 100 / 0 / 42

HEX #070093

RGB 7 0 147

HSL 242.86, 1%, 0.29%

LAB 16.26, 52.6, -71.16

 

CMYK 67 / 84 / 0 / 12

HEX #4B24E0

RGB 75 36 224

HSL 252.45, 0.75%, 0.51%

LAB 34.27, 64.95, -86.92

 

CMYK 44 / 84 / 0 / 12

HEX #7E24E0

RGB 126 36 224

HSL 268.72, 0.75%, 0.51%

LAB 39.71, 70.03, -77.75

 

CMYK 21 / 84 / 0 / 12

HEX #B124E0

RGB 177 36 224

HSL 285, 0.75%, 0.51%

LAB 46.96, 77.23, -65.61

 

CMYK 0 / 84 / 2 / 12

HEX #E024DC

RGB 224 36 220

HSL 301.28, 0.75%, 0.51%

LAB 54.32, 84.54, -51.11

 

CMYK 0 / 84 / 24 / 12

HEX #E024AA

RGB 224 36 170

HSL 317.23, 0.75%, 0.51%

LAB 51.85, 77.9, -26.09

 

CMYK 67 / 84 / 0 / 12

HEX #4B24E0

RGB 75 36 224

HSL 252.45, 0.75%, 0.51%

LAB 34.27, 64.95, -86.92

 

CMYK 84 / 84 / 0 / 12

HEX #2424E0

RGB 36 36 224

HSL 240, 0.75%, 0.51%

LAB 31.85, 62.83, -91.01

 

CMYK 67 / 84 / 0 / 12

HEX #4B24E0

RGB 75 36 224

HSL 252.45, 0.75%, 0.51%

LAB 34.27, 64.95, -86.92

 

CMYK 74 / 93 / 0 / 4

HEX #4010F4

RGB 64 16 244

HSL 252.63, 0.91%, 0.51%

LAB 33.97, 75.06, -98.83

 

CMYK 67 / 84 / 0 / 12

HEX #4B24E0

RGB 75 36 224

HSL 252.45, 0.75%, 0.51%

LAB 34.27, 64.95, -86.92

 

CMYK 57 / 72 / 0 / 20

HEX #5739CC

RGB 87 57 204

HSL 252.24, 0.59%, 0.51%

LAB 36.58, 51.12, -71.53

 

CMYK 46 / 58 / 0 / 28

HEX #634DB7

RGB 99 77 183

HSL 252.45, 0.42%, 0.51%

LAB 40.21, 35.76, -53.3

 

CMYK 32 / 40 / 0 / 36

HEX #6F61A3

RGB 111 97 163

HSL 252.73, 0.26%, 0.51%

LAB 45.04, 21.01, -33.74

 

CMYK 14 / 18 / 0 / 44

HEX #7B758F

RGB 123 117 143

HSL 253.85, 0.1%, 0.51%

LAB 50.59, 7.81, -13.29

 

CMYK 84 / 56 / 0 / 12

HEX #2463E0

RGB 36 99 224

HSL 219.89, 0.75%, 0.51%

LAB 45.19, 26.75, -69.04

 

CMYK 84 / 78 / 0 / 12

HEX #2431E0

RGB 36 49 224

HSL 235.85, 0.75%, 0.51%

LAB 33.89, 56.85, -87.63

 

CMYK 67 / 84 / 0 / 12

HEX #4A24E0

RGB 74 36 224

HSL 252.13, 0.75%, 0.51%

LAB 34.19, 64.88, -87.06

 

CMYK 45 / 84 / 0 / 12

HEX #7C24E0

RGB 124 36 224

HSL 268.09, 0.75%, 0.51%

LAB 39.46, 69.78, -78.18

 

CMYK 22 / 84 / 0 / 12

HEX #AE24E0

RGB 174 36 224

HSL 284.04, 0.75%, 0.51%

LAB 46.5, 76.76, -66.38

 

CMYK 68 / 86 / 0 / 39

HEX #32169B

RGB 50 22 155

HSL 252.63, 0.75%, 0.35%

LAB 22.37, 49.26, -65.86

 

CMYK 68 / 86 / 0 / 25

HEX #3E1BBF

RGB 62 27 191

HSL 252.8, 0.75%, 0.43%

LAB 28.3, 58.36, -77.66

 

CMYK 67 / 84 / 0 / 12

HEX #4B24E0

RGB 75 36 224

HSL 252.45, 0.75%, 0.51%

LAB 34.27, 64.95, -86.92

 

CMYK 54 / 69 / 0 / 10

HEX #6948E5

RGB 105 72 229

HSL 252.61, 0.75%, 0.59%

LAB 43.2, 53.13, -74.96

 

CMYK 42 / 53 / 0 / 8

HEX #876DEA

RGB 135 109 234

HSL 252.48, 0.75%, 0.67%

LAB 54.06, 39.64, -60.05

 

CMYK 66 / 84 / 0 / 13

HEX #4B24DF

RGB 75 36 223

HSL 252.51, 0.75%, 0.51%

LAB 34.16, 64.69, -86.53

 

CMYK 0 / 84 / 33 / 12

HEX #E02495

RGB 224 36 149

HSL 323.94, 0.75%, 0.51%

LAB 51.01, 75.57, -14.91

 

CMYK 67 / 0 / 84 / 12

HEX #4AE024

RGB 74 224 36

HSL 107.87, 0.75%, 0.51%

LAB 78.98, -69.73, 71.48

 

CMYK 66 / 84 / 0 / 13

HEX #4B24DF

RGB 75 36 223

HSL 252.51, 0.75%, 0.51%

LAB 34.16, 64.69, -86.53

 

CMYK 0 / 67 / 84 / 12

HEX #E04A24

RGB 224 74 36

HSL 12.13, 0.75%, 0.51%

LAB 52.81, 56.62, 52.53

 

CMYK 84 / 0 / 67 / 12

HEX #24E04A

RGB 36 224 74

HSL 132.13, 0.75%, 0.51%

LAB 78.57, -72.49, 58.78

 

CMYK 66 / 84 / 0 / 13

HEX #4B24DF

RGB 75 36 223

HSL 252.51, 0.75%, 0.51%

LAB 34.16, 64.69, -86.53

 

CMYK 0 / 84 / 33 / 12

HEX #E02495

RGB 224 36 149

HSL 323.94, 0.75%, 0.51%

LAB 51.01, 75.57, -14.91

 

CMYK 17 / 0 / 84 / 12

HEX #BAE024

RGB 186 224 36

HSL 72.13, 0.75%, 0.51%

LAB 83.9, -34.6, 77.68

 

CMYK 84 / 0 / 50 / 12

HEX #24E06F

RGB 36 224 111

HSL 143.94, 0.75%, 0.51%

LAB 78.95, -67.86, 42.84

 

CMYK 66 / 84 / 0 / 13

HEX #4B24DF

RGB 75 36 223

HSL 252.51, 0.75%, 0.51%

LAB 34.16, 64.69, -86.53

 

CMYK 0 / 84 / 58 / 12

HEX #E0245D

RGB 224 36 93

HSL 341.81, 0.75%, 0.51%

LAB 49.37, 70.87, 16.68

 

CMYK 17 / 0 / 84 / 12

HEX #BAE024

RGB 186 224 36

HSL 72.13, 0.75%, 0.51%

LAB 83.9, -34.6, 77.68

 

CMYK 84 / 0 / 25 / 12

HEX #24E0A8

RGB 36 224 168

HSL 162.13, 0.75%, 0.51%

LAB 79.91, -56.89, 15.13

 

Description

Color code: HEX #4B24DF | qconv.com Color code: HEX #4B24DF | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 36 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 36 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 84 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 84% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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