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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B20C7 it is the complementary color #B4DF38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B20C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B20C7 shade: #5020C2, #6132D5, #7244E8, #8356FB and #9468FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B20C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B20C7 shade: #4B20C7, #3A0EB4, #2900A1, #18008E and #07007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B20C7 shade: #4B20C5, #7720C5, #A420C5, #C520BA and #C5208E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B20C7 shade: #4B20C5 and #2020C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B20C7 shade matches the following richer shades: #4B20C5 and #420ED8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B20C7 shade: #4B20C5, #5433B3, #5D45A0, #66588E and #6F6A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B20C7 shade: #204FC5, #2023C5, #4920C5, #7620C5 and #A220C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B20C7 shade: #30157E, #3D1AA2, #4B20C5, #5E31DE and #7955E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B20C7 shade: #4B20C7, #C5207B and #39C520

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B20C7 shade: #4B20C7, #C54920 and #20C549

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B20C7 shade: #4B20C7, #C5207B, #9CC520 and #20C56A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B20C7 shade: #4B20C7, #C52049, #9CC520 and #20C59C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 84 / 0 / 22

HEX #4B20C7

RGB 75 32 199

HSL 255.45, 0.72%, 0.45%

LAB 31, 59.74, -77.85

 

Complementary color

CMYK 19 / 0 / 75 / 13

HEX #B4DF38

RGB 180 223 56

HSL 75.45, 0.72%, 0.55%

LAB 83.32, -35.75, 71.67

 

CMYK 59 / 84 / 0 / 24

HEX #5020C2

RGB 80 32 194

HSL 257.78, 0.72%, 0.44%

LAB 30.96, 58.87, -74.97

 

CMYK 54 / 77 / 0 / 16

HEX #6132D5

RGB 97 50 213

HSL 257.3, 0.66%, 0.52%

LAB 37.16, 58.41, -75.75

 

CMYK 51 / 71 / 0 / 9

HEX #7244E8

RGB 114 68 232

HSL 256.83, 0.78%, 0.59%

LAB 43.56, 57.4, -76.04

 

CMYK 48 / 66 / 0 / 2

HEX #8356FB

RGB 131 86 251

HSL 256.36, 0.95%, 0.66%

LAB 50.03, 56.19, -76.07

 

CMYK 42 / 59 / 0 / 0

HEX #9468FF

RGB 148 104 255

HSL 257.48, 1%, 0.7%

LAB 55.5, 50.92, -69.35

 

CMYK 62 / 84 / 0 / 22

HEX #4B20C7

RGB 75 32 199

HSL 255.45, 0.72%, 0.45%

LAB 31, 59.74, -77.85

 

CMYK 68 / 92 / 0 / 29

HEX #3A0EB4

RGB 58 14 180

HSL 255.9, 0.86%, 0.38%

LAB 25.29, 59.18, -76.13

 

CMYK 75 / 100 / 0 / 37

HEX #2900A1

RGB 41 0 161

HSL 255.28, 1%, 0.32%

LAB 20.22, 56.87, -73.13

 

CMYK 83 / 100 / 0 / 44

HEX #18008E

RGB 24 0 142

HSL 250.14, 1%, 0.28%

LAB 16.24, 51.56, -68.06

 

CMYK 94 / 100 / 0 / 52

HEX #07007B

RGB 7 0 123

HSL 243.41, 1%, 0.24%

LAB 12.45, 46.26, -62.38

 

CMYK 62 / 84 / 0 / 23

HEX #4B20C5

RGB 75 32 197

HSL 255.64, 0.72%, 0.45%

LAB 30.78, 59.2, -77.04

 

CMYK 40 / 84 / 0 / 23

HEX #7720C5

RGB 119 32 197

HSL 271.64, 0.72%, 0.45%

LAB 35.96, 64.25, -68.33

 

CMYK 17 / 84 / 0 / 23

HEX #A420C5

RGB 164 32 197

HSL 288, 0.72%, 0.45%

LAB 42.7, 71.17, -57.07

 

CMYK 0 / 84 / 6 / 23

HEX #C520BA

RGB 197 32 186

HSL 304, 0.72%, 0.45%

LAB 47.56, 75.34, -42.55

 

CMYK 0 / 84 / 28 / 23

HEX #C5208E

RGB 197 32 142

HSL 320, 0.72%, 0.45%

LAB 45.44, 69.55, -19.66

 

CMYK 62 / 84 / 0 / 23

HEX #4B20C5

RGB 75 32 197

HSL 255.64, 0.72%, 0.45%

LAB 30.78, 59.2, -77.04

 

CMYK 84 / 84 / 0 / 23

HEX #2020C5

RGB 32 32 197

HSL 240, 0.72%, 0.45%

LAB 27.77, 56.41, -82.13

 

CMYK 62 / 84 / 0 / 23

HEX #4B20C5

RGB 75 32 197

HSL 255.64, 0.72%, 0.45%

LAB 30.78, 59.2, -77.04

 

CMYK 69 / 94 / 0 / 15

HEX #420ED8

RGB 66 14 216

HSL 255.45, 0.88%, 0.45%

LAB 30.47, 68.67, -88.64

 

CMYK 62 / 84 / 0 / 23

HEX #4B20C5

RGB 75 32 197

HSL 255.64, 0.72%, 0.45%

LAB 30.78, 59.2, -77.04

 

CMYK 53 / 72 / 0 / 30

HEX #5433B3

RGB 84 51 179

HSL 255.47, 0.56%, 0.45%

LAB 32.93, 46.54, -62.83

 

CMYK 42 / 57 / 0 / 37

HEX #5D45A0

RGB 93 69 160

HSL 255.82, 0.4%, 0.45%

LAB 36.22, 32.46, -46.1

 

CMYK 28 / 38 / 0 / 44

HEX #66588E

RGB 102 88 142

HSL 255.56, 0.23%, 0.45%

LAB 40.83, 18.18, -27.87

 

CMYK 10 / 14 / 0 / 52

HEX #6F6A7B

RGB 111 106 123

HSL 257.65, 0.07%, 0.45%

LAB 45.79, 5.54, -8.74

 

CMYK 84 / 60 / 0 / 23

HEX #204FC5

RGB 32 79 197

HSL 222.91, 0.72%, 0.45%

LAB 37.72, 29.14, -65.72

 

CMYK 84 / 82 / 0 / 23

HEX #2023C5

RGB 32 35 197

HSL 238.91, 0.72%, 0.45%

LAB 28.22, 55.06, -81.38

 

CMYK 63 / 84 / 0 / 23

HEX #4920C5

RGB 73 32 197

HSL 254.91, 0.72%, 0.45%

LAB 30.59, 59.02, -77.36

 

CMYK 40 / 84 / 0 / 23

HEX #7620C5

RGB 118 32 197

HSL 271.27, 0.72%, 0.45%

LAB 35.82, 64.11, -68.56

 

CMYK 18 / 84 / 0 / 23

HEX #A220C5

RGB 162 32 197

HSL 287.27, 0.72%, 0.45%

LAB 42.38, 70.83, -57.6

 

CMYK 62 / 83 / 0 / 51

HEX #30157E

RGB 48 21 126

HSL 255.43, 0.71%, 0.29%

LAB 18.68, 40.99, -53.86

 

CMYK 62 / 84 / 0 / 36

HEX #3D1AA2

RGB 61 26 162

HSL 255.44, 0.72%, 0.37%

LAB 24.76, 50.62, -66.14

 

CMYK 62 / 84 / 0 / 23

HEX #4B20C5

RGB 75 32 197

HSL 255.64, 0.72%, 0.45%

LAB 30.78, 59.2, -77.04

 

CMYK 58 / 78 / 0 / 13

HEX #5E31DE

RGB 94 49 222

HSL 255.61, 0.72%, 0.53%

LAB 37.57, 60.92, -80.26

 

CMYK 47 / 63 / 0 / 11

HEX #7955E3

RGB 121 85 227

HSL 255.21, 0.72%, 0.61%

LAB 47.12, 48.3, -67.39

 

CMYK 62 / 84 / 0 / 22

HEX #4B20C7

RGB 75 32 199

HSL 255.45, 0.72%, 0.45%

LAB 31, 59.74, -77.85

 

CMYK 0 / 84 / 38 / 23

HEX #C5207B

RGB 197 32 123

HSL 326.91, 0.72%, 0.45%

LAB 44.71, 67.49, -9.17

 

CMYK 71 / 0 / 84 / 23

HEX #39C520

RGB 57 197 32

HSL 110.91, 0.72%, 0.45%

LAB 70.11, -64.57, 64.33

 

CMYK 62 / 84 / 0 / 22

HEX #4B20C7

RGB 75 32 199

HSL 255.45, 0.72%, 0.45%

LAB 31, 59.74, -77.85

 

CMYK 0 / 63 / 84 / 23

HEX #C54920

RGB 197 73 32

HSL 14.91, 0.72%, 0.45%

LAB 47.93, 47.63, 48.22

 

CMYK 84 / 0 / 63 / 23

HEX #20C549

RGB 32 197 73

HSL 134.91, 0.72%, 0.45%

LAB 69.98, -64.71, 49.72

 

CMYK 62 / 84 / 0 / 22

HEX #4B20C7

RGB 75 32 199

HSL 255.45, 0.72%, 0.45%

LAB 31, 59.74, -77.85

 

CMYK 0 / 84 / 38 / 23

HEX #C5207B

RGB 197 32 123

HSL 326.91, 0.72%, 0.45%

LAB 44.71, 67.49, -9.17

 

CMYK 21 / 0 / 84 / 23

HEX #9CC520

RGB 156 197 32

HSL 74.91, 0.72%, 0.45%

LAB 74.26, -34.32, 69.57

 

CMYK 84 / 0 / 46 / 23

HEX #20C56A

RGB 32 197 106

HSL 146.91, 0.72%, 0.45%

LAB 70.37, -59.98, 34.51

 

CMYK 62 / 84 / 0 / 22

HEX #4B20C7

RGB 75 32 199

HSL 255.45, 0.72%, 0.45%

LAB 31, 59.74, -77.85

 

CMYK 0 / 84 / 63 / 23

HEX #C52049

RGB 197 32 73

HSL 345.09, 0.72%, 0.45%

LAB 43.34, 63.5, 20.02

 

CMYK 21 / 0 / 84 / 23

HEX #9CC520

RGB 156 197 32

HSL 74.91, 0.72%, 0.45%

LAB 74.26, -34.32, 69.57

 

CMYK 84 / 0 / 21 / 23

HEX #20C59C

RGB 32 197 156

HSL 165.09, 0.72%, 0.45%

LAB 71.31, -49.44, 9.37

 

Description

Color code: HEX #4B20C7 | qconv.com Color code: HEX #4B20C7 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 32 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 32 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 84 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 84% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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