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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B1769 it is the complementary color #B4E896. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B1769. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B1769 shade: #501764, #612977, #723B8A, #834D9D and #945FB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B1769. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B1769 shade: #4B1769, #3A0556, #290043, #180030 and #07001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B1769 shade: #4B1769, #611769, #69175A, #691744 and #69172E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B1769 shade: #4B1769, #351769, #1F1769 and #171769

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B1769 shade matches the following richer shades: #4B1769, #4D0D73 and #50027D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B1769 shade: #4B1769, #48215E, #452C54, #42364A and #40403F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B1769 shade: #1F1769, #351769, #4B1769, #601769 and #69175B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B1769 shade: #1A0825, #331047, #4B1769, #631E8A and #7B26AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B1769 shade: #4B1769, #691725 and #17692A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B1769 shade: #4B1769, #694B17 and #17694B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B1769 shade: #4B1769, #691725, #356917 and #17695B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B1769 shade: #4B1769, #692217, #356917 and #175E69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 78 / 0 / 59

HEX #4B1769

RGB 75 23 105

HSL 278.05, 0.64%, 0.25%

LAB 20.55, 38.82, -37.11

 

Complementary color

CMYK 22 / 0 / 35 / 9

HEX #B4E896

RGB 180 232 150

HSL 98.05, 0.64%, 0.75%

LAB 86.81, -31.12, 34.63

 

CMYK 20 / 77 / 0 / 61

HEX #501764

RGB 80 23 100

HSL 284.42, 0.63%, 0.24%

LAB 20.97, 38.77, -33.12

 

CMYK 18 / 66 / 0 / 53

HEX #612977

RGB 97 41 119

HSL 283.08, 0.49%, 0.31%

LAB 28, 38.66, -33.96

 

CMYK 17 / 57 / 0 / 46

HEX #723B8A

RGB 114 59 138

HSL 281.77, 0.4%, 0.39%

LAB 35.08, 38.03, -34.4

 

CMYK 17 / 51 / 0 / 38

HEX #834D9D

RGB 131 77 157

HSL 280.5, 0.34%, 0.46%

LAB 42.1, 37.21, -34.66

 

CMYK 16 / 46 / 0 / 31

HEX #945FB0

RGB 148 95 176

HSL 279.26, 0.34%, 0.53%

LAB 49.03, 36.37, -34.85

 

CMYK 29 / 78 / 0 / 59

HEX #4B1769

RGB 75 23 105

HSL 278.05, 0.64%, 0.25%

LAB 20.55, 38.82, -37.11

 

CMYK 33 / 94 / 0 / 66

HEX #3A0556

RGB 58 5 86

HSL 279.26, 0.89%, 0.18%

LAB 13.71, 37.95, -35.72

 

CMYK 39 / 100 / 0 / 74

HEX #290043

RGB 41 0 67

HSL 276.72, 1%, 0.13%

LAB 7.92, 33.25, -32.14

 

CMYK 50 / 100 / 0 / 81

HEX #180030

RGB 24 0 48

HSL 270, 1%, 0.09%

LAB 3.68, 21.34, -25.29

 

CMYK 76 / 100 / 0 / 89

HEX #07001D

RGB 7 0 29

HSL 254.48, 1%, 0.06%

LAB 1.21, 7.46, -14.49

 

CMYK 29 / 78 / 0 / 59

HEX #4B1769

RGB 75 23 105

HSL 278.05, 0.64%, 0.25%

LAB 20.55, 38.82, -37.11

 

CMYK 8 / 78 / 0 / 59

HEX #611769

RGB 97 23 105

HSL 294.15, 0.64%, 0.25%

LAB 24.24, 43.71, -30.99

 

CMYK 0 / 78 / 14 / 59

HEX #69175A

RGB 105 23 90

HSL 310.98, 0.64%, 0.25%

LAB 24.81, 43.01, -20.15

 

CMYK 0 / 78 / 35 / 59

HEX #691744

RGB 105 23 68

HSL 327.07, 0.64%, 0.25%

LAB 23.78, 39.85, -6.96

 

CMYK 0 / 78 / 56 / 59

HEX #69172E

RGB 105 23 46

HSL 343.17, 0.64%, 0.25%

LAB 23.04, 37.48, 7.1

 

CMYK 29 / 78 / 0 / 59

HEX #4B1769

RGB 75 23 105

HSL 278.05, 0.64%, 0.25%

LAB 20.55, 38.82, -37.11

 

CMYK 50 / 78 / 0 / 59

HEX #351769

RGB 53 23 105

HSL 261.95, 0.64%, 0.25%

LAB 17.41, 34.48, -42.36

 

CMYK 70 / 78 / 0 / 59

HEX #1F1769

RGB 31 23 105

HSL 245.85, 0.64%, 0.25%

LAB 15.08, 31.11, -46.27

 

CMYK 78 / 78 / 0 / 59

HEX #171769

RGB 23 23 105

HSL 240, 0.64%, 0.25%

LAB 14.48, 30.21, -47.28

 

CMYK 29 / 78 / 0 / 59

HEX #4B1769

RGB 75 23 105

HSL 278.05, 0.64%, 0.25%

LAB 20.55, 38.82, -37.11

 

CMYK 33 / 89 / 0 / 55

HEX #4D0D73

RGB 77 13 115

HSL 277.65, 0.8%, 0.25%

LAB 20.45, 45.21, -43.75

 

CMYK 36 / 98 / 0 / 51

HEX #50027D

RGB 80 2 125

HSL 278.05, 0.97%, 0.25%

LAB 20.94, 50.67, -49.34

 

CMYK 29 / 78 / 0 / 59

HEX #4B1769

RGB 75 23 105

HSL 278.05, 0.64%, 0.25%

LAB 20.55, 38.82, -37.11

 

CMYK 23 / 65 / 0 / 63

HEX #48215E

RGB 72 33 94

HSL 278.36, 0.48%, 0.25%

LAB 21.11, 30.31, -29.02

 

CMYK 18 / 48 / 0 / 67

HEX #452C54

RGB 69 44 84

HSL 277.5, 0.31%, 0.25%

LAB 22.68, 20.07, -19.92

 

CMYK 11 / 27 / 0 / 71

HEX #42364A

RGB 66 54 74

HSL 276, 0.16%, 0.25%

LAB 24.61, 9.79, -10.31

 

CMYK 0 / 0 / 2 / 75

HEX #40403F

RGB 64 64 63

HSL 60, 0.01%, 0.25%

LAB 27.06, -0.22, 0.61

 

CMYK 70 / 78 / 0 / 59

HEX #1F1769

RGB 31 23 105

HSL 245.85, 0.64%, 0.25%

LAB 15.08, 31.11, -46.27

 

CMYK 50 / 78 / 0 / 59

HEX #351769

RGB 53 23 105

HSL 261.95, 0.64%, 0.25%

LAB 17.41, 34.48, -42.36

 

CMYK 29 / 78 / 0 / 59

HEX #4B1769

RGB 75 23 105

HSL 278.05, 0.64%, 0.25%

LAB 20.55, 38.82, -37.11

 

CMYK 9 / 78 / 0 / 59

HEX #601769

RGB 96 23 105

HSL 293.41, 0.64%, 0.25%

LAB 24.06, 43.48, -31.28

 

CMYK 0 / 78 / 13 / 59

HEX #69175B

RGB 105 23 91

HSL 310.24, 0.64%, 0.25%

LAB 24.86, 43.18, -20.73

 

CMYK 30 / 78 / 0 / 85

HEX #1A0825

RGB 26 8 37

HSL 277.24, 0.64%, 0.09%

LAB 4.76, 14.17, -15.23

 

CMYK 28 / 77 / 0 / 72

HEX #331047

RGB 51 16 71

HSL 278.18, 0.63%, 0.17%

LAB 12.79, 28.22, -26.95

 

CMYK 29 / 78 / 0 / 59

HEX #4B1769

RGB 75 23 105

HSL 278.05, 0.64%, 0.25%

LAB 20.55, 38.82, -37.11

 

CMYK 28 / 78 / 0 / 46

HEX #631E8A

RGB 99 30 138

HSL 278.33, 0.64%, 0.33%

LAB 27.89, 48.41, -46.06

 

CMYK 28 / 78 / 0 / 33

HEX #7B26AC

RGB 123 38 172

HSL 278.06, 0.64%, 0.41%

LAB 35.15, 57.34, -54.83

 

CMYK 29 / 78 / 0 / 59

HEX #4B1769

RGB 75 23 105

HSL 278.05, 0.64%, 0.25%

LAB 20.55, 38.82, -37.11

 

CMYK 0 / 78 / 65 / 59

HEX #691725

RGB 105 23 37

HSL 349.76, 0.64%, 0.25%

LAB 22.83, 36.76, 13.02

 

CMYK 78 / 0 / 60 / 59

HEX #17692A

RGB 23 105 42

HSL 133.9, 0.64%, 0.25%

LAB 38.64, -38.42, 28.28

 

CMYK 29 / 78 / 0 / 59

HEX #4B1769

RGB 75 23 105

HSL 278.05, 0.64%, 0.25%

LAB 20.55, 38.82, -37.11

 

CMYK 0 / 29 / 78 / 59

HEX #694B17

RGB 105 75 23

HSL 38.05, 0.64%, 0.25%

LAB 34.18, 7.25, 34.42

 

CMYK 78 / 0 / 29 / 59

HEX #17694B

RGB 23 105 75

HSL 158.05, 0.64%, 0.25%

LAB 39.23, -31.77, 10.12

 

CMYK 29 / 78 / 0 / 59

HEX #4B1769

RGB 75 23 105

HSL 278.05, 0.64%, 0.25%

LAB 20.55, 38.82, -37.11

 

CMYK 0 / 78 / 65 / 59

HEX #691725

RGB 105 23 37

HSL 349.76, 0.64%, 0.25%

LAB 22.83, 36.76, 13.02

 

CMYK 50 / 0 / 78 / 59

HEX #356917

RGB 53 105 23

HSL 98.05, 0.64%, 0.25%

LAB 39.45, -32.72, 38.25

 

CMYK 78 / 0 / 13 / 59

HEX #17695B

RGB 23 105 91

HSL 169.76, 0.64%, 0.25%

LAB 39.65, -27.4, 1.01

 

CMYK 29 / 78 / 0 / 59

HEX #4B1769

RGB 75 23 105

HSL 278.05, 0.64%, 0.25%

LAB 20.55, 38.82, -37.11

 

CMYK 0 / 68 / 78 / 59

HEX #692217

RGB 105 34 23

HSL 8.05, 0.64%, 0.25%

LAB 24.35, 31.09, 24.12

 

CMYK 50 / 0 / 78 / 59

HEX #356917

RGB 53 105 23

HSL 98.05, 0.64%, 0.25%

LAB 39.45, -32.72, 38.25

 

CMYK 78 / 10 / 0 / 59

HEX #175E69

RGB 23 94 105

HSL 188.05, 0.64%, 0.25%

LAB 36.38, -17.14, -12.47

 

Description

Color code: HEX #4B1769 | qconv.com Color code: HEX #4B1769 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 23 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 23 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 78 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 78% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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