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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B0894 it is the complementary color #B4F76B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B0894. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B0894 shade: #50088F, #611AA2, #722CB5, #833EC8 and #9450DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B0894. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B0894 shade: #4B0894, #3A0081, #29006E, #18005B and #070048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B0894 shade: #4C0896, #720896, #960894, #96086D and #960847

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B0894 shade: #4C0896, #260896 and #080896

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B0894 shade matches the following richer shades: #4C0896

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B0894 shade: #4C0896, #4D1589, #4D217D, #4E2E70 and #4E3B63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B0894 shade: #081196, #240896, #4A0896, #700896 and #960896

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B0894 shade: #240448, #38066F, #4C0896, #600ABD and #740CE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B0894 shade: #4B0894, #960837 and #089611

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B0894 shade: #4B0894, #964A08 and #08964A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B0894 shade: #4B0894, #960837, #549608 and #089667

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B0894 shade: #4B0894, #96080D, #549608 and #089691

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 95 / 0 / 42

HEX #4B0894

RGB 75 8 148

HSL 268.71, 0.9%, 0.31%

LAB 23.03, 53.92, -60.37

 

Complementary color

CMYK 27 / 0 / 57 / 3

HEX #B4F76B

RGB 180 247 107

HSL 88.71, 0.9%, 0.69%

LAB 90.45, -42.86, 59.55

 

CMYK 44 / 94 / 0 / 44

HEX #50088F

RGB 80 8 143

HSL 272, 0.89%, 0.3%

LAB 23.21, 53.29, -56.94

 

CMYK 40 / 84 / 0 / 36

HEX #611AA2

RGB 97 26 162

HSL 271.32, 0.72%, 0.37%

LAB 29.13, 55.05, -58.8

 

CMYK 37 / 76 / 0 / 29

HEX #722CB5

RGB 114 44 181

HSL 270.66, 0.61%, 0.44%

LAB 35.43, 55.43, -59.8

 

CMYK 35 / 69 / 0 / 22

HEX #833EC8

RGB 131 62 200

HSL 270, 0.56%, 0.51%

LAB 41.91, 55.09, -60.31

 

CMYK 32 / 63 / 0 / 14

HEX #9450DB

RGB 148 80 219

HSL 269.35, 0.66%, 0.59%

LAB 48.45, 54.38, -60.56

 

CMYK 49 / 95 / 0 / 42

HEX #4B0894

RGB 75 8 148

HSL 268.71, 0.9%, 0.31%

LAB 23.03, 53.92, -60.37

 

CMYK 55 / 100 / 0 / 49

HEX #3A0081

RGB 58 0 129

HSL 266.98, 1%, 0.25%

LAB 17.85, 49.9, -57.1

 

CMYK 63 / 100 / 0 / 57

HEX #29006E

RGB 41 0 110

HSL 262.36, 1%, 0.22%

LAB 13.21, 43.98, -52.61

 

CMYK 74 / 100 / 0 / 64

HEX #18005B

RGB 24 0 91

HSL 255.82, 1%, 0.18%

LAB 8.56, 38.01, -47.77

 

CMYK 90 / 100 / 0 / 72

HEX #070048

RGB 7 0 72

HSL 245.83, 1%, 0.14%

LAB 4.63, 29.31, -41.22

 

CMYK 49 / 95 / 0 / 41

HEX #4C0896

RGB 76 8 150

HSL 268.73, 0.9%, 0.31%

LAB 23.38, 54.49, -61.02

 

CMYK 24 / 95 / 0 / 41

HEX #720896

RGB 114 8 150

HSL 284.79, 0.9%, 0.31%

LAB 29.29, 59.25, -51.09

 

CMYK 0 / 95 / 1 / 41

HEX #960894

RGB 150 8 148

HSL 300.85, 0.9%, 0.31%

LAB 35.59, 64.82, -39.39

 

CMYK 0 / 95 / 27 / 41

HEX #96086D

RGB 150 8 109

HSL 317.32, 0.9%, 0.31%

LAB 33.48, 59.44, -18.33

 

CMYK 0 / 95 / 53 / 41

HEX #960847

RGB 150 8 71

HSL 333.38, 0.9%, 0.31%

LAB 32.06, 55.64, 4.27

 

CMYK 49 / 95 / 0 / 41

HEX #4C0896

RGB 76 8 150

HSL 268.73, 0.9%, 0.31%

LAB 23.38, 54.49, -61.02

 

CMYK 75 / 95 / 0 / 41

HEX #260896

RGB 38 8 150

HSL 252.68, 0.9%, 0.31%

LAB 19.17, 51.71, -68.12

 

CMYK 95 / 95 / 0 / 41

HEX #080896

RGB 8 8 150

HSL 240, 0.9%, 0.31%

LAB 17.59, 50.85, -70.81

 

CMYK 49 / 95 / 0 / 41

HEX #4C0896

RGB 76 8 150

HSL 268.73, 0.9%, 0.31%

LAB 23.38, 54.49, -61.02

 

CMYK 49 / 95 / 0 / 41

HEX #4C0896

RGB 76 8 150

HSL 268.73, 0.9%, 0.31%

LAB 23.38, 54.49, -61.02

 

CMYK 44 / 85 / 0 / 46

HEX #4D1589

RGB 77 21 137

HSL 268.97, 0.73%, 0.31%

LAB 23.41, 47.84, -52.89

 

CMYK 38 / 74 / 0 / 51

HEX #4D217D

RGB 77 33 125

HSL 268.7, 0.58%, 0.31%

LAB 24.15, 39.54, -44.12

 

CMYK 30 / 59 / 0 / 56

HEX #4E2E70

RGB 78 46 112

HSL 269.09, 0.42%, 0.31%

LAB 25.99, 29.02, -32.86

 

CMYK 21 / 40 / 0 / 61

HEX #4E3B63

RGB 78 59 99

HSL 268.5, 0.25%, 0.31%

LAB 28.51, 17.32, -20.54

 

CMYK 95 / 89 / 0 / 41

HEX #081196

RGB 8 17 150

HSL 236.2, 0.9%, 0.31%

LAB 18.6, 47.76, -69.11

 

CMYK 76 / 95 / 0 / 41

HEX #240896

RGB 36 8 150

HSL 251.83, 0.9%, 0.31%

LAB 19.02, 51.62, -68.38

 

CMYK 51 / 95 / 0 / 41

HEX #4A0896

RGB 74 8 150

HSL 267.89, 0.9%, 0.31%

LAB 23.11, 54.29, -61.48

 

CMYK 25 / 95 / 0 / 41

HEX #700896

RGB 112 8 150

HSL 283.94, 0.9%, 0.31%

LAB 28.95, 58.96, -51.66

 

CMYK 0 / 95 / 0 / 41

HEX #960896

RGB 150 8 150

HSL 300, 0.9%, 0.31%

LAB 35.71, 65.13, -40.41

 

CMYK 50 / 94 / 0 / 72

HEX #240448

RGB 36 4 72

HSL 268.24, 0.89%, 0.15%

LAB 8.39, 31.52, -34.92

 

CMYK 50 / 95 / 0 / 56

HEX #38066F

RGB 56 6 111

HSL 268.57, 0.9%, 0.23%

LAB 16.1, 43.4, -48.43

 

CMYK 49 / 95 / 0 / 41

HEX #4C0896

RGB 76 8 150

HSL 268.73, 0.9%, 0.31%

LAB 23.38, 54.49, -61.02

 

CMYK 49 / 95 / 0 / 26

HEX #600ABD

RGB 96 10 189

HSL 268.83, 0.9%, 0.39%

LAB 30.35, 65.03, -72.97

 

CMYK 49 / 95 / 0 / 10

HEX #740CE5

RGB 116 12 229

HSL 268.76, 0.9%, 0.47%

LAB 37.18, 75.34, -84.83

 

CMYK 49 / 95 / 0 / 42

HEX #4B0894

RGB 75 8 148

HSL 268.71, 0.9%, 0.31%

LAB 23.03, 53.92, -60.37

 

CMYK 0 / 95 / 63 / 41

HEX #960837

RGB 150 8 55

HSL 340.14, 0.9%, 0.31%

LAB 31.66, 54.52, 14.33

 

CMYK 95 / 0 / 89 / 41

HEX #089611

RGB 8 150 17

HSL 123.8, 0.9%, 0.31%

LAB 53.93, -56.95, 53.13

 

CMYK 49 / 95 / 0 / 42

HEX #4B0894

RGB 75 8 148

HSL 268.71, 0.9%, 0.31%

LAB 23.03, 53.92, -60.37

 

CMYK 0 / 51 / 95 / 41

HEX #964A08

RGB 150 74 8

HSL 27.89, 0.9%, 0.31%

LAB 40.24, 28.19, 47.62

 

CMYK 95 / 0 / 51 / 41

HEX #08964A

RGB 8 150 74

HSL 147.89, 0.9%, 0.31%

LAB 54.41, -50.96, 30.71

 

CMYK 49 / 95 / 0 / 42

HEX #4B0894

RGB 75 8 148

HSL 268.71, 0.9%, 0.31%

LAB 23.03, 53.92, -60.37

 

CMYK 0 / 95 / 63 / 41

HEX #960837

RGB 150 8 55

HSL 340.14, 0.9%, 0.31%

LAB 31.66, 54.52, 14.33

 

CMYK 44 / 0 / 95 / 41

HEX #549608

RGB 84 150 8

HSL 87.89, 0.9%, 0.31%

LAB 55.8, -41.67, 57.1

 

CMYK 95 / 0 / 31 / 41

HEX #089667

RGB 8 150 103

HSL 160.14, 0.9%, 0.31%

LAB 54.91, -45.07, 15.56

 

CMYK 49 / 95 / 0 / 42

HEX #4B0894

RGB 75 8 148

HSL 268.71, 0.9%, 0.31%

LAB 23.03, 53.92, -60.37

 

CMYK 0 / 95 / 91 / 41

HEX #96080D

RGB 150 8 13

HSL 357.89, 0.9%, 0.31%

LAB 31.08, 52.92, 39.29

 

CMYK 44 / 0 / 95 / 41

HEX #549608

RGB 84 150 8

HSL 87.89, 0.9%, 0.31%

LAB 55.8, -41.67, 57.1

 

CMYK 95 / 0 / 3 / 41

HEX #089691

RGB 8 150 145

HSL 177.89, 0.9%, 0.31%

LAB 56, -33.58, -6.81

 

Description

Color code: HEX #4B0894 | qconv.com Color code: HEX #4B0894 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 8 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 8 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 95 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 95% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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