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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B07CB it is the complementary color #B4F834. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B07CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B07CB shade: #5007C6, #6119D9, #722BEC, #833DFF and #944FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B07CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B07CB shade: #4B07CB, #3A00B8, #2900A5, #180092 and #07007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B07CB shade: #4B07CA, #7F07CA, #B407CA, #CA07AB and #CA0777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B07CB shade: #4B07CA, #1607CA and #0707CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B07CB shade matches the following richer shades: #4B07CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B07CB shade: #4B07CA, #5018B9, #5529A8, #5A3A97 and #604B86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B07CB shade: #072ECA, #1407CA, #4807CA, #7C07CA and #B007CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B07CB shade: #2D047A, #3C06A2, #4B07CA, #5A09F2 and #732CF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B07CB shade: #4B07CB, #CA0762 and #14CA07

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B07CB shade: #4B07CB, #CA4807 and #07CA48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B07CB shade: #4B07CB, #CA0762, #89CA07 and #07CA6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B07CB shade: #4B07CB, #CA0728, #89CA07 and #07CAA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 97 / 0 / 20

HEX #4B07CB

RGB 75 7 203

HSL 260.82, 0.93%, 0.41%

LAB 29.31, 67.22, -83

 

Complementary color

CMYK 27 / 0 / 79 / 3

HEX #B4F834

RGB 180 248 52

HSL 80.82, 0.93%, 0.59%

LAB 90.36, -46.88, 79.33

 

CMYK 60 / 96 / 0 / 22

HEX #5007C6

RGB 80 7 198

HSL 262.93, 0.93%, 0.4%

LAB 29.25, 66.34, -80.16

 

CMYK 55 / 88 / 0 / 15

HEX #6119D9

RGB 97 25 217

HSL 262.5, 0.79%, 0.47%

LAB 34.49, 68.44, -82.46

 

CMYK 52 / 82 / 0 / 7

HEX #722BEC

RGB 114 43 236

HSL 262.07, 0.84%, 0.55%

LAB 40.18, 69.16, -83.86

 

CMYK 49 / 76 / 0 / 0

HEX #833DFF

RGB 131 61 255

HSL 261.65, 1%, 0.62%

LAB 46.15, 69.01, -84.65

 

CMYK 42 / 69 / 0 / 0

HEX #944FFF

RGB 148 79 255

HSL 263.52, 1%, 0.65%

LAB 50.81, 63.64, -76.95

 

CMYK 63 / 97 / 0 / 20

HEX #4B07CB

RGB 75 7 203

HSL 260.82, 0.93%, 0.41%

LAB 29.31, 67.22, -83

 

CMYK 68 / 100 / 0 / 28

HEX #3A00B8

RGB 58 0 184

HSL 258.91, 1%, 0.36%

LAB 24.83, 63.14, -79.29

 

CMYK 75 / 100 / 0 / 35

HEX #2900A5

RGB 41 0 165

HSL 254.91, 1%, 0.32%

LAB 20.78, 57.86, -74.63

 

CMYK 84 / 100 / 0 / 43

HEX #180092

RGB 24 0 146

HSL 249.86, 1%, 0.29%

LAB 16.84, 52.59, -69.55

 

CMYK 94 / 100 / 0 / 50

HEX #07007F

RGB 7 0 127

HSL 243.31, 1%, 0.25%

LAB 13.09, 47.33, -63.86

 

CMYK 63 / 97 / 0 / 21

HEX #4B07CA

RGB 75 7 202

HSL 260.92, 0.93%, 0.41%

LAB 29.19, 66.98, -82.61

 

CMYK 37 / 97 / 0 / 21

HEX #7F07CA

RGB 127 7 202

HSL 276.92, 0.93%, 0.41%

LAB 35.85, 71.37, -71.4

 

CMYK 11 / 97 / 0 / 21

HEX #B407CA

RGB 180 7 202

HSL 293.23, 0.93%, 0.41%

LAB 44.4, 78.39, -57.09

 

CMYK 0 / 97 / 15 / 21

HEX #CA07AB

RGB 202 7 171

HSL 309.54, 0.93%, 0.41%

LAB 46.51, 77.61, -35.31

 

CMYK 0 / 97 / 41 / 21

HEX #CA0777

RGB 202 7 119

HSL 325.54, 0.93%, 0.41%

LAB 44.29, 71.88, -7.22

 

CMYK 63 / 97 / 0 / 21

HEX #4B07CA

RGB 75 7 202

HSL 260.92, 0.93%, 0.41%

LAB 29.19, 66.98, -82.61

 

CMYK 89 / 97 / 0 / 21

HEX #1607CA

RGB 22 7 202

HSL 244.62, 0.93%, 0.41%

LAB 25.52, 65.18, -88.82

 

CMYK 97 / 97 / 0 / 21

HEX #0707CA

RGB 7 7 202

HSL 240, 0.93%, 0.41%

LAB 25.14, 65.02, -89.47

 

CMYK 63 / 97 / 0 / 21

HEX #4B07CA

RGB 75 7 202

HSL 260.92, 0.93%, 0.41%

LAB 29.19, 66.98, -82.61

 

CMYK 63 / 97 / 0 / 21

HEX #4B07CA

RGB 75 7 202

HSL 260.92, 0.93%, 0.41%

LAB 29.19, 66.98, -82.61

 

CMYK 57 / 87 / 0 / 27

HEX #5018B9

RGB 80 24 185

HSL 260.87, 0.77%, 0.41%

LAB 29.06, 59.31, -72.79

 

CMYK 49 / 76 / 0 / 34

HEX #5529A8

RGB 85 41 168

HSL 260.79, 0.61%, 0.41%

LAB 30.27, 48.65, -60.62

 

CMYK 40 / 62 / 0 / 41

HEX #5A3A97

RGB 90 58 151

HSL 260.65, 0.44%, 0.41%

LAB 32.78, 35.73, -46.21

 

CMYK 28 / 44 / 0 / 47

HEX #604B86

RGB 96 75 134

HSL 261.36, 0.28%, 0.41%

LAB 36.44, 22.27, -29.93

 

CMYK 97 / 77 / 0 / 21

HEX #072ECA

RGB 7 46 202

HSL 228, 0.93%, 0.41%

LAB 30.07, 50.34, -81.26

 

CMYK 90 / 97 / 0 / 21

HEX #1407CA

RGB 20 7 202

HSL 244, 0.93%, 0.41%

LAB 25.46, 65.15, -88.93

 

CMYK 64 / 97 / 0 / 21

HEX #4807CA

RGB 72 7 202

HSL 260, 0.93%, 0.41%

LAB 28.89, 66.81, -83.12

 

CMYK 39 / 97 / 0 / 21

HEX #7C07CA

RGB 124 7 202

HSL 276, 0.93%, 0.41%

LAB 35.4, 71.04, -72.14

 

CMYK 13 / 97 / 0 / 21

HEX #B007CA

RGB 176 7 202

HSL 292, 0.93%, 0.41%

LAB 43.72, 77.79, -58.22

 

CMYK 63 / 97 / 0 / 52

HEX #2D047A

RGB 45 4 122

HSL 260.85, 0.94%, 0.25%

LAB 15.75, 45.88, -56.16

 

CMYK 63 / 96 / 0 / 36

HEX #3C06A2

RGB 60 6 162

HSL 260.77, 0.93%, 0.33%

LAB 22.65, 56.55, -69.64

 

CMYK 63 / 97 / 0 / 21

HEX #4B07CA

RGB 75 7 202

HSL 260.92, 0.93%, 0.41%

LAB 29.19, 66.98, -82.61

 

CMYK 63 / 96 / 0 / 5

HEX #5A09F2

RGB 90 9 242

HSL 260.86, 0.93%, 0.49%

LAB 35.56, 76.85, -94.99

 

CMYK 53 / 82 / 0 / 3

HEX #732CF7

RGB 115 44 247

HSL 260.99, 0.93%, 0.57%

LAB 41.47, 71.6, -87.94

 

CMYK 63 / 97 / 0 / 20

HEX #4B07CB

RGB 75 7 203

HSL 260.82, 0.93%, 0.41%

LAB 29.31, 67.22, -83

 

CMYK 0 / 97 / 51 / 21

HEX #CA0762

RGB 202 7 98

HSL 332, 0.93%, 0.41%

LAB 43.64, 70.14, 4.92

 

CMYK 90 / 0 / 97 / 21

HEX #14CA07

RGB 20 202 7

HSL 116, 0.93%, 0.41%

LAB 71.15, -71.24, 69.17

 

CMYK 63 / 97 / 0 / 20

HEX #4B07CB

RGB 75 7 203

HSL 260.82, 0.93%, 0.41%

LAB 29.31, 67.22, -83

 

CMYK 0 / 64 / 97 / 21

HEX #CA4807

RGB 202 72 7

HSL 20, 0.93%, 0.41%

LAB 48.52, 49.41, 57.48

 

CMYK 97 / 0 / 64 / 21

HEX #07CA48

RGB 7 202 72

HSL 140, 0.93%, 0.41%

LAB 71.39, -67.93, 51.67

 

CMYK 63 / 97 / 0 / 20

HEX #4B07CB

RGB 75 7 203

HSL 260.82, 0.93%, 0.41%

LAB 29.31, 67.22, -83

 

CMYK 0 / 97 / 51 / 21

HEX #CA0762

RGB 202 7 98

HSL 332, 0.93%, 0.41%

LAB 43.64, 70.14, 4.92

 

CMYK 32 / 0 / 97 / 21

HEX #89CA07

RGB 137 202 7

HSL 80, 0.93%, 0.41%

LAB 74.56, -44.4, 73.34

 

CMYK 97 / 0 / 45 / 21

HEX #07CA6F

RGB 7 202 111

HSL 152, 0.93%, 0.41%

LAB 71.85, -62.29, 33.83

 

CMYK 63 / 97 / 0 / 20

HEX #4B07CB

RGB 75 7 203

HSL 260.82, 0.93%, 0.41%

LAB 29.31, 67.22, -83

 

CMYK 0 / 97 / 80 / 21

HEX #CA0728

RGB 202 7 40

HSL 349.85, 0.93%, 0.41%

LAB 42.55, 67.18, 39.35

 

CMYK 32 / 0 / 97 / 21

HEX #89CA07

RGB 137 202 7

HSL 80, 0.93%, 0.41%

LAB 74.56, -44.4, 73.34

 

CMYK 97 / 0 / 16 / 21

HEX #07CAA9

RGB 7 202 169

HSL 169.85, 0.93%, 0.41%

LAB 72.99, -49.43, 4.73

 

Description

Color code: HEX #4B07CB | qconv.com Color code: HEX #4B07CB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 7 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 7 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 97 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 97% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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