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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B04ACCE it is the complementary color #B4FB53CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B04ACCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B04ACCE shade: #5004A7CE, #6116BACE, #7228CDCE, #833AE0CE and #944CF3CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B04ACCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B04ACCE shade: #4B04ACCE, #3A0099CE, #290086CE, #180073CE and #070060CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B04ACCE shade: #4C04AE, #7A04AE, #A804AE, #AE0487 and #AE0459

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B04ACCE shade: #4C04AE, #1E04AE and #0404AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B04ACCE shade matches the following richer shades: #4C04AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B04ACCE shade: #4C04AE, #4E13A0, #512191, #533083 and #553E74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B04ACCE shade: #0418AE, #1E04AE, #4B04AE, #7804AE and #A604AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B04ACCE shade: #29025E, #3B0386, #4C04AE, #5E05D6 and #700CF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B04ACCE shade: #4B04AC, #AE0445 and #04AE07

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B04ACCE shade: #4B04AC, #AE4B04 and #04AE4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B04ACCE shade: #4B04AC, #AE0445, #67AE04 and #04AE6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B04ACCE shade: #4B04AC, #AE0413, #67AE04 and #04AEA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 79 / 0 / 26

HEX #4B04ACCE

RGBA 75 4 172 0.81

HSLA 265.36, 0.95%, 0.35%, 0.81

LABA 25.45, 60.44, -71.02, 0.81

 

Complementary color

CMYK 23 / 0 / 54 / 1

HEX #B4FB53CE

RGBA 180 251 83 0.81

HSLA 85.36, 0.95%, 0.65%, 0.81

LABA 91.38, -46.49, 70.32, 0.81

 

CMYK 42 / 79 / 0 / 28

HEX #5004A7CE

RGBA 80 4 167 0.81

HSLA 267.98, 0.95%, 0.34%, 0.81

LABA 25.51, 59.66, -67.87, 0.81

 

CMYK 39 / 71 / 0 / 22

HEX #6116BACE

RGBA 97 22 186 0.81

HSLA 267.44, 0.79%, 0.41%, 0.81

LABA 31.02, 61.88, -70.08, 0.81

 

CMYK 36 / 65 / 0 / 16

HEX #7228CDCE

RGBA 114 40 205 0.81

HSLA 266.91, 0.67%, 0.48%, 0.81

LABA 36.93, 62.73, -71.42, 0.81

 

CMYK 34 / 60 / 0 / 10

HEX #833AE0CE

RGBA 131 58 224 0.81

HSLA 266.39, 0.73%, 0.55%, 0.81

LABA 43.11, 62.67, -72.16, 0.81

 

CMYK 32 / 56 / 0 / 4

HEX #944CF3CE

RGBA 148 76 243 0.81

HSLA 265.87, 0.87%, 0.63%, 0.81

LABA 49.42, 62.11, -72.53, 0.81

 

CMYK 46 / 79 / 0 / 26

HEX #4B04ACCE

RGBA 75 4 172 0.81

HSLA 265.36, 0.95%, 0.35%, 0.81

LABA 25.45, 60.44, -71.02, 0.81

 

CMYK 50 / 81 / 0 / 32

HEX #3A0099CE

RGBA 58 0 153 0.81

HSLA 262.75, 1%, 0.3%, 0.81

LABA 20.83, 55.68, -67.17, 0.81

 

CMYK 56 / 81 / 0 / 38

HEX #290086CE

RGBA 41 0 134 0.81

HSLA 258.36, 1%, 0.26%, 0.81

LABA 16.47, 50.08, -62.62, 0.81

 

CMYK 64 / 81 / 0 / 44

HEX #180073CE

RGBA 24 0 115 0.81

HSLA 252.52, 1%, 0.23%, 0.81

LABA 12.17, 44.47, -57.66, 0.81

 

CMYK 75 / 81 / 0 / 51

HEX #070060CE

RGBA 7 0 96 0.81

HSLA 244.38, 1%, 0.19%, 0.81

LABA 8.04, 38.87, -52.05, 0.81

 

CMYK 56 / 98 / 0 / 32

HEX #4C04AE

RGB 76 4 174

HSL 265.41, 0.96%, 0.35%

LAB 25.8, 60.98, -71.63

 

CMYK 30 / 98 / 0 / 32

HEX #7A04AE

RGB 122 4 174

HSL 281.65, 0.96%, 0.35%

LAB 32.44, 65.62, -60.47

 

CMYK 3 / 98 / 0 / 32

HEX #A804AE

RGB 168 4 174

HSL 297.88, 0.96%, 0.35%

LAB 40.36, 72.37, -47.26

 

CMYK 0 / 98 / 22 / 32

HEX #AE0487

RGB 174 4 135

HSL 313.76, 0.96%, 0.35%

LAB 39.3, 68.03, -25.23

 

CMYK 0 / 98 / 49 / 32

HEX #AE0459

RGB 174 4 89

HSL 330, 0.96%, 0.35%

LAB 37.49, 63.32, 1.02

 

CMYK 56 / 98 / 0 / 32

HEX #4C04AE

RGB 76 4 174

HSL 265.41, 0.96%, 0.35%

LAB 25.8, 60.98, -71.63

 

CMYK 83 / 98 / 0 / 32

HEX #1E04AE

RGB 30 4 174

HSL 249.18, 0.96%, 0.35%

LAB 21.65, 58.82, -78.65

 

CMYK 98 / 98 / 0 / 32

HEX #0404AE

RGB 4 4 174

HSL 240, 0.96%, 0.35%

LAB 20.71, 58.44, -80.25

 

CMYK 56 / 98 / 0 / 32

HEX #4C04AE

RGB 76 4 174

HSL 265.41, 0.96%, 0.35%

LAB 25.8, 60.98, -71.63

 

CMYK 56 / 98 / 0 / 32

HEX #4C04AE

RGB 76 4 174

HSL 265.41, 0.96%, 0.35%

LAB 25.8, 60.98, -71.63

 

CMYK 51 / 88 / 0 / 37

HEX #4E13A0

RGB 78 19 160

HSL 265.11, 0.79%, 0.35%

LAB 25.63, 54.36, -63.42

 

CMYK 44 / 77 / 0 / 43

HEX #512191

RGB 81 33 145

HSL 265.71, 0.63%, 0.35%

LAB 26.39, 45.57, -52.95

 

CMYK 37 / 63 / 0 / 49

HEX #533083

RGB 83 48 131

HSL 265.3, 0.46%, 0.35%

LAB 28.36, 34.32, -41.04

 

CMYK 27 / 47 / 0 / 55

HEX #553E74

RGB 85 62 116

HSL 265.56, 0.3%, 0.35%

LAB 30.97, 22.21, -27.45

 

CMYK 98 / 86 / 0 / 32

HEX #0418AE

RGB 4 24 174

HSL 232.94, 0.96%, 0.35%

LAB 22.78, 52.14, -76.79

 

CMYK 83 / 98 / 0 / 32

HEX #1E04AE

RGB 30 4 174

HSL 249.18, 0.96%, 0.35%

LAB 21.65, 58.82, -78.65

 

CMYK 57 / 98 / 0 / 32

HEX #4B04AE

RGB 75 4 174

HSL 265.06, 0.96%, 0.35%

LAB 25.68, 60.91, -71.83

 

CMYK 31 / 98 / 0 / 32

HEX #7804AE

RGB 120 4 174

HSL 280.94, 0.96%, 0.35%

LAB 32.11, 65.36, -61.01

 

CMYK 5 / 98 / 0 / 32

HEX #A604AE

RGB 166 4 174

HSL 297.18, 0.96%, 0.35%

LAB 40, 72.04, -47.85

 

CMYK 56 / 98 / 0 / 63

HEX #29025E

RGB 41 2 94

HSL 265.43, 0.96%, 0.19%

LAB 11.44, 38.99, -44.96

 

CMYK 56 / 98 / 0 / 47

HEX #3B0386

RGB 59 3 134

HSL 265.65, 0.96%, 0.27%

LAB 18.87, 50.32, -58.57

 

CMYK 56 / 98 / 0 / 32

HEX #4C04AE

RGB 76 4 174

HSL 265.41, 0.96%, 0.35%

LAB 25.8, 60.98, -71.63

 

CMYK 56 / 98 / 0 / 16

HEX #5E05D6

RGB 94 5 214

HSL 265.55, 0.95%, 0.43%

LAB 32.58, 71.27, -83.91

 

CMYK 55 / 95 / 0 / 2

HEX #700CF9

RGB 112 12 249

HSL 265.32, 0.95%, 0.51%

LAB 38.81, 79.41, -93.48

 

CMYK 56 / 98 / 0 / 33

HEX #4B04AC

RGB 75 4 172

HSL 265.36, 0.95%, 0.35%

LAB 25.45, 60.44, -71.02

 

CMYK 0 / 98 / 60 / 32

HEX #AE0445

RGB 174 4 69

HSL 337.06, 0.96%, 0.35%

LAB 36.96, 61.88, 13.19

 

CMYK 98 / 0 / 96 / 32

HEX #04AE07

RGB 4 174 7

HSL 121.06, 0.96%, 0.35%

LAB 61.92, -64.33, 61.56

 

CMYK 56 / 98 / 0 / 33

HEX #4B04AC

RGB 75 4 172

HSL 265.36, 0.95%, 0.35%

LAB 25.45, 60.44, -71.02

 

CMYK 0 / 57 / 98 / 32

HEX #AE4B04

RGB 174 75 4

HSL 25.06, 0.96%, 0.35%

LAB 44.29, 37.49, 53.27

 

CMYK 98 / 0 / 57 / 32

HEX #04AE4B

RGB 4 174 75

HSL 145.06, 0.96%, 0.35%

LAB 62.34, -59.01, 39.9

 

CMYK 56 / 98 / 0 / 33

HEX #4B04AC

RGB 75 4 172

HSL 265.36, 0.95%, 0.35%

LAB 25.45, 60.44, -71.02

 

CMYK 0 / 98 / 60 / 32

HEX #AE0445

RGB 174 4 69

HSL 337.06, 0.96%, 0.35%

LAB 36.96, 61.88, 13.19

 

CMYK 41 / 0 / 98 / 32

HEX #67AE04

RGB 103 174 4

HSL 85.06, 0.96%, 0.35%

LAB 64.29, -45.02, 64.85

 

CMYK 98 / 0 / 37 / 32

HEX #04AE6D

RGB 4 174 109

HSL 157.06, 0.96%, 0.35%

LAB 62.85, -53, 23.05

 

CMYK 56 / 98 / 0 / 33

HEX #4B04AC

RGB 75 4 172

HSL 265.36, 0.95%, 0.35%

LAB 25.45, 60.44, -71.02

 

CMYK 0 / 98 / 89 / 32

HEX #AE0413

RGB 174 4 19

HSL 354.71, 0.96%, 0.35%

LAB 36.24, 59.91, 42.66

 

CMYK 41 / 0 / 98 / 32

HEX #67AE04

RGB 103 174 4

HSL 85.06, 0.96%, 0.35%

LAB 64.29, -45.02, 64.85

 

CMYK 98 / 0 / 8 / 32

HEX #04AEA0

RGB 4 174 160

HSL 175.06, 0.96%, 0.35%

LAB 64.03, -40.15, -3.4

 

Description

Color code: HEX #4B04ACCE | qconv.com Color code: HEX #4B04ACCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 4 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 4 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 79 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 79% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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