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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AFD4D it is the complementary color #B502B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AFD4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AFD4D shade: #4FFD48, #60FF5B, #71FF6E, #82FF81 and #93FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AFD4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AFD4D shade: #4AFD4D, #39EB3A, #28D927, #17C714 and #06B501

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AFD4D shade: #49FD4C, #76FD49, #A7FD49, #D7FD49 and #FDF249

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AFD4D shade: #49FD4C, #49FD7C, #49FDAD, #49FDDD and #49EBFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AFD4D shade matches the following richer shades: #49FD4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AFD4D shade: #49FD4C, #58EE5A, #66DF68, #75D077 and #84C185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AFD4D shade: #A6FD49, #76FD49, #49FD4C, #49FD7C and #49FDAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AFD4D shade: #02F106, #20FC24, #49FD4C, #72FD74 and #9AFD9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AFD4D shade: #4AFD4D, #49D6FD and #FD498E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AFD4D shade: #4AFD4D, #4C49FD and #FD4C49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AFD4D shade: #4AFD4D, #49D6FD, #FD49FA and #FD7049

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AFD4D shade: #4AFD4D, #49A0FD, #FD49FA and #FDA649

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 70 / 1

HEX #4AFD4D

RGB 74 253 77

HSL 121.01, 0.98%, 0.64%

LAB 88.09, -76.18, 67.9

 

Complementary color

CMYK 0 / 99 / 2 / 29

HEX #B502B2

RGB 181 2 178

HSL 301.01, 0.98%, 0.36%

LAB 42.89, 75.33, -45.45

 

CMYK 69 / 0 / 72 / 1

HEX #4FFD48

RGB 79 253 72

HSL 117.68, 0.98%, 0.64%

LAB 88.15, -75.74, 69.77

 

CMYK 62 / 0 / 64 / 0

HEX #60FF5B

RGB 96 255 91

HSL 118.17, 1%, 0.68%

LAB 89.28, -71.54, 64

 

CMYK 56 / 0 / 57 / 0

HEX #71FF6E

RGB 113 255 110

HSL 118.76, 1%, 0.72%

LAB 89.93, -65.8, 56.9

 

CMYK 49 / 0 / 49 / 0

HEX #82FF81

RGB 130 255 129

HSL 119.52, 1%, 0.75%

LAB 90.71, -59.24, 49.35

 

CMYK 42 / 0 / 42 / 0

HEX #93FF94

RGB 147 255 148

HSL 120.56, 1%, 0.79%

LAB 91.62, -51.99, 41.57

 

CMYK 71 / 0 / 70 / 1

HEX #4AFD4D

RGB 74 253 77

HSL 121.01, 0.98%, 0.64%

LAB 88.09, -76.18, 67.9

 

CMYK 76 / 0 / 75 / 8

HEX #39EB3A

RGB 57 235 58

HSL 120.34, 0.82%, 0.57%

LAB 82.16, -74.69, 68.29

 

CMYK 82 / 0 / 82 / 15

HEX #28D927

RGB 40 217 39

HSL 119.66, 0.7%, 0.5%

LAB 76.21, -72.64, 68.02

 

CMYK 88 / 0 / 90 / 22

HEX #17C714

RGB 23 199 20

HSL 118.99, 0.82%, 0.43%

LAB 70.23, -69.88, 66.73

 

CMYK 97 / 0 / 99 / 29

HEX #06B501

RGB 6 181 1

HSL 118.33, 0.99%, 0.36%

LAB 64.23, -66.32, 64.22

 

CMYK 71 / 0 / 70 / 1

HEX #49FD4C

RGB 73 253 76

HSL 121, 0.98%, 0.64%

LAB 88.06, -76.42, 68.23

 

CMYK 53 / 0 / 71 / 1

HEX #76FD49

RGB 118 253 73

HSL 105, 0.98%, 0.64%

LAB 89.2, -67.24, 70.82

 

CMYK 34 / 0 / 71 / 1

HEX #A7FD49

RGB 167 253 73

HSL 88.67, 0.98%, 0.64%

LAB 91.21, -52.48, 73.5

 

CMYK 15 / 0 / 71 / 1

HEX #D7FD49

RGB 215 253 73

HSL 72.67, 0.98%, 0.64%

LAB 93.96, -34.92, 77.14

 

CMYK 0 / 4 / 71 / 1

HEX #FDF249

RGB 253 242 73

HSL 56.33, 0.98%, 0.64%

LAB 93.83, -14.53, 77.96

 

CMYK 71 / 0 / 70 / 1

HEX #49FD4C

RGB 73 253 76

HSL 121, 0.98%, 0.64%

LAB 88.06, -76.42, 68.23

 

CMYK 71 / 0 / 51 / 1

HEX #49FD7C

RGB 73 253 124

HSL 137, 0.98%, 0.64%

LAB 88.51, -71.1, 48.62

 

CMYK 71 / 0 / 32 / 1

HEX #49FDAD

RGB 73 253 173

HSL 153.33, 0.98%, 0.64%

LAB 89.24, -62.75, 25.57

 

CMYK 71 / 0 / 13 / 1

HEX #49FDDD

RGB 73 253 221

HSL 169.33, 0.98%, 0.64%

LAB 90.27, -51.96, 2.33

 

CMYK 71 / 7 / 0 / 1

HEX #49EBFD

RGB 73 235 253

HSL 186, 0.98%, 0.64%

LAB 85.97, -35.4, -20.77

 

CMYK 71 / 0 / 70 / 1

HEX #49FD4C

RGB 73 253 76

HSL 121, 0.98%, 0.64%

LAB 88.06, -76.42, 68.23

 

CMYK 71 / 0 / 70 / 1

HEX #49FD4C

RGB 73 253 76

HSL 121, 0.98%, 0.64%

LAB 88.06, -76.42, 68.23

 

CMYK 63 / 0 / 62 / 7

HEX #58EE5A

RGB 88 238 90

HSL 120.8, 0.82%, 0.64%

LAB 83.95, -67.56, 58.45

 

CMYK 54 / 0 / 53 / 13

HEX #66DF68

RGB 102 223 104

HSL 120.99, 0.65%, 0.64%

LAB 79.95, -57.39, 47.71

 

CMYK 44 / 0 / 43 / 18

HEX #75D077

RGB 117 208 119

HSL 121.32, 0.49%, 0.64%

LAB 76.21, -45.24, 35.87

 

CMYK 32 / 0 / 31 / 24

HEX #84C185

RGB 132 193 133

HSL 120.98, 0.33%, 0.64%

LAB 72.72, -31.63, 24.14

 

CMYK 34 / 0 / 71 / 1

HEX #A6FD49

RGB 166 253 73

HSL 89, 0.98%, 0.64%

LAB 91.16, -52.82, 73.44

 

CMYK 53 / 0 / 71 / 1

HEX #76FD49

RGB 118 253 73

HSL 105, 0.98%, 0.64%

LAB 89.2, -67.24, 70.82

 

CMYK 71 / 0 / 70 / 1

HEX #49FD4C

RGB 73 253 76

HSL 121, 0.98%, 0.64%

LAB 88.06, -76.42, 68.23

 

CMYK 71 / 0 / 51 / 1

HEX #49FD7C

RGB 73 253 124

HSL 137, 0.98%, 0.64%

LAB 88.51, -71.1, 48.62

 

CMYK 71 / 0 / 32 / 1

HEX #49FDAC

RGB 73 253 172

HSL 153, 0.98%, 0.64%

LAB 89.23, -62.95, 26.05

 

CMYK 99 / 0 / 98 / 5

HEX #02F106

RGB 2 241 6

HSL 121, 0.98%, 0.48%

LAB 83.41, -82.42, 79.22

 

CMYK 87 / 0 / 86 / 1

HEX #20FC24

RGB 32 252 36

HSL 121.09, 0.97%, 0.56%

LAB 87.02, -83.23, 78.37

 

CMYK 71 / 0 / 70 / 1

HEX #49FD4C

RGB 73 253 76

HSL 121, 0.98%, 0.64%

LAB 88.06, -76.42, 68.23

 

CMYK 55 / 0 / 54 / 1

HEX #72FD74

RGB 114 253 116

HSL 120.86, 0.97%, 0.72%

LAB 89.43, -64.14, 53.65

 

CMYK 39 / 0 / 38 / 1

HEX #9AFD9C

RGB 154 253 156

HSL 121.21, 0.96%, 0.8%

LAB 91.47, -47.96, 37.51

 

CMYK 71 / 0 / 70 / 1

HEX #4AFD4D

RGB 74 253 77

HSL 121.01, 0.98%, 0.64%

LAB 88.09, -76.18, 67.9

 

CMYK 71 / 15 / 0 / 1

HEX #49D6FD

RGB 73 214 253

HSL 193, 0.98%, 0.64%

LAB 79.95, -25.28, -29.94

 

CMYK 0 / 71 / 44 / 1

HEX #FD498E

RGB 253 73 142

HSL 337, 0.98%, 0.64%

LAB 59.53, 72, 2.43

 

CMYK 71 / 0 / 70 / 1

HEX #4AFD4D

RGB 74 253 77

HSL 121.01, 0.98%, 0.64%

LAB 88.09, -76.18, 67.9

 

CMYK 70 / 71 / 0 / 1

HEX #4C49FD

RGB 76 73 253

HSL 241, 0.98%, 0.64%

LAB 43.35, 56.18, -88.31

 

CMYK 0 / 70 / 71 / 1

HEX #FD4C49

RGB 253 76 73

HSL 1, 0.98%, 0.64%

LAB 58.54, 66.36, 41.11

 

CMYK 71 / 0 / 70 / 1

HEX #4AFD4D

RGB 74 253 77

HSL 121.01, 0.98%, 0.64%

LAB 88.09, -76.18, 67.9

 

CMYK 71 / 15 / 0 / 1

HEX #49D6FD

RGB 73 214 253

HSL 193, 0.98%, 0.64%

LAB 79.95, -25.28, -29.94

 

CMYK 0 / 71 / 1 / 1

HEX #FD49FA

RGB 253 73 250

HSL 301, 0.98%, 0.64%

LAB 63.79, 85.32, -52.56

 

CMYK 0 / 56 / 71 / 1

HEX #FD7049

RGB 253 112 73

HSL 13, 0.98%, 0.64%

LAB 64.12, 51.44, 47.43

 

CMYK 71 / 0 / 70 / 1

HEX #4AFD4D

RGB 74 253 77

HSL 121.01, 0.98%, 0.64%

LAB 88.09, -76.18, 67.9

 

CMYK 71 / 37 / 0 / 1

HEX #49A0FD

RGB 73 160 253

HSL 211, 0.98%, 0.64%

LAB 64.68, 3.82, -53.78

 

CMYK 0 / 71 / 1 / 1

HEX #FD49FA

RGB 253 73 250

HSL 301, 0.98%, 0.64%

LAB 63.79, 85.32, -52.56

 

CMYK 0 / 34 / 71 / 1

HEX #FDA649

RGB 253 166 73

HSL 31, 0.98%, 0.64%

LAB 75.22, 24.32, 59.38

 

Description

Color code: HEX #4AFD4D | qconv.com Color code: HEX #4AFD4D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 253 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 253 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 70 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 70% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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