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Color name
HEX #4AF441

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AF441 it is the complementary color #B50BBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AF441. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AF441 shade: #4FF43C, #60FF4F, #71FF62, #82FF75 and #93FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AF441. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AF441 shade: #4AF441, #39E22E, #28D01B, #17BE08 and #06AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AF441 shade: #4CF443, #7CF443, #ABF443, #DBF443 and #F4DD43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AF441 shade: #4CF443, #43F46A, #43F49A, #43F4C9 and #43EFF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AF441 shade matches the following richer shades: #4CF443

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AF441 shade: #4CF443, #5AE453, #69D463, #77C473 and #86B483

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AF441 shade: #ADF443, #7EF443, #4FF443, #43F466 and #43F496

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AF441 shade: #17D80D, #27F21C, #4CF443, #71F66A and #96F991

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AF441 shade: #4AF441, #43DCF4 and #F44396

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AF441 shade: #4AF441, #434FF4 and #F4434F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AF441 shade: #4AF441, #43DCF4, #E843F4 and #F45B43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AF441 shade: #4AF441, #43A7F4, #E843F4 and #F49043

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 73 / 4

HEX #4AF441

RGB 74 244 65

HSL 116.98, 0.89%, 0.61%

LAB 85.27, -74.32, 69.2

 

Complementary color

CMYK 5 / 94 / 0 / 25

HEX #B50BBE

RGB 181 11 190

HSL 296.98, 0.89%, 0.39%

LAB 43.92, 76.28, -50.87

 

CMYK 68 / 0 / 75 / 4

HEX #4FF43C

RGB 79 244 60

HSL 113.8, 0.89%, 0.6%

LAB 85.35, -73.77, 70.92

 

CMYK 62 / 0 / 69 / 0

HEX #60FF4F

RGB 96 255 79

HSL 114.2, 1%, 0.65%

LAB 89.19, -72.59, 68.48

 

CMYK 56 / 0 / 62 / 0

HEX #71FF62

RGB 113 255 98

HSL 114.27, 1%, 0.69%

LAB 89.82, -67.07, 61.89

 

CMYK 49 / 0 / 54 / 0

HEX #82FF75

RGB 130 255 117

HSL 114.35, 1%, 0.73%

LAB 90.57, -60.71, 54.69

 

CMYK 42 / 0 / 47 / 0

HEX #93FF88

RGB 147 255 136

HSL 114.45, 1%, 0.77%

LAB 91.46, -53.63, 47.13

 

CMYK 70 / 0 / 73 / 4

HEX #4AF441

RGB 74 244 65

HSL 116.98, 0.89%, 0.61%

LAB 85.27, -74.32, 69.2

 

CMYK 75 / 0 / 80 / 11

HEX #39E22E

RGB 57 226 46

HSL 116.33, 0.76%, 0.53%

LAB 79.31, -72.74, 69.12

 

CMYK 81 / 0 / 87 / 18

HEX #28D01B

RGB 40 208 27

HSL 115.69, 0.77%, 0.46%

LAB 73.31, -70.58, 68.17

 

CMYK 88 / 0 / 96 / 25

HEX #17BE08

RGB 23 190 8

HSL 115.05, 0.92%, 0.39%

LAB 67.3, -67.66, 65.91

 

CMYK 97 / 0 / 100 / 33

HEX #06AC00

RGB 6 172 0

HSL 117.91, 1%, 0.34%

LAB 61.26, -63.85, 61.96

 

CMYK 69 / 0 / 73 / 4

HEX #4CF443

RGB 76 244 67

HSL 116.95, 0.89%, 0.61%

LAB 85.32, -73.83, 68.59

 

CMYK 49 / 0 / 73 / 4

HEX #7CF443

RGB 124 244 67

HSL 100.68, 0.89%, 0.61%

LAB 86.7, -62.81, 70.42

 

CMYK 30 / 0 / 73 / 4

HEX #ABF443

RGB 171 244 67

HSL 84.75, 0.89%, 0.61%

LAB 88.81, -47.72, 73.22

 

CMYK 10 / 0 / 73 / 4

HEX #DBF443

RGB 219 244 67

HSL 68.47, 0.89%, 0.61%

LAB 91.76, -29.51, 77.08

 

CMYK 0 / 9 / 73 / 4

HEX #F4DD43

RGB 244 221 67

HSL 52.2, 0.89%, 0.61%

LAB 87.66, -8.14, 73.84

 

CMYK 69 / 0 / 73 / 4

HEX #4CF443

RGB 76 244 67

HSL 116.95, 0.89%, 0.61%

LAB 85.32, -73.83, 68.59

 

CMYK 73 / 0 / 57 / 4

HEX #43F46A

RGB 67 244 106

HSL 133.22, 0.89%, 0.61%

LAB 85.47, -71.42, 53.15

 

CMYK 73 / 0 / 37 / 4

HEX #43F49A

RGB 67 244 154

HSL 149.49, 0.89%, 0.61%

LAB 86.12, -63.93, 30.94

 

CMYK 73 / 0 / 18 / 4

HEX #43F4C9

RGB 67 244 201

HSL 165.42, 0.89%, 0.61%

LAB 87.05, -53.89, 8.07

 

CMYK 73 / 2 / 0 / 4

HEX #43EFF4

RGB 67 239 244

HSL 181.69, 0.89%, 0.61%

LAB 86.73, -40.5, -14.91

 

CMYK 69 / 0 / 73 / 4

HEX #4CF443

RGB 76 244 67

HSL 116.95, 0.89%, 0.61%

LAB 85.32, -73.83, 68.59

 

CMYK 69 / 0 / 73 / 4

HEX #4CF443

RGB 76 244 67

HSL 116.95, 0.89%, 0.61%

LAB 85.32, -73.83, 68.59

 

CMYK 61 / 0 / 64 / 11

HEX #5AE453

RGB 90 228 83

HSL 117.1, 0.73%, 0.61%

LAB 80.9, -64.4, 57.98

 

CMYK 50 / 0 / 53 / 17

HEX #69D463

RGB 105 212 99

HSL 116.81, 0.57%, 0.61%

LAB 76.67, -53, 46.13

 

CMYK 39 / 0 / 41 / 23

HEX #77C473

RGB 119 196 115

HSL 117.04, 0.41%, 0.61%

LAB 72.65, -40.03, 33.34

 

CMYK 26 / 0 / 27 / 29

HEX #86B483

RGB 134 180 131

HSL 116.33, 0.25%, 0.61%

LAB 69, -25.02, 20.18

 

CMYK 29 / 0 / 73 / 4

HEX #ADF443

RGB 173 244 67

HSL 84.07, 0.89%, 0.61%

LAB 88.92, -47.01, 73.36

 

CMYK 48 / 0 / 73 / 4

HEX #7EF443

RGB 126 244 67

HSL 100, 0.89%, 0.61%

LAB 86.77, -62.24, 70.52

 

CMYK 68 / 0 / 73 / 4

HEX #4FF443

RGB 79 244 67

HSL 115.93, 0.89%, 0.61%

LAB 85.39, -73.29, 68.68

 

CMYK 73 / 0 / 58 / 4

HEX #43F466

RGB 67 244 102

HSL 131.86, 0.89%, 0.61%

LAB 85.43, -71.91, 54.88

 

CMYK 73 / 0 / 39 / 4

HEX #43F496

RGB 67 244 150

HSL 148.14, 0.89%, 0.61%

LAB 86.05, -64.67, 32.86

 

CMYK 89 / 0 / 94 / 15

HEX #17D80D

RGB 23 216 13

HSL 117.04, 0.89%, 0.45%

LAB 75.65, -74.77, 72.26

 

CMYK 84 / 0 / 88 / 5

HEX #27F21C

RGB 39 242 28

HSL 116.92, 0.89%, 0.53%

LAB 83.98, -80.23, 77.22

 

CMYK 69 / 0 / 73 / 4

HEX #4CF443

RGB 76 244 67

HSL 116.95, 0.89%, 0.61%

LAB 85.32, -73.83, 68.59

 

CMYK 54 / 0 / 57 / 4

HEX #71F66A

RGB 113 246 106

HSL 117, 0.89%, 0.69%

LAB 87.22, -62.98, 55.5

 

CMYK 40 / 0 / 42 / 2

HEX #96F991

RGB 150 249 145

HSL 117.12, 0.9%, 0.77%

LAB 89.99, -49.06, 40.95

 

CMYK 70 / 0 / 73 / 4

HEX #4AF441

RGB 74 244 65

HSL 116.98, 0.89%, 0.61%

LAB 85.27, -74.32, 69.2

 

CMYK 73 / 10 / 0 / 4

HEX #43DCF4

RGB 67 220 244

HSL 188.14, 0.89%, 0.61%

LAB 81.24, -31.67, -23.2

 

CMYK 0 / 73 / 39 / 4

HEX #F44396

RGB 244 67 150

HSL 331.86, 0.89%, 0.61%

LAB 57.51, 72.32, -5.4

 

CMYK 70 / 0 / 73 / 4

HEX #4AF441

RGB 74 244 65

HSL 116.98, 0.89%, 0.61%

LAB 85.27, -74.32, 69.2

 

CMYK 73 / 68 / 0 / 4

HEX #434FF4

RGB 67 79 244

HSL 235.93, 0.89%, 0.61%

LAB 43.24, 49.04, -83.48

 

CMYK 0 / 73 / 68 / 4

HEX #F4434F

RGB 244 67 79

HSL 355.93, 0.89%, 0.61%

LAB 55.9, 67.04, 34.19

 

CMYK 70 / 0 / 73 / 4

HEX #4AF441

RGB 74 244 65

HSL 116.98, 0.89%, 0.61%

LAB 85.27, -74.32, 69.2

 

CMYK 73 / 10 / 0 / 4

HEX #43DCF4

RGB 67 220 244

HSL 188.14, 0.89%, 0.61%

LAB 81.24, -31.67, -23.2

 

CMYK 5 / 73 / 0 / 4

HEX #E843F4

RGB 232 67 244

HSL 295.93, 0.89%, 0.61%

LAB 59.62, 81.99, -56.07

 

CMYK 0 / 63 / 73 / 4

HEX #F45B43

RGB 244 91 67

HSL 8.14, 0.89%, 0.61%

LAB 59.09, 57.38, 44.56

 

CMYK 70 / 0 / 73 / 4

HEX #4AF441

RGB 74 244 65

HSL 116.98, 0.89%, 0.61%

LAB 85.27, -74.32, 69.2

 

CMYK 73 / 32 / 0 / 4

HEX #43A7F4

RGB 67 167 244

HSL 206.1, 0.89%, 0.61%

LAB 66.03, -4.07, -46.75

 

CMYK 5 / 73 / 0 / 4

HEX #E843F4

RGB 232 67 244

HSL 295.93, 0.89%, 0.61%

LAB 59.62, 81.99, -56.07

 

CMYK 0 / 41 / 73 / 4

HEX #F49043

RGB 244 144 67

HSL 26.1, 0.89%, 0.61%

LAB 69.17, 31.86, 55.41

 

Description

Color code: HEX #4AF441 | qconv.com Color code: HEX #4AF441 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 244 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 244 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 73 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 73% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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