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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AEEA5 it is the complementary color #B5115A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AEEA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AEEA5 shade: #4FEEA0, #60FFB3, #71FFC6, #82FFD9 and #93FFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AEEA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AEEA5 shade: #4AEEA5, #39DC92, #28CA7F, #17B86C and #06A659

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AEEA5 shade: #49EEA5, #49EE78, #49EE4C, #73EE49 and #9FEE49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AEEA5 shade: #49EEA5, #49EED1, #49DFEE, #49B2EE and #4986EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AEEA5 shade matches the following richer shades: #49EEA5 and #39FEA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AEEA5 shade: #49EEA5, #59DEA3, #69CEA1, #79BE9F and #89AE9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AEEA5 shade: #49EE4C, #49EE78, #49EEA4, #49EED0 and #49E0EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AEEA5 shade: #13D17D, #23EB92, #49EEA5, #6FF2B7 and #95F5CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AEEA5 shade: #4AEEA5, #4972EE and #EE6249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AEEA5 shade: #4AEEA5, #A449EE and #EEA449

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AEEA5 shade: #4AEEA5, #4972EE, #EE4993 and #EEC549

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AEEA5 shade: #4AEEA5, #5149EE, #EE4993 and #E6EE49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 31 / 7

HEX #4AEEA5

RGB 74 238 165

HSL 153.29, 0.83%, 0.61%

LAB 84.65, -58.55, 23.37

 

Complementary color

CMYK 0 / 91 / 50 / 29

HEX #B5115A

RGB 181 17 90

HSL 333.29, 0.83%, 0.39%

LAB 39.52, 63.46, 3.49

 

CMYK 67 / 0 / 33 / 7

HEX #4FEEA0

RGB 79 238 160

HSL 150.57, 0.82%, 0.62%

LAB 84.66, -58.75, 25.97

 

CMYK 62 / 0 / 30 / 0

HEX #60FFB3

RGB 96 255 179

HSL 151.32, 1%, 0.69%

LAB 90.44, -58.65, 24.25

 

CMYK 56 / 0 / 22 / 0

HEX #71FFC6

RGB 113 255 198

HSL 155.92, 1%, 0.72%

LAB 91.28, -51.5, 15.78

 

CMYK 49 / 0 / 15 / 0

HEX #82FFD9

RGB 130 255 217

HSL 161.76, 1%, 0.75%

LAB 92.25, -43.76, 7.46

 

CMYK 42 / 0 / 7 / 0

HEX #93FFEC

RGB 147 255 236

HSL 169.44, 1%, 0.79%

LAB 93.35, -35.56, -0.68

 

CMYK 69 / 0 / 31 / 7

HEX #4AEEA5

RGB 74 238 165

HSL 153.29, 0.83%, 0.61%

LAB 84.65, -58.55, 23.37

 

CMYK 74 / 0 / 34 / 14

HEX #39DC92

RGB 57 220 146

HSL 152.76, 0.7%, 0.54%

LAB 78.54, -57.97, 24.79

 

CMYK 80 / 0 / 37 / 21

HEX #28CA7F

RGB 40 202 127

HSL 152.22, 0.67%, 0.47%

LAB 72.38, -57.09, 26.33

 

CMYK 88 / 0 / 41 / 28

HEX #17B86C

RGB 23 184 108

HSL 151.68, 0.78%, 0.41%

LAB 66.17, -55.8, 28.02

 

CMYK 96 / 0 / 46 / 35

HEX #06A659

RGB 6 166 89

HSL 151.13, 0.93%, 0.34%

LAB 59.92, -53.98, 29.84

 

CMYK 69 / 0 / 31 / 7

HEX #49EEA5

RGB 73 238 165

HSL 153.45, 0.83%, 0.61%

LAB 84.63, -58.7, 23.34

 

CMYK 69 / 0 / 50 / 7

HEX #49EE78

RGB 73 238 120

HSL 137.09, 0.83%, 0.61%

LAB 83.92, -66.58, 44.84

 

CMYK 69 / 0 / 68 / 7

HEX #49EE4C

RGB 73 238 76

HSL 121.09, 0.83%, 0.61%

LAB 83.49, -71.73, 63.44

 

CMYK 52 / 0 / 69 / 7

HEX #73EE49

RGB 115 238 73

HSL 104.73, 0.83%, 0.61%

LAB 84.63, -62.67, 66.1

 

CMYK 33 / 0 / 69 / 7

HEX #9FEE49

RGB 159 238 73

HSL 88.73, 0.83%, 0.61%

LAB 86.5, -49.05, 68.63

 

CMYK 69 / 0 / 31 / 7

HEX #49EEA5

RGB 73 238 165

HSL 153.45, 0.83%, 0.61%

LAB 84.63, -58.7, 23.34

 

CMYK 69 / 0 / 12 / 7

HEX #49EED1

RGB 73 238 209

HSL 169.45, 0.83%, 0.61%

LAB 85.59, -48.68, 1.78

 

CMYK 69 / 6 / 0 / 7

HEX #49DFEE

RGB 73 223 238

HSL 185.45, 0.83%, 0.61%

LAB 82.04, -34.12, -18.8

 

CMYK 69 / 25 / 0 / 7

HEX #49B2EE

RGB 73 178 238

HSL 201.82, 0.83%, 0.61%

LAB 69.06, -11.36, -38.72

 

CMYK 69 / 44 / 0 / 7

HEX #4986EE

RGB 73 134 238

HSL 217.82, 0.83%, 0.61%

LAB 56.72, 14.02, -58.22

 

CMYK 69 / 0 / 31 / 7

HEX #49EEA5

RGB 73 238 165

HSL 153.45, 0.83%, 0.61%

LAB 84.63, -58.7, 23.34

 

CMYK 78 / 0 / 35 / 0

HEX #39FEA6

RGB 57 254 166

HSL 153.2, 0.99%, 0.61%

LAB 89.16, -66.46, 28.95

 

CMYK 69 / 0 / 31 / 7

HEX #49EEA5

RGB 73 238 165

HSL 153.45, 0.83%, 0.61%

LAB 84.63, -58.7, 23.34

 

CMYK 60 / 0 / 27 / 13

HEX #59DEA3

RGB 89 222 163

HSL 153.38, 0.67%, 0.61%

LAB 80.19, -50, 18.3

 

CMYK 49 / 0 / 22 / 19

HEX #69CEA1

RGB 105 206 161

HSL 153.27, 0.51%, 0.61%

LAB 75.9, -40.02, 13.43

 

CMYK 36 / 0 / 16 / 25

HEX #79BE9F

RGB 121 190 159

HSL 153.04, 0.35%, 0.61%

LAB 71.82, -28.7, 8.82

 

CMYK 21 / 0 / 9 / 32

HEX #89AE9E

RGB 137 174 158

HSL 154.05, 0.19%, 0.61%

LAB 68.06, -15.88, 4.09

 

CMYK 69 / 0 / 68 / 7

HEX #49EE4C

RGB 73 238 76

HSL 121.09, 0.83%, 0.61%

LAB 83.49, -71.73, 63.44

 

CMYK 69 / 0 / 50 / 7

HEX #49EE78

RGB 73 238 120

HSL 137.09, 0.83%, 0.61%

LAB 83.92, -66.58, 44.84

 

CMYK 69 / 0 / 31 / 7

HEX #49EEA4

RGB 73 238 164

HSL 153.09, 0.83%, 0.61%

LAB 84.61, -58.9, 23.82

 

CMYK 69 / 0 / 13 / 7

HEX #49EED0

RGB 73 238 208

HSL 169.09, 0.83%, 0.61%

LAB 85.56, -48.93, 2.27

 

CMYK 69 / 6 / 0 / 7

HEX #49E0EE

RGB 73 224 238

HSL 185.09, 0.83%, 0.61%

LAB 82.33, -34.59, -18.37

 

CMYK 91 / 0 / 40 / 18

HEX #13D17D

RGB 19 209 125

HSL 153.47, 0.83%, 0.45%

LAB 74.33, -61.6, 29.93

 

CMYK 85 / 0 / 38 / 8

HEX #23EB92

RGB 35 235 146

HSL 153.3, 0.83%, 0.53%

LAB 82.83, -65.62, 30.52

 

CMYK 69 / 0 / 31 / 7

HEX #49EEA5

RGB 73 238 165

HSL 153.45, 0.83%, 0.61%

LAB 84.63, -58.7, 23.34

 

CMYK 54 / 0 / 24 / 5

HEX #6FF2B7

RGB 111 242 183

HSL 152.98, 0.83%, 0.69%

LAB 87.15, -49.61, 17.69

 

CMYK 39 / 0 / 18 / 4

HEX #95F5CA

RGB 149 245 202

HSL 153.13, 0.83%, 0.77%

LAB 89.84, -37.77, 11.86

 

CMYK 69 / 0 / 31 / 7

HEX #4AEEA5

RGB 74 238 165

HSL 153.29, 0.83%, 0.61%

LAB 84.65, -58.55, 23.37

 

CMYK 69 / 52 / 0 / 7

HEX #4972EE

RGB 73 114 238

HSL 225.09, 0.83%, 0.61%

LAB 51.41, 26.34, -66.77

 

CMYK 0 / 59 / 69 / 7

HEX #EE6249

RGB 238 98 73

HSL 9.09, 0.83%, 0.61%

LAB 59.34, 52.54, 41.38

 

CMYK 69 / 0 / 31 / 7

HEX #4AEEA5

RGB 74 238 165

HSL 153.29, 0.83%, 0.61%

LAB 84.65, -58.55, 23.37

 

CMYK 31 / 69 / 0 / 7

HEX #A449EE

RGB 164 73 238

HSL 273.09, 0.83%, 0.61%

LAB 50.49, 65.28, -67.9

 

CMYK 0 / 31 / 69 / 7

HEX #EEA449

RGB 238 164 73

HSL 33.09, 0.83%, 0.61%

LAB 73.03, 19.17, 56.53

 

CMYK 69 / 0 / 31 / 7

HEX #4AEEA5

RGB 74 238 165

HSL 153.29, 0.83%, 0.61%

LAB 84.65, -58.55, 23.37

 

CMYK 69 / 52 / 0 / 7

HEX #4972EE

RGB 73 114 238

HSL 225.09, 0.83%, 0.61%

LAB 51.41, 26.34, -66.77

 

CMYK 0 / 69 / 38 / 7

HEX #EE4993

RGB 238 73 147

HSL 333.09, 0.83%, 0.61%

LAB 57.12, 68.38, -4.32

 

CMYK 0 / 17 / 69 / 7

HEX #EEC549

RGB 238 197 73

HSL 45.09, 0.83%, 0.61%

LAB 81.07, 1.85, 64.9

 

CMYK 69 / 0 / 31 / 7

HEX #4AEEA5

RGB 74 238 165

HSL 153.29, 0.83%, 0.61%

LAB 84.65, -58.55, 23.37

 

CMYK 66 / 69 / 0 / 7

HEX #5149EE

RGB 81 73 238

HSL 242.91, 0.83%, 0.61%

LAB 42.29, 52.02, -81.63

 

CMYK 0 / 69 / 38 / 7

HEX #EE4993

RGB 238 73 147

HSL 333.09, 0.83%, 0.61%

LAB 57.12, 68.38, -4.32

 

CMYK 3 / 0 / 69 / 7

HEX #E6EE49

RGB 230 238 73

HSL 62.91, 0.83%, 0.61%

LAB 90.99, -21.97, 74.59

 

Description

Color code: HEX #4AEEA5 | qconv.com Color code: HEX #4AEEA5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 238 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 238 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 31 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 31% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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